Annotation

Cast:
Porgy: Willard White
Bess: Cynthia Haymon
Clara: Harolyn Blackwell
Sporting Life: Damon Evans
Jake: Bruce Hubbard
Serena: Cynthia Clarey
Maria: Marietta Simpson
Crown: Gregg Baker
Mingo: Barrington Coleman
Robbins: Johnny Worthy
Jim: Curtis Watson
Peter, the Honey Man: Mervin Wallace
Lily: Maureen Brathwaite
Undertaker: Autris Paige
Annie: Paula Ingram
Frazier: William Johnson
Scipio: Linda Thompson
Nelson / Crab Man: Colenton Freeman
Strawberry Woman: Camellia Johnson
Detective: Alan Tilvern
Coroner: Billy J. Mitchell
Mr. Archdale: Ted Maynard
Policeman: Ron Travis
Jasbo Brown: Wayne Marshall

Solo sextet (Act II, Scene IV): Paula Ingram, Camellia Johnson, Linda Thompson, Michael Forest, Raemond Martin, Autris Page

Recorded: II.1988, No. 1 Studio, Abbey Road, London

Tracklist

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1CD
#TitleArtistLength
1Porgy and Bess: Act I, Scene I. Introduction: Jasbo Brown Solo / Chorus
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
piano:
Wayne Marshall (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene I. Introduction: Jasbo Brown Blues
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
publisher:
Chappell & Co., Inc.
part of:
Porgy and Bess: Act I, Scene I
George Gershwin4:17
2Porgy and Bess: Act I, Scene I. "Summertime" (Clara, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
choir vocals:
Glyndebourne Chorus (in 1988-02)
soprano vocals [Clara]:
Harolyn Blackwell (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene I
George Gershwin3:28
3Porgy and Bess: Act I, Scene I. "Oh, nobody knows when the Lawd is goin' to call" (Mingo, Chorus, Sporting Life, Jake, Serena, Robbins, Jim, Clara, Crap Shooters (Male Chorus))
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Bruce Hubbard (in 1988-02) and Curtis Watson (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
soprano vocals:
Harolyn Blackwell (in 1988-02) and Cynthia Clarey (in 1988-02)
tenor vocals:
Barrington Coleman (in 1988-02), Damon Evans (in 1988-02) and Johnny Worthy (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene I. “Oh, nobody knows when the Lawd is goin’ to call…” – “I been sweatin’ all day”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act I, Scene I
George Gershwin6:19
4Porgy and Bess: Act I, Scene I. "Give him to me" - "Lissen to yo' daddy warn you" - "A woman is a sometime thing" (Jake, Mingo, Sporting Life, Chorus, Baby, Clara, Robbins, Peter, Lily, Maria)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Bruce Hubbard (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
soprano vocals:
Maureen Brathwaite (in 1988-02)
tenor vocals:
Barrington Coleman (in 1988-02), Damon Evans (in 1988-02), Mervin Wallace (in 1988-02) and Johnny Worthy (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act Ⅰ, Scene Ⅰ. “Lissen to yo’ daddy warn you … A woman is a sometime thing”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene I
George Gershwin3:29
5Porgy and Bess: Act I, Scene I. "Here's the ol' crap shark!" - "No, no, brudder" (Jake, Mingo, Porgy, Sporting Life, Robbins, Jim, Maria, Serena)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Bruce Hubbard (in 1988-02) and Curtis Watson (in 1988-02)
bass-baritone vocals:
Willard White (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
soprano vocals:
Cynthia Clarey (in 1988-02)
tenor vocals:
Barrington Coleman (in 1988-02), Damon Evans (in 1988-02) and Johnny Worthy (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene I. “Here’s the ol’ crap shark“
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act I, Scene I
George Gershwin4:17
6Porgy and Bess: Act I, Scene I. "Here comes Big Boy!" (Mingo, Jake, Jim, Crown, Porgy, Serena, Bess, Robbins, Chorus, Sporting Life)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Gregg Baker (in 1988-02), Bruce Hubbard (in 1988-02) and Curtis Watson (in 1988-02)
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
soprano vocals:
Cynthia Clarey (in 1988-02) and Cynthia Haymon (in 1988-02)
tenor vocals:
Barrington Coleman (in 1988-02), Damon Evans (in 1988-02) and Johnny Worthy (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene I. “They pass by singin’” – “Here comes Big Boy!” – “Don’t you ever let a woman grieve you”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act I, Scene I
George Gershwin7:09
7Porgy and Bess: Act I, Scene I. "Six to make!" (Sporting Life, Jim, Jake, Mingo, Porgy, Crown, Robbins, Maria, Serena, Bess, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Gregg Baker (in 1988-02), Bruce Hubbard (in 1988-02) and Curtis Watson (in 1988-02)
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
soprano vocals:
Cynthia Clarey (in 1988-02) and Cynthia Haymon (in 1988-02)
tenor vocals:
Barrington Coleman (in 1988-02), Damon Evans (in 1988-02) and Johnny Worthy (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene I. "Six to make!" (in 1988-02)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act I, Scene I
George Gershwin4:06
8Porgy and Bess: Act I, Scene I. "Jesus, he's killed him!" - "That you, Sportin' Life?" (Jake, Serena, Bess, Crown, Sporting Life, Maria)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Gregg Baker (in 1988-02) and Bruce Hubbard (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
soprano vocals:
Cynthia Clarey (in 1988-02) and Cynthia Haymon (in 1988-02)
tenor vocals:
Damon Evans (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene I. “Wake up an’ hit it out” – “That you, Sportin’ Life?”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act I, Scene I
George Gershwin4:59
9Porgy and Bess: Act I, Scene II. "Where is brudder Robbins?" - "Come on, sister!" (solo soprano, Chorus, solo baritone, Serena, Maria, Bess, solo soprano, Jake, Peter, Porgy, Clara)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Bruce Hubbard (in 1988-02)
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
soprano vocals:
Harolyn Blackwell (in 1988-02), Cynthia Clarey (in 1988-02) and Cynthia Haymon (in 1988-02)
tenor vocals:
Mervin Wallace (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene II. “Gone, gone, gone (Where is brudder Robbins?)”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene II
George Gershwin4:53
10Porgy and Bess: Act I, Scene II. "Overflow, overflow" (Chorus, Porgy)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene II. “Overflow, overflow” – “Gawd got plenty of money for de saucer”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene II
George Gershwin0:58
11Porgy and Bess: Act I, Scene II. "A saucer-burying set-up, I see" (Detective, Serena, Lily, Peter, Porgy, Policeman, Maria, Jake, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Bruce Hubbard (in 1988-02)
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
soprano vocals:
Maureen Brathwaite (in 1988-02) and Cynthia Clarey (in 1988-02)
spoken vocals:
Alan Tilvern (in 1988-02) and Ron Travis (in 1988-02)
tenor vocals:
Mervin Wallace (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene II. “Um! A saucer-burial setup, I see”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act I, Scene II
George Gershwin3:50
12Porgy and Bess: Act I, Scene II. "My man's gone now" (Serena, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
choir vocals:
Glyndebourne Chorus (in 1988-02)
soprano vocals:
Cynthia Clarey (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene II. “My Man’s Gone Now”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene II
George Gershwin3:58
13Porgy and Bess: Act I, Scene II. "How de saucer stan' now, my sister?" (Undertaker, Serena, Jake, Porgy)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Bruce Hubbard (in 1988-02) and Autris Paige (in 1988-02)
bass-baritone vocals:
Willard White (in 1988-02)
soprano vocals:
Cynthia Clarey (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene II. “How de saucer stan’ now, my sister?”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act I, Scene II
George Gershwin2:06
14Porgy and Bess: Act I, Scene II. "Oh, the train is at the station" (Bess, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
choir vocals:
Glyndebourne Chorus (in 1988-02)
soprano vocals:
Cynthia Haymon (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act I, Scene II. “Headin’ for the Promis’ Lan’”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act I, Scene II
George Gershwin4:05
2CD
#TitleArtistLength
1Porgy and Bess: Act II, Scene I. "Oh, I'm agoin' out to the Blackfish banks" (Jake, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Bruce Hubbard (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene I. “It take a long pull to get there”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene I
George Gershwin3:27
2Porgy and Bess: Act II, Scene I. "Mus' be you mens forgot about de picnic" - "Oh, I got plenty o' nuttin'" (Annie, Jake, Clara, Porgy, Chorus, Serena, Maria)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Bruce Hubbard (in 1988-02)
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
mezzo-soprano vocals:
Paula Ingram (in 1988-02)
soprano vocals:
Harolyn Blackwell (in 1988-02) and Cynthia Clarey (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
George Gershwin3:26
3Porgy and Bess: Act II, Scene I. "Lissen there, what I tells you" - "I hates yo' struttin' style" (Maria, Serena, Sporting Life)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
