Erik Satie and Friends

~ Release by Erik Satie, Chabrier, Debussy, Fauré, Françaix, Ibert, Milhaud, Poulenc, Ravel, Saint‐Saëns (see all versions of this release, 2 available)

Tracklist

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1▼CD: “Meet the Composer”
#TitleArtistLength
13 mouvements perpétuels, FP 14: I. Assez modéré
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Trois mouvements perpétuels, FP 14a: I. Assez modéré (on 1950-02-11)
composer:
Francis Poulenc
part of:
Trois mouvements perpétuels, FP 14a
Francis Poulenc1:13
23 mouvements perpétuels, FP 14: II. Très modéré
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Trois mouvements perpétuels, FP 14a: II. Très modéré (on 1950-02-11)
composer:
Francis Poulenc
part of:
Trois mouvements perpétuels, FP 14a
Francis Poulenc1:13
33 mouvements perpétuels, FP 14: III. Alerte
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Trois mouvements perpétuels, FP 14a: III. Alerte (on 1950-02-11)
composer:
Francis Poulenc
part of:
Trois mouvements perpétuels, FP 14a
Francis Poulenc2:32
48 Nocturnes, FP 56: Nocturne no. 1 in C major
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Nocturne no. 1 in C major (on 1950-02-11)
composer:
Francis Poulenc
part of:
8 Nocturnes, FP 56
Francis Poulenc3:20
5Suite française d'après Claude Gervaise, FP 80b: I. Bransle de Bourgogne
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Suite française, FP 80: 1. Bransle de Bourgogne (for piano) (on 1950-02-11)
composer:
Francis Poulenc
arrangement of:
Suite française, FP 80: 1. Bransle de Bourgogne (for chamber ensemble)
part of:
Suite française, FP 80 (for piano)
Francis Poulenc1:07
6Suite française d'après Claude Gervaise, FP 80b: II. Pavane
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Suite française, FP 80: 2. Pavane (for piano) (on 1950-02-11)
composer:
Francis Poulenc
arrangement of:
Suite française, FP 80: 2. Pavane (for chamber ensemble)
part of:
Suite française, FP 80 (for piano)
Francis Poulenc2:55
7Suite française d'après Claude Gervaise, FP 80b: III. Petite marche militaire
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Suite française, FP 80: 3. Petite marche militaire (for piano) (on 1950-02-11)
composer:
Francis Poulenc
arrangement of:
Suite française, FP 80: 3. Petite marche militaire (for chamber ensemble)
part of:
Suite française, FP 80 (for piano)
Francis Poulenc1:00
8Suite française d'après Claude Gervaise, FP 80b: IV. Complainte
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Suite française, FP 80: 4. Complainte (for piano) (on 1950-02-11)
composer:
Francis Poulenc
arrangement of:
Suite française, FP 80: 4. Complainte (for chamber ensemble)
part of:
Suite française, FP 80 (for piano)
Francis Poulenc1:33
9Suite française d'après Claude Gervaise, FP 80b: V. Bransle de Champagne
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Suite française, FP 80: 5. Bransle de Champagne (for piano) (on 1950-02-11)
composer:
Francis Poulenc
arrangement of:
Suite française, FP 80: 5. Bransle de Champagne (for chamber ensemble)
part of:
Suite française, FP 80 (for piano)
Francis Poulenc2:25
10Suite française d'après Claude Gervaise, FP 80b: VI. Sicilienne
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Suite française, FP 80: 6. Sicilienne (for piano) (on 1950-02-11)
composer:
Francis Poulenc
arrangement of:
Suite française, FP 80: 6. Sicilienne (for chamber ensemble)
part of:
Suite française, FP 80 (for piano)
Francis Poulenc2:17
11Suite française d'après Claude Gervaise, FP 80b: VII. Carillon
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Suite française, FP 80: 7. Carillon (for piano) (on 1950-02-11)
composer:
Francis Poulenc
arrangement of:
Suite française, FP 80: 7. Carillon (for chamber ensemble)
part of:
Suite française, FP 80 (for piano)
Francis Poulenc1:40
12Descriptions automatiques: I. Sur un vaisseau
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Descriptions automatiques : I. Sur un vaisseau (on 1950-02-11)
composer:
Erik Satie (in 1913)
part of:
Descriptions automatiques
Erik Satie1:25
13Descriptions automatiques: II. Sur une lanterne
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Descriptions automatiques : II. Sur une lanterne (on 1950-02-11)
