Jimmy Martin and the Sunny Mountain Boys

~ Release by Jimmy Martin and the Sunny Mountain Boys (see all versions of this release, 1 available)

Annotation

Packaging: 5 CDs in individual jewel cases, LP sized booklet and outer box.

Tracklist

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1▼CD
#TitleLength
1Save It! Save It!
producer:
Stephen H. Sholes
banjo:
Sonny Osborne (on 1954-11-16)
double bass:
Howard Watts (on 1954-11-16)
fiddle:
Merle "Red" Taylor (on 1954-11-16)
guitar and lead vocals:
Jimmy Martin (on 1954-11-16)
mandolin and tenor vocals:
Bob Osborne (on 1954-11-16)
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States (on 1954-11-16)
2:02
2Chalk Up Another One
producer:
Stephen H. Sholes
banjo and baritone vocals:
Sonny Osborne (on 1954-11-16)
double bass:
Howard Watts (on 1954-11-16)
fiddle:
Merle "Red" Taylor (on 1954-11-16)
guitar and lead vocals:
Jimmy Martin (on 1954-11-16)
mandolin and tenor vocals:
Bob Osborne (on 1954-11-16)
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States (on 1954-11-16)
recording of:
Chalk Up Another One
writer:
Wilmer Neal
publisher:
EMI Unart Catalog Inc.
2:37
3I Pulled a Boo Boo
producer:
Stephen H. Sholes
banjo:
Sonny Osborne (on 1954-11-16)
double bass:
Howard Watts (on 1954-11-16)
fiddle:
Merle "Red" Taylor (on 1954-11-16)
guitar and lead vocals:
Jimmy Martin (on 1954-11-16)
mandolin and tenor vocals:
Bob Osborne (on 1954-11-16)
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States (on 1954-11-16)
2:21
4They Didn’t Know the Difference but I Did)
producer:
Stephen H. Sholes
banjo:
Sonny Osborne (on 1954-11-16)
double bass:
Howard Watts (on 1954-11-16)
fiddle:
Merle "Red" Taylor (on 1954-11-16)
guitar and lead vocals:
Jimmy Martin (on 1954-11-16)
mandolin:
Bob Osborne (on 1954-11-16)
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States (on 1954-11-16)
2:43
520/20 Vision
producer:
Stephen H. Sholes
banjo and tenor vocals:
Sonny Osborne (on 1954-11-16)
double bass:
Howard Watts (on 1954-11-16)
fiddle:
Merle "Red" Taylor (on 1954-11-16)
guitar and lead vocals:
Jimmy Martin (on 1954-11-16)
mandolin and baritone vocals [high baritone vocals]:
Bob Osborne (on 1954-11-16)
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States (on 1954-11-16)
recording of:
20/20 Vision (on 1954-11-16)
lyricist:
Milton Estes
composer:
Joe Allison
publisher:
Golden West Melodies Inc., ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
2:44
6That’s How I Can Count on You
producer:
Stephen H. Sholes
banjo:
Sonny Osborne (on 1954-11-16)
double bass:
Howard Watts (on 1954-11-16)
fiddle:
Merle "Red" Taylor (on 1954-11-16)
guitar and lead vocals:
Jimmy Martin (on 1954-11-16)
mandolin and tenor vocals:
Bob Osborne (on 1954-11-16)
recorded at:
RCA Victor Studios in Nashville, Tennessee, United States (on 1954-11-16)
recording of:
That’s How I Can Count on You
writer:
Shorty Long and Bob Newman
2:48
7Before the Sun Goes Down
producer:
Paul Cohen
banjo:
Sam "Porky" Hutchins (on 1956-05-06)
double bass:
Howard Watts (on 1956-05-06)
fiddle:
Tommy Vaden (on 1956-05-06)
guitar and lead vocals:
Jimmy Martin (on 1956-05-06)
mandolin:
Earl Taylor (on 1956-05-06)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1956-05-06)
recording of:
Before the Sun Goes Down
writer:
Vernon Claud and Jerry Organ
2:40
8Skip, Hop and Wobble
producer:
Paul Cohen
banjo:
Sam "Porky" Hutchins (on 1956-05-06)
double bass:
Howard Watts (on 1956-05-06)
fiddle:
Tommy Vaden (on 1956-05-06)
guitar and lead vocals:
Jimmy Martin (on 1956-05-06)
mandolin:
Earl Taylor (on 1956-05-06)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1956-05-06)
recording of:
Skip, Hop and Wobble
writer:
Raymond L. Johnson and Jimmy Martin
2:17
9You’ll Be a Lost Ball
producer:
Paul Cohen
banjo and baritone vocals:
Sam "Porky" Hutchins (on 1956-05-06)
double bass:
Howard Watts (on 1956-05-06)
fiddle:
Tommy Vaden (on 1956-05-06)
guitar and lead vocals:
Jimmy Martin (on 1956-05-06)
mandolin and tenor vocals:
Earl Taylor (on 1956-05-06)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1956-05-06)
recording of:
You’ll Be a Lost Ball (on 1956-05-06)
writer:
Johnny Gobel and Jimmy Martin
2:38
10Hit Parade of Love
producer:
Paul Cohen
banjo and baritone vocals:
Sam "Porky" Hutchins (on 1956-05-06)
double bass:
Howard Watts (on 1956-05-06)
fiddle:
Tommy Vaden (on 1956-05-06)
guitar and lead vocals:
Jimmy Martin (on 1956-05-06)
mandolin and tenor vocals:
Earl Taylor (on 1956-05-06)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1956-05-06)
recording of:
Hit Parade of Love (on 1956-05-06)
lyricist and composer:
Wade Birchfield
2:33
11Grand Ole Opry Song
producer:
Paul Cohen
banjo and baritone vocals:
J.D. Crowe (on 1956-12-01)
double bass:
Howard Watts (on 1956-12-01)
fiddle:
Gordon Terry (on 1956-12-01)
guitar and lead vocals:
Jimmy Martin (on 1956-12-01)
mandolin and tenor vocals:
Earl Taylor (on 1956-12-01)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1956-12-01)
recording of:
Grand Ole Opry Song (on 1956-12-01)
lyricist and composer:
Hylo Brown
2:43
12I’m the Boss (of This Here House)
producer:
Paul Cohen
banjo and baritone vocals:
J.D. Crowe (on 1956-12-01)
double bass:
Howard Watts (on 1956-12-01)
fiddle and bass vocals:
