Hey Boy! Hey Girl! & Swingin’ Pretty

~ Release by Louis Prima & Keely Smith (see all versions of this release, 1 available)

Tracklist

1CD
#TitleLength
1Hey Boy! Hey Girl!
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-10-06)
drums (drum set):
Paul Ferrara (on 1958-10-06)
guitar:
Bobby Roberts (on 1958-10-06)
piano:
Robert J. Carter (on 1958-10-06)
tenor saxophone:
Sam Butera (on 1958-10-06)
trombone:
Lou Sino (on 1958-10-06)
trumpet:
Louis Prima (on 1958-10-06)
vocals:
Louis Prima (on 1958-10-06) and Keely Smith (on 1958-10-06)
orchestra:
The Witnesses (on 1958-10-06)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-10-06)
cover recording of:
Hey, Boy! Hey, Girl! (on 1958-10-06)
writer:
Oscar McLollie and Jimmy Thomas
publisher:
Recordo Music Pub.
2:52
2Banana Split for My Baby
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-09-13)
trumpet:
Louis Prima (on 1956-09-13)
vocals:
Louis Prima (on 1956-09-13)
orchestra:
The Witnesses (on 1956-09-13)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-09-13)
recording of:
Banana Split for My Baby (on 1956-09-13)
writer:
Stan Irwin and Louis Prima
2:31
3You Are My Love
producer:
Voyle Gilmore
bass:
Joe Comfort (on 1958-04-14)
cello:
Edgar Lustgarten (on 1958-04-14), Kurt Reher (on 1958-04-14) and Eleanor Slatkin (on 1958-04-14)
drums (drum set):
Larry Bunker (on 1958-04-14) and Frank Flynn (on 1958-04-14)
guitar:
Bob Bain (on 1958-04-14)
harp:
Kathryn Julye (on 1958-04-14)
horn:
John Cave (on 1958-04-14)
piano:
Geoffrey Clarkson (on 1958-04-14)
saxophone:
Gene Cipriano (on 1958-04-14), Buddy Collette (on 1958-04-14), Joe Cook (on 1958-04-14), Skeets Herfurt (on 1958-04-14) and Harry Klee (on 1958-04-14)
trombone:
Pullman “Tommy” Pederson (on 1958-04-14), Jimmy Priddy (on 1958-04-14), Ken Shroyer (on 1958-04-14) and Juan Tizol (on 1958-04-14)
viola:
Alvin Dinkin (on 1958-04-14) and Maxine Johnson (on 1958-04-14)
violin:
Alex Beller (on 1958-04-14), Arnold Belnick (on 1958-04-14), David Frisina (on 1958-04-14), Marvin Limonick (on 1958-04-14), Dan Lube (on 1958-04-14), Erno Neufeld (on 1958-04-14), Eudice Shapiro (on 1958-04-14), Paul Shure (on 1958-04-14), Felix Slatkin (on 1958-04-14), Marshall Sosson (on 1958-04-14) and Dave Sterkin (on 1958-04-14)
vocals:
Keely Smith
orchestra:
Nelson Riddle and His Orchestra (on 1958-04-14)
conductor:
Nelson Riddle (on 1958-04-14)
performer:
Sam Butera And The Witnesses
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-04-14)
recording of:
You Are My Love (on 1958-04-14)
writer:
Joseph Sauter
2:21
4Fever
3:04
5Oh, Marie
2:25
6Lazy River
producer:
Voyle Gilmore
bass:
Tony Liuzza (on 1958-10-06)
drums (drum set):
Paul Ferrara (on 1958-10-06)
guitar:
Bobby Roberts (on 1958-10-06)
piano:
Robert J. Carter (on 1958-10-06)
tenor saxophone:
Sam Butera (on 1958-10-06)
trombone:
Lou Sino (on 1958-10-06)
trumpet:
Louis Prima (on 1958-10-06)
vocals:
Louis Prima (on 1958-10-06)
orchestra:
The Witnesses (on 1958-10-06)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1958-10-06)
cover recording of:
Lazy River (on 1958-10-06)
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
3:27
7Nitey‐Nite
2:48
8When the Saints Go Marching In
2:41
9Autumn Leaves
cover recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc.
translated version of:
Les Feuilles mortes (Autumn Leaves)
2:51
10Hey Boy! Hey Girl! (reprise)1:27
11I’ve Got You Under My Skin
producer:
Voyle Gilmore (on 1959-01-02)
tenor saxophone:
Sam Butera (on 1959-01-02)
trumpet:
Louis Prima (on 1959-01-02)
vocals:
Louis Prima (on 1959-01-02) and Keely Smith (on 1959-01-02)