composer:
Erik Satie (in 1913)
part of:
Descriptions automatiques
Erik Satie1:36
14Descriptions automatiques: III. Sur un casque
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Descriptions automatiques : III. Sur un casque (on 1950-02-11)
composer:
Erik Satie (in 1913)
part of:
Descriptions automatiques
Erik Satie0:49
15Gymnopédie no. 1
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (on 1950-02-11)
composer:
Erik Satie (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (number: 4)
part of:
Gymnopédies
Erik Satie2:53
16Sarabande no. 2
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Deuxième Sarabande (Sarabande No. 2) (on 1950-02-11)
composer:
Erik Satie (in 1887-09)
part of:
Trois Sarabandes
Erik Satie3:46
17Gnossienne no. 3
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Gnossienne no. 3 (on 1950-02-11)
composer:
Erik Satie (in 1890)
part of:
Trois Gnossiennes
Erik Satie2:16
18Avant-dernières pensées: I. Idylle
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Avant-dernières pensées : I. Idylle (à Debussy) (on 1950-02-11)
composer:
Erik Satie (on 1915-08-23)
dedicated to:
Claude Debussy
premiered by:
Erik Satie (on 1916-05-30)
part of:
Avant-dernières pensées
Erik Satie0:55
19Avant-dernières pensées: II. Aubade
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Avant-dernières pensées : II. Aubade (à Paul Dukas) (on 1950-02-11)
composer:
Erik Satie (on 1915-10-06)
dedicated to:
Paul Dukas
premiered by:
Erik Satie (on 1916-05-30)
part of:
Avant-dernières pensées
Erik Satie1:24
20Avant-dernières pensées: III. Méditation
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Avant-dernières pensées : III. Méditation (à Albert Roussel) (on 1950-02-11)
composer:
Erik Satie (on 1915-10-03)
dedicated to:
Albert Roussel
premiered by:
Erik Satie (on 1916-05-30)
part of:
Avant-dernières pensées
Erik Satie0:54
21Croquis et agaceries d'un gros bonhomme en bois: I. Tyrolienne turque
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Croquis et agaceries d'un gros bonhomme en bois : I. Tyrolienne turque (on 1950-02-11)
composer:
Erik Satie (in 1913)
part of:
Croquis et agaceries d’un gros bonhomme en bois
Erik Satie1:59
22Croquis et agaceries d'un gros bonhomme en bois: II. Danse maigre
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Croquis et agaceries d'un gros bonhomme en bois : II. Danse maigre (à la manière de ces messieurs) (on 1950-02-11)
composer:
Erik Satie (in 1913)
part of:
Croquis et agaceries d’un gros bonhomme en bois
Erik Satie1:37
23Croquis et agaceries d'un gros bonhomme en bois: III. Españaña
piano:
Francis Poulenc (on 1950-02-11)
recorded at:
[unknown] (on 1950-02-11)
recording of:
Croquis et agaceries d'un gros bonhomme en bois : III. Españana (on 1950-02-11)
composer:
Erik Satie (in 1913)
version of:
San Bernardo
part of:
Croquis et agaceries d’un gros bonhomme en bois
Erik Satie1:22
2▼CD: Soirée Française
#TitleArtistLength
14 Poèmes de Guillaume Apollinaire: I. L’Anguille
piano:
Francis Poulenc (on 1950-03-23)
baritone vocals:
Pierre Bernac (on 1950-03-23)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-23)
recording of:
Quatre poèmes de Guillaume Apollinaire, FP 58: 1. L'anguille (on 1950-03-23)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (in 1931)
part of:
Quatre poèmes de Guillaume Apollinaire, FP 58
Francis Poulenc1:11
24 Poèmes de Guillaume Apollinaire: II. Carte postale
piano:
Francis Poulenc (on 1950-03-23)
baritone vocals:
Pierre Bernac (on 1950-03-23)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-23)
recording of:
Quatre poèmes de Guillaume Apollinaire, FP 58: 2. Carte postale (on 1950-03-23)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (in 1931)
part of:
Quatre poèmes de Guillaume Apollinaire, FP 58
Francis Poulenc1:06
34 Poèmes de Guillaume Apollinaire: III. Avant le cinéma
piano:
Francis Poulenc (on 1950-03-23)
baritone vocals:
Pierre Bernac (on 1950-03-23)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-23)
recording of:
Quatre poèmes de Guillaume Apollinaire, FP 58: 3. Avant le cinéma (on 1950-03-23)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (in 1931)
part of:
Quatre poèmes de Guillaume Apollinaire, FP 58
Francis Poulenc0:50
