The Jazz Collector Edition

~ Release by Artie Shaw (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistLength
1Oh! Lady Be Good
recorded in:
New York, New York, United States (on 1939-08-27)
alto saxophone:
Hank Freeman (on 1939-08-27) and Les Robinson (on 1939-08-27)
clarinet:
Artie Shaw (on 1939-08-27)
double bass:
Sid Weiss (on 1939-08-27)
drums (drum set):
Buddy Rich (on 1939-08-27) and George Wettling (on 1939-08-27)
guitar:
Al Avola (on 1939-08-27)
piano:
Bob Kitsis (on 1939-08-27)
tenor saxophone:
Georgie Auld (on 1939-08-27) and Tony Pastor (on 1939-08-27)
trombone:
George Arus (on 1939-08-27), Les Jenkins (on 1939-08-27) and Harry Rogers (on 1939-08-27)
trumpet:
Harry Geller (on 1939-08-27), Chuck Peterson (on 1939-08-27) and Bernie Privin (on 1939-08-27)
orchestra:
Artie Shaw and His Orchestra (on 1939-08-27)
conductor:
Artie Shaw (on 1939-08-27)
instrumental recording of:
Oh, Lady Be Good! (on 1939-08-27)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Artie Shaw and His Orchestra3:07
2Deep Purple
alto saxophone:
Hank Freeman (on 1939-03-12) and Les Robinson (on 1939-03-12)
clarinet:
Artie Shaw (on 1939-03-12)
double bass:
Sid Weiss (on 1939-03-12)
drums (drum set):
Buddy Rich (on 1939-03-12)
guitar:
Al Avola (on 1939-03-12)
piano:
Bob Kitsis (on 1939-03-12)
tenor saxophone:
Georgie Auld (on 1939-03-12) and Tony Pastor (on 1939-03-12)
trombone:
George Arus (on 1939-03-12), Les Jerkins (on 1939-03-12) and Harry Rogers (on 1939-03-12)
trumpet:
Harry Geller (on 1939-03-12), Chuck Peterson (on 1939-03-12) and Bernie Privin (on 1939-03-12)
vocals:
Helen Forrest (on 1939-03-12)
conductor:
Artie Shaw (on 1939-03-12)
cover recording of:
Deep Purple (on 1939-03-12)
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose
publisher:
Robbins Music
Artie Shaw and His Orchestra3:11
3What Is This Thing Called Love?
recorded in:
New York, New York, United States (on 1938-09-27)
alto saxophone:
Hank Freeman (on 1938-09-27) and George Koenig (on 1938-09-27)
clarinet:
Artie Shaw (on 1938-09-27)
double bass:
Sid Weiss (on 1938-09-27)
drums (drum set):
Cliff Leeman (on 1938-09-27)
guitar:
Al Avola (on 1938-09-27)
piano:
Les Burness (on 1938-09-27)
tenor saxophone:
Tony Pastor (on 1938-09-27) and Ronnie Perry (on 1938-09-27)
trombone:
George Arus (on 1938-09-27), Russell Brown (on 1938-09-27), Harry Rodgers (on 1938-09-27) and Harry Rogers (on 1938-09-27)
trumpet:
Johnny Best (on 1938-09-27), Claude Bowen (on 1938-09-27) and Chuck Peterson (on 1938-09-27)
orchestra:
Artie Shaw and His Orchestra (on 1938-09-27)
conductor:
Artie Shaw (on 1938-09-27)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1938-09-27)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
Artie Shaw and His Orchestra3:14
4Nightmare
recorded in:
New York, New York, United States (on 1938-09-27)
alto saxophone:
Hank Freeman (on 1938-09-27) and George Koenig (on 1938-09-27)
clarinet:
Artie Shaw (on 1938-09-27)
double bass:
Sid Weiss (on 1938-09-27)
drums (drum set):
Cliff Leeman (on 1938-09-27)
guitar:
Al Avola (on 1938-09-27)
piano:
Les Burness (on 1938-09-27)
tenor saxophone:
Tony Pastor (on 1938-09-27) and Ronnie Perry (on 1938-09-27)
trombone:
George Arus (on 1938-09-27), Russell Brown (on 1938-09-27), Harry Rodgers (on 1938-09-27) and Harry Rogers (on 1938-09-27)
trumpet:
Johnny Best (on 1938-09-27), Claude Bowen (on 1938-09-27) and Chuck Peterson (on 1938-09-27)
orchestra:
Artie Shaw and His Orchestra (on 1938-09-27)
conductor:
Artie Shaw (on 1938-09-27)
recording of:
Nightmare (on 1938-09-27)
composer:
Artie Shaw
Artie Shaw and His Orchestra2:49
5Indian Love Call
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rodgers (on 1938-07-24), Harry Rogers (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Johnny Best (on 1938-07-24), Claude Bowen (on 1938-07-24) and Chuck Peterson (on 1938-07-24)
