Handel: The Great Oratorios

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

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1CD: La Resurrezione - Parte prima
#TitleLength
1La Resurrezione, HWV 47, Parte Prima: Sonata
recording engineer:
John Dunkerley
producer:
Peter Wadland
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part I. Sonata (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
3:18
2La Resurrezione, HWV 47, Parte Prima: No. 3 Aria: "Disserratevi, o porte d'Averno" (Angelo)
recording engineer:
John Dunkerley
producer:
Peter Wadland
soprano vocals [Angelo]:
Emma Kirkby (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Disserratevi, o porte d'Averno (Angelo) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
5:33
3La Resurrezione, HWV 47, Parte Prima: No. 2b Recitativo accompagnato: "Qual'insolita luce" (Lucifero) / No. 1 Aria: "Caddi, è ver (Lucifero)4:49
4La Resurrezione, HWV 47, Parte Prima: No. 4 Recitativo accompagnato: "Ma, che veggio?" (Lucifero, Angelo) / Recitativo: "Chi sei?" (Lucifero, Angelo)1:32
5La Resurrezione, HWV 47, Parte Prima: No. 5 Aria: "D'amor fu consiglio" (Angelo) / Recitativo: "E ben, questio tuo Nume" (Lucifero, Angelo)
recording engineer:
John Dunkerley
producer:
Peter Wadland
bass vocals [Lucifero]:
David Thomas (in 1981-03)
soprano vocals [Angelo]:
Emma Kirkby (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part I. Aria: D'amor fu consiglio (Angelo) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
recording of:
La Resurrezione, HWV 47: Part I. Recitative: E ben, questo tuo Nume (Lucifero, Angelo) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
recording of:
La Resurrezione, HWV 47: Part I. Aria: D'amor fu consiglio (Angelo)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
3:59
6La Resurrezione, HWV 47, Parte Prima: No. 6 Aria: "O voi, dell'Erebo" (Lucifero)
recording engineer:
John Dunkerley
producer:
Peter Wadland
bass vocals [Lucifero]:
David Thomas (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part I. Aria: O voi, dell'Erebo (Lucifero) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
3:28
7La Resurrezione, HWV 47, Parte Prima: No. 7 Recitativo accompagnato: "Notte, notte funesta" (Maddalena) / No. 8 Aria: "Ferma l'ali" (Maddalena) / Recitativo: "Concedi, o Maddalena, quale tregua al martire" (Cleofe, Maddalena)6:56
8La Resurrezione, HWV 47, Parte Prima: No. 9 Aria: "Piangete, sì, piangete" (Cleofe) / Recitativo: "Ahi, dolce mio Signore" (Maddalena, Cleofe)
recording engineer:
John Dunkerley
producer:
Peter Wadland
contralto vocals [Cleofe]:
Carolyn Watkinson (in 1981-03)
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Piangete, si, piangete (Cleofe) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
4:31
9La Resurrezione, HWV 47, Parte Prima: No. 10 Duetto: "Dolci chiodi, amate spine" (Maddalena, Cleofe) / Recitativo: "O Cleofe, o Maddalena" (S. Giovanni, Maddalena)
recording engineer:
John Dunkerley
producer:
Peter Wadland
contralto vocals [Cleofe]:
Carolyn Watkinson (in 1981-03)
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
tenor vocals [San Giovanni]:
Ian Partridge (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Dolci chiodi, amate spine (Maddalena, Cleofe) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
recording of:
La Resurrezione, HWV 47: Part I. Recitative: O Cleofe, o Maddalena (San Giovanni, Maddalena) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
recording of:
La Resurrezione, HWV 47: Part I. Aria: Dolci chiodi, amate spine (Maddalena, Cleofe)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
5:22
10La Resurrezione, HWV 47, Parte Prima: No. 11 Aria: "Quando è parto dell'affetto" (S. Giovanni) / Recitativo: "Ma dimmi, e sarà vero che risorga Gesù" (Cleofe, S. Giovanni, Maddalena)
recording engineer:
John Dunkerley
producer:
Peter Wadland
contralto vocals [Cleofe]:
Carolyn Watkinson (in 1981-03)
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
tenor vocals [San Giovanni]:
Ian Partridge (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Quando è parto dell'affetto (San Giovanni) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Ma dinne, e sarà vero (Cleofe, San Giovanni, Maddalena) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
recording of:
La Resurrezione, HWV 47: Part I. Aria: Quando è parto dell'affetto (San Giovanni)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
4:43
11La Resurrezione, HWV 47, Parte Prima: No. 12 Aria: "Naufragando va per l'onde" (Cleofe) / Recitativo: "Itene pure, o fide amiche donne" (S. Giovanni, Maddalena)
recording engineer:
John Dunkerley
