Original Album Series

~ Release by Ray Charles (see all versions of this release, 2 available)

Annotation

(p)&(c) 1961 Atlantic Recording Corp. for the US and WEA International for the World outside the US.

Tracklist

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1CD: The Great Ray Charles
#TitleLength
1The Ray
recorded in:
New York, New York, United States (on 1956-11-20)
recording engineer:
Earle Brown and Tom Dowd
producer:
Nesuhi Ertegun and Jerry Wexler
alto saxophone and tenor saxophone:
David “Fathead” Newman (on 1956-11-20)
baritone saxophone:
Emmott Dennis (on 1956-11-20)
double bass:
Roosevelt Sheffield (on 1956-11-20)
drums (drum set):
William Peeples (on 1956-11-20)
piano:
Ray Charles (on 1956-11-20)
trumpet:
Joe Bridgewater (on 1956-11-20) and John Hunt (on 1956-11-20)
arranger:
Quincy Jones
recording of:
The Ray (on 1956-11-20)
composer:
Quincy Jones
4:02
2My Melancholy Baby
recorded in:
New York, New York, United States (on 1956-11-26)
recording engineer:
Earle Brown and Tom Dowd
producer:
Nesuhi Ertegun and Jerry Wexler
alto saxophone and tenor saxophone:
David “Fathead” Newman (on 1956-11-26)
baritone saxophone:
Emmott Dennis (on 1956-11-26)
double bass:
Roosevelt Sheffield (on 1956-11-26)
drums (drum set):
William Peeples (on 1956-11-26)
piano:
Ray Charles (on 1956-11-26)
trumpet:
Joe Bridgewater (on 1956-11-26) and John Hunt (on 1956-11-26)
arranger:
Ray Charles
instrumental cover recording of:
My Melancholy Baby (on 1956-11-26)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
4:26
3Black Coffee
recorded in:
New York, New York, United States (on 1956-04-30)
recording engineer:
Earle Brown and Tom Dowd
producer:
Nesuhi Ertegun and Jerry Wexler
bass and double bass:
Oscar Pettiford (on 1956-04-30)
drums (drum set):
Joe Harris (on 1956-04-30)
piano:
Ray Charles (on 1956-04-30)
instrumental cover recording of:
Black Coffee (1948 song) (on 1956-04-30)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (in 1948)
publisher:
BMG Music Publishing, Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
5:47
4There’s No You
recorded in:
New York, New York, United States (on 1956-11-26)
recording engineer:
Earle Brown and Tom Dowd
producer:
Nesuhi Ertegun and Jerry Wexler
alto saxophone and tenor saxophone:
David “Fathead” Newman (on 1956-11-26)
baritone saxophone:
Emmott Dennis (on 1956-11-26)
double bass:
Roosevelt Sheffield (on 1956-11-26)
drums (drum set):
William Peeples (on 1956-11-26)
piano:
Ray Charles (on 1956-11-26)
trumpet:
Joe Bridgewater (on 1956-11-26) and John Hunt (on 1956-11-26)
instrumental cover recording of:
There’s No You (on 1956-11-26)
lyricist:
Thomas Montgomery Adair
writer:
G. Durgom
composer:
Hal Hopper
publisher:
Barton Music Corp.