Gordon Terry (on 1956-12-01)
guitar and lead vocals:
Jimmy Martin (on 1956-12-01)
mandolin and tenor vocals:
Earl Taylor (on 1956-12-01)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1956-12-01)
2:12
13Dog Bite Your Hide
producer:
Paul Cohen
banjo and baritone vocals:
J.D. Crowe (on 1956-12-01)
double bass:
Howard Watts (on 1956-12-01)
fiddle:
Gordon Terry (on 1956-12-01)
guitar and lead vocals:
Jimmy Martin (on 1956-12-01)
mandolin and tenor vocals:
Earl Taylor (on 1956-12-01)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1956-12-01)
2:26
14I’ll Drink No More Wine
producer:
Paul Cohen
banjo and baritone vocals:
J.D. Crowe (on 1956-12-01)
double bass:
Howard Watts (on 1956-12-01)
fiddle:
Gordon Terry (on 1956-12-01)
guitar and lead vocals:
Jimmy Martin (on 1956-12-01)
mandolin and tenor vocals:
Earl Taylor (on 1956-12-01)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1956-12-01)
recording of:
I’ll Drink No More Wine
writer:
Jimmy Gobel and Jimmy Martin
2:38
15Ocean of Diamonds
producer:
Paul Cohen
banjo and baritone vocals:
J.D. Crowe (on 1958-02-19)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-02-19)
drums (drum set):
Unknown, probably Buddy Harman (on 1958-02-19)
fiddle:
Gordon Terry (on 1958-02-19)
guitar and lead vocals:
Jimmy Martin (on 1958-02-19)
mandolin and tenor vocals:
Paul Williams (on 1958-02-19)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1958-02-19)
recording of:
Ocean of Diamonds (on 1958-02-19)
composer:
Cliff Carnahan
2:35
16Sophronie
producer:
Paul Cohen
banjo and baritone vocals:
J.D. Crowe (on 1958-02-19)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-02-19)
drums (drum set):
Unknown, probably Buddy Harman (on 1958-02-19)
fiddle:
Gordon Terry (on 1958-02-19)
guitar and lead vocals:
Jimmy Martin (on 1958-02-19)
mandolin and tenor vocals:
Paul Williams (on 1958-02-19)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1958-02-19)
recording of:
Sophronie
writer:
Alton Delmore and D.C. Mullins
2:38
17I’ll Never Take No for an Answer
producer:
Paul Cohen
banjo and baritone vocals:
J.D. Crowe (on 1958-02-19)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-02-19)
drums (drum set):
Unknown, probably Buddy Harman (on 1958-02-19)
fiddle:
Gordon Terry (on 1958-02-19)
guitar and lead vocals:
Jimmy Martin (on 1958-02-19)
mandolin and tenor vocals:
Paul Williams (on 1958-02-19)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1958-02-19)
2:43
18Rock Hearts
producer:
Paul Cohen
banjo and baritone vocals:
J.D. Crowe (on 1958-02-19)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-02-19)
drums (drum set):
Unknown, probably Buddy Harman (on 1958-02-19)
fiddle:
Gordon Terry (on 1958-02-19)
guitar and lead vocals:
Jimmy Martin (on 1958-02-19)
mandolin and tenor vocals:
Paul Williams (on 1958-02-19)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1958-02-19)
recording of:
Rock Hearts
composer:
Bill Otis
publisher:
Universal Cedarwood Publishing
2:03
19I Like to Hear ’Em Preach It
producer:
Paul Cohen
banjo and baritone vocals:
J.D. Crowe (on 1958-02-19)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-02-19)
drums (drum set):
Unknown, probably Buddy Harman (on 1958-02-19)
fiddle and bass vocals:
Gordon Terry (on 1958-02-19)
guitar and lead vocals:
Jimmy Martin (on 1958-02-19)
mandolin and tenor vocals:
Paul Williams (on 1958-02-19)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1958-02-19)
3:03
20Voice of My Savior
producer:
Paul Cohen
banjo and baritone vocals:
J.D. Crowe (on 1958-02-19)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-02-19)
drums (drum set):
Unknown, probably Buddy Harman (on 1958-02-19)
fiddle and bass vocals:
Gordon Terry (on 1958-02-19)
guitar and lead vocals:
Jimmy Martin (on 1958-02-19)
mandolin and tenor vocals:
Paul Williams (on 1958-02-19)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1958-02-19)
2:38
21Night
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1958-11-20)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-11-20)
drums (drum set):
Unknown, probably Buddy Harman (on 1958-11-20)
fiddle:
Chubby Wise (on 1958-11-20)
guitar and lead vocals:
Jimmy Martin (on 1958-11-20)
mandolin and tenor vocals:
Paul Williams (on 1958-11-20)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1958-11-20)
2:31
22It’s Not Like Home
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1958-11-20)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-11-20)
drums (drum set):
Unknown, probably Buddy Harman (on 1958-11-20)
fiddle:
Chubby Wise (on 1958-11-20)
guitar and lead vocals:
Jimmy Martin (on 1958-11-20)
mandolin:
Paul Williams (on 1958-11-20)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1958-11-20)
2:41
23She’s Left Me Again
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1958-11-20)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-11-20)
drums (drum set):
Unknown, probably Buddy Harman (on 1958-11-20)
fiddle:
Chubby Wise (on 1958-11-20)
guitar and lead vocals:
Jimmy Martin (on 1958-11-20)
mandolin and tenor vocals:
Paul Williams (on 1958-11-20)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1958-11-20)
recording of:
She's Left Me Again
lyricist and composer:
Jimmy Martin
3:00
24Hold Whatcha Got