producer:
Peter Wadland
contralto vocals [Cleofe]:
Carolyn Watkinson (in 1981-03)
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
tenor vocals [San Giovanni]:
Ian Partridge (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Naufragando va per l'onde (Cleofe) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Itene pure, o fide (San Giovanni, Maddalena) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
recording of:
La Resurrezione, HWV 47: Part I. Aria: Naufragando va per l'onde (Cleofe)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
6:05
12La Resurrezione, HWV 47, Parte Prima: No. 13 Aria: "Così la tortorella" (S. Giovanni) / Recitativo: "Se Maria dunque spera" (Maddalena)
recording engineer:
John Dunkerley
producer:
Peter Wadland
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
tenor vocals [San Giovanni]:
Ian Partridge (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Così la tortorella (San Giovanni) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Se Maria dunque spera (Maddalena) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
recording of:
La Resurrezione, HWV 47: Part I. Aria: Così la tortorella (San Giovanni)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
4:34
13La Resurrezione, HWV 47, Parte Prima: No. 14 Aria: "Ho un non so che nel cor" (Maddalena) / Recitativo: "Uscite pure, uscite dall'oscura prigione" (Angelo)
recording engineer:
John Dunkerley
producer:
Peter Wadland
soprano vocals [Angelo]:
Emma Kirkby (in 1981-03)
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part I. Aria: Ho un non so che nel cor (Maddalena) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
recording of:
La Resurrezione, HWV 47: Part I. Recitative: Uscite pur, uscite (Angelo) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
recording of:
La Resurrezione, HWV 47: Part I. Aria: Ho un non so che nel cor (Maddalena)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
4:10
14La Resurrezione, HWV 47, Parte Prima: No. 15 Coro: "Il Nume vincitor" (Angelo, Coro di Angeli)
recording engineer:
John Dunkerley
producer:
Peter Wadland
soprano vocals [Angelo]:
Emma Kirkby (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part I. Coro: Il Nume vuncitor (Angelo, Coro di Angeli) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part I
2:22
2CD: La Resurrezione - Parte seconda
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1La Resurrezione, HWV 47, Parte Seconda: No. 16 Introduction / Recitativo: "Di quai nuovi portenti ha la terra oggi ancora il sen fecondo?" (S. Giovanni)
recording engineer:
John Dunkerley
producer:
Peter Wadland
tenor vocals [San Giovanni]:
Ian Partridge (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Introduction - Einleitung (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
2:25
2La Resurrezione, HWV 47, Parte Seconda: No. 17 Aria: "Ecco il sol, ch'esce dal mare" (S. Giovanni) / Recitativo: "Ma ove Maria dimora" (S. Giovanni)
recording engineer:
John Dunkerley
producer:
Peter Wadland
tenor vocals [San Giovanni]:
Ian Partridge (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Ecco il sol, ch'esce dal mar (San Giovanni) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
5:13
3La Resurrezione, HWV 47, Parte Seconda: No. 18 Aria: "Risorga il mondo" (Angelo)
recording engineer:
John Dunkerley
producer:
Peter Wadland
soprano vocals [Angelo]:
Emma Kirkby (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Risorga il mondo (Angelo) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
2:34
4La Resurrezione, HWV 47, Parte Seconda: No. 19 Recitativo accompagnato: "Di rabbia indarno freme" (Angelo) / "Misero! ho pure udito?" (Lucifero, Angelo)
recording engineer:
John Dunkerley
producer:
Peter Wadland
bass vocals [Lucifero]:
David Thomas (in 1981-03)
soprano vocals [Angelo]:
Emma Kirkby (in 1981-03)
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
tenor vocals [San Giovanni]:
Ian Partridge (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Recitative: Di rabbia indarno freme (Angelo) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
1:46
5La Resurrezione, HWV 47, Parte Seconda: No. 20 Aria: "Per celare il nuovo scorno" (Lucifero) / Recitativo: "O come cieco il tuo furor delira!" (Angelo)
recording engineer:
John Dunkerley
producer:
Peter Wadland
bass vocals [Lucifero]:
David Thomas (in 1981-03)
soprano vocals [Angelo]:
Emma Kirkby (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Per celare il nuovo scorno (Lucifero) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
2:28
