Messiah

~ Release by Handel; Ameling, Reynolds, Langridge, Howell, Neville Marriner (see all versions of this release, 5 available)

Tracklist

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1▼CD
#TitleArtistLength
1Messiah, Part 1: 1. Symphony
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:04
2Messiah, Part 1: 2-3. Recitative & Air "Comfort ye my people... Every valley shall be exalted"
producer:
Chris Hazell
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel6:23
3Messiah, Part 1: 4. Chorus. "And the glory of the Lord"
engineer:
Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:57
4Messiah, Part 1: 5-6. Recitative & Air "Thus saith the Lord... But who may abide"
producer:
Chris Hazell
bass vocals:
Gwynne Howell (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1976-07)
composer:
George Frideric Handel
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:29
5Messiah, Part 1: 7. Chorus. "And he shall purify"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:08
6Messiah, Part 1: 8-9. Recitative & Air. "Behold, a virgin shall conceive.. "
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
mezzo-soprano vocals:
Anna Reynolds (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel6:01
7Messiah, Part 1: 10-11. Recitative & Air. "For behold, darkness shall cover the earth"
producer:
Chris Hazell
bass vocals:
Gwynne Howell (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
George Frideric Handel6:14
8Messiah, Part 1: 12. Chorus. "For unto us a child is born"
engineer:
Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:35
9Messiah, Part 1: 13. Pifa
producer:
Chris Hazell
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:53
10Messiah, Part 1: 14-16. Recitative. "There were shepherds.. And the angel came upon them"
producer:
Chris Hazell
soprano vocals:
Elly Ameling (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:10
11Messiah, Part 1: 17. Chorus. "Glory to God in the highest"
engineer:
Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:45
12Messiah, Part 1: 18. Air. "Rejoice greatly, O daughter of Zion"
engineer:
Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
soprano vocals:
Elly Ameling (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1976-07)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:11
13Messiah, Part 1: 19-20. Recitative and Aria. "Then... He shall feed his flock"
producer:
Chris Hazell
mezzo-soprano vocals:
Anna Reynolds (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:59
14Messiah, Part 1: 21. Chorus. "His yoke is easy"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:01
15Messiah, Part 2: 22. Chorus. "Behold the Lamb of God"
engineer:
Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:59
16Messiah, Part 2: 23. Air. "He was despised"
producer:
Chris Hazell
mezzo-soprano vocals:
Anna Reynolds (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel11:17
2▼CD
#TitleArtistLength
1Messiah, Part 2: 24. Chorus. "Surely he hath borne our griefs"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:07
2Messiah, Part 2: 25. Chorus. "And with his stripes"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:26
3Messiah, Part 2: 26. Chorus. "All we like sheep"
engineer:
Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:27
4Messiah, Part 2: 27-28. Recitative & Chorus. "All they that see him... He trusted in God"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:51
5Messiah, Part 2: 29-30. Recitative & Arioso. "Thy rebuke hath broken his heart"
producer:
Chris Hazell
soprano vocals:
Elly Ameling (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:49
6Messiah, Part 2: 31-32. Recitative & Air. "He was cut off out of the land of the living"
producer:
Chris Hazell
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:23
7Messiah, Part 2: 33. Chorus. "Lift up your heads"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:58
8Messiah, Part 2: 34-35. Recitative & Chorus. "Let all the angels of God worship him"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:42
9Messiah, Part 2: 36. Air. "Thou art gone up on high"
producer:
Chris Hazell
bass vocals:
Gwynne Howell (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:11
10Messiah, Part 2: 37. Chorus. "The Lord gave the word"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:03
11Messiah, Part 2: 38. Duet. "How beautiful are the feet"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
mezzo-soprano vocals:
Anna Reynolds (in 1976-07)
soprano vocals:
Elly Ameling (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1976-07)
composer:
George Frideric Handel (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:17
12Messiah, Part 2: 39. Arioso. "Their sound is gone out"
producer:
Chris Hazell
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:09
13Messiah, Part 2: 40-41. Air & Chorus. "Why do the nations rate together.. Break their bonds"
producer:
Chris Hazell
bass vocals:
Gwynne Howell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:08
14Messiah, Part 2: 42-43. Recitative & Air. "He that dwelleth in heaven"
producer:
Chris Hazell
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:34
15Messiah, Part 2: 44. Chorus. "Hallelujah!"
engineer:
Simon Eadon (in 1976-07) and Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
chorus master:
László Heltay (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1976)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1976-07)
composer:
George Frideric Handel (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:45
16Messiah, Part 3: 45. Air. "I know that my Redeemer liveth"
engineer:
Stanley Goodall (in 1976-07)
producer:
Chris Hazell (in 1976-07)
soprano vocals:
Elly Ameling (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:14
17Messiah, Part 3: 46. Chorus. "Since by man came death"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:51
18Messiah, Part 3: 47-48. Recitative & Air. "Behold, I tell you a mystery"
producer:
Chris Hazell
bass vocals:
Gwynne Howell (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel10:10
19Messiah, Part 3: 49-51. Recitative, Duet & Chorus. "Then shall be brought to pass"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
mezzo-soprano vocals:
Anna Reynolds (in 1976-07)
tenor vocals:
Philip Langridge (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1976-07)
composer:
George Frideric Handel
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:57
20Messiah, Part 3: 52. Air. "If God be for us"
producer:
Chris Hazell
mezzo-soprano vocals:
Anna Reynolds (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:40
21Messiah, Part 3: 53. Chorus. "Worthy is the Lamb... Amen"
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (in 1976-07)
balance engineer:
Simon Eadon (in 1976-07)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1976-07)
composer:
George Frideric Handel (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:36