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1958-11-20)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-11-20)
drums (drum set):
Unknown, probably Buddy Harman (on 1958-11-20)
fiddle:
Chubby Wise (on 1958-11-20)
guitar and lead vocals:
Jimmy Martin (on 1958-11-20)
mandolin and tenor vocals:
Paul Williams (on 1958-11-20)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1958-11-20)
recording of:
Hold Whatcha Got (on 1958-11-20)
lyricist and composer:
Jimmy Martin
2:27
25Bear Tracks
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1958-11-20)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-11-20)
drums (drum set):
Unknown, probably Buddy Harman (on 1958-11-20)
fiddle:
Chubby Wise (on 1958-11-20)
guitar:
Jimmy Martin (on 1958-11-20)
mandolin and tenor vocals:
Paul Williams (on 1958-11-20)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1958-11-20)
2:07
26Cripple Creek
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1958-11-20)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-11-20)
drums (drum set):
Unknown, probably Buddy Harman (on 1958-11-20)
fiddle:
Chubby Wise (on 1958-11-20)
guitar and lead vocals:
Jimmy Martin (on 1958-11-20)
mandolin and tenor vocals:
Paul Williams (on 1958-11-20)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1958-11-20)
recording of:
Cripple Creek (on 1958-11-20)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 3434)
1:51
27In Foggy Old London
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-01-13)
double bass:
Junior Huskey (on 1960-01-13)
drums (drum set):
Buddy Harman (on 1960-01-13)
fiddle:
Benny Martin (on 1960-01-13)
guitar and lead vocals:
Jimmy Martin (on 1960-01-13)
mandolin and tenor vocals:
Paul Williams (on 1960-01-13)
bass vocals:
Country Johnny Mathis (on 1960-01-13)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-01-13)
2:14
28The Joke’s on You
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-01-13)
double bass:
Junior Huskey (on 1960-01-13)
drums (drum set):
Buddy Harman (on 1960-01-13)
fiddle:
Benny Martin (on 1960-01-13)
guitar and lead vocals:
Jimmy Martin (on 1960-01-13)
mandolin and tenor vocals:
Paul Williams (on 1960-01-13)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-01-13)
2:52
29Wooden Shoes
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-01-13)
double bass:
Junior Huskey (on 1960-01-13)
drums (drum set):
Buddy Harman (on 1960-01-13)
fiddle:
Benny Martin (on 1960-01-13)
guitar and lead vocals:
Jimmy Martin (on 1960-01-13)
mandolin and tenor vocals:
Paul Williams (on 1960-01-13)
bass vocals:
Country Johnny Mathis (on 1960-01-13)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-01-13)
2:55
30Home Run Man
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-01-13)
double bass:
Junior Huskey (on 1960-01-13)
drums (drum set):
Buddy Harman (on 1960-01-13)
fiddle:
Benny Martin (on 1960-01-13)
guitar and lead vocals:
Jimmy Martin (on 1960-01-13)
mandolin and tenor vocals:
Paul Williams (on 1960-01-13)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-01-13)
2:17
31Who’ll Sing for Me
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-01-14)
double bass:
Junior Huskey (on 1960-01-14)
drums (drum set):
Buddy Harman (on 1960-01-14)
fiddle:
Benny Martin (on 1960-01-14)
guitar and lead vocals:
Jimmy Martin (on 1960-01-14)
mandolin and tenor vocals:
Paul Williams (on 1960-01-14)
bass vocals:
Johnny Mathis (on 1960-01-14)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-01-14)
recording of:
Who Will Sing for Me
lyricist and composer:
J.T. Ely
previously attributed to:
Gladys Stacey, Jerry Organ, Louise Certain and Carter Stanley
1:58
2▼CD
#TitleLength
1God Is Always the Same
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1960-01-14)
double bass:
Junior Huskey (on 1960-01-14)
drums (drum set):
Buddy Harman (on 1960-01-14)
fiddle:
Benny Martin (on 1960-01-14)
guitar and lead vocals:
Jimmy Martin (on 1960-01-14)
mandolin and tenor vocals:
Paul Williams (on 1960-01-14)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-01-14)
2:09
2All the Good Times Are Past and Gone
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-01-14)
double bass:
Junior Huskey (on 1960-01-14)
drums (drum set):
Buddy Harman (on 1960-01-14)
fiddle:
Benny Martin (on 1960-01-14)
guitar and lead vocals:
Jimmy Martin (on 1960-01-14)
mandolin and tenor vocals:
Paul Williams (on 1960-01-14)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-01-14)
recording of:
All the Good Times Are Passed and Gone (on 1960-01-14)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 7421)
3:37
3You Don’t Know My Mind
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1960-01-14)
double bass:
Junior Huskey (on 1960-01-14)
drums (drum set):
Buddy Harman (on 1960-01-14)
fiddle:
Benny Martin (on 1960-01-14)
guitar and lead vocals:
Jimmy Martin (on 1960-01-14)
mandolin:
Paul Williams (on 1960-01-14)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-01-14)
recording of:
You Don't Know My Mind (on 1960-01-14)
lyricist and composer:
Jimmie Skinner
2:56
4Homesick
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-01-14)
double bass:
Junior Huskey (on 1960-01-14)
drums (drum set):
Buddy Harman (on 1960-01-14)
fiddle:
Benny Martin (on 1960-01-14)