6La Resurrezione, HWV 47, Parte Seconda: No. 21 Duetto: "Impedirlo io saprò" (Lucifero, Angelo) / Recitativo: "Amica, troppo tardo fu il nostro piè" (Maddalena, Cleofe)
recording engineer:
John Dunkerley
producer:
Peter Wadland
bass vocals [Lucifero]:
David Thomas (in 1981-03)
soprano vocals [Angelo]:
Emma Kirkby (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Impedirlo io saprò (Lucifero, Angelo) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
1:22
7La Resurrezione, HWV 47, Parte Seconda: No. 22 Aria: "Per me già di morire" (Maddalena) / Recitativo: "Ahi, abborrito nome!" (Lucifero)
recording engineer:
John Dunkerley
producer:
Peter Wadland
bass vocals [Lucifero]:
David Thomas (in 1981-03)
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Per me già di morire (Maddalena) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
5:34
8La Resurrezione, HWV 47, Parte Seconda: No. 23 Aria: "Vedo il Ciel che più sereno" (Cleofe) / Recitativo: "Cleofe, siam giunte al luogo" (Maddalena, Cleofe)
recording engineer:
John Dunkerley
producer:
Peter Wadland
contralto vocals [Cleofe]:
Carolyn Watkinson (in 1981-03)
soprano vocals [Angelo]:
Emma Kirkby (in 1981-03)
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
tenor vocals [San Giovanni]:
Ian Partridge (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Vedo il Ciel che più sereno (Cleofe) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
5:36
9La Resurrezione, HWV 47, Parte Seconda: No. 24 Aria: "Se per colpa di donna infelice" (Angelo) / Recitativo: "Mio Gesù, mio Signore, già che risorto sei" (Maddalena)
recording engineer:
John Dunkerley
producer:
Peter Wadland
soprano vocals [Angelo]:
Emma Kirkby (in 1981-03)
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Se per colpa di donna infelice (Angelo) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
3:04
10La Resurrezione, HWV 47, Parte Seconda: No. 25 Aria: "Del ciglio dolente" (Maddalena) / Recitativo: "Sì, sì, cerchiamo pure l'orme del nostro amor" (Cleofe)
recording engineer:
John Dunkerley
producer:
Peter Wadland
contralto vocals [Cleofe]:
Carolyn Watkinson (in 1981-03)
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Del ciglio dolente (Maddalena) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
2:51
11La Resurrezione, HWV 47, Parte Seconda: No. 26 Aria: "Augelletti, ruscelletti" (Cleofe) / Recitativo: "Dove sì frettolosi, Cleofe, rivolgi i passi?" (Giovanni, Cleofe)
recording engineer:
John Dunkerley
producer:
Peter Wadland
contralto vocals [Cleofe]:
Carolyn Watkinson (in 1981-03)
tenor vocals [San Giovanni]:
Ian Partridge (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Augelletti, ruscelletti (Cleofe) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
4:04
12La Resurrezione, HWV 47, Parte Seconda: No. 27 Aria: "Caro Figlio!" (S. Giovanni) / Recitativo: "Cleofe, Giovanni, udite" (Maddalena, S. Giovanni, Cleofe)
recording engineer:
John Dunkerley
producer:
Peter Wadland
contralto vocals [Cleofe]:
Carolyn Watkinson (in 1981-03)
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
tenor vocals [San Giovanni]:
Ian Partridge (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Caro Figlio! (San Giovanni) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
5:42
13La Resurrezione, HWV 47, Parte Seconda: No. 28 Aria: "Se impassibile, immortale" (Maddalena): Recitativo: "Sì, sì, col Redentore sorga il mondo redento!" (S. Giovanni, Cleofe, Maddalena)
recording engineer:
John Dunkerley
producer:
Peter Wadland
contralto vocals [Cleofe]:
Carolyn Watkinson (in 1981-03)
soprano vocals [Maddalena]:
Patrizia Kwella (in 1981-03)
tenor vocals [San Giovanni]:
Ian Partridge (in 1981-03)
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Aria: Se impassibile, immortale (Maddalena) (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
4:10
14La Resurrezione, HWV 47, Parte Seconda: No. 29 Coro: "Diasi lode in Cielo, in terra" (Coro)
recording engineer:
John Dunkerley
producer:
Peter Wadland
orchestra:
Academy of Ancient Music (in 1981-03)
conductor:
Christopher Hogwood (in 1981-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1982)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1981-03)
recording of:
La Resurrezione, HWV 47: Part II. Coro: Diasi lode in Cielo, in terra (in 1981-03)
composer:
George Frideric Handel (in 1708)
part of:
La resurrezione, HWV 47: Part II
1:28
3CD: Acis & Galatea - Act I
#TitleLength
1Acis and Galatea, HWV 49: Act One. No. 1 Sinfonia
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act I, no. 1. Sinfonia (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
3:27
2Acis and Galatea, HWV 49: Act One. No. 2 Chorus: "Oh, the pleasure of the plains!"