4:51
5Doodlin’
recorded in:
New York, New York, United States (on 1956-11-26)
recording engineer:
Earle Brown and Tom Dowd
producer:
Nesuhi Ertegun and Jerry Wexler
alto saxophone and tenor saxophone:
David “Fathead” Newman (on 1956-11-26)
baritone saxophone:
Emmott Dennis (on 1956-11-26)
double bass:
Roosevelt Sheffield (on 1956-11-26)
drums (drum set):
William Peeples (on 1956-11-26)
piano:
Ray Charles (on 1956-11-26)
trumpet:
Joe Bridgewater (on 1956-11-26) and John Hunt (on 1956-11-26)
arranger:
Quincy Jones
cover recording of:
Doodlin’ (original instrumental version) (on 1956-11-26)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
5:58
6Sweet Sixteen Bars
recorded in:
New York, New York, United States (on 1956-11-20)
recording engineer:
Earle Brown and Tom Dowd
producer:
Nesuhi Ertegun and Jerry Wexler
double bass:
Roosevelt Sheffield (on 1956-11-20)
drums (drum set):
William Peeples (on 1956-11-20)
piano:
Ray Charles (on 1956-11-20)
tenor saxophone:
David “Fathead” Newman (on 1956-11-20)
recording of:
Sweet Sixteen Bars (on 1956-11-20)
composer:
Ray Charles
4:09
7I Surrender Dear
recorded in:
New York, New York, United States (on 1956-11-20)
recording engineer:
Earle Brown and Tom Dowd
producer:
Nesuhi Ertegun and Jerry Wexler
alto saxophone and tenor saxophone:
David “Fathead” Newman (on 1956-11-20)
baritone saxophone:
Emmott Dennis (on 1956-11-20)
celesta and piano:
Ray Charles (on 1956-11-20)
double bass:
Roosevelt Sheffield (on 1956-11-20)
drums (drum set):
William Peeples (on 1956-11-20)
trumpet:
Joe Bridgewater (on 1956-11-20) and John Hunt (on 1956-11-20)
instrumental cover recording of:
I Surrender Dear (on 1956-11-20)
lyricist:
Gordon Clifford (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Mills Music, Inc.
5:11
8Undecided
recorded in:
New York, New York, United States (on 1956-11-26)
recording engineer:
Earle Brown and Tom Dowd
producer:
Nesuhi Ertegun and Jerry Wexler
alto saxophone and tenor saxophone:
David “Fathead” Newman (on 1956-11-26)
baritone saxophone:
Emmott Dennis (on 1956-11-26)
double bass:
Roosevelt Sheffield (on 1956-11-26)
drums (drum set):
William Peeples (on 1956-11-26)
piano:
Ray Charles (on 1956-11-26)
trumpet:
Joe Bridgewater (on 1956-11-26) and John Hunt (on 1956-11-26)
arranger:
Quincy Jones and Ernie Wilkins
instrumental cover recording of:
Undecided (on 1956-11-26)
lyricist:
Sid Robin (in 1938)
composer:
Charlie Shavers (in 1938)
3:41
2CD: Ray Charles at Newport
#TitleLength
1Night Time Is the Right Time
recording engineer:
Harold Chapman and Tom Dowd
producer:
Nesuhi Ertegun
alto saxophone, piano and lead vocals:
Ray Charles (on 1958-07-05)
baritone saxophone:
Bennie Crawford (on 1958-07-05)
double bass:
Edgar Willis (on 1958-07-05)
drums (drum set):
Richie Goldberg (on 1958-07-05)
tenor saxophone:
David “Fathead” Newman (on 1958-07-05)
trumpet:
Marcus Belgrave (on 1958-07-05) and Lee Harper (on 1958-07-05)
background vocals:
The Raelettes (on 1958-07-05)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1958-07-05)
live cover recording of:
Night Time Is the Right Time (on 1958-07-05)
composer:
Lew Herman
publisher:
EMI Music Publishing Ltd., Planemar Music, Screen Gems–EMI Music Ltd. and Tro-Essex Music
4:02
2In a Little Spanish Town
recording engineer:
Harold Chapman and Tom Dowd
producer:
Nesuhi Ertegun
alto saxophone and piano:
Ray Charles (on 1958-07-05)
baritone saxophone:
Bennie Crawford (on 1958-07-05)
double bass:
Edgar Willis (on 1958-07-05)
drums (drum set):
Richie Goldberg (on 1958-07-05)
tenor saxophone:
David “Fathead” Newman (on 1958-07-05)
trumpet:
Marcus Belgrave (on 1958-07-05) and Lee Harper (on 1958-07-05)
vocals:
Ray Charles (on 1958-07-05)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1958-07-05)
live cover recording of:
In a Little Spanish Town (’Twas on a Night Like This) (on 1958-07-05)
lyricist:
Sam M. Lewis and Joe Young
composer:
Mabel Wayne
3:54