orchestra:
The Witnesses (on 1959-01-02)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1959-01-02)
cover recording of:
I’ve Got You Under My Skin (on 1959-01-02)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
2:39
12The Lip
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-04-19)
trumpet:
Louis Prima (on 1956-04-19)
lead vocals:
Louis Prima (on 1956-04-19) and Keely Smith (on 1956-04-19)
orchestra:
The Witnesses (on 1956-04-19)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-04-19)
recording of:
The Lip (on 1956-04-19)
writer:
Ted Klages and Vic Knight
2:17
13(Nothing’s Too Good) for My Baby
lead vocals:
Louis Prima (on 1956-04-19) and Keely Smith (on 1956-04-19)
orchestra:
The Witnesses (in 1956-04)
recording of:
(Nothing’s Too Good) For My Baby (on 1956-04-19)
composer:
Ted Eddy, Mack Kay and Frederick Patrick
2:37
14Don’t Let a Memory
1:46
15It’s Magic
recorded in:
Chicago, Illinois, United States (on 1958-12-03)
producer:
Voyle Gilmore
vocals:
Keely Smith (on 1958-12-03)
orchestra:
Nelson Riddle and His Orchestra (on 1958-12-03)
conductor:
Nelson Riddle (on 1958-12-03)
arranger:
Nelson Riddle
cover recording of:
It’s Magic (on 1958-12-03)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd.
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
3:46
16It’s Been a Long, Long Time
cover recording of:
It’s Been a Long, Long Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd.
2:06
17Stormy Weather
recorded in:
Chicago, Illinois, United States (on 1958-12-03)
producer:
Voyle Gilmore
vocals:
Keely Smith (on 1958-12-03)
orchestra:
Nelson Riddle and His Orchestra (on 1958-12-03)
conductor:
Nelson Riddle (on 1958-12-03)
arranger:
Nelson Riddle
cover recording of:
Stormy Weather (on 1958-12-03)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing, Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
3:12
18Indian Love Call
cover recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”)
lyricist:
Oscar Hammerstein II and Otto Harbach
composer:
Rudolf Friml and Herbert Stothart
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02)
part of:
Rose-Marie (1924 operetta-style musical)
part of:
Rose-Marie (1936 musical film)
3:00
19The Nearness of You3:35
20What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
1:53
21The Man I Love
recorded in:
Chicago, Illinois, United States (on 1958-12-03)
vocals:
Keely Smith (on 1958-12-03)
orchestra:
Nelson Riddle and His Orchestra (on 1958-12-03)
conductor:
Nelson Riddle (on 1958-12-03)
arranger:
Nelson Riddle
cover recording of:
The Man I Love (on 1958-12-03)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
3:17
22You’re Driving Me Crazy1:27
23Stardust2:53
24There Will Never Be Another You
cover recording of:
There Will Never Be Another You
lyricist:
Mack Gordon
composer:
Harry Warren
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, Volume I)
2:25
25Someone to Watch Over Me
producer:
Voyle Gilmore
vocals:
Keely Smith
orchestra:
Nelson Riddle and His Orchestra
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (in 1959)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (in 1926)
publisher:
Warner Bros., Inc., WB Music Corp. (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
3:00
26What Can I Say After I Say I’m Sorry
cover recording of:
What Can I Say After I Say I’m Sorry?
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
2:10
27A Foggy Day
2:39
28Don’t Take Your Love From Me
cover recording of:
Don’t Take Your Love From Me
lyricist and composer:
Henry Nemo
publisher:
Indano Music Co.
3:06