The Complete Albums Recordings

~ Release by Booker Little (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1Milestones
producer:
Tom Wilson
bass:
Art Davis (in 1958-10)
drums (drum set):
Max Roach (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
tenor saxophone:
George Coleman (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios in New York, New York, United States (in 1958-10)
recording of:
Milestones (originally titled “Miles”) (in 1958-10)
composer:
Miles Davis
publisher:
Champs Élysées Nouv Société, EMI, Jazz Horn Music and Screen Gems–EMI Music, Inc.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
5:37
2Sweet and Lovely
producer:
Tom Wilson
double bass [bass]:
Art Davis (in 1958-10)
drums (drum set):
Max Roach (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios in New York, New York, United States (in 1958-10)
instrumental recording of:
Sweet and Lovely (in 1958-10)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
cover recording of:
Sweet and Lovely
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC, Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
4:16
3Rounder's Moon
5:23
4Dungeon Waltz
producer:
Tom Wilson
bass:
Art Davis (in 1958-10)
drums (drum set):
Max Roach (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios in New York, New York, United States (in 1958-10)
4:30
5Jewel's Tempo
producer:
Tom Wilson
bass:
Art Davis (in 1958-10)
drums (drum set):
Max Roach (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
tenor saxophone:
George Coleman (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios in New York, New York, United States (in 1958-10)
6:38
6Moonlight Becomes You
producer:
Tom Wilson
double bass [bass]:
Art Davis (in 1958-10)
drums (drum set):
Max Roach (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios in New York, New York, United States (in 1958-10)
cover recording of:
Moonlight Becomes You (in 1958-10)
lyricist:
Johnny Burke (in 1942)
composer:
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation, Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部
5:43
7Opening Statement
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
6:43
8Minor Sweet
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
5:41
9Bee Tee's Minor Plea
recorded in:
New York, New York, United States (on 1960-04-15)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-15)
drums (drum set):
Roy Haynes (on 1960-04-15)
piano:
Wynton Kelly (on 1960-04-15)
trumpet:
Booker Little (on 1960-04-15)
5:41
10Life's a Little Blue
recorded in:
New York, New York, United States (on 1960-04-15)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-15)
drums (drum set):
Roy Haynes (on 1960-04-15)
piano:
Wynton Kelly (on 1960-04-15)
trumpet:
Booker Little (on 1960-04-15)
6:53
11The Grand Valse
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
4:58
12Who Can I Turn To?
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
recording of:
Who Can I Turn To (on 1960-04-13)
lyricist:
William Engvick
composer:
Alec Wilder
5:27
2▼CD
#TitleLength
1November Afternoon
2:49
2Chasin' the Bird
recorded in:
New York, New York, United States (in 1960)
engineer and editor:
Joe Scariza
bass and double bass [bass]:
Addison Farmer (in 1960)
congas:
Armando Peraza (in 1960)
drums (drum set):
Ed Shaughnessy (in 1960)
piano:
Mal Waldron (in 1960)
trumpet:
Marcus Belgrave (in 1960), Donald Byrd (in 1960) and Booker Little (in 1960)
remixer:
Joe Scariza
recording of:
Chasing the Bird (in 1960)
composer:
Charlie Parker
3:47
