Bach Adagios (BMG club edition)

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

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1CD: CD: 1
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1Orchestral Suite no. 3 in D major, BWV 1068: Air (Air on a G String)
producer:
Michael Bremner
harpsichord:
Thurston Dart (in 1970-12)
orchestra:
Academy of St. Martin-in-the-Fields (in 1970-12)
conductor:
Neville Marriner (in 1970-12)
balance engineer:
Stanley Goodall (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1971)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
5:16
2Cantata, BWV 140 "Wachet auf, ruft uns die Stimme": "Sleepers Awake"2:31
3Concerto for Flute, Harpsichord, Strings, and Basso Continuo in A minor, BWV 1044 "Triple Concerto": Adagio, ma non tanto, e dolce5:42
4Cantata, BWV 156 "Ich steh mit einem Fuss im Grabe": Sinfonia2:34
5Brandenburg Concerto no. 5 in D major, BWV 1050: Affettuoso5:44
6Goldberg Variations, BWV 988: Aria
engineer:
Simon Eadon
producer:
Michael Haas
piano:
András Schiff (from 1982-04-13 until 1982-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (in 1983)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1982-04-13 until 1982-04-15)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (from 1982-04-13 until 1982-04-15)
composer:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
3:53
7Italian Concerto in F major, BWV 971: Andante
producer:
Volker Straus
piano:
Alfred Brendel (in 1976-05)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (in 1976-05)
recording of:
Italienisches Konzert F-Dur, BWV 971: II. Andante (Italian Concerto in F major, BWV 971: II. Andante) (in 1976-05)
composer:
Johann Sebastian Bach (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
5:45
8Concerto for Violin, Strings and Basso Continuo in A minor, BWV 1041: Andante
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (from 1978-11-06 until 1978-11-11)
producer:
Wilhelm Hellweg
solo violin:
Arthur Grumiaux
violin:
Arthur Grumiaux (from 1978-11-06 until 1978-11-11)
orchestra:
Les Solistes Romands (from 1978-11-06 until 1978-11-11)
conductor:
Arpad Gérecz (from 1978-11-06 until 1978-11-11)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante (from 1978-11-06 until 1978-11-11)
composer:
Johann Sebastian Bach
part of:
Violin Concerto in A minor, BWV 1041
6:08
9Keyboard Concerto no. 5 in F minor, BWV 1056: Largo2:57
10Suite in D: Sarabande
recorded in:
London, England, United Kingdom (in 1981-08)
classical guitar:
Pepe Romero (in 1981-08)
guitar:
Pepe Romero
recording of:
Suite no. 3 C-Dur, BWV 1009: IV. Sarabande (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach
arrangement of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande (Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande)
part of:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande (Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande)
composer:
Johann Sebastian Bach
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
4:07
11Oboe Concerto in F major, BWV 1053: Siciliano
producer and balance engineer:
Wilhelm Hellweg
oboe:
Heinz Holliger (in 1982-05, from 1982-05 until 1982-07)
orchestra:
The Academy of St. Martin-in-the-Fields (in 1982-05) and Academy of St Martin in the Fields (from 1982-05 until 1982-07)
conductor:
Iona Brown (in 1982-05, from 1982-05 until 1982-07)
phonographic copyright (℗) by:
Phonogram International B.V. (in 1983)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1982-05, from 1982-05 until 1982-07)
recording of:
Oboe Concerto in F major, BWV 1053R: II. Siciliano (in 1982-05)
composer:
Johann Sebastian Bach
part of:
Oboe Concerto in F major, BWV 1053R
4:20
12Christmas Oratorio, BWV 248: Sinfonia
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
orchestra:
Munich Bach Orchestra (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
phonographic copyright (℗) by:
Polydor International GmbH (in 1966)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1965-02 until 1965-06)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
7:17
13Sonata for Flute no. 3 in A minor, BWV 1032: Largo3:28
14Lute Suite in G minor, BWV 995: Gavotte I/II en Rondeau5:06
15Motet, BWV 227 "Jesu, meine Freude": "Jesu, Priceless Treasure"1:51
2CD: CD: 2
#TitleLength
1Concerto for Two Violins in D minor, BWV 1043: Largo, ma non tanto
solo violin:
Zino Francescatti and Régis Pasquier
strings:
Lucerne Festival Strings
violin:
Zino Francescatti (in 1971-06) and Régis Pasquier (in 1971-06)
orchestra:
Festival Strings Lucerne (in 1971-06)
conductor:
Rudolf Baumgartner (in 1971-06)
balance engineer:
Hans‐Peter Schweigmann (in 1971-06)
phonographic copyright (℗) by:
Polydor International GmbH (in 1972)
recorded at:
Lukaskirche in Lucerne, Luzern, Switzerland (in 1971-06)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1971-06)
composer:
Johann Sebastian Bach (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
7:16
2Sonata for Flute and Harp in E-flat major, BWV 1031: Siciliano
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1987-08)
recording engineer:
Ko Witteveen (in 1987-08)
producer:
Martha de Francisco
flute:
Irena Grafenauer (in 1987-08)
harp:
Maria Graf (in 1987-08)