guitar and lead vocals:
Jimmy Martin (on 1960-01-14)
mandolin and tenor vocals:
Paul Williams (on 1960-01-14)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-01-14)
2:47
5Old Fashioned Christmas
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1960-08-17)
double bass:
Junior Huskey (on 1960-08-17)
drums (drum set):
Willie Ackerman (on 1960-08-17)
fiddle:
Herb Hooven (on 1960-08-17)
guitar and lead vocals:
Jimmy Martin (on 1960-08-17)
mandolin:
Paul Williams (on 1960-08-17)
background vocals:
Douglas G. Kirkham (on 1960-08-17), Culley Holt (on 1960-08-17), Millie Kirkham (on 1960-08-17) and Marijohn Wilkin (on 1960-08-17)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-08-17)
2:39
6Hi‐De Diddle
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1960-08-17)
double bass:
Junior Huskey (on 1960-08-17)
drums (drum set):
Willie Ackerman (on 1960-08-17)
fiddle:
Herb Hooven (on 1960-08-17)
guitar and lead vocals:
Jimmy Martin (on 1960-08-17)
mandolin:
Paul Williams (on 1960-08-17)
background vocals:
Douglas G. Kirkham (on 1960-08-17), Culley Holt (on 1960-08-17), Millie Kirkham (on 1960-08-17) and Marijohn Wilkin (on 1960-08-17)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-08-17)
2:21
7Don’t Cry to Me
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-08-17)
double bass:
Junior Huskey (on 1960-08-17)
drums (drum set):
Willie Ackerman (on 1960-08-17)
fiddle:
Herb Hooven (on 1960-08-17)
guitar and lead vocals:
Jimmy Martin (on 1960-08-17)
mandolin and tenor vocals:
Paul Williams (on 1960-08-17)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-08-17)
2:34
8My Walking Shoes
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-08-17)
double bass:
Junior Huskey (on 1960-08-17)
drums (drum set):
Willie Ackerman (on 1960-08-17)
fiddle and bass vocals:
Herb Hooven (on 1960-08-17)
guitar and lead vocals:
Jimmy Martin (on 1960-08-17)
mandolin and tenor vocals:
Paul Williams (on 1960-08-17)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-08-17)
recording of:
My Walking Shoes ("my walking shoes don't fit me anymore") (on 1960-08-17)
writer:
Jimmy Martin and Paul Williams
composer:
Paul Williams
publisher:
Songs of Universal, Inc.
2:25
9Hold to God’s Unchanging Hand
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1960-08-17)
double bass:
Junior Huskey (on 1960-08-17)
drums (drum set):
Willie Ackerman (on 1960-08-17)
fiddle:
Herb Hooven (on 1960-08-17)
guitar:
Hank Garland (on 1960-08-17) and Jimmy Martin (on 1960-08-17)
mandolin and tenor vocals:
Paul Williams (on 1960-08-17)
lead vocals:
Jimmy Martin (on 1960-08-17)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-08-17)
2:21
10Undo What’s Been Done
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-08-17)
double bass:
Junior Huskey (on 1960-08-17)
drums (drum set):
Willie Ackerman (on 1960-08-17)
fiddle:
Herb Hooven (on 1960-08-17)
guitar:
Hank Garland (on 1960-08-17) and Jimmy Martin (on 1960-08-17)
mandolin and tenor vocals:
Paul Williams (on 1960-08-17)
lead vocals:
Jimmy Martin (on 1960-08-17)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-08-17)
2:53
11Deep River
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1960-08-17)
double bass:
Junior Huskey (on 1960-08-17)
drums (drum set):
Willie Ackerman (on 1960-08-17)
electric guitar:
Hank Garland (on 1960-08-17)
fiddle:
Herb Hooven (on 1960-08-17)
guitar:
Jimmy Martin (on 1960-08-17)
mandolin and lead vocals:
Paul Williams (on 1960-08-17)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-08-17)
recording of:
Deep River ("I'm feeling lowdown, deep river...")
writer:
Sam Humphrey and Paul Williams
2:42
12What Was I Supposed to Do
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-08-17)
double bass:
Junior Huskey (on 1960-08-17)
drums (drum set):
Willie Ackerman (on 1960-08-17)
electric guitar:
Hank Garland (on 1960-08-17)
fiddle:
Herb Hooven (on 1960-08-17)
guitar:
Jimmy Martin (on 1960-08-17)
mandolin and tenor vocals:
Paul Williams (on 1960-08-17)
lead vocals:
Jimmy Martin (on 1960-08-17) and Paul Williams (on 1960-08-17)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1960-08-17)
recording of:
What Was I Supposed to Do
writer:
Sam Humphrey and Paul Williams
2:47
13I Can, I Will, I Do Believe
producer:
Owen Bradley
banjo:
Paul Craft (on 1961-07-11)
double bass:
Junior Huskey (on 1961-07-11)
drums (drum set):
Buddy Harman (on 1961-07-11)
guitar and lead vocals:
Jimmy Martin (on 1961-07-11)
mandolin and tenor vocals:
Paul Williams (on 1961-07-11)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1961-07-11)
bass vocals:
Kirk Hansard (on 1961-07-11)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-07-11)
2:06
14There Was a Love
producer:
Owen Bradley
banjo:
Paul Craft (on 1961-07-11)
double bass:
Junior Huskey (on 1961-07-11)
drums (drum set):
Buddy Harman (on 1961-07-11)
guitar and lead vocals:
Jimmy Martin (on 1961-07-11)
mandolin and tenor vocals:
Paul Williams (on 1961-07-11)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1961-07-11)
bass vocals:
Kirk Hansard (on 1961-07-11)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-07-11)
2:06
15Poor Little Bull Frog
producer:
Owen Bradley
banjo:
Paul Craft (on 1961-07-11)
double bass:
Junior Huskey (on 1961-07-11)