lead vocals [vocal refrain]:
Tony Pastor and chorus
vocals:
Tony Pastor (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
engineered at:
Victor Studio #2 in Manhattan, New York, New York, United States (on 1938-07-24)
recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”) (on 1938-07-24)
lyricist:
Oscar Hammerstein II and Otto Harbach
composer:
Rudolf Friml and Herbert Stothart
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02)
part of:
Rose-Marie (1924 operetta-style musical)
part of:
Rose-Marie (1936 musical film)
Artie Shaw and His Orchestra3:07
6Begin the Beguine
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rodgers (on 1938-07-24), Harry Rogers (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Claude Bowen (on 1938-07-24), John Best (on 1938-07-24) and Chuck Peterson (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
engineered at:
Victor Studio #2 in Manhattan, New York, New York, United States (on 1938-07-24)
instrumental recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc., Warner Chappell Music Ltd., Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
Artie Shaw and His Orchestra3:13
7Traffic Jam
recorded in:
Hollywood, Los Angeles, California, United States (on 1939-06-12)
alto saxophone:
Hank Freeman (on 1939-06-12) and Les Robinson (on 1939-06-12)
bass and double bass:
Sid Weiss (on 1939-06-12)
clarinet:
Artie Shaw (on 1939-06-12)
drums (drum set):
Buddy Rich (on 1939-06-12)
guitar:
Al Avola (on 1939-06-12)
piano:
Bob Kitsis (on 1939-06-12)
tenor saxophone:
Georgie Auld (on 1939-06-12) and Tony Pastor (on 1939-06-12)
trombone:
George Arus (on 1939-06-12), Les Jenkins (on 1939-06-12), Les Jerkins (on 1939-06-12), Harry Rodgers (on 1939-06-12) and Harry Rogers (on 1939-06-12)
trumpet:
Johnny Best (on 1939-06-12), Chuck Peterson (on 1939-06-12) and Bernie Privin (on 1939-06-12)
orchestra:
Artie Shaw and His Orchestra (on 1939-06-12)
conductor:
Artie Shaw (on 1939-06-12)
recording of:
Traffic Jam (on 1939-06-12)
composer:
Teddy McRae and Artie Shaw
Artie Shaw and His Orchestra2:13
8Stardust
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-10-07)
alto saxophone:
Bus Bassey (on 1940-10-07) and Neely Plumb (on 1940-10-07)
cello:
F. Goerner (on 1940-10-07)
clarinet:
Artie Shaw (on 1940-10-07)
double bass and double bass [bass]:
Jud DeNaut (on 1940-10-07)
drums (drum set):
Nick Fatool (on 1940-10-07)
electric guitar and guitar:
Al Hendrickson (on 1940-10-07)
piano:
Johnny Guarnieri (on 1940-10-07)
tenor saxophone:
Jerry Jerome (on 1940-10-07) and Les Robinson (on 1940-10-07)
trombone:
Vernon Brown (on 1940-10-07) and Jack Jenney (on 1940-10-07)
trumpet:
Billy Butterfield (on 1940-10-07), J. Cathcart (on 1940-10-07) and George Wendt (on 1940-10-07)
viola:
A. Harshman (on 1940-10-07) and K. Collins (on 1940-10-07)
violin:
Al Beller (on 1940-10-07), B. Bower (on 1940-10-07), B. Morrow (on 1940-10-07), E. Lamas (on 1940-10-07), T. Boardman (on 1940-10-07) and T. Klages (on 1940-10-07)
orchestra:
Artie Shaw and His Orchestra (on 1940-10-07)
conductor:
Artie Shaw (on 1940-10-07)
instrumental recording of:
Stardust (the jazz standard) (on 1940-10-07)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc., EMI Music Publishing Ltd., Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
part of:
American Splendor
Artie Shaw and His Orchestra3:30
9Summit Ridge Drive
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-09-03)
bass and double bass:
Jud DeNaut (on 1940-09-03)
clarinet:
Artie Shaw (on 1940-09-03)
drums (drum set):
Nick Fatool (on 1940-09-03)
electric guitar and guitar:
Al Hendrickson (on 1940-09-03)
harpsichord:
John Guarnieri (on 1940-09-03)
trumpet:
Bill Butterfield (on 1940-09-03)
performer:
Artie Shaw and His Gramercy Five (on 1940-09-03)
recording of:
Summit Ridge Drive (on 1940-09-03)
composer:
Artie Shaw
publisher:
Denton & Haskins Corp.