44 Poèmes de Guillaume Apollinaire: IV. 1904
piano:
Francis Poulenc (on 1950-03-23)
baritone vocals:
Pierre Bernac (on 1950-03-23)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-23)
recording of:
Quatre poèmes de Guillaume Apollinaire, FP 58: 4. 1904 (on 1950-03-23)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (in 1931)
part of:
Quatre poèmes de Guillaume Apollinaire, FP 58
Francis Poulenc1:13
5Tu vois le feu du soir
piano:
Francis Poulenc (on 1950-03-25)
baritone vocals:
Pierre Bernac (on 1950-03-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-25)
recording of:
Miroirs brûlants, FP 98: 1. Tu vois le feu du soir (on 1950-03-25)
lyricist:
Paul Éluard
composer:
Francis Poulenc (from 1938 until 1939)
part of:
Miroirs brûlants, FP 98
Francis Poulenc3:56
6Main dominée par le cœur
piano:
Francis Poulenc (on 1950-03-25)
baritone vocals:
Pierre Bernac (on 1950-03-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-25)
recording of:
Main dominée par le cœur, FP 135 (on 1950-03-25)
lyricist:
Paul Éluard
composer:
Francis Poulenc (in 1946)
Francis Poulenc1:11
7Calligrammes, FP 140: I. L’Espionne
piano:
Francis Poulenc (on 1950-03-25)
baritone vocals:
Pierre Bernac (on 1950-03-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-25)
recording of:
Calligrammes, FP 140: 1. L'espionne (on 1950-03-25)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (in 1948)
part of:
Calligrammes, FP 140
Francis Poulenc1:40
8Calligrammes, FP 140: II. Mutation
piano:
Francis Poulenc (on 1950-03-25)
baritone vocals:
Pierre Bernac (on 1950-03-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-25)
recording of:
Calligrammes, FP 140: 2. Mutation (on 1950-03-25)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (in 1948)
part of:
Calligrammes, FP 140
Francis Poulenc0:41
9Calligrammes, FP 140: III. Vers le Sud
piano:
Francis Poulenc (on 1950-03-25)
baritone vocals:
Pierre Bernac (on 1950-03-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-25)
recording of:
Calligrammes, FP 140: 3. Vers le sud (on 1950-03-25)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (in 1948)
part of:
Calligrammes, FP 140
Francis Poulenc1:47
10Calligrammes, FP 140: IV. Il pleut
piano:
Francis Poulenc (on 1950-03-25)
baritone vocals:
Pierre Bernac (on 1950-03-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-25)
recording of:
Calligrammes, FP 140: 4. Il pleut (on 1950-03-25)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (in 1948)
part of:
Calligrammes, FP 140
Francis Poulenc1:00
11Calligrammes, FP 140: V. La Grâce exilée
piano:
Francis Poulenc (on 1950-03-25)
baritone vocals:
Pierre Bernac (on 1950-03-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-25)
recording of:
Calligrammes, FP 140: 5. La grâce exilée (on 1950-03-25)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (in 1948)
part of:
Calligrammes, FP 140
Francis Poulenc0:35
12Calligrammes, FP 140: VI. Aussi bien que les cigales
piano:
Francis Poulenc (on 1950-03-25)
baritone vocals:
Pierre Bernac (on 1950-03-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-25)
recording of:
Calligrammes, FP 140: 6. Aussi bien que les cigales (on 1950-03-25)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (in 1948)
part of:
Calligrammes, FP 140
Francis Poulenc1:46
13Calligrammes, FP 140: VII. Voyage
piano:
Francis Poulenc (on 1950-03-25)
baritone vocals:
Pierre Bernac (on 1950-03-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-25)
recording of:
Calligrammes, FP 140: 7. Voyage (on 1950-03-25)
lyricist:
Guillaume Apollinaire
composer:
Francis Poulenc (in 1948)
part of:
Calligrammes, FP 140
Francis Poulenc2:35
14L'Île heureuse
piano:
Francis Poulenc (on 1950-03-27)
baritone vocals:
Pierre Bernac (on 1950-03-27)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-27)
recording of:
L'Île heureuse (on 1950-03-27)
lyricist:
Éphraïm Mikhaël
composer:
Emmanuel Chabrier (in 1889)
part of:
6 Mélodies
Emmanuel Chabrier3:06
15Villanelle des petits canards
piano:
Francis Poulenc (on 1950-03-27)
baritone vocals:
Pierre Bernac (on 1950-03-27)
recorded at:
[unknown] (on 1950-03-27) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-27)
recording of:
Villanelle des petits canards (on 1950-03-27)
lyricist:
Rosemonde Gérard
composer:
Emmanuel Chabrier (in 1889)
part of:
6 Mélodies
Emmanuel Chabrier1:57
16Beau soir
piano:
Francis Poulenc (on 1950-03-25)
baritone vocals:
Pierre Bernac (on 1950-03-25)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-25)
recording of:
Beau soir, L. 6, CD 84 “Lorsque au soleil couchant les rivières sont roses” (for voice and piano) (on 1950-03-25)
lyricist:
Paul Bourget
composer:
Claude Debussy (from 1890 until 1891)
publisher:
Veuve Girod (in 1891)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (number: L. 6) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 84)
Claude Debussy2:05
17L’Échelonnement des haies
piano:
Francis Poulenc (on 1950-03-27)
baritone vocals:
Pierre Bernac (on 1950-03-27)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-27)
recording of:
Trois Mélodies, L. 81, CD 85 : III. L’échelonnement des haies moutonne à l’infini (for voice and piano) (on 1950-03-27)
lyricist:
Paul Verlaine
composer:
Claude Debussy (in 1891)
dedicated to:
Robert Godet
premiered at:
[concert]
part of:
Trois Mélodies, L. 81, CD 85 (for voice and piano)
Claude Debussy1:19
18Le Promenoir des deux amants
piano:
Francis Poulenc (on 1950-03-27)
baritone vocals:
Pierre Bernac (on 1950-03-27)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-27)
recording of:
Le promenoir des deux amants, L. 118, CD 129 (for voice and piano) (on 1950-03-27)
lyricist:
Tristan l'Hermite
composer:
Claude Debussy (from 1904 until 1910)
dedicated to:
Claude-Emma Debussy
premiered at:
[concert]
publisher:
Durand et Cie (in 1910-08)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (number: L. 118) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 129)
Claude Debussy5:44
193 Mélodies: La Statue de bronze
piano:
Francis Poulenc (on 1950-03-27)
baritone vocals:
Pierre Bernac (on 1950-03-27)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-27)
recording of:
Trois petites mélodies: I. La Statue de bronze (on 1950-03-27)
lyricist:
Léon-Paul Fargue
composer:
Erik Satie (on 1916-05-26)
dedicated to:
Jane Bathori
part of:
Trois mélodies
Erik Satie1:44
203 Mélodies: Daphénéo
piano:
Francis Poulenc (on 1950-03-27)
baritone vocals:
Pierre Bernac (on 1950-03-27)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-27)
recording of:
Trois petites mélodies: II. Daphénéo (on 1950-03-27)
lyricist:
M. God
composer:
Erik Satie (on 1916-04-14)
part of:
Trois mélodies
Erik Satie1:10
213 Mélodies: Le Chapelier
piano:
Francis Poulenc (on 1950-03-27)
baritone vocals:
Pierre Bernac (on 1950-03-27)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1950-03-27)
recording of:
Trois petites mélodies: III. Le Chapelier (on 1950-03-27)
lyricist:
René Chalupt
composer:
Erik Satie (on 1916-04-14)
dedicated to:
Игорь Фёдорович Стравинский
part of:
Trois mélodies
Erik Satie1:04
3▼CD: Music for 2 Pianos
#TitleArtistLength
1Concertino d'automne, op. 309
piano:
Robert Fizdale (on 1952-06-20) and Arthur Gold (on 1952-06-20)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-06-20)
recording of:
Concertino d'automne, op. 309 (on 1952-06-20)
premiered in:
Charleston, South Carolina, United States (on 1951-11-19)
composer:
Darius Milhaud (in 1951)
composed at:
Mills College in Oakland, California, United States (in 1951)
part of:
Works of Darius Milhaud by opus number (number: op. 309)
Darius Milhaud10:08
2En habit de cheval: I. Choral
piano:
Robert Fizdale (on 1952-06-20) and Arthur Gold (on 1952-06-20)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-06-20)
recording of:
En habit de cheval: I. Choral (for orchestra) (on 1952-06-20)
orchestrator and composer:
Erik Satie (in 1911)
orchestration of:
En habit de cheval: I. Chorale (pour piano à quatre mains)
part of:
En habit de cheval (for orchestra)
Erik Satie1:10
3En habit de cheval: II. Fugue litanique
piano:
Robert Fizdale (on 1952-06-20) and Arthur Gold (on 1952-06-20)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-06-20)
recording of:
En habit de cheval: II. Fugue litanique (pour piano à quatre mains) (on 1952-06-20)
composer:
Erik Satie (in 1911)
part of:
En habit de cheval (pour piano à quatre mains)
Erik Satie2:24
4En habit de cheval: III. Autre choral
piano:
Robert Fizdale (on 1952-06-20) and Arthur Gold (on 1952-06-20)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-06-20)
recording of:
En habit de cheval: III. Autre choral (for orchestra) (on 1952-06-20)
orchestrator and composer:
Erik Satie (in 1911)
orchestration of:
En habit de cheval: III. Autre chorale (pour piano à quatre mains)
part of:
En habit de cheval (for orchestra)
Erik Satie0:52
5En habit de cheval: IV. Fugue de papier
piano:
Robert Fizdale (on 1952-06-20) and Arthur Gold (on 1952-06-20)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-06-20)
recording of:
En habit de cheval: IV. Fugue de papier (pour piano à quatre mains) (on 1952-06-20)
composer:
Erik Satie (in 1911)
part of:
En habit de cheval (pour piano à quatre mains)
Erik Satie2:35
66 Épigraphes antiques: I. Pour invoquer Pan, dieu du vent d'été
piano:
Robert Fizdale (on 1953-01-26) and Arthur Gold (on 1953-01-26)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-01-26)
recording of:
Six épigraphes antiques, L. 131: I. Pour invoquer Pan, dieu du vent d'été (for piano 4-hands) (on 1953-01-26)
composer:
Claude Debussy (from 1914-07 until 1915)
part of:
Six épigraphes antiques, L. 131 (for piano 4-hands)
Claude Debussy2:02
76 Épigraphes antiques: II. Pour un tombeau sans nom
piano:
Robert Fizdale (on 1953-01-26) and Arthur Gold (on 1953-01-26)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-01-26)
recording of:
Six épigraphes antiques, L. 131: II. Pour un tombeau sans nom (for piano 4-hands) (on 1953-01-26)
composer:
Claude Debussy (from 1914-07 until 1915)
part of:
Six épigraphes antiques, L. 131 (for piano 4-hands)
Claude Debussy2:46
86 Épigraphes antiques: III. Pour que la nuit soit propice
piano:
Robert Fizdale (on 1953-01-26) and Arthur Gold (on 1953-01-26)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-01-26)
recording of:
Six épigraphes antiques, L. 131: III. Pour que la nuit soit propice (for piano 4-hands) (on 1953-01-26)
composer:
Claude Debussy (from 1914-07 until 1915)
part of:
Six épigraphes antiques, L. 131 (for piano 4-hands)
Claude Debussy2:11
96 Épigraphes antiques: IV. Pour la danseuse aux crotales
piano:
Robert Fizdale (on 1953-01-26) and Arthur Gold (on 1953-01-26)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-01-26)
recording of:
Six épigraphes antiques, L. 131: IV. Pour la danseuse aux crotales (for piano 4-hands) (on 1953-01-26)
composer:
Claude Debussy (from 1914-07 until 1915)
part of:
Six épigraphes antiques, L. 131 (for piano 4-hands)
Claude Debussy2:00
106 Épigraphes antiques: V. Pour l’Égyptienne
piano:
Robert Fizdale (on 1953-01-26) and Arthur Gold (on 1953-01-26)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-01-26)
recording of:
Six épigraphes antiques, L. 131: V. Pour l'Égyptienne (for piano 4-hands) (on 1953-01-26)
composer:
Claude Debussy (from 1914-07 until 1915)
part of:
Six épigraphes antiques, L. 131 (for piano 4-hands)
Claude Debussy2:31
116 Épigraphes antiques: VI. Pour remercier la pluie au matin
piano:
Robert Fizdale (on 1953-01-26) and Arthur Gold (on 1953-01-26)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-01-26)
recording of:
Six épigraphes antiques, L. 131: VI. Pour remercier la pluie au matin (for piano 4-hands) (on 1953-01-26)
composer:
Claude Debussy (from 1914-07 until 1915)
part of:
Six épigraphes antiques, L. 131 (for piano 4-hands)
Claude Debussy2:08
12Sonata, FP 8: I. Prélude
piano:
Robert Fizdale (on 1953-01-26) and Arthur Gold (on 1953-01-26)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-01-26)
recording of:
Sonate pour piano à quatre mains, FP 8: I. Prélude : Modéré (on 1953-01-26)
composer:
Francis Poulenc
part of:
Sonate pour piano à quatre mains, FP 8 (Sonata for piano, 4 hands, FP 8) (ended)
Francis Poulenc1:59
13Sonata, FP 8: II. Rustique
piano:
Robert Fizdale (on 1953-01-26) and Arthur Gold (on 1953-01-26)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-01-26)
recording of:
Sonate pour piano à quatre mains, FP 8: II. Rustique : Naïf et lent (on 1953-01-26)
composer:
Francis Poulenc
part of:
Sonate pour piano à quatre mains, FP 8 (Sonata for piano, 4 hands, FP 8) (ended)
Francis Poulenc1:41
14Sonata, FP 8: III. Final
piano:
Robert Fizdale (on 1953-01-26) and Arthur Gold (on 1953-01-26)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-01-26)
