| # | Title | Artist | Length |
|---|
| 1 | Magnificat | Giovanni Antonio Rigatti | 7:51 |
| 2 | Proprium Missae in Dominica Resurrectionis: Introitus: Resurrexi | [unknown] | 4:00 |
| 3 | Lasse! comment oublieray à 3 | Guillaume de Machaut | 4:07 |
| 4 | Hoquetus David à 3 | Guillaume de Machaut | 3:21 |
| 5 | Musikalische Exequien: Motette "Herr, wenn ich nur dich habe" | Heinrich Schütz | 3:09 |
| 6 | La Sonnerie de Sainte Geneviève du Mont de Paris | Marin Marais | 7:54 |
| 7 | Dido and Aeneas: Aria "When I Am Laid in Earth"- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Dr. Gerd Ploebsch
- mezzo-soprano vocals [Dido, Queen of Carthage]:
- Anne Sofie von Otter (in 1988-07)
- orchestra:
- The English Concert (in 1988-07)
- conductor:
- Trevor Pinnock (in 1988-07)
- balance engineer:
- Hans‐Peter Schweigmann
- concertmaster:
- Simon Standage (in 1988-07)
- phonographic copyright (℗) by:
- Deutsche Grammophon GmbH (in 1989) and Polydor International GmbH (in 1989)
- recorded at:
- Henry Wood Hall in London, England, United Kingdom (in 1988-07)
- recording of:
- Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (in 1988-07)
- composer:
- Henry Purcell
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act III
- recording of:
- Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (in 1988-07)
- composer:
- Henry Purcell (in 1689)
- librettist:
- Nahum Tate
- part of:
- Dido and Aeneas, Z. 626: Act III
| Henry Purcell | 3:17 |
| 8 | Dido and Aeneas: Final Chorus "With Drooping Wings" | Henry Purcell | 4:54 |
| 9 | Concerto in G Major, RV 151 "Alla Rustica": I. Presto | Antonio Vivaldi | 1:08 |
| 10 | Concerto in G Major, RV 151 "Alla Rustica": II. Adagio | Antonio Vivaldi | 1:02 |
| 11 | Concerto in G Major, RV 151 "Alla Rustica": III. Allegro | Antonio Vivaldi | 1:36 |
| 12 | Serenata di Moritzburg F-Dur | Johann David Heinichen | 3:06 |
| 13 | Cäcilien-Ode, HWV 76: Aria & Chorus "The Trumpet's Loud Clangor" | Georg Friedrich Händel | 3:38 |
| 14 | Novelles Suites de Pièces de Clavecin: La Poule | Jean‐Philippe Rameau | 3:13 |
| 15 | Suite (Ouvertüre) No. 3 D-Dur, BWV 1068: Air | Johann Sebastian Bach | 4:42 |
| 16 | Präludium in a-moll, BWV 569 | Johann Sebastian Bach | 3:51 |
| 17 | Weinachtsoratorium, BWV 248: Chor "Jauchzet, frohlocket, auf, preiset die Tage"- recording engineer:
- Gregor Zielinsky
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer and balance engineer:
- Karl-August Naegler
- bass vocals:
- Olaf Bär (in 1987-01)
- choir vocals:
- The Monteverdi Choir (in 1987-01)
- tenor vocals:
- Anthony Rolfe Johnson (in 1987-01)
- orchestra:
- English Baroque Soloists (in 1987-01)
- conductor:
- John Eliot Gardiner (in 1987-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1987)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1987-01)
- recording of:
- Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1987-01)
- premiered in:
- Leipzig, Sachsen, Germany (on 1734-12-25)
- composed in:
- Leipzig, Sachsen, Germany (from 1734 until 1735)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
- part of:
- Weihnachts-Oratorium, BWV 248
| Johann Sebastian Bach | 7:42 |