bass vocals [Polyphemus]:
Willard White (in 1978-02)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
tenor vocals:
Paul Elliott (in 1978-02)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
tenor vocals [Damon]:
Martyn Hill (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act I, no. 2. Choir "Oh the pleasure of the plains!" (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
5:56
3Acis and Galatea, HWV 49: Act One. No. 3 Accompagnato: "Ye verdant plains and woody mountains" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act I, no. 3. Recitative "Ye verdant plains and woody mountains" (Galatea) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
0:57
4Acis and Galatea, HWV 49: Act One. No. 4 Air: "Hush, ye pretty warbling quire!" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act I, no. 4. Aria "Hush, ye pretty warbling quire!" (Galatea) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
6:20
5Acis and Galatea, HWV 49: Act One. No. 5 Air: "Where shall I seek the charming fair?" (Acis)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act I, no. 5. Aria "Where shall I seek the charming fair?" (Acis) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
3:23
6Acis and Galatea, HWV 49: Act One. Recitative: "Stay, shepherd, stay!" (Damon)
tenor vocals [Damon]:
Martyn Hill (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act I, no. 5a. Recitative "Stay, shepherd, stay!" (Damon) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
0:26
7Acis and Galatea, HWV 49: Act One. No. 6 Air: "Shepherd, what art thou pursuing?" (Damon)
tenor vocals [Damon]:
Martyn Hill (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act I, no. 6. Aria "Shepherd, what art thou pursuing?" (Damon) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
4:28
8Acis and Galatea, HWV 49: Act One. Recitative: "Lo! Here my love" (Acis)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act I, no. 6a. Recitative: "Lo! Here my love!" (Acis) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
0:31
9Acis and Galatea, HWV 49: Act One. No. 7 Air: "Love in her eyes sits playing" (Acis)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act I, no. 7. Aria "Love in her eyes sits playing" (Acis) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
6:53
10Acis and Galatea, HWV 49: Act One. Recitative: "Oh! Didst thou know the pains of absent love" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act I, no. 7a. Recitative "Oh! Didst thou know the pains of absent love" (Galatea) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
0:22
11Acis and Galatea, HWV 49: Act One. No. 8 Air: "As when the dove laments her love" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act I, no. 8. Aria "As when the dove laments her love" (Galatea) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
6:32
12Acis and Galatea, HWV 49: Act One. No. 9 Duet: "Happy we! What joys I feel!" (Acis, Galatea)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act I, no. 9a. Duet "Happy we" (Galatea, Acis) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act I
2:35
4CD: Acis & Galatea - Act II
#TitleLength
1Acis and Galatea, HWV 49: Act Two. No. 10 Chorus: "Wretched lovers! Fate has passed this sad decree"
bass vocals [Polyphemus]:
Willard White (in 1978-02)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
tenor vocals:
Paul Elliott (in 1978-02)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
tenor vocals [Damon]:
Martyn Hill (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 10. Choir "Wretched lovers!" (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
5:06
2Acis and Galatea, HWV 49: Act Two. No. 11 Accompagnato: "I rage, I melt, I burn!" (Polyphemus)
bass vocals [Polyphemus]:
Willard White (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 11. Recitativo accompagnato "I rage, I melt, I burn!" (Polyphemus) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
1:24
3Acis and Galatea, HWV 49: Act Two. No. 12 Air: "O ruddier than the cherry" (Polyphemus)
bass vocals [Polyphemus]:
Willard White (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 12. Aria "O ruddier than the cherry" (Polyphemus) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
3:08
4Acis and Galatea, HWV 49: Act Two. Recitative: "Whither, fairest, art thou running" (Polyphemus, Galatea)
bass vocals [Polyphemus]:
Willard White (in 1978-02)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 12a. Recitativo "Whither, fairest, art thou running" (Polyphemus) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
1:06
5Acis and Galatea, HWV 49: Act Two. No. 13 Air: "Cease to beauty to be suing" (Polyphemus)
bass vocals [Polyphemus]:
Willard White (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 13. Aria "Cease to beauty to be suing" (Polyphemus) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
5:39
6Acis and Galatea, HWV 49: Act Two. No. 14 Air: "Would you gain the tender creature, softly, gently, kindly treat her" (Damon)
tenor vocals [Damon]:
Martyn Hill (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 14. Aria "Would you gain the tender creature" (Damon) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
part of:
Acis and Galatea, HWV 49: Act II
5:43
7Acis and Galatea, HWV 49: Act Two. Recitative: "His hideous love provokes me rage" (Acis)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 14a. Recitativo "His hideous love provokes my rage" (Acis) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
0:27
8Acis and Galatea, HWV 49: Act Two. No. 15 Air: "Love sounds th'alarm, and fear is a-flying" (Acis)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 15. Aria "Love sounds th'alarm" (Acis) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
5:26
9Acis and Galatea, HWV 49: Act Two. No. 16 Air: "Consider, fond shepherd, how fleeting's the pleasure" (Damon)
tenor vocals [Damon]:
Martyn Hill (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 16. Aria "Consider, fond shepherd, how fleeting's the pleasure" (Damon) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
6:34
10Acis and Galatea, HWV 49: Act Two. Recitative: "Cease, oh cease, thou gentle youth" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 16a. Recitativo "Cease, oh cease, thou gentle youth" (Galatea) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
0:32
11Acis and Galatea, HWV 49: Act Two. No. 17 Trio: "The flocks shall leave the mountains" (Acis, Galatea, Polyphemus)
bass vocals [Polyphemus]:
Willard White (in 1978-02)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 17. Trio "The flocks shall leave the mountains" (Galatea, Acis, Polyphemus) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
2:31
12Acis and Galatea, HWV 49: Act Two. No. 18 Accompagnato: "Help, Galatea! Help, ye parent gods!" (Acis)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 18. Recitativo "Help, Galatea!" (Acis) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
1:05
13Acis and Galatea, HWV 49: Act Two. No. 19 Chorus: "Mourn, all ye Muses! Weep, all ye swains!"
bass vocals [Polyphemus]:
Willard White (in 1978-02)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
tenor vocals:
Paul Elliott (in 1978-02)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
tenor vocals [Damon]:
Martyn Hill (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 19. Choir "Mourn, all ye muses!" (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
3:16
14Acis and Galatea, HWV 49: Act Two. No. 20a Solo and Chorus: "Must I my Acis still bemoan, inglorious crush'd beneath that stone?" (Galatea)
bass vocals [Polyphemus]:
Willard White (in 1978-02)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
tenor vocals:
Paul Elliott (in 1978-02)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
tenor vocals [Damon]:
Martyn Hill (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 20a. Solo with Choir "Must I my Acis still bemoan" (Galatea, choir) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
3:56
15Acis and Galatea, HWV 49: Act Two. Recitative: "'Tis done: thus I exert pow'r divine; be thou immortal" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 20c. Recitativo "'Tis done" (Galatea) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
0:24
16Acis and Galatea, HWV 49: Act Two. No. 21 Air: "Heart, the seat of soft delight, be thou now a fountain bright!" (Galatea)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 21. Aria "Heart, the seat of soft delight" (Galatea) (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
4:09
17Acis and Galatea, HWV 49: Act Two. No. 22 Chrous: "Galatea, dry thy tears, Acis now a god appears!"
bass vocals [Polyphemus]:
Willard White (in 1978-02)
soprano vocals [Galatea]:
Norma Burrowes (in 1978-02)
tenor vocals:
Paul Elliott (in 1978-02)
tenor vocals [Acis]:
Anthony Rolfe Johnson (in 1978-02)
tenor vocals [Damon]:
Martyn Hill (in 1978-02)
orchestra:
English Baroque Soloists (in 1978-02)
conductor:
Sir John Eliot Gardiner (in 1978-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1978)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1978-02)
recording of:
Acis and Galatea, HWV 49: Act II, no. 22. Choir "Galatea, dry thy tears" (in 1978-02)
composer:
George Frideric Handel (in 1718)
librettist:
John Gay (in 1718)
part of:
Acis and Galatea, HWV 49: Act II
3:12
5CD: Esther - Scenes 1-4
#TitleLength
1Esther, HWV 50: Scene 1. Ouverture / Recitative: "'Tis greater far to spare" (Habdonah, Haman)
recording engineer:
John Pellowe
producer:
Peter Wadland
bass vocals [Haman]:
David Thomas (from 1984-10-18 until 1984-10-23)
tenor vocals [2nd Israelite] and tenor vocals [Habdonah]:
Andrew King (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
7:46
2Esther, HWV 50: Scene 1. No. 1 Air: "Pluck root and branch from out the land" (Haman)
recording engineer:
John Pellowe
producer:
Peter Wadland
bass vocals [Haman]:
David Thomas (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
2:10
3Esther, HWV 50: Scene 1. No. 2 Chorus: "Shall we the God of Israel fear?"
