Perfect Prima Donna

~ Release by Elisabeth Schwarzkopf (see all versions of this release, 2 available)

Tracklist

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1▼CD: Cantata: Jauchzet Gott in allen Landen, BWV 51
#TitleArtistLength
1Aria: Jauchzet Gott In Allen Landen!
producer:
Walter Legge
cello:
Raymond Clark (on 1950-10-08) and Haydn Rogerson (on 1950-10-08)
double bass:
James Merrett (on 1950-10-08)
organ:
Geraint Jones (on 1950-10-08)
trumpet:
Harold Jackson (on 1950-10-08)
violin:
Gerald Emms (on 1950-10-08) and Manoug Parikian (on 1950-10-08)
soprano vocals:
Elisabeth Schwarzkopf (on 1950-10-08)
orchestra:
Philharmonia Orchestra (on 1950-10-08)
conductor:
Peter Gellhorn (on 1950-10-08)
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1950-10-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (on 1950-10-08)
composer:
Johann Sebastian Bach (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach?:??
2Recitative: Wir Beten Zu Dem Tempel An
producer:
Walter Legge
cello:
Raymond Clark (on 1950-10-08) and Haydn Rogerson (on 1950-10-08)
double bass:
James Merrett (on 1950-10-08)
organ:
Geraint Jones (on 1950-10-08)
trumpet:
Harold Jackson (on 1950-10-08)
violin:
Gerald Emms (on 1950-10-08) and Manoug Parikian (on 1950-10-08)
soprano vocals:
Elisabeth Schwarzkopf (on 1950-10-08)
orchestra:
Philharmonia Orchestra (on 1950-10-08)
conductor:
Peter Gellhorn (on 1950-10-08)
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1950-10-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo "Wir beten zu dem Tempel an" (on 1950-10-08)
composer:
Johann Sebastian Bach (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach?:??
3Aria: Höchster, Mache Deine Güte
producer:
Walter Legge
cello:
Raymond Clark (on 1950-10-08) and Haydn Rogerson (on 1950-10-08)
double bass:
James Merrett (on 1950-10-08)
organ:
Geraint Jones (on 1950-10-08)
trumpet:
Harold Jackson (on 1950-10-08)
violin:
Gerald Emms (on 1950-10-08) and Manoug Parikian (on 1950-10-08)
soprano vocals:
Elisabeth Schwarzkopf (on 1950-10-08)
orchestra:
Philharmonia Orchestra (on 1950-10-08)
conductor:
Peter Gellhorn (on 1950-10-08)
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1950-10-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": III. Aria "Höchster, mache deine Güte" (on 1950-10-08)
composer:
Johann Sebastian Bach (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach?:??
4Chorale: Sei Lob Und Preis Mit Ehren
producer:
Walter Legge
cello:
Raymond Clark (on 1950-10-08) and Haydn Rogerson (on 1950-10-08)
double bass:
James Merrett (on 1950-10-08)
organ:
Geraint Jones (on 1950-10-08)
trumpet:
Harold Jackson (on 1950-10-08)
violin:
Gerald Emms (on 1950-10-08) and Manoug Parikian (on 1950-10-08)
soprano vocals:
Elisabeth Schwarzkopf (on 1950-10-08)
orchestra:
Philharmonia Orchestra (on 1950-10-08)
conductor:
Peter Gellhorn (on 1950-10-08)
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1950-10-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": IV. Chorale "Sei Lob und Preis mit Ehren" (on 1950-10-08)
composer:
Johann Sebastian Bach (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach?:??
5Aria: Alleluia
producer:
Walter Legge
cello:
Raymond Clark (on 1950-10-08) and Haydn Rogerson (on 1950-10-08)
double bass:
James Merrett (on 1950-10-08)
organ:
Geraint Jones (on 1950-10-08)
trumpet:
Harold Jackson (on 1950-10-08)
violin:
Gerald Emms (on 1950-10-08) and Manoug Parikian (on 1950-10-08)
soprano vocals:
Elisabeth Schwarzkopf (on 1950-10-08)
orchestra:
Philharmonia Orchestra (on 1950-10-08)
conductor:
Peter Gellhorn (on 1950-10-08)
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1950-10-08)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (on 1950-10-08)
composer:
Johann Sebastian Bach (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
Johann Sebastian Bach?:??