drums (drum set):
Buddy Harman (on 1961-07-11)
guitar and lead vocals:
Jimmy Martin (on 1961-07-11)
mandolin and tenor vocals:
Paul Williams (on 1961-07-11)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1961-07-11)
bass vocals:
Kirk Hansard (on 1961-07-11)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-07-11)
2:32
16Steppin’ Stones
producer:
Owen Bradley
banjo:
Paul Craft (on 1961-07-11)
double bass:
Junior Huskey (on 1961-07-11)
drums (drum set):
Buddy Harman (on 1961-07-11)
guitar:
Jimmy Martin (on 1961-07-11)
mandolin and tenor vocals:
Paul Williams (on 1961-07-11)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1961-07-11)
lead vocals:
Jimmy Martin (on 1961-07-11) and Paul Williams (on 1961-07-11)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-07-11)
recording of:
Stepping Stones
writer:
Jimmy Martin and Paul Williams
2:40
17There Ain’t Nobody Gonna Miss Me When I’m Gone
producer:
Owen Bradley
banjo and baritone vocals:
Paul Craft (on 1961-10-30)
double bass:
Junior Huskey (on 1961-10-30)
drums (drum set):
Willie Ackerman (on 1961-10-30)
guitar:
Jimmy Martin (on 1961-10-30)
mandolin and tenor vocals:
Paul Williams (on 1961-10-30)
lead vocals:
Jimmy Martin (on 1961-10-30) and Paul Williams (on 1961-10-30)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-10-30)
recording of:
There Ain’t Nobody Gonna Miss Me (on 1961-10-30)
lyricist and composer:
Harry C. McAuliffe
2:32
18Little Angels in Heaven
producer:
Owen Bradley
banjo and baritone vocals:
Paul Craft (on 1961-10-30)
double bass:
Junior Huskey (on 1961-10-30)
drums (drum set):
Willie Ackerman (on 1961-10-30)
guitar and lead vocals:
Jimmy Martin (on 1961-10-30)
mandolin and tenor vocals:
Paul Williams (on 1961-10-30)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-10-30)
3:01
19Pretending I Don’t Care
producer:
Owen Bradley
banjo and baritone vocals:
Paul Craft (on 1961-10-30)
double bass:
Junior Huskey (on 1961-10-30)
drums (drum set):
Willie Ackerman (on 1961-10-30)
guitar and lead vocals:
Jimmy Martin (on 1961-10-30)
mandolin and tenor vocals:
Paul Williams (on 1961-10-30)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-10-30)
3:22
20Leavin’ Town
producer:
Owen Bradley
banjo:
Paul Craft (on 1961-10-30)
double bass:
Junior Huskey (on 1961-10-30)
drums (drum set):
Willie Ackerman (on 1961-10-30)
guitar:
Jimmy Martin (on 1961-10-30)
mandolin:
Paul Williams (on 1961-10-30)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-10-30)
2:16
21Don’t Give Your Heart to a Rambler
producer:
Owen Bradley
banjo:
Paul Craft (on 1961-10-30)
double bass:
Junior Huskey (on 1961-10-30)
drums (drum set):
Willie Ackerman (on 1961-10-30)
guitar and lead vocals:
Jimmy Martin (on 1961-10-30)
mandolin:
Paul Williams (on 1961-10-30)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-10-30)
recording of:
Don't Give Your Heart to a Rambler (on 1961-10-30)
lyricist and composer:
Jimmie Skinner
publisher:
Sony/ATV Acuff Rose Music
2:45
22God Guide Our Leader’s Hand
producer:
Owen Bradley
banjo:
Paul Craft (on 1961-10-31)
double bass:
Junior Huskey (on 1961-10-31)
drums (drum set):
Willie Ackerman (on 1961-10-31)
guitar and lead vocals:
Jimmy Martin (on 1961-10-31)
mandolin and tenor vocals:
Paul Williams (on 1961-10-31)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-10-31)
3:06
23Train 45
producer:
Owen Bradley
banjo and baritone vocals:
Paul Craft (on 1961-10-31)
double bass:
Junior Huskey (on 1961-10-31)
drums (drum set):
Willie Ackerman (on 1961-10-31)
guitar:
Jimmy Martin (on 1961-10-31)
mandolin:
Paul Williams (on 1961-10-31)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-10-31)
recording of:
Train 45 (on 1961-10-31)
writer:
[traditional]
1:58
24Mr. Engineer
producer:
Owen Bradley
banjo:
Paul Craft (on 1961-10-31)
double bass:
Junior Huskey (on 1961-10-31)
drums (drum set):
Willie Ackerman (on 1961-10-31)
guitar and lead vocals:
Jimmy Martin (on 1961-10-31)
mandolin and tenor vocals:
Paul Williams (on 1961-10-31)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-10-31)
recording of:
Mr. Engineer (on 1961-10-31)
writer:
Jimmy Martin and Paul Williams
2:42
25This World Is Not My Home
producer:
Owen Bradley
banjo:
Paul Craft (on 1961-10-31)
double bass:
Junior Huskey (on 1961-10-31)
drums (drum set):
Willie Ackerman (on 1961-10-31)
guitar and lead vocals:
Jimmy Martin (on 1961-10-31)
mandolin and tenor vocals:
Paul Williams (on 1961-10-31)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-10-31)
recording of:
This World Is Not My Home (on 1961-10-31)
lyricist and composer:
J.R. Baxter
writer:
[traditional]
2:41
26Drink Up and Go Home
producer:
Owen Bradley
banjo and baritone vocals:
Paul Craft (on 1961-10-31)
double bass:
Junior Huskey (on 1961-10-31)
drums (drum set):
Willie Ackerman (on 1961-10-31)
guitar and lead vocals:
Jimmy Martin (on 1961-10-31)
mandolin and tenor vocals:
Paul Williams (on 1961-10-31)
recorded at:
Bradley Recording Studios in Nashville, Tennessee, United States (on 1961-10-31)
recording of:
Drink Up and Go Home
writer:
Johnny Bond and Joe Maphis
2:42
27Lord I’m Coming Home
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-29)
double bass:
Joe Zinkan (on 1962-08-29)
guitar and lead vocals:
Jimmy Martin (on 1962-08-29)
mandolin and tenor vocals:
Paul Williams (on 1962-08-29)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1962-08-29)
bass vocals:
Kirk Hansard (on 1962-08-29)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-29)
3:24
28Goodbye
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-29)
double bass:
Joe Zinkan (on 1962-08-29)
guitar and lead vocals:
Jimmy Martin (on 1962-08-29)
mandolin and tenor vocals:
Paul Williams (on 1962-08-29)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1962-08-29)
bass vocals:
Kirk Hansard (on 1962-08-29)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-29)
2:05
29Pray the Clouds Away
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-29)
double bass:
Joe Zinkan (on 1962-08-29)
guitar and lead vocals:
Jimmy Martin (on 1962-08-29)
mandolin and tenor vocals:
Paul Williams (on 1962-08-29)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1962-08-29)
bass vocals:
Kirk Hansard (on 1962-08-29)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-29)
2:39
30Give Me the Roses Now
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-29)
double bass:
Joe Zinkan (on 1962-08-29)
guitar and lead vocals:
Jimmy Martin (on 1962-08-29)
mandolin and tenor vocals:
Paul Williams (on 1962-08-29)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1962-08-29)
bass vocals:
Kirk Hansard (on 1962-08-29)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-29)
2:26
3▼CD
#TitleLength
1Prayer Bell of Heaven
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-29)
double bass:
Joe Zinkan (on 1962-08-29)
guitar and lead vocals:
Jimmy Martin (on 1962-08-29)
mandolin and tenor vocals:
Paul Williams (on 1962-08-29)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1962-08-29)
bass vocals:
Kirk Hansard (on 1962-08-29)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-29)
recording of:
Prayer Bells of Heaven
lyricist:
Rev. J.F. Lowe (in 1937)
composer:
W.H. Ward (in 1937)
2:37
2Give Me Your Hand
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-30)
double bass:
Joe Zinkan (on 1962-08-30)
drums (drum set):
Kirk Hansard (on 1962-08-30)
guitar and lead vocals:
Jimmy Martin (on 1962-08-30)
mandolin and tenor vocals:
Paul Williams (on 1962-08-30)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-30)
recording of:
Give Me Your Hand ("...if your heart today is as my heart, you're my brother so give me your hand")
writer:
Johnson Oatman, Jr. and James D. Vaughan
2:51
3Stormy Waters
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-30)
double bass:
Joe Zinkan (on 1962-08-30)
drums (drum set):
Kirk Hansard (on 1962-08-30)
guitar and tenor vocals [low tenor vocals]:
Jimmy Martin (on 1962-08-30)
mandolin and lead vocals:
Paul Williams (on 1962-08-30)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-30)
3:32
4What Would You Give in Exchange
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-30)
double bass:
Joe Zinkan (on 1962-08-30)
drums (drum set):
Kirk Hansard (on 1962-08-30)
guitar and lead vocals:
Jimmy Martin (on 1962-08-30)
mandolin and tenor vocals:
Paul Williams (on 1962-08-30)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-30)
recording of:
What Would You Give in Exchange? (on 1962-08-30)
lyricist:
F. J. Berry (in 1911)
composer:
James H. Carr (in 1911)
publisher:
The Trio Music Company (on 1912-06-14) and Stamps Baxter Music & Printing Co. (on 1940-06-14)
2:38
5Shut‐In’s Prayer
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-30)
double bass:
Joe Zinkan (on 1962-08-30)
guitar and lead vocals:
Jimmy Martin (on 1962-08-30)
mandolin and tenor vocals:
Paul Williams (on 1962-08-30)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1962-08-30)
bass vocals:
Kirk Hansard (on 1962-08-30)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-30)
2:29
6A Beautiful Life
producer:
Owen Bradley
banjo and baritone vocals:
Bill Emerson (on 1962-08-30)
double bass:
Joe Zinkan (on 1962-08-30)
guitar and lead vocals:
Jimmy Martin (on 1962-08-30)
mandolin and tenor vocals:
Paul Williams (on 1962-08-30)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1962-08-30)
bass vocals:
Kirk Hansard (on 1962-08-30)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-30)
recording of:
A Beautiful Life (on 1962-08-30)
lyricist and composer:
William Golden
1:47
7Little White Church
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-30)
double bass:
Joe Zinkan (on 1962-08-30)
guitar:
Jimmy Martin (on 1962-08-30)
mandolin and tenor vocals:
Paul Williams (on 1962-08-30)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1962-08-30)
bass vocals:
Kirk Hansard (on 1962-08-30)
lead vocals:
Jimmy Martin (on 1962-08-30) and Paul Williams (on 1962-08-30)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-30)
2:49
8The Old Man’s Drunk Again
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-31)
double bass:
Joe Zinkan (on 1962-08-31)
drums (drum set):
Douglas G. Kirkham (on 1962-08-31)
guitar and lead vocals:
Jimmy Martin (on 1962-08-31)
mandolin and tenor vocals:
Paul Williams (on 1962-08-31)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1962-08-31)
bass vocals:
Kirk Hansard (on 1962-08-31)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-31)
2:21
9Moonshine Hollow