contralto vocals:
Marietta Simpson (in 1988-02)
soprano vocals:
Cynthia Clarey (in 1988-02)
tenor vocals:
Damon Evans (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene I. “Lissen there, what I tells you”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene I
George Gershwin2:28
4Porgy and Bess: Act II, Scene I. "Mornin', Lawyer, lookin' for somebody?" (Maria, Frazier, Porgy, Bess, Chorus, Lily, Bass voice, Scipio, Annie, Serena)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
William Johnson (in 1988-02)
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
mezzo-soprano vocals:
Paula Ingram (in 1988-02)
soprano vocals:
Maureen Brathwaite (in 1988-02), Cynthia Clarey (in 1988-02), Cynthia Haymon (in 1988-02) and Linda Thompson (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene I. “I hates yo’ struttin’ style” – “Mornin’, lawyer, lookin’ for somebody?” – “Dey’s a buckra comin’”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene I
George Gershwin4:58
5Porgy and Bess: Act II, Scene I. "Boy! Come here, boy!" (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, Frazier, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Bruce Hubbard (in 1988-02) and William Johnson (in 1988-02)
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
soprano vocals:
Harolyn Blackwell (in 1988-02), Cynthia Clarey (in 1988-02) and Linda Thompson (in 1988-02)
spoken vocals:
Ted Maynard (in 1988-02)
tenor vocals:
Barrington Coleman (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene I. “I hates yo’ struttin’ style” – “Mornin’, lawyer, lookin’ for somebody?” – “Dey’s a buckra comin’”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene I
George Gershwin2:40
6Porgy and Bess: Act II, Scene I. "Buzzard keep on flyin' over" (Porgy, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene I. “Buzzard keep on flyin’”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
George Gershwin3:02
7Porgy and Bess: Act II, Scene I. "'Lo Bess, goin' to picnic?" (Sporting Life, Bess, Porgy)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
soprano vocals:
Cynthia Haymon (in 1988-02)
tenor vocals:
Damon Evans (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene I. “Lo, Bess, goin’ to picnic?”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene I
George Gershwin2:57
8Porgy and Bess: Act II, Scene I. "Honey, we sure goin' strut our stuff today!" - "Bess, you is my woman now" (Jake, Porgy, Bess)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Bruce Hubbard (in 1988-02)
bass-baritone vocals:
Willard White (in 1988-02)
soprano vocals:
Cynthia Haymon (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
George Gershwin6:15
9Porgy and Bess: Act II, Scene I. "Oh, I can't sit down" (Chorus, Maria, Bess, Porgy)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
soprano vocals:
Cynthia Haymon (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene I. “Oh, I can’t sit down”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
George Gershwin4:14
10Porgy and Bess: Act II, Scene II. "I ain't got no shame" (Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
choir vocals:
Glyndebourne Chorus (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene II. “I ain’t got no shame”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene II
George Gershwin2:25
11Porgy and Bess: Act II, Scene II. "It ain't necessarily so" - "Shame on all you sinners" (Sporting Life, Chorus, Serena, Maria)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
choir vocals:
Glyndebourne Chorus (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
soprano vocals:
Cynthia Clarey (in 1988-02)
tenor vocals:
Damon Evans (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene II
George Gershwin5:59
12Porgy and Bess: Act II, Scene II. "Crown!" (Bess, Crown)George Gershwin4:07
13Porgy and Bess: Act II, Scene II. "Oh, what you want wid Bess?" (Bess, Crown)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Gregg Baker (in 1988-02)
soprano vocals:
Cynthia Haymon (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene II. “Oh, what you want wid Bess?”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene II
George Gershwin4:21
14Porgy and Bess: Act II, Scene III. "Honey, dat's all de breakfast I got time for" (Jake, Fisherman, Jim, Nelson, Maria, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Bruce Hubbard (in 1988-02) and Curtis Watson (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
tenor vocals:
Colenton Freeman (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
partial recording of:
Porgy and Bess: Act II, Scene III. “Honey, dat’s all de breakfast I got time for” – “Take yo’ han’s off me, I say”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene III