6Recitative: Soll Den Der Pales Opfer Hier Das Letzte Sein?
sound engineer:
Douglas Larter
producer:
Walter Legge
cello:
Maurer (on 1946-11-01)
flute:
Josef Niedermayer (on 1946-11-01) and Karl Rezniček (on 1946-11-01)
harpsichord:
Isolde Ahlgrimm (on 1946-11-01)
soprano vocals:
Elisabeth Schwarzkopf (on 1946-11-01)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (on 1946-11-01)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: VIII. Recitativo (Sopran II) “Soll denn der Pales Opfer hier das letzte sein?” (on 1946-11-01)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (in 1713)
librettist:
Salomon Franck
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach?:??
7Aria: Schafe Können Sicher Weiden
sound engineer:
Douglas Larter (on 1946-11-01)
producer:
Walter Legge
cello:
Maurer (on 1946-11-01)
flute:
Josef Niedermayer (on 1946-11-01) and Karl Rezniček (on 1946-11-01)
harpsichord:
Isolde Ahlgrimm (on 1946-11-01)
soprano vocals:
Elisabeth Schwarzkopf (on 1946-11-01)
recorded at:
Brahms-Saal in Innere Stadt, Wien, Austria (on 1946-11-01)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (on 1946-11-01)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (in 1713-02)
composed in:
Weimar, Thüringen, Germany
composer:
Johann Sebastian Bach (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
Johann Sebastian Bach?:??
8Aria: Mein Gläubiges Herze
sound engineer:
Arthur S. Clarke (on 1950-10-13)
producer:
Walter Legge
cello:
Raymond Clark (on 1950-10-13)
oboe:
Sidney Sutcliffe (on 1950-10-13)
organ:
Geraint Jones (on 1950-10-13)
violin:
Manoug Parikian (on 1950-10-13)
soprano vocals:
Elisabeth Schwarzkopf (on 1950-10-13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1950-10-13)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze" (on 1950-10-13)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
Johann Sebastian Bach?:??
9Recitative: Mein Herze schwimmt im Blut
Johann Sebastian Bach?:??
10Aria: Stumme Seufzer, Stille Klagen
Johann Sebastian Bach?:??
11Recitative: Doch Gott Muß Mir Genädig Sein
Johann Sebastian Bach?:??
12Aria: Tiefgebückt Und Voller Reue
Johann Sebastian Bach?:??
13Recitative: Auf Diese Schmerzensreu
Johann Sebastian Bach?:??
14Chorale: Ich, Dein Betrübtes Kind
Johann Sebastian Bach?:??
15Recitative: Ich Lege Mich In Diese Wunden
Johann Sebastian Bach?:??
16Aria: Wie Freudig Ist Mein Herz
Johann Sebastian Bach?:??
17Bist Du Bei Mir
Johann Sebastian Bach?:??
18Sweet Bird
sound engineer:
Douglas Larter
producer:
Walter Legge
flute:
Josef Niedermayer (on 1946-11-02)
soprano vocals:
Elisabeth Schwarzkopf (on 1946-11-02)
orchestra:
Wiener Philharmoniker (on 1946-11-02)
conductor:
Josef Krips (on 1946-11-02)
recording of:
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I, no. 13. Air “Sweet Bird” (Il Penseroso) (on 1946-11-02)
composer:
George Frideric Handel (in 1740)
part of:
L’Allegro, il Penseroso ed il Moderato, HWV 55: Part I
George Frideric Handel?:??
19Exsultate, Jubilate
sound engineer:
Douglas Larter
producer:
Walter Legge
organ:
Sir George Thomas Thalben-Ball (from 1948-05-26 until 1948-05-28)
soprano vocals:
Elisabeth Schwarzkopf (from 1948-05-26 until 1948-05-28)
orchestra:
Philharmonia Orchestra (from 1948-05-26 until 1948-05-28)
conductor:
Walter Süsskind (from 1948-05-26 until 1948-05-28)
recording of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate (from 1948-05-26 until 1948-05-28)
composer:
Wolfgang Amadeus Mozart
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart?:??