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-31)
double bass:
Joe Zinkan (on 1962-08-31)
drums (drum set):
Douglas G. Kirkham (on 1962-08-31)
guitar and lead vocals:
Jimmy Martin (on 1962-08-31)
mandolin and tenor vocals:
Paul Williams (on 1962-08-31)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1962-08-31)
bass vocals:
Kirk Hansard (on 1962-08-31)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-31)
2:57
10Hey Lonesome
producer:
Owen Bradley
banjo and baritone vocals:
Bill Emerson (on 1962-08-31)
double bass:
Joe Zinkan (on 1962-08-31)
drums (drum set):
Douglas G. Kirkham (on 1962-08-31)
guitar and lead vocals:
Jimmy Martin (on 1962-08-31)
mandolin and tenor vocals:
Paul Williams (on 1962-08-31)
bass vocals:
Kirk Hansard (on 1962-08-31)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-31)
recording of:
Hey Lonesome
writer:
Sam Humphrey and Jimmy Martin
2:19
11Tennessee
producer:
Owen Bradley
banjo:
Bill Emerson (on 1962-08-31)
double bass:
Joe Zinkan (on 1962-08-31)
drums (drum set):
Douglas G. Kirkham (on 1962-08-31)
guitar and lead vocals:
Jimmy Martin (on 1962-08-31)
mandolin and tenor vocals:
Paul Williams (on 1962-08-31)
baritone vocals [high baritone vocals]:
Lois Johnson (on 1962-08-31)
bass vocals:
Kirk Hansard (on 1962-08-31)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1962-08-31)
recording of:
Tennessee (on 1962-08-31)
writer:
Jimmy Martin and Doyle Neikirk
2:35
12Widow Maker
producer:
Owen Bradley
banjo and tenor vocals:
J.D. Crowe (on 1963-09-17)
double bass:
Joe Zinkan (on 1963-09-17)
drums (drum set):
Douglas G. Kirkham (on 1963-09-17)
fiddle and bass vocals:
Clarence "Tater" Tate (on 1963-09-17)
guitar and lead vocals:
Jimmy Martin (on 1963-09-17)
guitar [lead guitar]:
Grady Martin (on 1963-09-17)
mandolin:
Bill Torbert (on 1963-09-17)
baritone vocals [high baritone vocals]:
Penny Jay (on 1963-09-17)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1963-09-17)
recording of:
Widow Maker (popularized by Jimmy Martin) (on 1963-09-17)
writer:
Penny Jay and Buddy Wilson
3:01
13I’m Thinking Tonight of My Blue Eyes
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1963-09-17)
double bass:
Joe Zinkan (on 1963-09-17)
drums (drum set):
Douglas G. Kirkham (on 1963-09-17)
fiddle:
Clarence "Tater" Tate (on 1963-09-17)
guitar and lead vocals:
Jimmy Martin (on 1963-09-17)
guitar [lead guitar]:
Grady Martin (on 1963-09-17)
mandolin:
Bill Torbert (on 1963-09-17)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1963-09-17)
recording of:
I’m Thinking Tonight of My Blue Eyes (on 1963-09-17)
lyricist and composer:
A.P. Carter
publisher:
APRS
2:41
14Red River Valley
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1963-09-17)
double bass:
Joe Zinkan (on 1963-09-17)
drums (drum set):
Douglas G. Kirkham (on 1963-09-17)
fiddle:
Clarence "Tater" Tate (on 1963-09-17)
guitar:
Jimmy Martin (on 1963-09-17)
guitar [lead guitar]:
Grady Martin (on 1963-09-17)
mandolin:
Bill Torbert (on 1963-09-17)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1963-09-17)
recording of:
Red River Valley (on 1963-09-17)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 756)
2:40
15John Henry
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1963-09-17)
double bass:
Joe Zinkan (on 1963-09-17)
drums (drum set):
Douglas G. Kirkham (on 1963-09-17)
fiddle:
Clarence "Tater" Tate (on 1963-09-17)
guitar and lead vocals:
Jimmy Martin (on 1963-09-17)
guitar [lead guitar]:
Grady Martin (on 1963-09-17)
mandolin:
Bill Torbert (on 1963-09-17)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1963-09-17)
recording of:
John Henry (on 1963-09-17)
lyricist and composer:
[traditional]
publisher:
Sonet Publishing Ltd.
part of:
Roud Folk Song Index (number: 790)
2:14
16Truck Driving Man
producer:
Owen Bradley
banjo and baritone vocals:
Mike Miller (on 1964-02-12)
double bass:
Junior Huskey (on 1964-02-12)
drums (drum set):
Buddy Harman (on 1964-02-12)
guitar and lead vocals:
Jimmy Martin (on 1964-02-12)
mandolin and tenor vocals:
Vernon Derrick (on 1964-02-12)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1964-02-12)
recording of:
Truck Drivin’ Man (on 1964-02-12)
lyricist and composer:
Terry Fell
publisher:
Unichappell Music, Inc. and Cross Keys Publishing Co. (in 1977)
2:56
17There’s More Pretty Girls Than One
producer:
Owen Bradley
banjo and tenor vocals:
Mike Miller (on 1964-02-12)
double bass:
Junior Huskey (on 1964-02-12)
drums (drum set):
Buddy Harman (on 1964-02-12)
guitar and lead vocals:
Jimmy Martin (on 1964-02-12)
mandolin and baritone vocals [high baritone vocals]:
Vernon Derrick (on 1964-02-12)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1964-02-12)
recording of:
More Pretty Girls Than One (on 1964-02-12)
composer:
[traditional]
2:50
18Six Days on the Road
producer:
Owen Bradley
banjo:
Mike Miller (on 1964-02-12)
double bass:
Junior Huskey (on 1964-02-12)
drums (drum set):
Buddy Harman (on 1964-02-12)
guitar and lead vocals:
Jimmy Martin (on 1964-02-12)
mandolin:
Vernon Derrick (on 1964-02-12)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1964-02-12)
recording of:
Six Days on the Road (on 1964-02-12)
writer:
Earl Green and Carl Montgomery
publisher:
Newkeys Music, Inc. and Tune Publishing, Inc.
