Las mujeres y cuerdas: Canciones y piezas para guitarra

~ Release by Marta Almajano, José Miguel Moreno (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistLength
1La semplice
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
12 canzonette italiane: No. 6. La semplice (from 1994-10 until 1995-01)
composer:
Vicente Martín y Soler
part of:
12 canzonette italiane
Vicente Martín y Soler1:16
2La volubile
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
12 canzonette italiane: No. 12. La volubile (from 1994-10 until 1995-01)
composer:
Vicente Martín y Soler
part of:
12 canzonette italiane
Vicente Martín y Soler2:01
3La costanza
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
12 canzonette italiane: No. 7. La constanza (from 1994-10 until 1995-01)
composer:
Vicente Martín y Soler
part of:
12 canzonette italiane
Vicente Martín y Soler2:33
4La mercede
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
12 canzonette italiane: No. 2. La mercede (from 1994-10 until 1995-01)
composer:
Vicente Martín y Soler
part of:
12 canzonette italiane
Vicente Martín y Soler1:30
5Andante affettuoso
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Andante affettuoso (from 1994-10 until 1995-01)
composer:
Ferdinando Carulli
Ferdinando Carulli3:03
6Le dimore amor non ama
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Sei ariette, op. 95: No. 4. Le dimore amor non ama (from 1994-10 until 1995-01)
lyricist:
Pietro Metastasio
composer:
Mauro Giuliani
part of:
Sei ariette, op. 95
Mauro Giuliani3:08
7Quando sarà quel dì
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Sei ariette, op. 95: No. 3. Quando sarà quel dì (from 1994-10 until 1995-01)
lyricist:
Pietro Metastasio
composer:
Mauro Giuliani
part of:
Sei ariette, op. 95
Mauro Giuliani2:04
8Ad altro laccio
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Sei ariette, op. 95: No. 5. Ad altro laccio (from 1994-10 until 1995-01)
lyricist:
Pietro Metastasio
composer:
Mauro Giuliani
part of:
Sei ariette, op. 95
Mauro Giuliani2:23
9Andantino sostenuto
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Sonatina for Guitar, op. 71 no. 3: I. Andantino sostenuto (from 1994-10 until 1995-01)
composer:
Mauro Giuliani
part of:
Sonatina for Guitar, op. 71 no. 3
Mauro Giuliani4:31
10Confuso, smarrito
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Sei cavatine, op. 39: No. 2. Confuso, smarrito (from 1994-10 until 1995-01)
composer:
Mauro Giuliani
part of:
Sei cavatine, op. 39
Mauro Giuliani1:14
11Amor, perché m'accendi
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Amor, perché m'accendi (from 1994-10 until 1995-01)
composer:
Mauro Giuliani
Mauro Giuliani4:04
12Di tanti palpiti
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Di tanti palpiti, op. 79 (from 1994-10 until 1995-01)
composer:
Mauro Giuliani
part of:
Works of Mauro Giuliani by opus number (number: op. 79)
Mauro Giuliani6:14
13Mouvement de prière religieuse
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
24 Progressive Lessons for Beginners, op. 31: No. 23 in E major "Mouvement de prière religieuse" (from 1994-10 until 1995-01)
composer:
Fernando Sor
part of:
24 Progressive Lessons for Beginners, op. 31
Fernando Sor3:38
14Lagrime
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Lagrime mie d'affanno (from 1994-10 until 1995-01)
composer:
Fernando Sor
Fernando Sor1:37
15Perduta l'anima
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Perduta l'anima (from 1994-10 until 1995-01)
composer:
Fernando Sor
Fernando Sor3:30
16Povero cor
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Povero cor t'inganni (from 1994-10 until 1995-01)
composer:
Fernando Sor
Fernando Sor4:07
17Io mentitor!
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Io mentitor! (from 1994-10 until 1995-01)
composer:
Fernando Sor
Fernando Sor5:05
18Nel cor più non mi sento
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
partial recording of:
Fantaisie, op. 16 (from 1994-10 until 1995-01)
composer:
Fernando Sor
part of:
Works of Fernando Sor by opus number (number: op. 16)
is based on:
La molinara: Atto III, scena 1. “Nel cor più non mi sento” (Rachelina, Calloandro)
Fernando Sor1:12
19Lied ohne Worte
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Bardenklänge, op. 13: Lied ohne Worte (from 1994-10 until 1995-01)
composer:
Johann Kaspar Mertz
part of:
Bardenklänge, op. 13
Johann Kaspar Mertz4:56
20Si dices que mis ohos
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
12 Seguidillas: No. 7. Si dices que mis ojos (from 1994-10 until 1995-01)
composer:
Fernando Sor
part of:
12 Seguidillas (for voice and guitar/piano)
Fernando Sor1:53
21Muchacha, y la vergüenza
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
12 Seguidillas: No. 6. Muchacha, y la vergüenza (from 1994-10 until 1995-01)
composer:
Fernando Sor
part of:
12 Seguidillas (for voice and guitar/piano)
Fernando Sor1:37
22Mis descuidados ojos
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
12 Seguidillas: No. 12. Mis descuidados ojos (Boléro de société) (from 1994-10 until 1995-01)
composer:
Fernando Sor
part of:
12 Seguidillas (for voice and guitar/piano)
Fernando Sor5:39
23Seguidillas del Requiem eternam
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
Seguidillas del Requiem eternam (from 1994-10 until 1995-01)
composer:
Fernando Sor
Fernando Sor2:16
24Las mujeres y cuerdas
recording engineer:
José Miguel Moreno (from 1994-10 until 1995-01)
producer:
Lourdes Uncilla (from 1994-10 until 1995-01)
editor:
Carlos Céster (from 1994-10 until 1995-01)
classical guitar:
José Miguel Moreno (from 1994-10 until 1995-01)
soprano vocals:
Marta Almajano (from 1994-10 until 1995-01)
recorded at:
Iglesia de San Miguel in Cuenca, Cuenca, Castilla-La Mancha, Spain (from 1994-10 until 1995-01) and Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-10 until 1995-01)
recording of:
12 Seguidillas: No. 11. Las mujeres y cuerdas (from 1994-10 until 1995-01)
composer:
Fernando Sor
part of:
12 Seguidillas (for voice and guitar/piano)
Fernando Sor1:09

Credits

Release

executive producer:Carlos Céster