George Gershwin2:49
15Porgy and Bess: Act II, Scene III. "Take yo' han's off me" (Bess, Serena, Maria, Peter, Porgy)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
soprano vocals:
Cynthia Clarey (in 1988-02) and Cynthia Haymon (in 1988-02)
tenor vocals:
Mervin Wallace (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
partial recording of:
Porgy and Bess: Act II, Scene III. “Honey, dat’s all de breakfast I got time for” – “Take yo’ han’s off me, I say”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene III
George Gershwin2:28
16Porgy and Bess: Act II, Scene III. "Oh, doctor Jesus" (Serena, Peter, Porgy, Lily)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
soprano vocals:
Maureen Brathwaite (in 1988-02) and Cynthia Clarey (in 1988-02)
tenor vocals:
Mervin Wallace (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene III. “Oh, Doctor Jesus”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene III
George Gershwin2:13
17Porgy and Bess: Act II, Scene III. "Oh dey's so fresh an' fine" (Strawberry woman, Peter, Woman, Annie, Crab man, Porgy, Maria)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
mezzo-soprano vocals:
Camellia Johnson (in 1988-02)
tenor vocals:
Mervin Wallace (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene III. “Oh dey’s so fresh an’ fine”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene III
George Gershwin5:01
18Porgy and Bess: Act II, Scene III. "Porgy, Porgy, dat you there, ain't it?" (Bess, Porgy)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
soprano vocals:
Cynthia Haymon (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene III. “Porgy, Porgy, dat you there”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene III
George Gershwin2:42
19Porgy and Bess: Act II, Scene III. "I wants to stay here" (Bess, Porgy)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
soprano vocals:
Cynthia Haymon (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene III
George Gershwin3:55
20Porgy and Bess: Act II, Scene III. "Why you been out on that wharf so long, Clara?" (Maria, Clara)George Gershwin2:47
3CD
#TitleArtistLength
1Porgy and Bess: Act II, Scene IV. "Oh, Doctor Jesus" (Solo sextet, Chorus, Porgy, Clara, Serena, Sporting Life)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
soprano vocals:
Harolyn Blackwell (in 1988-02) and Cynthia Clarey (in 1988-02)
tenor vocals:
Damon Evans (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene IV. “Oh, Doctor Jesus”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene IV
George Gershwin3:45
2Porgy and Bess: Act II, Scene IV. "One of dese mornings you goin' to rise up singin'" (Clara, Chorus, Porgy, Bess)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
soprano vocals:
Harolyn Blackwell (in 1988-02) and Cynthia Haymon (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene IV. “Oh, de Lawd shake de heavens” – “One of dese mornings you goin’ to rise up singin’”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene IV
George Gershwin1:51
3Porgy and Bess: Act II, Scene IV. "Oh, dere's somebody knockin' at de do'" (Chorus, Peter, Maria, Lily, Mingo, Other woman)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
choir vocals:
Glyndebourne Chorus (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
soprano vocals:
Maureen Brathwaite (in 1988-02)
tenor vocals:
Barrington Coleman (in 1988-02) and Mervin Wallace (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene IV. “Oh, dere’s somebody knockin’ at de do’” – “You is a nice parcel of Christians…”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene IV
George Gershwin1:23
4Porgy and Bess: Act II, Scene IV. "You is a nice parcel of Christians!" (Crown, Serena, Bess, Porgy, Woman, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Gregg Baker (in 1988-02)
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
soprano vocals:
Cynthia Clarey (in 1988-02) and Cynthia Haymon (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene IV. “Oh, dere’s somebody knockin’ at de do’” – “You is a nice parcel of Christians…”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene IV
George Gershwin4:05
5Porgy and Bess: Act II, Scene IV. "A red-headed woman make a choo-choo jump its track" (Crown, Chorus, Clara, Bess)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Gregg Baker (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
soprano vocals:
Harolyn Blackwell (in 1988-02) and Cynthia Haymon (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene IV. “A red-headed woman” – “Jake’s boat in de river” – “Oh, Doctor Jesus”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene IV
