Bonfire

~ Release by AC/DC (see all versions of this release, 12 available)

Tracklist

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1CD: Live From the Atlantic Studios
#TitleLength
1Live Wire
engineer:
Paul Hoare
remixer:
George Young
recorded at and engineered at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
Live Wire (on 1977-12-07)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. and EMI Music Ltd. (in 1979)
6:16
2Problem Child4:40
3High Voltage5:57
4Hell Ain't a Bad Place to Be4:14
5Dog Eat Dog
engineer:
Paul Hoare
remixer:
George Young
recorded at and engineered at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
Dog Eat Dog (on 1977-12-07)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
4:42
6The Jack
engineer:
Paul Hoare
remixer:
George Young
recorded at and engineered at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
The Jack (on 1977-12-07)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
8:37
7Whole Lotta Rosie
engineer:
Paul Hoare
mixer:
George Young
recorded at and engineered at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
Whole Lotta Rosie (on 1977-12-07)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
is based on:
Dirty Eyes
5:11
8Rocker
engineer:
Paul Hoare
remixer:
George Young
recorded at and engineered at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1977-12-07)
live recording of:
Rocker (on 1977-12-07)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
5:32
2CD: Let There Be Rock: The Movie - Live in Paris
#TitleLength
1Live Wire7:34
2Shot Down in Flames3:46
3Hell Ain't a Bad Place to Be4:20
4Sin City5:23
5Bad Boy Boogie
mixer:
Tony Platt
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Bad Boy Boogie (on 1979-12-09)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
13:15
6The Jack
mixer:
Tony Platt
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
The Jack (on 1979-12-09)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
5:54
7Highway to Hell
mixer:
Tony Platt
phonographic copyright (℗) by:
Leidseplein Presse B.V. (in 1981)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Highway to Hell (on 1979-12-09)
lyricist and composer:
Bon Scott, Angus Young and Malcolm Young
publisher:
Edward B. Marks Music Co., J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
3:24
8Girls Got Rhythm3:27
9High Voltage6:33
10Whole Lotta Rosie
mixer:
Tony Platt
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Whole Lotta Rosie (on 1979-12-09)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
is based on:
Dirty Eyes
5:08
11Rocker
mixer:
Tony Platt
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Rocker (on 1979-12-09)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
10:16
12Let There Be Rock
mixer:
Tony Platt
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1979-12-09)
live recording of:
Let There Be Rock (on 1979-12-09)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
7:42
3CD: Volts
#TitleLength
1Dirty Eyes
engineer:
Pete Coleman
additional producer:
George Young
producer:
Vanda & Young
recording of:
Dirty Eyes (in 1977)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son Pty. Ltd.
3:21
2Touch Too Much6:34
3If You Want Blood You Got It4:27
4Back Seat Confidential
recording of:
Back Seat Confidential (in 1977)
writer:
Bon Scott, Angus Young and Malcolm Young
5:24
5Get It Hot4:16
6Sin City4:51
7Walk All Over You4:58
8T.N.T.4:23
9She's Got Balls
producer:
Vanda & Young
mixer:
Sam Horsburgh
phonographic copyright (℗) by:
Albert Productions (in 1977)
recorded at:
Bondi Lifesaver in Sydney, New South Wales, Australia (in 1977-07)
mixed at:
Albert Studios in Sydney, New South Wales, Australia
live recording of:
She's Got Balls (in 1977-07)
writer:
Bon Scott, Angus Young and Malcolm Young
publisher:
J. Albert & Son (USA) Inc. and J. Albert & Son Pty. Ltd.
7:56
10School Days5:24
11It's a Long Way to the Top (If You Wanna Rock 'n' Roll)5:15
12Ride On9:42
4CD: Back in Black
#TitleLength
1Hells Bells
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
SWR1 Hitparade 2011 (number: 8), SWR1 Hitparade 2012 (number: 8), SWR1 Hitparade 2013 (number: 9) and SWR1 Hitparade 2010 (number: 10)
recording of:
Hells Bells (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
5:15
2Shoot to Thrill
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
music videos:
Shoot to Thrill by AC/DC
recording of:
Shoot to Thrill (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
5:22
3What Do You Do for Money Honey
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
What Do You Do for Money Honey (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3:38
4Given the Dog a Bone
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Given the Dog a Bone (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3:34
5Let Me Put My Love Into You
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Let Me Put My Love Into You (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
part of:
“The Filthy Fifteen” (number: 6)
4:17
6Back in Black
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
NME: 50 Greatest Guitar Riffs of All Time (number: 1), VH1: 100 Greatest Hard Rock Songs (number: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 17), BILLIONS CLUB, The Downloader’s Music Source Book (number: 102) and Rolling Stone: 500 Greatest Songs of All Time (number: 187)
recording of:
Back in Black (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:18
7You Shook Me All Night Long
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
VH1: 100 Greatest Songs of the 80’s (number: 10), The Downloader’s Music Source Book (number: 120), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 287) and BILLIONS CLUB
recording of:
You Shook Me All Night Long (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
3:32
8Have a Drink on Me
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Have a Drink on Me (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:01
9Shake a Leg
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
recording of:
Shake a Leg (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:08
10Rock and Roll Ain't Noise Pollution
assistant engineer:
Benjamin Armbrister and Jack Nuber
engineer:
Tony Platt (from 1980-04 until 1980-05)
producer:
Robert John “Mutt” Lange
mixer:
Brad Samuelsohn
bass guitar:
Cliff Williams (from 1980-04 until 1980-05)
drums (drum set):
Phil Rudd (from 1980-04 until 1980-05)
guitar [lead guitar]:
Angus Young (from 1980-04 until 1980-05)
guitar [rhythm guitar]:
Malcolm Young (from 1980-04 until 1980-05)
lead vocals:
Brian Johnson (from 1980-04 until 1980-05)
phonographic copyright (℗) by:
Albert Productions (in 1980) and Leidseplein Presse B.V. (in 1980)
recorded at:
Compass Point Studios in Nassau, Bahamas (from 1980-04 until 1980-05)
part of:
The Downloader’s Music Source Book (number: 112)
recording of:
Rock and Roll Ain’t Noise Pollution (from 1980-04 until 1980-05)
writer:
Brian Johnson, Angus Young and Malcolm Young
publisher:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (in 1980), Marks Music (in 1980) and Zomba Management and Publishers Ltd. (in 1980)
4:14

Credits

Release

manufactured in:Australia
printed in:Australia
photography:Claude Gassian
Robert Ellis
producer:George Young
remastering:Ted Jensen
design:Jim deBarros
manufactured by and distributed by:EMI Music Group Australasia
copyrighted (©) by and phonographic copyright (℗) by:Albert Productions (in 1997)
remastered at:Sterling Sound in Chelsea, New York, New York, United States
Discogs:https://www.discogs.com/release/2205879 [info]