3The Prophecy
3:43
4Quiet Temple
4:35
5Wee-Tina
recorded in:
New York, New York, United States (in 1960)
congas:
Armando Perazo (in 1960)
double bass [bass]:
Addison Farmer (in 1960)
drums (drum set):
Ed Shaughnessy (in 1960)
piano:
Mal Waldron (in 1960)
trumpet:
Marcus Belgrave (in 1960), Donald Byrd (in 1960) and Booker Little (in 1960)
4:52
6Construction Crew
2:18
7Ping Pong Beer
recorded in:
New York, New York, United States (in 1960)
engineer and editor:
Joe Scariza
baritone saxophone:
Pepper Adams (in 1960)
bass:
Paul Chambers (in 1960)
drums (drum set):
Philly Joe Jones (in 1960)
piano:
Bill Evans (in 1960)
timpani:
Earl Zindars (in 1960)
trumpet:
Donald Byrd (in 1960)
remixer:
Joe Scariza
6:07
8Call to Arms
4:17
9Witchfire
recorded in:
New York, New York, United States (in 1960)
editor:
Joe Scariza
bass and double bass [bass]:
Addison Farmer (in 1960)
congas:
Willie Rodriguez (in 1960)
drums (drum set):
Philly Joe Jones (in 1960) and Ed Shaughnessy (in 1960)
piano:
Mal Waldron (in 1960)
tenor saxophone:
Booker Ervin (in 1960)
trombone:
Curtis Fuller (in 1960)
trumpet:
Don Ellis (in 1960) and Booker Little (in 1960)
vibraphone:
Teddy Charles (in 1960) and Ed Shaughnessy (in 1960)
remixer:
Joe Scariza
recording of:
Witchfire (in 1960)
composer:
Booker Little
4:32
10We Speak
engineer:
Bob d’Orleans
producer:
Nat Hentoff
alto saxophone:
Eric Dolphy (on 1961-03-17)
bass:
Art Davis (on 1961-03-17)
drums (drum set) and timpani:
Max Roach (on 1961-03-17)
piano:
Don Friedman (on 1961-03-17)
trombone:
Julian Priester (on 1961-03-17)
trumpet:
Booker Little (on 1961-03-17)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1961-03-17)
recording of:
We Speak (on 1961-03-17)
composer:
Booker Little
publisher:
Jay Bee Music
6:46
11Strength and Sanity
engineer:
Bob d’Orleans
producer:
Nat Hentoff
alto saxophone:
Eric Dolphy (on 1961-04-04)
bass:
Ron Carter (on 1961-04-04)
drums (drum set):
Max Roach (on 1961-04-04)
piano:
Don Friedman (on 1961-04-04)
trombone:
Julian Priester (on 1961-04-04)
trumpet:
Booker Little (on 1961-04-04)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1961-04-04)
recording of:
Strength and Sanity (on 1961-04-04)
composer:
Booker Little
publisher:
Jay Bee Music
6:17
12Quiet Please
engineer:
Bob d’Orleans
producer:
Nat Hentoff
alto saxophone:
Eric Dolphy (on 1961-03-17)
bass:
Art Davis (on 1961-03-17)
drums (drum set) and timpani:
Max Roach (on 1961-03-17)
piano:
Don Friedman (on 1961-03-17)
trombone:
Julian Priester (on 1961-03-17)
trumpet:
Booker Little (on 1961-03-17)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1961-03-17)
recording of:
Quiet, Please (on 1961-03-17)
composer:
Booker Little
publisher:
Second Floor Music
8:11
13Moods in Free Time
engineer:
Bob d’Orleans
producer:
Nat Hentoff
alto saxophone:
Eric Dolphy (on 1961-04-04)
bass:
Ron Carter (on 1961-04-04)
drums (drum set) and timpani:
Max Roach (on 1964-04-04)
piano:
Don Friedman (on 1961-04-04)
timpani:
Max Roach (on 1961-04-04)
trombone:
Julian Priester (on 1961-04-04)
trumpet:
Booker Little (on 1961-04-04)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1961-04-04)
recording of:
Moods in Free Time (on 1961-04-04)
composer:
Booker Little
publisher:
Jay Bee Music
5:44
14Man of Words
recorded in:
New York, New York, United States (on 1961-03-17)
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Ron Carter (on 1961-04-04)
bass clarinet:
Eric Dolphy (on 1961-04-04)
cymbal:
Max Roach (on 1961-04-04)
piano:
Don Friedman (on 1961-04-04)
trombone:
Julian Priester (on 1961-04-04)
trumpet:
Booker Little (on 1961-04-04)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1961-04-04)
recording of:
Man of Words (on 1961-04-04)
composer:
Booker Little
publisher:
Jay Bee Music and Second Floor Music
4:51
15Hazy Blues
engineer:
Bob d’Orleans
producer:
Nat Hentoff
alto saxophone:
Eric Dolphy (on 1961-04-04)
bass:
Ron Carter (on 1961-04-04)
drums (drum set) and timpani:
Max Roach (on 1961-04-04)
piano:
Don Friedman (on 1961-04-04)
trombone:
Julian Priester (on 1961-04-04)
trumpet:
Booker Little (on 1961-04-04)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1961-04-04)
recording of:
Hazy Hues (on 1961-04-04)
composer:
Booker Little
publisher:
Second Floor Music
6:42
16A New Day
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Art Davis (on 1961-03-17)
drums (drum set) and timpani:
Max Roach (on 1961-03-17)
flute:
Eric Dolphy (on 1961-03-17)
piano:
Don Friedman (on 1961-03-17)
trombone:
Julian Priester (on 1961-03-17)
trumpet:
Booker Little (on 1961-03-17)
recorded at:
Nola’s Penthouse in New York, New York, United States (on 1961-03-17)
recording of:
A New Day (on 1961-03-17)
composer:
Booker Little
publisher:
Jay Bee Music
5:33
3▼CD
#TitleLength
1Victory and Sorrow
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Victory and Sorrow (in 1961)
composer:
Booker Little
5:57
2Forward Flight
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Forward Flight (in 1961)
composer:
Booker Little
6:18
3Looking Ahead
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Looking Ahead (in 1961)
composer:
Booker Little
7:26
4If I Should Loose You
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
If I Should Lose You (in 1961)
lyricist:
Leo Robin
composer:
Ralph Rainger
publisher:
Famous Music Corporation
5:12
5Calling Softly
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Calling Softly (in 1961)
composer:
Booker Little
5:40
6Booker's Blues
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Booker's Blues (in 1961)
composer:
Booker Little
5:16
7Matilde
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Matilde (in 1961)
composer:
Booker Little
5:55
8Mrs. Parker of K.C. (Bird's Mother)
recording engineer:
Rudy van Gelder (on 1960-12-21)
bass clarinet:
Eric Dolphy (on 1960-12-21)
double bass [bass]:
Ron Carter (on 1960-12-21)
drums (drum set):
Roy Haynes (on 1960-12-21)
piano:
Jaki Byard (on 1960-12-21)
trumpet:
Booker Little (on 1960-12-21)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-12-21)
recording of:
Mrs. Parker of K.C. (Bird's Mother) (on 1960-12-21)
composer:
Jaki Byard
publisher:
JATAP Publishing Co.
8:04
9Ode to Charlie Parker
recording engineer:
Rudy van Gelder (on 1960-12-21)
double bass [bass]:
Ron Carter (on 1960-12-21)
drums (drum set):
Roy Haynes (on 1960-12-21)
flute:
Eric Dolphy (on 1960-12-21)
piano:
Jaki Byard (on 1960-12-21)
trumpet:
Booker Little (on 1960-12-21)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-12-21)
recording of:
Ode to Charlie Parker (on 1960-12-21)
composer:
Jaki Byard
publisher:
JATAP Publishing Co.
8:45
10Far Cry
recording engineer:
Rudy van Gelder (on 1960-12-21)
alto saxophone:
Eric Dolphy (on 1960-12-21)
double bass [bass]:
Ron Carter (on 1960-12-21)
drums (drum set):
Roy Haynes (on 1960-12-21)
piano:
Jaki Byard (on 1960-12-21)
trumpet:
Booker Little (on 1960-12-21)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-12-21)
recording of:
Far Cry (aka 'Out There') (on 1960-12-21)
composer:
Eric Dolphy
publisher:
Prestige Music Co.