3I Got a Woman6:20
4Blues Waltz
recording engineer:
Harold Chapman and Tom Dowd
producer:
Nesuhi Ertegun
alto saxophone and piano:
Ray Charles (on 1958-07-05)
baritone saxophone:
Bennie Crawford (on 1958-07-05)
double bass:
Edgar Willis (on 1958-07-05)
drums (drum set):
Richie Goldberg (on 1958-07-05)
tenor saxophone:
David “Fathead” Newman (on 1958-07-05)
trumpet:
Marcus Belgrave (on 1958-07-05) and Lee Harper (on 1958-07-05)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1958-07-05)
live recording of:
Blues Waltz (on 1958-07-05)
composer:
Ray Charles
6:29
5Hot Rod
recording engineer:
Harold Chapman and Tom Dowd
producer:
Nesuhi Ertegun
alto saxophone:
Ray Charles (on 1958-07-05)
baritone saxophone:
Bennie Crawford (on 1958-07-05)
double bass:
Edgar Willis (on 1958-07-05)
drums (drum set):
Richie Goldberg (on 1958-07-05)
tenor saxophone:
David “Fathead” Newman (on 1958-07-05)
trumpet:
Marcus Belgrave (on 1958-07-05) and Lee Harper (on 1958-07-05)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1958-07-05)
live recording of:
Hot Rod (on 1958-07-05)
composer:
Ray Charles
3:52
6Talkin’ ’Bout You
recording engineer:
Harold Chapman and Tom Dowd
producer:
Nesuhi Ertegun
alto saxophone, piano and lead vocals:
Ray Charles (on 1958-07-05)
baritone saxophone:
Bennie Crawford (on 1958-07-05)
double bass:
Edgar Willis (on 1958-07-05)
drums (drum set):
Richie Goldberg (on 1958-07-05)
tenor saxophone:
David “Fathead” Newman (on 1958-07-05)
trumpet:
Marcus Belgrave (on 1958-07-05) and Lee Harper (on 1958-07-05)
background vocals:
The Raelettes (on 1958-07-05)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1958-07-05)
live recording of:
Talkin’ ’bout You (on 1958-07-05)
lyricist and composer:
Ray Charles
publisher:
Unichappell Music, Inc.
4:19
7Sherry
recording engineer:
Harold Chapman and Tom Dowd
producer:
Nesuhi Ertegun
alto saxophone and piano:
Ray Charles (on 1958-07-05)
baritone saxophone:
Bennie Crawford (on 1958-07-05)
double bass:
Edgar Willis (on 1958-07-05)
drums (drum set):
Richie Goldberg (on 1958-07-05)
tenor saxophone:
David “Fathead” Newman (on 1958-07-05)
trumpet:
Marcus Belgrave (on 1958-07-05) and Lee Harper (on 1958-07-05)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1958-07-05)
live recording of:
Sherry (on 1958-07-05)
composer:
Bennie Crawford
4:24
8A Fool for You
recording engineer:
Harold Chapman and Tom Dowd
producer:
Nesuhi Ertegun
alto saxophone and piano:
Ray Charles (on 1958-07-05)
baritone saxophone:
Bennie Crawford (on 1958-07-05)
double bass:
Edgar Willis (on 1958-07-05)
drums (drum set):
Richie Goldberg (on 1958-07-05)
tenor saxophone:
David “Fathead” Newman (on 1958-07-05)
trumpet:
Marcus Belgrave (on 1958-07-05) and Lee Harper (on 1958-07-05)
vocals:
Ray Charles (on 1958-07-05)
recorded at:
Newport Jazz Festival in Newport, Rhode Island, United States (on 1958-07-05)
live recording of:
A Fool for You (on 1958-07-05)
lyricist and composer:
Ray Charles
7:11
3CD: The Genius of Ray Charles
#TitleLength
1Let the Good Times Roll
producer:
Ahmet Ertegun, Nesuhi Ertegun and Jerry Wexler
alto saxophone:
Marshall Royal (from 1959-05-06 until 1959-06-23)
flute and saxophone:
Frank Wess (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (from 1959-05-06 until 1959-06-23)
tenor saxophone:
Paul Gonsalves (from 1959-05-06 until 1959-06-23), David “Fathead” Newman (from 1959-05-06 until 1959-06-23) and Zoot Sims (from 1959-05-06 until 1959-06-23)
trombone:
Quentin Jackson (from 1959-05-06 until 1959-06-23) and Melba Liston (from 1959-05-06 until 1959-06-23)
trumpet:
Marcus Belgrave (from 1959-05-06 until 1959-06-23), Joe Newman (from 1959-05-06 until 1959-06-23), Ernie Royal (from 1959-05-06 until 1959-06-23), Clark Terry (from 1959-05-06 until 1959-06-23) and Snookie Young (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (from 1959-05-06 until 1959-06-23)
arranger:
Quincy Jones
