Oscar Peterson - Seven Classic Albums Vol.2

~ Release by Oscar Peterson (see all versions of this release, 1 available)

Tracklist

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1▼CD: My Fair Lady / Ben Webster Meets Oscar Peterson
#TitleLength
1On the Street Where You Live
instrumental recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd.
part of:
My Fair Lady (full musical)
5:32
2I Could Have Danced All Night
instrumental recording of:
I Could Have Danced All Night (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner Chappell North America
part of:
My Fair Lady (full musical)
5:18
3Show Me
instrumental recording of:
Show Me (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. and Warner Chappell Music Ltd.
part of:
My Fair Lady (full musical)
6:19
4Get Me to the Church on Time
instrumental recording of:
Get Me to the Church on Time (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd.
part of:
My Fair Lady (full musical)
6:41
5Wouldn't It Be Loverly
instrumental recording of:
Wouldn’t It Be Loverly (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner Chappell Music Ltd.
part of:
My Fair Lady (full musical)
5:32
6I've Grown Accustomed to Her Face
instrumental recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
My Fair Lady (full musical)
6:36
7The Rain in Spain
instrumental recording of:
The Rain in Spain (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. and Warner Chappell Music Ltd.
part of:
My Fair Lady (full musical)
3:50
8The Touch of Your Lips
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
United Recorders in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
The Touch of Your Lips (on 1959-11-06)
lyricist and composer:
Ray Noble
publisher:
Anne-Rachel Music, Jerry Leiber Music, Range Road Music and Silver Seahorse Music LLC
6:19
9When Your Lover Has Gone
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
United Recorders in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
When Your Lover Has Gone (on 1959-11-06)
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
3:59
10Bye Bye Blackbird
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
United Recorders in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Bye Bye Blackbird (on 1959-11-06)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. and Warner Bros., Inc.
6:44
11How Deep Is the Ocean
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
United Recorders in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
How Deep Is the Ocean? (on 1959-11-06)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
2:34
12In the Wee Small Hours of the Morning
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
United Recorders in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
In the Wee Small Hours of the Morning (on 1959-11-06)
lyricist:
Bob Hilliard
composer:
David Mann
publisher:
Better Half Music Company, Bourne Co., Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
3:12
13Sunday
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
United Recorders in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
Sunday (famously sung by Frank Sinatra & others) (on 1959-11-06)
writer:
Chester Conn (until 1926), Benny Krueger (until 1926), Ned Miller (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
3:56
14This Can't Be Love
engineer:
Val Valentin
producer:
Russell Garcia
bass:
Ray Brown (on 1959-11-06)
drums (drum set):
Ed Thigpen (on 1959-11-06)
piano:
Oscar Peterson (on 1959-11-06)
tenor saxophone:
Ben Webster (on 1959-11-06)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
United Recorders in Los Angeles, California, United States (on 1959-11-06)
instrumental recording of:
This Can’t Be Love (on 1959-11-06)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
Warner/Chappell
9:50
2▼CD: Fiorello! / The Sound of the Trio
#TitleLength
1When Did I Fall in Love
double bass:
Ray Brown (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (in 1960-01)
instrumental recording of:
When Did I Fall in Love? (Fiorello!) (in 1960-01)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
part of:
Fiorello!
4:31
2Little Tin Box
double bass:
Ray Brown (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (in 1960-01)
instrumental recording of:
Little Tin Box (Fiorello!) (in 1960-01)
composer:
Jerry Bock
part of:
Fiorello!