3:55
11Miss Ann
recording engineer:
Rudy van Gelder (on 1960-12-21)
alto saxophone:
Eric Dolphy (on 1960-12-21)
double bass [bass]:
Ron Carter (on 1960-12-21)
drums (drum set):
Roy Haynes (on 1960-12-21)
piano:
Jaki Byard (on 1960-12-21)
trumpet:
Booker Little (on 1960-12-21)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-12-21)
recording of:
Miss Ann (on 1960-12-21)
composer:
Eric Dolphy
publisher:
Prestige Music Co.
4:18
12Left Alone
recording engineer:
Rudy van Gelder (on 1960-12-21)
double bass [bass]:
Ron Carter (on 1960-12-21)
drums (drum set):
Roy Haynes (on 1960-12-21)
flute:
Eric Dolphy (on 1960-12-21)
piano:
Jaki Byard (on 1960-12-21)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-12-21)
instrumental recording of:
Left Alone (on 1960-12-21)
lyricist:
Billie Holiday
composer:
Mal Waldron
publisher:
Edward B. Marks Music Co.
6:42
13Tenderly
recording engineer:
Rudy van Gelder (on 1960-12-21)
alto saxophone:
Eric Dolphy (on 1960-12-21)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-12-21)
instrumental recording of:
Tenderly (on 1960-12-21)
lyricist:
Jack Lawrence (in 1946)
composer:
Walter Gross (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
4:20
14It's Magic
recording engineer:
Rudy van Gelder (on 1960-12-21)
bass:
Ron Carter
bass clarinet:
Eric Dolphy (on 1960-12-21)
double bass [bass]:
Ron Carter (on 1960-12-21)
drums (drum set):
Roy Haynes (on 1960-12-21)
piano:
Jaki Byard (on 1960-12-21)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1960-12-21)
instrumental recording of:
It’s Magic (on 1960-12-21)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd.
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
4:49
4▼CD
#TitleLength
1Fire Waltz
alto saxophone:
Eric Dolphy (on 1961-07-16)
double bass:
Richard Davis (on 1961-07-16)
drums (drum set):
Ed Blackwell (on 1961-07-16)
piano:
Mal Waldron (on 1961-07-16)
trumpet:
Booker Little (on 1961-07-16)
recorded at:
Five Spot in Manhattan, New York, New York, United States (on 1961-07-16)
live recording of:
Fire Waltz (on 1961-07-16)
composer:
Mal Waldron
publisher:
Songs of Concord
13:22
2Bee Vamp
bass clarinet:
Eric Dolphy (on 1961-07-16)
double bass:
Richard Davis (on 1961-07-16)
drums (drum set):
Ed Blackwell (on 1961-07-16)
piano:
Mal Waldron (on 1961-07-16)
trumpet:
Booker Little (on 1961-07-16)
recorded at:
Five Spot in Manhattan, New York, New York, United States (on 1961-07-16)
12:25
3The Prophet
alto saxophone:
Eric Dolphy (on 1961-07-16)
double bass:
Richard Davis (on 1961-07-16)
drums (drum set):
Ed Blackwell (on 1961-07-16)
piano:
Mal Waldron (on 1961-07-16)
trumpet:
Booker Little (on 1961-07-16)
recorded at:
Five Spot in Manhattan, New York, New York, United States (on 1961-07-16)
live recording of:
The Prophet (on 1961-07-16)
composer:
Eric Dolphy
dedicated to:
Richard Slater Jennings
21:15
4Aggression
bass clarinet:
Eric Dolphy (on 1961-07-16)
double bass:
Richard Davis (on 1961-07-16)
drums (drum set):
Eddie Blackwell (on 1961-07-16)
piano:
Mal Waldron (on 1961-07-16)
trumpet:
Booker Little (on 1961-07-16)
recorded at:
Five Spot in Manhattan, New York, New York, United States (on 1961-07-16)
live recording of:
Aggression (on 1961-07-16)
composer:
Booker Little
16:41
5Like Someone in Love
18:57