recording engineer:
John Pellowe
producer:
Peter Wadland
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
1:55
4Esther, HWV 50: Scene 2. No. 3 Air: "Tune your harps to cheerful strains" (1st Israelite)
recording engineer:
John Pellowe
producer:
Peter Wadland
tenor vocals [1st Israelite]:
Paul Elliott (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
3:56
5Esther, HWV 50: Scene 2. No. 4 Chorus: "Shall we of servitude complain"
recording engineer:
John Pellowe
producer:
Peter Wadland
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
1:26
6Esther, HWV 50: Scene 2. No. 5 Air: "Praise the Lord with cheerful noise" (Israelite woman)
recording engineer:
John Pellowe
producer:
Peter Wadland
soprano vocals [Israelite woman]:
Emma Kirkby (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
6:08
7Esther, HWV 50: Scene 2. No. 6 Air: "Sing songs of praise, bow down the knee" (2nd Israelite) / Scene 3. Recitative: "How have our sins provoked the Lord!" (Priest)
recording engineer:
John Pellowe
producer:
Peter Wadland
alto vocals [Priest]:
Drew Minter (from 1984-10-18 until 1984-10-23)
tenor vocals [2nd Israelite] and tenor vocals [Habdonah]:
Andrew King (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
6:12
8Esther, HWV 50: Scene 3. No. 8 Chorus: "Ye sons of Israel mourn"
recording engineer:
John Pellowe
producer:
Peter Wadland
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
2:06
9Esther, HWV 50: Scene 3. No. 9 Air: "O Jordan, Jordan, sacred tide" (Priest) / Scene 4. Recitative: "Why sits that sorrow on thy brow?" (Esther)
recording engineer:
John Pellowe
producer:
Peter Wadland
alto vocals [Priest]:
Drew Minter (from 1984-10-18 until 1984-10-23)
soprano vocals [Esther]:
Patrizia Kwella (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
9:35
10Esther, HWV 50: Scene 4. No. 10 Air: "Dread not, righteous Queen, the danger" (Mordecai)
recording engineer:
John Pellowe
producer:
Peter Wadland
tenor vocals [Mordecai]:
Ian Partridge (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
3:46
11Esther, HWV 50: Scene 4. No. 11 Air: "Tears assist me, pity moving" (Esther)
recording engineer:
John Pellowe
producer:
Peter Wadland
soprano vocals [Esther]:
Patrizia Kwella (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
3:01
12Esther, HWV 50: Scene 4. No. 12 Chorus: "Save us, O Lord"
recording engineer:
John Pellowe
producer:
Peter Wadland
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
1:32
6CD: Esther - Scenes 5 & 6
#TitleLength
1Esther, HWV 50: Scene 5. Recitative: "Who dares intrude into our presence" (Ahasuerus)
recording engineer:
John Pellowe
producer:
Peter Wadland
tenor vocals [Ahasuerus]:
Anthony Rolfe Johnson (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
1:08
2Esther, HWV 50: Scene 5. No. 13 Duet: "Who calls my parting soul from death?" / "Awake, my soul, my life, my breath!" (Esther, Ahasuerus)
recording engineer:
John Pellowe
producer:
Peter Wadland
soprano vocals [Esther]:
Patrizia Kwella (from 1984-10-18 until 1984-10-23)
tenor vocals [Ahasuerus]:
Anthony Rolfe Johnson (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
2:35
3Esther, HWV 50: Scene 5. No. 14 Air: "O beauteous Queen" (Ahasuerus) / Recitative:"If I find favour in thy sight" (Esther)
recording engineer:
John Pellowe
producer:
Peter Wadland
soprano vocals [Esther]:
Patrizia Kwella (from 1984-10-18 until 1984-10-23)
tenor vocals [Ahasuerus]:
Anthony Rolfe Johnson (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
7:39
4Esther, HWV 50: Scene 5. No. 15 Air: "How can I stay when love invites" (Ahasuerus)
recording engineer:
John Pellowe
producer:
Peter Wadland
tenor vocals [Ahasuerus]:
Anthony Rolfe Johnson (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
3:54
5Esther, HWV 50: Scene 5. No. 16 Chorus: "Virtue, truth and innocence"
recording engineer:
John Pellowe
producer:
Peter Wadland
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