4:13
3Home Again
double bass:
Ray Brown (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (in 1960-01)
3:01
4Till Tomorrow
double bass:
Ray Brown (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (in 1960-01)
2:42
5Politics and Poker
double bass:
Ray Brown (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (in 1960-01)
4:11
6Gentleman Jimmy
double bass:
Ray Brown (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (in 1960-01)
3:28
7Unfair
double bass:
Ray Brown (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (in 1960-01)
3:54
8On the Side of Angels
double bass:
Ray Brown (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (in 1960-01)
6:33
9Where Do I Go From Here
double bass:
Ray Brown (in 1960-01)
drums (drum set):
Ed Thigpen (in 1960-01)
piano:
Oscar Peterson (in 1960-01)
instrumental recording of:
Where Do I Go from Here? (in 1960-01)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
4:23
10Tricotism
producer:
Jim Davis
double bass [bass]:
Ray Brown (on 1961-07-29)
drums (drum set):
Ed Thigpen (on 1961-07-29)
piano:
Oscar Peterson (on 1961-07-29)
recorded at:
London House in Chicago, Illinois, United States (on 1961-07-29)
live recording of:
Tricotism (on 1961-07-29)
composer:
Oscar Pettiford
11:08
11On Green Dolphin Street
producer:
Jim Davis
double bass [bass]:
Ray Brown (from 1961-07-27 until 1961-08-06)
drums (drum set):
Ed Thigpen (from 1961-07-27 until 1961-08-06)
piano:
Oscar Peterson (from 1961-07-27 until 1961-08-06)
recorded at:
London House in Chicago, Illinois, United States (from 1961-07-27 until 1961-08-06)
recording of:
On Green Dolphin Street (from 1961-07-27 until 1961-08-06)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
8:53
12Thag's Dance
producer:
Jim Davis
double bass [bass]:
Ray Brown (on 1961-07-29)
drums (drum set):
Ed Thigpen (on 1961-07-29)
piano:
Oscar Peterson (on 1961-07-29)
recorded at:
London House in Chicago, Illinois, United States (on 1961-07-29)
5:40
13Ill Wind
producer:
Jim Davis
double bass [bass]:
Ray Brown (on 1961-07-29)
drums (drum set):
Ed Thigpen (on 1961-07-29)
piano:
Oscar Peterson (on 1961-07-29)
recorded at:
London House in Chicago, Illinois, United States (on 1961-07-29)
live instrumental recording of:
Ill Wind (on 1961-07-29)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
5:33
14Kadota's Blues
producer:
Jim Davis
double bass [bass]:
Ray Brown (from 1961-07-27 until 1961-08-06)
drums (drum set):
Ed Thigpen (from 1961-07-27 until 1961-08-06)
piano:
Oscar Peterson (from 1961-07-27 until 1961-08-06)
recorded at:
London House in Chicago, Illinois, United States (from 1961-07-27 until 1961-08-06)
11:07
3▼CD: West Side Story / Very Tall (with Milt Jackson)
#TitleLength
1Something's Coming
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson
producer:
Jim Davis
double bass:
Ray Brown (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (from 1962-01-24 until 1962-01-25)
instrumental cover recording of:
West Side Story: Something’s Coming (Tony) (in 1962-01)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc., Chappell Music and G. Schirmer Inc.
part of:
West Side Story
3:52
2Somewhere
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson
producer:
Jim Davis
double bass:
Ray Brown (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (from 1962-01-24 until 1962-01-25)
instrumental cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (from 1962-01-24 until 1962-01-25)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc., G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd.
part of:
West Side Story: Ballet Sequence
5:33
3Jet Song
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson
producer:
Jim Davis
double bass:
Ray Brown (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (from 1962-01-24 until 1962-01-25)
instrumental cover recording of:
West Side Story: Jet Song (in 1962-01)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
part of:
West Side Story
7:46
4Tonight
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson
producer:
Jim Davis
double bass:
Ray Brown (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (from 1962-01-24 until 1962-01-25)
instrumental cover recording of:
West Side Story: Tonight (Maria, Tony) (in 1962-01)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
4:34
5Maria
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson
producer:
Jim Davis
double bass:
Ray Brown (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (from 1962-01-24 until 1962-01-25)
instrumental cover recording of:
West Side Story: Maria (Tony) (from 1962-01-24 until 1962-01-25)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd.
part of:
West Side Story
4:52
6I Feel Pretty
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson
producer:
Jim Davis
double bass:
Ray Brown (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (from 1962-01-24 until 1962-01-25)
instrumental cover recording of:
West Side Story: I Feel Pretty (in 1962-01)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
4:26
7Reprise
recorded in:
New York, New York, United States (from 1962-01-24 until 1962-01-25)
recording engineer:
Bob Simpson
producer:
Jim Davis
double bass:
Ray Brown (from 1962-01-24 until 1962-01-25)
drums (drum set):
Ed Thigpen (from 1962-01-24 until 1962-01-25)
piano:
Oscar Peterson (from 1962-01-24 until 1962-01-25)
3:55
8On Green Dolphin Street
double bass [bass]:
Ray Brown (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
instrumental recording of:
On Green Dolphin Street (in 1961-09)
lyricist:
Ned Washington (in 1947)
composer:
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. and Patti Washington Music
7:28
9Heartstrings
double bass [bass]:
Ray Brown (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
5:41
10Work Song
double bass [bass]:
Ray Brown (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
recording of:
Work Song (original instrumental) (in 1961-09)
writer:
Oscar Brown Jr.