recording of:
Sonate pour piano à quatre mains, FP 8: III. Final : Très vite (on 1953-01-26)
composer:
Francis Poulenc
part of:
Sonate pour piano à quatre mains, FP 8 (Sonata for piano, 4 hands, FP 8) (ended)
Francis Poulenc1:53
4▼CD: French Music for Piano Four Hands
#TitleArtistLength
1Petite Suite: I. En bateau
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Petite Suite, L. 65, CD 71a : I. En bateau (for piano 4-hands) (from 1959-06-25 until 1959-06-26)
composer:
Claude Debussy (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy3:13
2Petite Suite: II. Cortège
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Petite Suite, L. 65, CD 71a : II. Cortège (for piano 4-hands) (from 1959-06-25 until 1959-06-26)
composer:
Claude Debussy (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy3:00
3Petite Suite: III. Menuet
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Petite Suite, L. 65, CD 71a : III. Menuet (for piano 4-hands) (from 1959-06-25 until 1959-06-26)
composer:
Claude Debussy (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy2:37
4Petite Suite: IV. Ballet
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Petite Suite, L. 65, CD 71a : IV. Ballet (for piano 4-hands) (from 1959-06-25 until 1959-06-26)
composer:
Claude Debussy (from 1888 until 1889)
part of:
Petite Suite, L. 65, CD 71a (for piano 4-hands)
Claude Debussy2:53
53 morceaux en forme de poire: I. Manière de Commencement
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Trois morceaux en forme de poire : Manière de commencement (from 1959-06-25 until 1959-06-26)
composer:
Erik Satie (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie3:07
63 morceaux en forme de poire: II. Prolongation de même
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Trois morceaux en forme de poire : Prolongation du même (from 1959-06-25 until 1959-06-26)
composer:
Erik Satie (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie0:52
73 morceaux en forme de poire: III. Morceau I.
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Trois morceaux en forme de poire : I. Lentement (from 1959-06-25 until 1959-06-26)
composer:
Erik Satie (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:20
83 morceaux en forme de poire: IV. Morceau II.
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Trois morceaux en forme de poire : II. Enlevé — De moitié — Premier temps (from 1959-06-25 until 1959-06-26)
composer:
Erik Satie (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie2:25
93 morceaux en forme de poire: V. Morceau III.
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Trois morceaux en forme de poire : III. Brutal — Modéré — Au temps (from 1959-06-25 until 1959-06-26)
composer:
Erik Satie (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie2:41
103 morceaux en forme de poire: VI. En plus
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Trois morceaux en forme de poire : En plus (from 1959-06-25 until 1959-06-26)
composer:
Erik Satie (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:57
113 morceaux en forme de poire: VII. Redite
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Trois morceaux en forme de poire : Redite (from 1959-06-25 until 1959-06-26)
composer:
Erik Satie (in 1903)
part of:
Trois morceaux en forme de poire (for piano four hands)
Erik Satie1:32
123 Valses romantiques: I. Très vite et impétueusement
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Trois Valses romantiques pour 2 pianos: I. Très vite et impétueux (from 1959-06-25 until 1959-06-26)
composer:
Emmanuel Chabrier
part of:
Trois Valses romantiques pour 2 pianos
Emmanuel Chabrier2:22
133 Valses romantiques: II. Mouvement modéré de valse
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Trois Valses romantiques pour 2 pianos: II. Mouvement modéré de valse (from 1959-06-25 until 1959-06-26)
composer:
Emmanuel Chabrier
part of:
Trois Valses romantiques pour 2 pianos
Emmanuel Chabrier4:11
143 Valses romantiques: III. Animé
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Trois Valses romantiques pour 2 pianos: III. Animé (from 1959-06-25 until 1959-06-26)
composer:
Emmanuel Chabrier
part of:
Trois Valses romantiques pour 2 pianos