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
cover recording of:
Let the Good Times Roll (from 1959-05-06 until 1959-06-23)
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc., Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
2:54
2It Had to Be You
producer:
Nesuhi Ertegun and Jerry Wexler
alto saxophone:
Marshall Royal (from 1959-05-06 until 1959-06-23)
flute and saxophone:
Frank Wess (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (from 1959-05-06 until 1959-06-23)
tenor saxophone:
Paul Gonsalves (from 1959-05-06 until 1959-06-23), Billy Mitchell (from 1959-05-06 until 1959-06-23) and David “Fathead” Newman (from 1959-05-06 until 1959-06-23)
trombone:
Quentin Jackson (from 1959-05-06 until 1959-06-23) and Melba Liston (from 1959-05-06 until 1959-06-23)
trumpet:
Marcus Belgrave (from 1959-05-06 until 1959-06-23), Joe Newman (from 1959-05-06 until 1959-06-23), Ernie Royal (from 1959-05-06 until 1959-06-23), Clark Terry (from 1959-05-06 until 1959-06-23) and Snookie Young (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (from 1959-05-06 until 1959-06-23)
arranger:
Quincy Jones
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
cover recording of:
It Had to Be You (from 1959-05-06 until 1959-06-23)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd., Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. and Jerome H. Remick & Co. (on 1924-05-09)
2:45
3Alexander’s Ragtime Band
producer:
Nesuhi Ertegun and Jerry Wexler
alto saxophone:
Marshall Royal (from 1959-05-06 until 1959-06-23)
flute and saxophone:
Frank Wess (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (from 1959-05-06 until 1959-06-23)
tenor saxophone:
Paul Gonsalves (from 1959-05-06 until 1959-06-23), David “Fathead” Newman (from 1959-05-06 until 1959-06-23) and Zoot Sims (from 1959-05-06 until 1959-06-23)
trombone:
Quentin Jackson (from 1959-05-06 until 1959-06-23) and Melba Liston (from 1959-05-06 until 1959-06-23)
trumpet:
Marcus Belgrave (from 1959-05-06 until 1959-06-23), Joe Newman (from 1959-05-06 until 1959-06-23), Ernie Royal (from 1959-05-06 until 1959-06-23), Clark Terry (from 1959-05-06 until 1959-06-23) and Snookie Young (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (from 1959-05-06 until 1959-06-23)
arranger:
Quincy Jones
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
cover recording of:
Alexander’s Ragtime Band (from 1959-05-06 until 1959-06-23)
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
2:54
4Two Years of Torture
producer:
Nesuhi Ertegun and Jerry Wexler
alto saxophone:
Marshall Royal (from 1959-05-06 until 1959-06-23)
flute and saxophone:
Frank Wess (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (from 1959-05-06 until 1959-06-23)
tenor saxophone:
Paul Gonsalves (from 1959-05-06 until 1959-06-23), Billy Mitchell (from 1959-05-06 until 1959-06-23) and David “Fathead” Newman (from 1959-05-06 until 1959-06-23)
trombone:
Quentin Jackson (from 1959-05-06 until 1959-06-23) and Melba Liston (from 1959-05-06 until 1959-06-23)
trumpet:
Marcus Belgrave (from 1959-05-06 until 1959-06-23), Joe Newman (from 1959-05-06 until 1959-06-23), Ernie Royal (from 1959-05-06 until 1959-06-23), Clark Terry (from 1959-05-06 until 1959-06-23) and Snookie Young (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (from 1959-05-06 until 1959-06-23)
arranger:
Quincy Jones
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
cover recording of:
Two Years of Torture
writer:
Percy Mayfield and Charles Morris
3:26
5When Your Lover Has Gone
producer:
Nesuhi Ertegun and Jerry Wexler
alto saxophone:
Marshall Royal (from 1959-05-06 until 1959-06-23)
flute and saxophone:
Frank Wess (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (from 1959-05-06 until 1959-06-23)
tenor saxophone:
Paul Gonsalves (from 1959-05-06 until 1959-06-23), Billy Mitchell (from 1959-05-06 until 1959-06-23) and David “Fathead” Newman (from 1959-05-06 until 1959-06-23)