composer:
Nat Adderley
7:29
11John Brown's Body
double bass [bass]:
Ray Brown (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
instrumental recording of:
John Brown’s Body (Glory, Glory, Hallelujah) (in 1961-09)
writer:
[traditional]
part of:
Roud Folk Song Index (number: 771)
7:47
12A Wonderful Guy
double bass [bass]:
Ray Brown (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
instrumental recording of:
I’m in Love With a Wonderful Guy (South Pacific) (in 1961-09)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
EMI Music Publishing Ltd. and Williamson Music Company
part of:
South Pacific (Rodgers & Hammerstein musical)
4:52
13Reunion Blues
double bass [bass]:
Ray Brown (in 1961-09)
drums (drum set):
Ed Thigpen (in 1961-09)
piano:
Oscar Peterson (in 1961-09)
vibraphone:
Milt Jackson (in 1961-09)
recording of:
Reunion Blues
composer:
Milt Jackson
7:20
4▼CD: Night Train
#TitleLength
1Night Train
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (from 1962-12-15 until 1962-12-16)
phonographic copyright (℗) by:
PolyGram Records, Inc. (in 1963)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (from 1962-12-15 until 1962-12-16)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
4:49
2C Jam Blues
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (from 1962-12-15 until 1962-12-16)
recording of:
“C” Jam Blues (from 1962-12-15 until 1962-12-16)
composer:
Barney Bigard and Duke Ellington (in 1942)
3:24
3Georgia on My Mind
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (from 1962-12-15 until 1962-12-16)
instrumental recording of:
Georgia on My Mind (from 1962-12-15 until 1962-12-16)
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation, Peermusic III, Ltd., Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. (from 1930 to present)
sub-publisher:
ピアーミュージック
arrangement of:
Georgia on My Mind (Solo piano arrangement)
3:45
4Bags' Groove
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (from 1962-12-15 until 1962-12-16)
recording of:
Bags’ Groove (from 1962-12-15 until 1962-12-16)
composer:
Milt Jackson
5:41
5Moten Swing
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (from 1962-12-15 until 1962-12-16)
recording of:
Moten Swing (from 1962-12-15 until 1962-12-16)
writer:
Bennie Moten
composer:
Bennie Moten, Ira E. "Buster" Moten, Count Basie (in 1930) and Eddie Durham (in 1930)
2:54
6Easy Does It
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (from 1962-12-15 until 1962-12-16)
recording of:
Easy Does It (from 1962-12-15 until 1962-12-16)
writer:
James Oliver Young and Sy Oliver
publisher:
MCA Music Publishing and Warock Corp.
2:44
7The Honeydripper
recorded in:
Los Angeles, California, United States (on 1962-12-15, from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (on 1962-12-15, from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (on 1962-12-15, from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (on 1962-12-15, from 1962-12-15 until 1962-12-16)
instrumental recording of:
The Honeydripper (on 1962-12-15)
lyricist and composer:
Joe Liggins
recording of:
The Honeydripper (from 1962-12-15 until 1962-12-16)
lyricist and composer:
Joe Liggins
2:23
8Things Ain't What They Used to Be
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (from 1962-12-15 until 1962-12-16)
instrumental recording of:
Things Ain’t What They Used to Be (from 1962-12-15 until 1962-12-16)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc.
4:46
9I Got It Bad (And That Ain't Good)
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (from 1962-12-15 until 1962-12-16)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (from 1962-12-15 until 1962-12-16)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (in 1941)
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
5:05
10Band Call
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (from 1962-12-15 until 1962-12-16)
recording of:
Band Call (from 1962-12-15 until 1962-12-16)
composer:
Duke Ellington
3:52
11Hymn to Freedom
recorded in:
Los Angeles, California, United States (from 1962-12-15 until 1962-12-16)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (from 1962-12-15 until 1962-12-16)
drums (drum set):
Ed Thigpen (from 1962-12-15 until 1962-12-16)
piano:
Oscar Peterson (from 1962-12-15 until 1962-12-16)
recording of:
Hymn to Freedom (from 1962-12-15 until 1962-12-16)
composer:
Oscar Peterson
5:31