2:34
6Esther, HWV 50: Scene 5. No. 17 Arioso: "Jehovah, crown'd with glory bright" (Priest) / Scene 5. No. 18 Chorus: "He comes, he comes to end our woes" / Scene 6. Recitative: "Now, o Queen, thy suit declare (Ahasuerus)
recording engineer:
John Pellowe
producer:
Peter Wadland
alto vocals [Priest]:
Drew Minter (from 1984-10-18 until 1984-10-23)
tenor vocals [Ahasuerus]:
Anthony Rolfe Johnson (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
6:59
7Esther, HWV 50: Scene 6. No. 19 Arioso: "Turn not, O Queen, thy face away" (Haman)
recording engineer:
John Pellowe
producer:
Peter Wadland
bass vocals [Haman]:
David Thomas (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
2:11
8Esther, HWV 50: Scene 6. No. 20 Air: "Flatt'ring tongue, no more I hear thee!" (Esther) / Scene 6. Recitative: "Guards, seize the traitor" (Ahasuerus)
recording engineer:
John Pellowe
producer:
Peter Wadland
soprano vocals [Esther]:
Patrizia Kwella (from 1984-10-18 until 1984-10-23)
tenor vocals [Ahasuerus]:
Anthony Rolfe Johnson (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
5:12
9Esther, HWV 50: Scene 6. No. 21 Air: "How art thou fall'n from thy height!" (Haman)
recording engineer:
John Pellowe
producer:
Peter Wadland
bass vocals [Haman]:
David Thomas (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
4:16
10Esther, HWV 50: Scene 6. No. 22 Chorus: "The Lord our enemy has slain" / Chorus: "For ever blessed be thy holy name" / Solo: "Let Israel soings of joy repeat" (Priest) / Chorus: "For ever be thy holy name" / Duet: "The Lord his people shall restore (Esther, Mordecai) / Chorus: "For ever blessed by thy holy name" / Duet: "Mount Lebanon his firs resigns" / Chorus: "For ever blessed be thy holy name"
recording engineer:
John Pellowe
producer:
Peter Wadland
alto vocals [Priest]:
Drew Minter (from 1984-10-18 until 1984-10-23)
choir vocals:
Academy of Ancient Music Chorus (from 1984-10-18 until 1984-10-23) and Westminster Cathedral Boys' Choir (from 1984-10-18 until 1984-10-23)
soprano vocals [Esther]:
Patrizia Kwella (from 1984-10-18 until 1984-10-23)
tenor vocals [Mordecai]:
Ian Partridge (from 1984-10-18 until 1984-10-23)
orchestra:
Academy of Ancient Music (from 1984-10-18 until 1984-10-23)
conductor:
Christopher Hogwood (from 1984-10-18 until 1984-10-23)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1985)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1984-10-18 until 1984-10-23)
partial recording of:
Esther, HWV 50a (masque) (from 1984-10-18 until 1984-10-23)
composer:
George Frideric Handel (in 1718)
part of:
Händel-Werke-Verzeichnis (number: HWV 50a)
10:46
7CD: Athalia - Part I
#TitleLength
1Athalia, HWV 52: Part One, Scene 1. Symphony
recording engineer:
John Pellowe
producer:
Peter Wadland
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
5:23
2Athalia, HWV 52: Part One, Scene 1. No. 1 Air: "Blooming virgins, spotless train" (Josabeth)
recording engineer:
John Pellowe
producer:
Peter Wadland
soprano vocals [Josabeth]:
Emma Kirkby (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
4:48
3Athalia, HWV 52: Part One, Scene 1. No. 2 Chorus: "The rising world Jehovah crown'd" (Young Virgins)
recording engineer:
John Pellowe
producer:
Peter Wadland
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
3:13
4Athalia, HWV 52: Part One, Scene 1. No. 3 Solo & Chorus: "Tyrants would in impious throngs" (Josabeth)
recording engineer:
John Pellowe
producer:
Peter Wadland
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
soprano vocals [Josabeth]:
Emma Kirkby (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
3:19
5Athalia, HWV 52: Part One, Scene 1. Recitative: "When he is in his wrath reveal'd" (Abner)
recording engineer:
John Pellowe
producer:
Peter Wadland
bass vocals [Abner]:
David Thomas (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
3:41
6Athalia, HWV 52: Part One, Scene 2. Recitative: "Your sacred songs awhile forbear" (Joad)