trombone:
Quentin Jackson (from 1959-05-06 until 1959-06-23) and Melba Liston (from 1959-05-06 until 1959-06-23)
trumpet:
Marcus Belgrave (from 1959-05-06 until 1959-06-23), Joe Newman (from 1959-05-06 until 1959-06-23), Ernie Royal (from 1959-05-06 until 1959-06-23), Clark Terry (from 1959-05-06 until 1959-06-23) and Snookie Young (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (from 1959-05-06 until 1959-06-23)
arranger:
Quincy Jones
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
cover recording of:
When Your Lover Has Gone
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
2:52
6’Deed I Do
producer:
Nesuhi Ertegun and Jerry Wexler
alto saxophone:
Marshall Royal (from 1959-05-06 until 1959-06-23)
flute and saxophone:
Frank Wess (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (from 1959-05-06 until 1959-06-23)
tenor saxophone:
Paul Gonsalves (from 1959-05-06 until 1959-06-23), David “Fathead” Newman (from 1959-05-06 until 1959-06-23) and Zoot Sims (from 1959-05-06 until 1959-06-23)
trombone:
Quentin Jackson (from 1959-05-06 until 1959-06-23) and Melba Liston (from 1959-05-06 until 1959-06-23)
trumpet:
Marcus Belgrave (from 1959-05-06 until 1959-06-23), Joe Newman (from 1959-05-06 until 1959-06-23), Ernie Royal (from 1959-05-06 until 1959-06-23), Clark Terry (from 1959-05-06 until 1959-06-23) and Snookie Young (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (from 1959-05-06 until 1959-06-23)
arranger:
Quincy Jones
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
cover recording of:
’Deed I Do (from 1959-05-06 until 1959-06-23)
lyricist:
Walter Hirsch
composer:
Fred Rose
publisher:
Keith Prowse Music Publishing Co. Ltd.
2:28
7Just for a Thrill
producer:
Ahmet Ertegun, Nesuhi Ertegun and Jerry Wexler
bass:
Wendell Marshall (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (from 1959-05-06 until 1959-06-23)
valve trombone:
Bob Brookmeyer (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (from 1959-05-06 until 1959-06-23)
arranger:
Ralph Burns
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
cover recording of:
Just for a Thrill (from 1959-05-06 until 1959-06-23)
lyricist:
Don Raye
composer:
Lil Hardin Armstrong
arranger:
Vance Thompson
publisher:
MCA Music and Universal Music Corp.
3:26
8You Won’t Let Me Go
producer:
Nesuhi Ertegun and Jerry Wexler
bass:
Wendell Marshall (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (from 1959-05-06 until 1959-06-23)
valve trombone:
Bob Brookmeyer (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (from 1959-05-06 until 1959-06-23)
arranger:
Ralph Burns
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
recording of:
You Won’t Let Me Go
writer:
Bud Allen and Buddy Johnson
3:22
9Tell Me You’ll Wait for Me
producer:
Nesuhi Ertegun and Jerry Wexler
bass:
Wendell Marshall (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (from 1959-05-06 until 1959-06-23)
valve trombone:
Bob Brookmeyer (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (from 1959-05-06 until 1959-06-23)
arranger:
Ralph Burns
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
recording of:
Tell Me You’ll Wait for Me
writer:
Charles Brown and Oscar Moore
publisher:
Unichappell Music, Inc.
3:25
10Don’t Let the Sun Catch You Cryin’
producer:
Nesuhi Ertegun and Jerry Wexler
bass:
Wendell Marshall (on 1959-05-06)
drums (drum set):
Ted Sommers (on 1959-05-06)
guitar:
Allen Hanlon (on 1959-05-06)
piano:
Ray Charles (on 1959-05-06)
valve trombone:
Bob Brookmeyer (on 1959-05-06)
background vocals:
[unknown] (on 1959-05-06)
vocals:
Ray Charles (on 1959-05-06)
arranger:
Ralph Burns
recorded at:
6 West Recording in New York, New York, United States (on 1959-05-06) and Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-05-06)
cover recording of:
Don’t Let the Sun Catch You Cryin’ (on 1959-05-06)
lyricist and composer:
Joe Greene
publisher:
Northern Music and Universal Music Corp.