George Gershwin2:17
6Porgy and Bess: Act II, Scene IV. "All right, I'm goin' out to get Clara" - "Oh, Doctor Jesus" (Crown, Porgy, Solo sextet, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
baritone vocals:
Gregg Baker (in 1988-02)
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act II, Scene IV. “Oh, Doctor Jesus”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act II, Scene IV
George Gershwin2:32
7Porgy and Bess: Act III, Scene I. "Clara, Clara, don't you be downhearted" - "You low-life skunk, ain' you got no shame" (Chorus, Sporting Life, Maria)George Gershwin6:22
8Porgy and Bess: Act III, Scene I. "Summertime" - Porgy kills Crown (Bess, Porgy)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
soprano vocals:
Cynthia Haymon (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act III, Scene I. “Summertime” (Bess)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act III, Scene I
George Gershwin4:16
9Porgy and Bess: Act III, Scene II. "Wait for us at the corner" (Detective, Annie, Serena, Other woman, Coroner)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
mezzo-soprano vocals:
Paula Ingram (in 1988-02)
soprano vocals:
Cynthia Clarey (in 1988-02)
spoken vocals:
Billy J. Mitchell (in 1988-02) and Alan Tilvern (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act III, Scene II. Introduction – “Wait for us at the corner, Al” – “What is your name?”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act III, Scene II
George Gershwin3:45
10Porgy and Bess: Act III, Scene II. "Come out here, both of you" (Detective, Coroner, Porgy)George Gershwin2:26
11Porgy and Bess: Act III, Scene II. "Oh, Lawd, what I goin' do?" - "Oh, Gawd! They goin' make him look on Crown's face!" (Porgy, Bess, Sporting Life, Policeman)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
soprano vocals:
Cynthia Haymon (in 1988-02)
spoken vocals:
Ron Travis (in 1988-02)
tenor vocals:
Damon Evans (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act III, Scene II. “You’ve got to go, Porgy” – “Oh, Gawd! They goin’ make him look”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act III, Scene II
George Gershwin3:41
12Porgy and Bess: Act III, Scene II. "Listen: there's a boat dat's leavin' soon for New York" (Sporting Life, Bess)George Gershwin4:27
13Porgy and Bess: Act III, Scene III. IntroductionGeorge Gershwin2:26
14Porgy and Bess: Act III, Scene III. "Good mornin', sistuh!" - "It's Porgy comin' home" (Solo tenor, solo mezzo-soprano, Chorus, Children, Mingo, Porgy)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
tenor vocals:
Barrington Coleman (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act III, Scene III. “Good mornin’, sistuh!” – “Thank Gawd I’s home again!”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act III, Scene III
George Gershwin3:29
15Porgy and Bess: Act III, Scene III. "Dem white folks sure ain' put nuttin' over on this baby" (Porgy, Lily)George Gershwin4:01
16Porgy and Bess: Act III, Scene III. "Here Mingo, what's de matter wid you all?" (Porgy)George Gershwin1:48
17Porgy and Bess: Act III, Scene III. "Where's Bess?" (Porgy, Maria, Serena)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
soprano vocals:
Cynthia Clarey (in 1988-02) and Cynthia Haymon (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
George Gershwin3:06
18Porgy and Bess: Act III, Scene III. "Bess is gone" (Lily, Porgy, Serena, Mingo, Maria, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass vocals:
Willard White
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
contralto vocals:
Marietta Simpson (in 1988-02)
mezzo-soprano vocals:
Maureen Brathwaite and Marietta Simpson
soprano vocals:
Maureen Brathwaite (in 1988-02), Cynthia Clarey (in 1988-02) and Cynthia Haymon (in 1988-02)
tenor vocals:
Barrington Coleman (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act III, Scene III. “Bess is gone”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin
part of:
Porgy and Bess: Act III, Scene III
George Gershwin2:02
19Porgy and Bess: Act III, Scene III. "Oh Lawd, I'm on my way" (Porgy, Chorus)
engineer:
Mark Vigars
assistant producer:
Tony Harrison
producer:
David R. Murray
bass-baritone vocals:
Willard White (in 1988-02)
choir vocals:
Glyndebourne Chorus (in 1988-02)
orchestra:
London Philharmonic Orchestra (in 1988-02)
conductor:
Simon Rattle (in 1988-02)
chorus master:
Craig Rutenberg (in 1988-02)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1988-02)
recording of:
Porgy and Bess: Act III, Scene III. “Oh Lawd, I’m on My Way”
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (from 1934 until 1935)
part of:
Porgy and Bess: Act III, Scene III
George Gershwin1:21