Emmanuel Chabrier5:17
15Dolly, Suite, op. 56 : I. Berceuse
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Dolly, op. 56 : I. Berceuse (for piano four hands) (from 1959-06-25 until 1959-06-26)
composer:
Gabriel Fauré (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré2:26
16Dolly, Suite, op. 56 : II. Mi-a-ou
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Dolly, op. 56 : II. Mi-a-ou (for piano four hands) (from 1959-06-25 until 1959-06-26)
composer:
Gabriel Fauré (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré1:43
17Dolly, Suite, op. 56 : III. Le jardin de Dolly
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Dolly, op. 56 : III. Le Jardin de Dolly (for piano four hands) (from 1959-06-25 until 1959-06-26)
composer:
Gabriel Fauré (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré2:11
18Dolly, Suite, op. 56 : IV. Kitty-Valse
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Dolly, op. 56 : IV. Kitty Valse (for piano four hands) (from 1959-06-25 until 1959-06-26)
composer:
Gabriel Fauré (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré2:21
19Dolly, Suite, op. 56 : V. Tendresse
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Dolly, op. 56 : V. Tendresse (for piano four hands) (from 1959-06-25 until 1959-06-26)
composer:
Gabriel Fauré (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré3:15
20Dolly, Suite, op. 56 : VI. Le Pas espagnol
recorded in:
Paris, Île-de-France, France (from 1959-06-25 until 1959-06-26)
piano:
Gaby Casadesus (from 1959-06-25 until 1959-06-26) and Robert Casadesus (from 1959-06-25 until 1959-06-26)
recording of:
Dolly, op. 56 : VI. Le Pas espagnol (for piano four hands) (from 1959-06-25 until 1959-06-26)
composer:
Gabriel Fauré (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré1:57
5▼CD: Music from France for Oboe and Orchestra
#TitleArtistLength
1L’Horloge de flore
oboe:
John de Lancie (on 1966-08-30)
orchestra:
London Symphony Orchestra (on 1966-08-30)
conductor:
André Previn (on 1966-08-30)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (on 1966-08-30)
recording of:
L’Horloge de flore (on 1966-08-30)
composer:
Jean Françaix (in 1959)
Jean Françaix16:09
2Gymnopédie no. 1
oboe:
John de Lancie (on 1966-08-30)
orchestra:
London Symphony Orchestra (on 1966-08-30)
conductor:
André Previn (on 1966-08-30)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (on 1966-08-30)
recording of:
Gymnopédies: I. Lent et grave (Satie’s Gymnopédie no. 3 orchestrated by Debussy) (on 1966-08-30)
orchestrator:
Claude Debussy (in 1897)
composer:
Erik Satie (in 1888)
orchestration of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie3:21
3Gymnopédie no. 2
oboe:
John de Lancie (on 1966-08-30)
orchestra:
London Symphony Orchestra (on 1966-08-30)
conductor:
André Previn (on 1966-08-30)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (on 1966-08-30)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy) (on 1966-08-30)
orchestrator:
Claude Debussy (in 1897)
composer:
Erik Satie (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie4:04
4Symphonie Concertante: I. Allegro con moto
oboe:
John de Lancie (on 1966-09-02)
orchestra:
London Symphony Orchestra (on 1966-09-02)
conductor:
André Previn (on 1966-09-02)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (on 1966-09-02)
recording of:
Symphonie concertante pour hautebois et orchestre à cordes: I. Allegro con moto (on 1966-09-02)
composer:
Jacques Ibert (from 1948 until 1949)
part of:
Symphonie concertante pour hautebois et orchestre à cordes
Jacques Ibert9:58
5Symphonie Concertante: II. Adagio, ma non troppo
oboe:
John de Lancie (on 1966-09-02)
orchestra:
London Symphony Orchestra (on 1966-09-02)
conductor:
André Previn (on 1966-09-02)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (on 1966-09-02)
recording of:
Symphonie concertante pour hautebois et orchestre à cordes: II. Adagio ma non troppe (on 1966-09-02)
composer:
Jacques Ibert (from 1948 until 1949)
part of:
Symphonie concertante pour hautebois et orchestre à cordes
Jacques Ibert10:09
6Symphonie Concertante: III. Allegro brillante
oboe:
John de Lancie (on 1966-09-02)
orchestra:
London Symphony Orchestra (on 1966-09-02)
conductor:
André Previn (on 1966-09-02)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (on 1966-09-02)
recording of:
Symphonie concertante pour hautebois et orchestre à cordes: III. Allegro brillante (on 1966-09-02)
composer:
Jacques Ibert (from 1948 until 1949)
part of:
Symphonie concertante pour hautebois et orchestre à cordes
Jacques Ibert7:20
6▼CD: Masselos plays Satie
#TitleArtistLength
1Sports et divertissements
piano:
William Masselos (on 1968-12-17)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-17)
recording of:
Sports et divertissements (on 1968-12-17)
composer:
Erik Satie (in 1914)
Erik Satie11:05
23 Gymnopédies: No. 1. Lent et douloureux
piano:
William Masselos (on 1968-12-17)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-17)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1) (on 1968-12-17)
composer:
Erik Satie (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (number: 4)
part of:
Gymnopédies
Erik Satie3:19
33 Gymnopédies: No. 2. Lent et triste
piano:
William Masselos (on 1968-12-17)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-17)
recording of:
Deuxième Gymnopédie : Lent et triste (Gymnopédie no. 2) (on 1968-12-17)
composer:
Erik Satie (in 1888)
part of:
Gymnopédies
Erik Satie2:55
43 Gymnopédies: No. 3. Lent et grave
piano:
William Masselos (on 1968-12-17)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-17)
recording of:
Gymnopédies: I. Lent et grave (Satie’s Gymnopédie no. 3 orchestrated by Debussy) (on 1968-12-17)
orchestrator:
Claude Debussy (in 1897)
composer:
Erik Satie (in 1888)
orchestration of:
Troisième Gymnopédie : Lent et grave (Gymnopédie no. 3)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie2:41
5Celle qui parle trop
piano:
William Masselos (on 1968-12-17)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-17)
recording of:
Chapitres tournés en tous sens : I. Celle qui parle trop (on 1968-12-17)
composer:
Erik Satie (in 1913)
part of:
Chapitres tournés en tous sens
Erik Satie0:53
6Nocturne no. 3
piano:
William Masselos (on 1968-12-17)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-17)
recording of:
Cinq Nocturnes : No. 3. Un peu mouvementé (on 1968-12-17)
composer:
Erik Satie (in 1919)
part of:
Cinq Nocturnes
Erik Satie2:11
7Danse cuirasée
piano:
William Masselos (on 1968-12-17)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-17)
recording of:
Vieux Sequins et Vieilles Cuirasses : II. Danse cuirassée (période grecque) (on 1968-12-17)
composer:
Erik Satie
part of:
Vieux Sequins et Vieilles Cuirasses
Erik Satie0:48
8Le Piège de Méduse
piano:
William Masselos (on 1968-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-18)
recording of:
Le Piège de Méduse (music only) (on 1968-12-18)
composer:
Erik Satie
is based on:
Le Piège de Méduse (full play)
Erik Satie3:30
9Premier Menuet
piano:
William Masselos (on 1968-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-18)
recording of:
Premier Menuet (on 1968-12-18)
composer:
Erik Satie (until 1920-06)
Erik Satie1:49
10Gnossienne nos. 1-3
piano:
William Masselos (on 1968-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-18)
recording of:
Trois Gnossiennes (on 1968-12-18)
composer:
Erik Satie (from 1888 until 1889)
part of:
Classic 100: Piano (number: 23)
Erik Satie7:28
11Véritables préludes flasques (pour un chien)
piano:
William Masselos (on 1968-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-18)
recording of:
3 véritables préludes flasques (on 1968-12-18)
composer:
Erik Satie (in 1912)
Erik Satie2:28
12Españaña
piano:
William Masselos (on 1968-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-18)
recording of:
Croquis et agaceries d'un gros bonhomme en bois : III. Españana (on 1968-12-18)
composer:
Erik Satie (in 1913)
version of:
San Bernardo
part of:
Croquis et agaceries d’un gros bonhomme en bois
Erik Satie1:28
13Embroyons desséchés
piano:
William Masselos (on 1968-12-18)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1968-12-18)
recording of:
Embryons desséchés (on 1968-12-18)
composer:
Erik Satie (in 1913)
Erik Satie5:20
7▶CD: Entremont conducts Satie
8▶CD: À la française
9▶CD: Ravel: Histoires naturelles / Satie: Songs - Mèlodies
10▶CD: Satie Piano Music
11▶CD: Satie
12▶CD: The French Touch
13▶CD: Early Recordings