2:51
19Truck Driver’s Queen
producer:
Owen Bradley
banjo:
Mike Miller (on 1964-02-12)
double bass:
Junior Huskey (on 1964-02-12)
drums (drum set):
Buddy Harman (on 1964-02-12)
guitar and lead vocals:
Jimmy Martin (on 1964-02-12)
mandolin:
Vernon Derrick (on 1964-02-12)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1964-02-12)
2:16
20I’d Rather Have America
producer:
Owen Bradley
banjo and tenor vocals:
Mike Miller (on 1964-04-22)
double bass:
Junior Huskey (on 1964-04-22)
drums (drum set):
Buddy Harman (on 1964-04-22)
guitar and lead vocals:
Jimmy Martin (on 1964-04-22)
guitar [lead guitar]:
Grady Martin (on 1964-04-22)
mandolin and baritone vocals [high baritone vocals]:
Vernon Derrick (on 1964-04-22)
background vocals [harmony vocals]:
Penny Jay (on 1964-04-22)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1964-04-22)
3:11
21Little Robin
producer:
Owen Bradley
banjo and baritone vocals:
Mike Miller (on 1964-04-22)
double bass:
Junior Huskey (on 1964-04-22)
drums (drum set):
Buddy Harman (on 1964-04-22)
guitar and lead vocals:
Jimmy Martin (on 1964-04-22)
guitar [lead guitar]:
Grady Martin (on 1964-04-22)
mandolin and tenor vocals:
Vernon Derrick (on 1964-04-22)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1964-04-22)
3:10
22There’s Better Times a’ Coming
producer:
Owen Bradley
banjo and tenor vocals:
Mike Miller (on 1964-04-22)
double bass:
Junior Huskey (on 1964-04-22)
drums (drum set):
Buddy Harman (on 1964-04-22)
guitar and lead vocals:
Jimmy Martin (on 1964-04-22)
guitar [lead guitar]:
Grady Martin (on 1964-04-22)
mandolin and baritone vocals [high baritone vocals]:
Vernon Derrick (on 1964-04-22)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1964-04-22)
2:25
2320/20 Vision
producer:
Owen Bradley
banjo and tenor vocals:
Mike Miller (on 1964-04-22)
double bass:
Junior Huskey (on 1964-04-22)
drums (drum set):
Buddy Harman (on 1964-04-22)
guitar and lead vocals:
Jimmy Martin (on 1964-04-22)
guitar [lead guitar]:
Grady Martin (on 1964-04-22)
mandolin and baritone vocals [high baritone vocals]:
Vernon Derrick (on 1964-04-22)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1964-04-22)
recording of:
20/20 Vision (on 1964-04-22)
lyricist:
Milton Estes
composer:
Joe Allison
publisher:
Golden West Melodies Inc., ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
2:37
24Guitar Picking President
producer:
Owen Bradley
banjo and tenor vocals:
Mike Miller (on 1964-08-13)
double bass:
Junior Huskey (on 1964-08-13)
drums (drum set):
Buddy Harman (on 1964-08-13)
guitar and lead vocals:
Jimmy Martin (on 1964-08-13)
guitar [lead guitar]:
Grady Martin (on 1964-08-13)
mandolin and baritone vocals [high baritone vocals]:
Vernon Derrick (on 1964-08-13)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1964-08-13)
2:29
25It Takes One to Know One
producer:
Owen Bradley
banjo and baritone vocals:
Mike Miller (on 1964-08-13)
double bass:
Junior Huskey (on 1964-08-13)
drums (drum set):
Buddy Harman (on 1964-08-13)
guitar and lead vocals:
Jimmy Martin (on 1964-08-13)
guitar [lead guitar]:
Grady Martin (on 1964-08-13)
mandolin and tenor vocals:
Vernon Derrick (on 1964-08-13)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1964-08-13)
recording of:
It Takes One to Know One (on 1964-08-13)
writer:
Freddie Hart and Harlan Howard
2:53
26Sunny Side of the Mountain
producer:
Owen Bradley
banjo:
Mike Miller (on 1964-08-13)
double bass:
Junior Huskey (on 1964-08-13)
drums (drum set):
Buddy Harman (on 1964-08-13)
guitar and lead vocals:
Jimmy Martin (on 1964-08-13)
guitar [lead guitar]:
Grady Martin (on 1964-08-13)
mandolin:
Vernon Derrick (on 1964-08-13)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1964-08-13)
recording of:
Sunny Side of the Mountain (on 1964-08-13)
composer:
Bob Gregory and Harry C. McAuliffe
2:35
27Snow White Grave
producer:
Owen Bradley
banjo:
Mike Miller (on 1964-08-13)
double bass:
Junior Huskey (on 1964-08-13)
drums (drum set):
Buddy Harman (on 1964-08-13)
guitar and lead vocals:
Jimmy Martin (on 1964-08-13)
guitar [lead guitar]:
Grady Martin (on 1964-08-13)
mandolin:
Vernon Derrick (on 1964-08-13)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1964-08-13)
2:42
28Poor Ellen Smith
producer:
Owen Bradley
banjo:
Mike Miller (on 1965-03-09)
double bass:
Floyd D. 'Lightnin'' Chance (on 1965-03-09)
drums (drum set):
Willie Ackerman (on 1965-03-09)
fiddle:
Benny Martin (on 1965-03-09)
guitar and lead vocals:
Jimmy Martin (on 1965-03-09)
mandolin:
Vernon Derrick (on 1965-03-09)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1965-03-09)
recording of:
Poor Ellen Smith (on 1965-03-09)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 448)
2:42
29Shenandoah Waltz
producer:
Owen Bradley
banjo:
Mike Miller (on 1965-03-09)
double bass:
Floyd D. 'Lightnin'' Chance (on 1965-03-09)
drums (drum set):
Willie Ackerman (on 1965-03-09)
fiddle:
Benny Martin (on 1965-03-09)
guitar and lead vocals:
Jimmy Martin (on 1965-03-09)
mandolin:
Vernon Derrick (on 1965-03-09)
recorded at:
Columbia Studios in Nashville, Tennessee, United States (on 1965-03-09)
recording of:
Shenandoah Waltz (on 1965-03-09)
lyricist:
Clyde Moody
composer:
Chubby Wise
2:40
4▶CD
5▶CD