recording engineer:
John Pellowe
producer:
Peter Wadland
alto vocals [Joad]:
James Bowman (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
6:41
7Athalia, HWV 52: Part One, Scene 3. No. 7 Accompagnato: "What scenes of horror round me rise!" (Athalia)
recording engineer:
John Pellowe
producer:
Peter Wadland
soprano vocals [Athalia]:
Joan Sutherland (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
2:21
8Athalia, HWV 52: Part One, Scene 3. No. 9a Chorus: "The gods, who chosen blessings shed" (Attendants)
recording engineer:
John Pellowe
producer:
Peter Wadland
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
2:29
9Athalia, HWV 52: Part One, Scene 3. No. 10 Chorus: "Cheer her, O Baal" (Attendants)
recording engineer:
John Pellowe
producer:
Peter Wadland
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
3:10
10Athalia, HWV 52: Part One, Scene 3. No. 11 Air: "Gentle airs, melodious strains!" (Mathan)
recording engineer:
John Pellowe
producer:
Peter Wadland
tenor vocals [Mathan]:
Anthony Rolfe Johnson (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
3:38
11Athalia, HWV 52: Part One, Scene 3. No. 12 Air: "Softest sounds no more can ease me" (Athalia)
recording engineer:
John Pellowe
producer:
Peter Wadland
soprano vocals [Athalia]:
Joan Sutherland (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
4:31
12Athalia, HWV 52: Part One, Scene 3. No. 13 Chorus: "The traitor if you there descry" (Attendants) / Part One, Scene 4. Recitative: "My Josabeth! the grateful time appears" (Joad)
recording engineer:
John Pellowe
producer:
Peter Wadland
choir vocals:
Choir of New College Oxford (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
1:57
13Athalia, HWV 52: Part One, Scene 4. No. 14 Air: "Faithful cares in vain extended" (Josabeth)
recording engineer:
John Pellowe
producer:
Peter Wadland
soprano vocals [Josabeth]:
Emma Kirkby (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
5:52
14Athalia, HWV 52: Part One, Scene 4. No. 15 Air: "Gloomy tyrants, we disdain" (Joad)
recording engineer:
John Pellowe
producer:
Peter Wadland
alto vocals [Joad]:
James Bowman (from 1985-05-28 until 1985-06-01)
orchestra:
Academy of Ancient Music (from 1985-05-28 until 1985-06-01)
conductor:
Christopher Hogwood (from 1985-05-28 until 1985-06-01)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1986)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden, London, England, United Kingdom (from 1985-05-28 until 1985-06-01)
partial recording of:
Athalia, HWV 52: Act I (from 1985-05-28 until 1985-06-01)
composer:
George Frideric Handel (in 1733)
librettist:
Samuel Humphreys
part of:
Athalia, HWV 52
4:49
8CD: Athalia - Part II, Part III
9CD: Alexander's Feast - Part I
10CD: Alexander's Feast - Concerto grosso in C major, Part II
11CD: Saul - Symfonia, Act I
12CD: Saul - Act II
13CD: Saul - Act III
14CD: Israel in Egypt - Part I
15CD: Israel in Egypt - Part II / Coronation Anthems
16CD: Messiah - Part I, Part II (beginning)
17CD: Messiah - Part II (conclusion), Part III
18CD: Samson - Act I
19CD: Samson - Act II
20CD: Samson - Act III
21CD: Semele - Act I
22CD: Semele - Act II
23CD: Semele - Act III
24CD: Hercules - Act I
25CD: Hercules - Act II
26CD: Hercules - Act III
27CD: Belshazzar - Act I (beginning)
28CD: Belshazzar - Act I (conclusion), Act II (beginning)
29CD: Belshazzar - Act II (conclusion), Act III
30CD: Judas Maccabaeus - Act I
31CD: Judas Maccabaeus - Act II
32CD: Judas Maccabaeus - Act III
33CD: Solomon - Act I
34CD: Solomon - Act II
35CD: Solomon - Act III
36CD: Theodora - Part I
37CD: Theodora - Part II (& alternative scene 2)
38CD: Theodora - Part III
39CD: Jephtha - Act I
40CD: Jephtha - Act II
41CD: Jephtha - Act III

Credits

Release

discography entry:https://www.deccaclassics.com/en/cat/4830142 [info] (ended)
https://www.deccaclassics.com/en/catalogue/products/handel-great-oratorios-5848 [info]