20Fulget Amica
sound engineer:
Douglas Larter
producer:
Walter Legge
organ:
Sir George Thomas Thalben-Ball (from 1948-05-26 until 1948-05-28)
soprano vocals:
Elisabeth Schwarzkopf (from 1948-05-26 until 1948-05-28)
orchestra:
Philharmonia Orchestra (from 1948-05-26 until 1948-05-28)
conductor:
Walter Süsskind (from 1948-05-26 until 1948-05-28)
recording of:
Exsultate, jubilate, K. 158a/165: II. Fulget amica dies (from 1948-05-26 until 1948-05-28)
composer:
Wolfgang Amadeus Mozart
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart?:??
21Tu Virginum
sound engineer:
Douglas Larter
producer:
Walter Legge
organ:
Sir George Thomas Thalben-Ball (from 1948-05-26 until 1948-05-28)
soprano vocals:
Elisabeth Schwarzkopf (from 1948-05-26 until 1948-05-28)
orchestra:
Philharmonia Orchestra (from 1948-05-26 until 1948-05-28)
conductor:
Walter Süsskind (from 1948-05-26 until 1948-05-28)
recording of:
Exsultate, jubilate, K. 158a/165: III. Tu virginum corona (from 1948-05-26 until 1948-05-28)
composer:
Wolfgang Amadeus Mozart
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart?:??
22Alleluia
sound engineer:
Douglas Larter
producer:
Walter Legge
organ:
Sir George Thomas Thalben-Ball (from 1948-05-26 until 1948-05-28)
soprano vocals:
Elisabeth Schwarzkopf (from 1948-05-26 until 1948-05-28)
orchestra:
Philharmonia Orchestra (from 1948-05-26 until 1948-05-28)
conductor:
Walter Süsskind (from 1948-05-26 until 1948-05-28)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (from 1948-05-26 until 1948-05-28)
composer:
Wolfgang Amadeus Mozart
part of:
Exsultate, jubilate, K. 158a/165
Wolfgang Amadeus Mozart?:??
2▼CD: Lieder
#TitleArtistLength
1Ridente la Calma
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Ridente la calma, K. 210a/152 (for voice and piano, Mozart) (from 1955-04-13 until 1955-04-16)
composer:
Josef Mysliveček
arranger:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 152) and Köchelverzeichnis (number: 210a)
is based on:
Armida: "Il caro mio bene"
Wolfgang Amadeus Mozart?:??
2Oiseaux, Si Tous Les Ans, K307
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in C major, K. 284d/307 “Oiseaux, si tous les ans” (from 1955-04-13 until 1955-04-16)
lyricist:
Antoine Ferrand
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 307) and Köchelverzeichnis (number: 284d)
Wolfgang Amadeus Mozart?:??
3Dans Un Bois Solitaire, K308
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1956)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in A-flat major, K. 295b/308 “Dans un bois solitaire” (from 1955-04-13 until 1955-04-16)
lyricist:
Antoine Houdar de la Motte
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 308) and Köchelverzeichnis (number: 295b)
Wolfgang Amadeus Mozart?:??
4Die Kleine Spinnerin, K531
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1956)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in C major, K. 531 "Die kleine Spinnerin": "Was spinnst du?" (from 1955-04-13 until 1955-04-16)
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 531) and Köchelverzeichnis (number: 531)
Wolfgang Amadeus Mozart?:??
5Als Luise Die Briefe, K520
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in C minor, K. 520 "Als Luise die Briefe ihres ungetreuen Liebhabers": "Erzeugt von heißer Phantasie" (from 1955-04-13 until 1955-04-16)
lyricist:
Gabriele von Baumberg
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 520) and Köchelverzeichnis (number: 520)
Wolfgang Amadeus Mozart?:??
6Abendempfindung An Laura, K523
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in F major, K. 523 “Abendempfindung an Laura”: “Abend ist’s” (from 1955-04-13 until 1955-04-16)
lyricist:
Joachim Heinrich Campe
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: K. 523), Köchelverzeichnis (number: 523) and Köchelverzeichnis (number: 523)
Wolfgang Amadeus Mozart?:??