Artie Shaw & His Gramercy Five3:20
10Back Bay Shuffle
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rodgers (on 1938-07-24), Harry Rogers (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Johnny Best (on 1938-07-24), Claude Bowen (on 1938-07-24) and Chuck Peterson (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
recording of:
Back Bay Shuffle (on 1938-07-24)
composer:
Teddy McRae and Artie Shaw
Artie Shaw and His Orchestra3:12
11Comes Love
alto saxophone:
Hank Freeman (on 1939-06-12) and Les Robinson (on 1939-06-12)
clarinet:
Artie Shaw (on 1939-06-12)
double bass:
Sid Weiss (on 1939-06-12)
drums (drum set):
Buddy Rich (on 1939-06-12)
guitar:
Al Avola (on 1939-06-12)
piano:
Bob Kitsis (on 1939-06-12)
tenor saxophone:
Georgie Auld (on 1939-06-12) and Tony Pastor (on 1939-06-12)
trombone:
George Arus (on 1939-06-12), Les Jerkins (on 1939-06-12) and Harry Rogers (on 1939-06-12)
trumpet:
Johnny Best (on 1939-06-12), Chuck Peterson (on 1939-06-12) and Bernie Privin (on 1939-06-12)
vocals:
Helen Forrest (on 1939-06-12)
conductor:
Artie Shaw (on 1939-06-12)
recording of:
Comes Love
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias
Artie Shaw and His Orchestra3:13
12Serenade to a Savage
alto saxophone:
Hank Freeman (on 1939-06-22) and Les Robinson (on 1939-06-22)
clarinet:
Artie Shaw (on 1939-06-22)
double bass:
Sid Weiss (on 1939-06-22)
drums (drum set):
Buddy Rich (on 1939-06-22)
guitar:
Al Avola (on 1939-06-22)
piano:
Bob Kitsis (on 1939-06-22)
tenor saxophone:
Georgie Auld (on 1939-06-22) and Tony Pastor (on 1939-06-22)
trombone:
George Arus (on 1939-06-22), Les Jerkins (on 1939-06-22) and Harry Rogers (on 1939-06-22)
trumpet:
Johnny Best (on 1939-06-22), Chuck Peterson (on 1939-06-22) and Bernie Privin (on 1939-06-22)
conductor:
Artie Shaw (on 1939-06-22)
recording of:
Serenade to a Savage (on 1939-06-22)
composer:
Joe Garland
Artie Shaw and His Orchestra2:29
13Frenesi
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-03-03)
alto saxophone:
Bud Carlton (on 1940-03-03), Blake Reynolds (on 1940-03-03) and Jack Stacey (on 1940-03-03)
bass and double bass:
Jud DeNaut (on 1940-03-03)
bass clarinet and basset clarinet:
Joe Krechter (on 1940-03-03)
cello:
Irving Lipschultz (on 1940-03-03) and Jules Tannenbaum (on 1940-03-03)
clarinet:
Artie Shaw (on 1940-03-03)
drums (drum set):
Carl Maud (on 1940-03-03) and Carl Maus (on 1940-03-03)
flute:
Marty Ruderman (on 1940-03-03) and Morton Ruderman (on 1940-03-03)
French horn:
Jack Cave (on 1940-03-03) and John Cave (on 1940-03-03)
guitar:
Bobby Sherwood (on 1940-03-03)
oboe:
Phil Nemoli (on 1940-03-03)
piano:
Stan Wrightsman (on 1940-03-03)
tenor saxophone:
Dick Clark (on 1940-03-03) and Jack Stacy (on 1940-03-03)
trombone:
Babe Bowman (on 1940-03-03), Randall Miller (on 1940-03-03) and Bill Rank (on 1940-03-03)
trumpet:
Manny Klein (on 1940-03-03), Charlie Margulis (on 1940-03-03) and George Thow (on 1940-03-03)
viola:
Jack Gray (on 1940-03-03), Jacques Ray (on 1940-03-03), Stanley Spiegelman (on 1940-03-03), Dave Sterkin (on 1940-03-03) and David Sturkin (on 1940-03-03)
violin:
Robert Barene (on 1940-03-03), Harry Bluestone (on 1940-03-03), Sid Brokaw (on 1940-03-03), Dave Cracov (on 1940-03-03), Peter Eisenberg (on 1940-03-03), Jerry Joyce (on 1940-03-03), Alex Law (on 1940-03-03) and Mark Levant (on 1940-03-03)
orchestra:
Artie Shaw and His Orchestra (on 1940-03-03)
conductor:
Artie Shaw (on 1940-03-03)
recording of:
Frenesí (on 1940-03-03)
lyricist and composer:
Alberto Domínguez
instrumental recording of:
Frenesí (on 1940-03-03)
lyricist and composer:
Alberto Domínguez
Artie Shaw and His Orchestra3:01
14Special Delivery Stomp
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-09-03)
bass and double bass:
Jud DeNaut (on 1940-09-03)
clarinet:
Artie Shaw (on 1940-09-03)
drums (drum set):
Nick Fatool (on 1940-09-03)
electric guitar and guitar:
Al Hendrickson (on 1940-09-03)
harpsichord and piano:
Johnny Guarnieri (on 1940-09-03)
trumpet:
Billy Butterfield (on 1940-09-03)
performer:
Artie Shaw and His Gramercy Five (on 1940-09-03)
recording of:
Special Delivery Stomp (on 1940-09-03)
composer:
Artie Shaw
Artie Shaw & His Gramercy Five2:43
15Temptation
alto saxophone:
Bus Bassey (on 1940-09-07) and Neely Plumb (on 1940-09-07)
cello:
F. Goerner (on 1940-09-07)
clarinet:
Artie Shaw (on 1940-09-07)
double bass:
Jud DeNaut (on 1940-09-07)
drums (drum set):
Nick Fatool (on 1940-09-07)
electric guitar:
Al Hendrickson (on 1940-09-07)
piano:
Johnny Guarnieri (on 1940-09-07)
tenor saxophone:
Jerry Jerome (on 1940-09-07) and Les Robinson (on 1940-09-07)
trombone:
Vernon Brown (on 1940-09-07) and Jack Jenney (on 1940-09-07)
trumpet:
Billy Butterfield (on 1940-09-07), J. Cathcart (on 1940-09-07) and George Wendt (on 1940-09-07)
viola:
A. Harshman (on 1940-09-07) and K. Collins (on 1940-09-07)
violin:
Al Beller (on 1940-09-07), B. Bower (on 1940-09-07), B. Morrow (on 1940-09-07), E. Lamas (on 1940-09-07), T. Boardman (on 1940-09-07) and T. Klages (on 1940-09-07)
conductor:
Artie Shaw (on 1940-09-07)
instrumental recording of:
Temptation (on 1940-09-07)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown
part of:
Going Hollywood (1933 film)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
Artie Shaw and His Orchestra3:03
16Moonglow
alto saxophone:
Bus Bassey (on 1941-01-23) and Neely Plumb (on 1941-01-23)
cello:
F. Goerner (on 1941-01-23)
clarinet:
Artie Shaw (on 1941-01-23)
double bass:
Jud DeNaut (on 1941-01-23)
drums (drum set):
Nick Fatool (on 1941-01-23)
electric guitar:
Al Hendrickson (on 1941-01-23)
piano:
Johnny Guarnieri (on 1941-01-23)
tenor saxophone:
Jerry Jerome (on 1941-01-23) and Les Robinson (on 1941-01-23)
trombone:
Vernon Brown (on 1941-01-23) and Jack Jenney (on 1941-01-23)
trumpet:
Billy Butterfield (on 1941-01-23), J. Cathcart (on 1941-01-23) and George Wendt (on 1941-01-23)
viola:
A. Harshman (on 1941-01-23) and K. Collins (on 1941-01-23)
violin:
Al Beller (on 1941-01-23), B. Bower (on 1941-01-23), B. Morrow (on 1941-01-23), E. Lamas (on 1941-01-23), T. Boardman (on 1941-01-23) and T. Klages (on 1941-01-23)
conductor:
Artie Shaw (on 1941-01-23)
cover recording of:
Moonglow
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Artie Shaw and His Orchestra3:25

Credits

Release group

part of:The Jazz Collector Edition (number: 713) (order: 10)