balance engineer:
Martha de Francisco (in 1987-08)
phonographic copyright (℗) by:
Philips Classics Productions (in 1988)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (catch-all for arrangements) (in 1987-08)
composer:
Johann Sebastian Bach
arrangement of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
part of:
Flute Sonata in E-flat major, BWV 1031 (catch-all for arrangements)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
composer:
Johann Sebastian Bach
part of:
Flute Sonata in E-flat major, BWV 1031
2:18
3Concerto for Violin, Strings and Continuo in E major, BWV 1042: Adagio
recorded in:
London, England, United Kingdom (in 1976-06)
producer:
Vittorio Negri
solo violin:
Henryk Szeryng
violin:
Henryk Szeryng (in 1976-06)
orchestra:
The Academy of St. Martin-in-the-Fields (in 1976-06)
conductor:
Neville Marriner (in 1976-06)
recorded at:
Walthamstow Assembly Hall in London, England, United Kingdom (in 1976-06)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (Violin Concerto in E major, BWV 1042: II. Adagio) (in 1976-06)
composer:
Johann Sebastian Bach
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
6:44
4Brandenburg Concerto no. 2 in F major, BWV 1047: Andante
orchestra:
Münchener Bach‐Orchestra
conductor:
Karl Richter
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
composer:
Johann Sebastian Bach
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:48
5Cello Sonata no. 1 in G major, BWV 1027: Andante2:27
6Concerto for Oboe and Violin in C minor, BWV 1060: Adagio
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (in 1984-03)
oboe:
David Reichenberg (in 1984-03)
violin:
Simon Standage (in 1984-03)
orchestra:
The English Concert (in 1984-03)
conductor:
Trevor Pinnock (in 1984-03)
performer:
David Reichenberg (in 1984-03) and Simon Standage (in 1984-03)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1984-03)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1984-03)
composer:
Johann Sebastian Bach
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
5:08
7Concerto for Oboe d'amore in A major, BWV 1055: Larghetto5:10
8Partita no. 1 in B-flat major, BWV 825: Andante2:07
9Brandenburg Concerto no. 4 in G major, BWV 1049: Andante
producer:
Volker Straus
recorder:
Michala Petri (in 1980-05) and Elisabeth Selin (in 1980-05)
violin:
Henryk Szeryng (in 1980-05)
orchestra:
The Academy of St. Martin-in-the-Fields (in 1980-05)
conductor:
Neville Marriner (in 1980-05)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1980-05)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (in 1980-05)
composer:
Johann Sebastian Bach
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
3:47
10Partita in D minor, BWV 828: Andante4:16
11Concerto for Violin, Oboe and Strings in D minor, BWV 1060: Adagio
harpsichord:
Christopher Hogwood (in 1974-08) and Nicholas Kraemer (in 1974-08)
oboe:
Tess Miller (in 1974-08)
violin:
Carmel Kaine (in 1974-08)
orchestra:
The Academy of St. Martin-in-the-Fields (in 1974-08)
conductor:
Sir Neville Marriner (in 1974-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1975)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (from 1973 until 1974, in 1974-08)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1974-08)
composer:
Johann Sebastian Bach
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
5:19
12Well Tempered Clavier, Book I, BWV 846: Prelude no. 12:11
13Minuet in D minor, BWV Anh. 132
guitar:
Celedonio Romero
recording of:
Menuett in d-Moll, BWV Anh. 132
composer:
[unknown]
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 36), Bach-Werke-Verzeichnis (number: BWV Anh. II 132) and Bach-Werke-Verzeichnis (number: BWV Anh. 132)
2:19
14Suite for Harp in E-flat major: Gavotte en rondeu
recorded in:
La Chaux-de-Fonds, Neuchâtel, Switzerland (in 1987-08)
recording engineer:
Ko Witteveen (in 1987-08)
producer:
Martha de Francisco
harp:
Maria Graf (in 1987-08)
balance engineer:
Martha de Francisco (in 1987-08)
phonographic copyright (℗) by:
Philips Classics Productions (in 1988)
recording of:
Suite E-Dur, BWV 1006a: III. Gavotte en Rondeau (catch all for arrangements) (in 1987-08)
composer:
Johann Sebastian Bach
arrangement of:
Suite E-Dur, BWV 1006.2: III. Gavotte en Rondeau (former BWV 1006a)
part of:
Suite E-Dur, BWV 1006a (catch all for arrangements)
recording of:
Französische Suite no. 4 Es-Dur, BWV 815: IV. Gavotte
composer:
Johann Sebastian Bach
part of:
Französische Suite Nr. 4 Es-Dur, BWV 815 (French Suite No. 4 in E-flat major, BWV 815)
3:18
15Canata, BWV 147 "Herz und Mund und Tat und Leben": "Jesu, Joy of Man's Desiring"
producer:
Harley Usill
organ:
Peter White (in 1958-10)
choir vocals:
Choir of St John’s College, Cambridge (in 1958-10)
conductor:
George Guest (in 1958-10)
chorus master:
George Guest
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1958-10)
recording of:
Jesu, Joy of Man’s Desiring (orch. Stokowski) (in 1958-10)
orchestrator:
Leopold Stokowski
lyricist:
Robert Bridges
composer:
Johann Sebastian Bach
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (in 1665)
composer:
Johann Sebastian Bach (in 1723)
part of:
Classic 100: Piano (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
7:24