3:47
11Am I Blue
producer:
Nesuhi Ertegun and Jerry Wexler
bass:
Wendell Marshall (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (from 1959-05-06 until 1959-06-23)
valve trombone:
Bob Brookmeyer (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (from 1959-05-06 until 1959-06-23)
arranger:
Ralph Burns
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
cover recording of:
Am I Blue? (from 1959-05-06 until 1959-06-23)
lyricist:
Grant Clarke
composer:
Harry Akst
publisher:
EMI Music Publishing, Warner Bros. Music Corp., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
3:40
12Come Rain or Come Shine
producer:
Nesuhi Ertegun and Jerry Wexler
bass:
Wendell Marshall (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (from 1959-05-06 until 1959-06-23)
valve trombone:
Bob Brookmeyer (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (from 1959-05-06 until 1959-06-23)
arranger:
Ralph Burns
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
cover recording of:
Come Rain or Come Shine (from 1959-05-06 until 1959-06-23)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc., S.A. Music Co. and Warner/Chappell Music Scandinavia AB
3:39
4CD: The Genius Sings the Blues
#TitleLength
1Early in the Mornin’
recorded in:
New York, New York, United States (on 1958-10-28)
producer:
Ahmet Ertegun and Jerry Wexler
baritone saxophone:
Bennie Crawford (on 1958-10-28)
bass:
Edgar Willis (on 1958-10-28)
drums (drum set):
Teagle Fleming (on 1958-10-28)
organ and piano:
Ray Charles (on 1958-10-28)
tenor saxophone:
David Newman (on 1958-10-28)
trumpet:
Marcus Belgrave (on 1958-10-28) and John Hunt (on 1958-10-28)
vocals:
Ray Charles (on 1958-10-28)
cover recording of:
Early in the Morning (on 1958-10-28)
writer:
Dallas Bartley, Leo Hickman and Louis Jordan
publisher:
Cherio Corp.
2:48
2Hard Times (Nobody Knows Better Than I)
recorded in:
Miami, Florida, United States (on 1955-04-23)
producer:
Ahmet Ertegun and Jerry Wexler
bass:
Roosevelt Sheffield (on 1955-04-23)
drums (drum set):
William Peeples (on 1955-04-23)
piano:
Ray Charles (on 1955-04-23)
saxophone [alto, baritone sax]:
David “Fathead” Newman (on 1955-04-23)
tenor saxophone:
Don Wilkerson (on 1955-04-23)
trumpet:
Joe Bridgewater (on 1955-04-23) and Riley Webb (on 1955-04-23)
vocals:
Ray Charles (on 1955-04-23)
recording of:
Hard Times (Nobody Knows Better Than I) (on 1955-04-23)
lyricist and composer:
Ray Charles
publisher:
Unichappell Music, Inc.
2:56
3The Midnight Hour
recorded in:
New York, New York, United States (on 1952-09-11)
producer:
Ahmet Ertegun and Jerry Wexler
alto saxophone and baritone saxophone:
Dave McRae (on 1952-09-11)
double bass [bass]:
Lloyd Trotman (on 1952-09-11)
drums (drum set) [drums]:
Connie Kay (on 1952-09-11)
guitar:
Mickey Baker (on 1952-09-11)
piano:
Ray Charles (on 1952-09-11)
tenor saxophone:
Sam Taylor (on 1952-09-11)
trumpet:
Jesse Drakes (on 1952-09-11)
vocals:
Ray Charles (on 1952-09-11)
arranger:
Jesse Stone
cover recording of:
The Midnight Hour (on 1952-09-11)
lyricist and composer:
Sam Sweet
arranger:
Kris Johnson
3:02
4(Night Time Is) The Right Time
producer:
Ahmet Ertegun, Leiber and Stoller and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1958-10-28)
bass:
Edgar Willis (on 1958-10-28)
drums (drum set):
Milt Turner (on 1958-10-28)
electric piano:
Ray Charles (on 1958-10-28)
solo alto saxophone [alto sax]:
David “Fathead” Newman (on 1958-10-28)
trumpet:
Marcus Belgrave (on 1958-10-28) and Lee "Ricky" Harper" (on 1958-10-28)
background vocals:
The Raelettes (on 1958-10-28)
vocals:
Ray Charles (on 1958-10-28) and Margie Hendrix (on 1958-10-28)
arranger:
Ray Charles
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1958-10-28)
cover recording of:
Night Time Is the Right Time (on 1958-10-28)
composer:
Lew Herman
publisher:
EMI Music Publishing Ltd., Planemar Music, Screen Gems–EMI Music Ltd. and Tro-Essex Music
3:25
5Feelin’ Sad
recorded in:
New Orleans, Louisiana, United States (on 1953-08-18)
producer:
Ahmet Ertegun and Jerry Wexler
alto saxophone:
O'Neil Gerald (on 1953-08-18)
baritone saxophone:
Warren Bell (on 1953-08-18)
bass:
Lloyd Lambert (on 1953-08-18)
drums (drum set):
Oscar Moore (on 1953-08-18)
piano:
Ray Charles (on 1953-08-18)
tenor saxophone:
Joe Tillman (on 1953-08-18)
trumpet:
Wallace Davenport (on 1953-08-18) and Frank Mitchell (on 1953-08-18)
vocals:
Ray Charles (on 1953-08-18)
cover recording of:
Feelin’ Sad (on 1953-08-18)
lyricist and composer:
Guitar Slim
2:50
6Ray’s Blues
producer:
Ahmet Ertegun and Jerry Wexler
recording of:
Ray’s Blues
lyricist and composer:
Ray Charles
2:55
7I’m Movin’ On
recorded in:
New York, New York, United States (on 1959-06-26)
producer:
Ahmet Ertegun and Jerry Wexler
bass:
Edgar Willis (on 1959-06-26)
drums (drum set):
Teagle Fleming (on 1959-06-26)
piano:
Ray Charles (on 1959-06-26)
saxophone [alto, baritone sax]:
Bennie Crawford (on 1959-06-26)
tenor saxophone:
David Newman (on 1959-06-26)
trumpet:
Marcus Belgrave (on 1959-06-26) and John Hunt (on 1959-06-26)
vocals:
Ray Charles (on 1959-06-26)
cover recording of:
I’m Moving On (on 1959-06-26)
lyricist and composer:
Hank Snow
publisher:
Hill and Range Songs, Inc. and Unichappell Music, Inc.
2:13
8I Believe to My Soul
recorded in:
New York, New York, United States (on 1959-06-26)
producer:
Ahmet Ertegun and Jerry Wexler
bass:
Edgar Willis (on 1959-06-26)
drums (drum set):
Teagle Fleming (on 1959-06-26)
piano:
Ray Charles (on 1959-06-26)
saxophone [alto, baritone sax]:
Bennie Crawford (on 1959-06-26)
tenor saxophone:
David Newman (on 1959-06-26)
trumpet:
Marcus Belgrave (on 1959-06-26) and John Hunt (on 1959-06-26)
vocals:
Ray Charles (on 1959-06-26)
recording of:
I Believe to My Soul (on 1959-06-26)
lyricist and composer:
Ray Charles
publisher:
Carlin Music Corporation, Hill and Range Songs, Inc. and Unichappell Music, Inc.
3:01
9Nobody Cares
producer:
Ahmet Ertegun and Jerry Wexler
recording of:
Nobody Cares
lyricist and composer:
Ray Charles
2:41
10Mr. Charles’ Blues
producer:
Ahmet Ertegun and Jerry Wexler
recording of:
Mr. Charles’ Blues
lyricist and composer:
Ray Charles
2:48
11Some Day Baby
recorded in:
New York, New York, United States (on 1953-05-10)
producer:
Ahmet Ertegun and Jerry Wexler
piano:
Ray Charles (on 1953-05-10)
vocals:
Ray Charles (on 1953-05-10)
recording of:
Some Day Baby (on 1953-05-10)
lyricist and composer:
Ray Charles
3:01
12I Wonder Who
producer:
Ahmet Ertegun and Jerry Wexler
recording of:
I Wonder Who
lyricist and composer:
Ray Charles
2:46
5CD: The Genius After Hours
#TitleLength
1The Genius After Hours5:24
2Ain’t Misbehavin’5:41
3Dawn Ray5:03
4Joyride4:39
5Hornful Soul5:29
6The Man I Love
producer:
Nesuhi Ertegun and Jerry Wexler
double bass:
Oscar Pettiford
drums (drum set):
Joe Harris
piano:
Ray Charles
instrumental cover recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
4:27
7Charlesville4:56
8Music, Music, Music2:54