7Das Kinderspiel, K598
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in A major, K. 598 "Das Kinderspiel": "Wir Kinder, wir schmecken" (from 1955-04-13 until 1955-04-16)
lyricist:
Christian Adolf Overbeck
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 598) and Köchelverzeichnis (number: 598)
Wolfgang Amadeus Mozart?:??
8Die Alte, K517
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in E minor, K. 517 "Die Alte": "Zu meiner Zeit" (from 1955-04-13 until 1955-04-16)
lyricist:
Friedrich von Hagedorn
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 517) and Köchelverzeichnis (number: 517)
Wolfgang Amadeus Mozart?:??
9Das Traumbild, K.530
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1956)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in E-flat major, K. 530 "Das Traumbild": "Wo bist du, Bild" (from 1955-04-13 until 1955-04-16)
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Wolfgang Amadeus Mozart (in 1787)
part of:
Köchelverzeichnis (number: 530) and Köchelverzeichnis (number: 530)
Wolfgang Amadeus Mozart?:??
10Das Veilchen, K476
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1956)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in G major, K. 476 “Das Veilchen”: “Ein Veilchen auf der Wiese stand” (from 1955-04-13 until 1955-04-16)
lyricist:
Johann Wolfgang von Goethe
composer:
Wolfgang Amadeus Mozart (in 1785)
part of:
Köchelverzeichnis (number: 476) and Köchelverzeichnis (number: 476)
is based on:
Das Veilchen
Wolfgang Amadeus Mozart?:??
11Der Zauberer, K472
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1956)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in G minor, K. 472 "Der Zauberer": "Ihr Mädchen, flieht Damöten ja!" (from 1955-04-13 until 1955-04-16)
lyricist:
Christian Felix Weiße
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 472) and Köchelverzeichnis (number: 472)
Wolfgang Amadeus Mozart?:??
12Im Frühlingsanfang, K597
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1956)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in E-flat major, K. 597 "Im Frühlingsanfang": "Erwacht zum neuen Leben" (from 1955-04-13 until 1955-04-16)
lyricist:
Christoph Christian Sturm
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 597) and Köchelverzeichnis (number: 597)
Wolfgang Amadeus Mozart?:??
13Das Lied Der Trennung, K519
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1955)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in F minor, K. 519 “Das Lied der Trennung”: “Die Engel Gottes weinen” (from 1955-04-13 until 1955-04-16)
lyricist:
Klamer Eberhard Karl Schmidt
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 519) and Köchelverzeichnis (number: 519)
Wolfgang Amadeus Mozart?:??
14Die Zufriedenheit, K.349
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1956)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in G major, K. 367a/349 "Die Zufriedenheit": "Was frag ich viel" (from 1955-04-13 until 1955-04-16)
lyricist:
Johann Martin Miller
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 349) and Köchelverzeichnis (number: 367a)
Wolfgang Amadeus Mozart?:??
15An Chloë, K524
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1956)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in E-flat major, K. 524 “An Chloë”: “Wenn die Lieb’ aus deinen blauen” (from 1955-04-13 until 1955-04-16)
lyricist:
Johann Georg Jacobi
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: K. 524), Köchelverzeichnis (number: 524) and Köchelverzeichnis (number: 524)
Wolfgang Amadeus Mozart?:??
16Sehnsucht Nach Dem Frühlinge, K596
producer:
Walter Legge
piano:
Walter Gieseking (from 1955-04-13 until 1955-04-16)
soprano vocals:
Elisabeth Schwarzkopf (from 1955-04-13 until 1955-04-16)
balance engineer:
Christopher Parker (from 1955-04-13 until 1955-04-16)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1956)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1955-04-13 until 1955-04-16)
recording of:
Song for Voice & Piano in F major, K. 596 "Sehnsucht nach dem Frühling": "Komm, lieber Mai" (from 1955-04-13 until 1955-04-16)
lyricist:
Christian Adolf Overbeck
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 596) and Köchelverzeichnis (number: 596)
Wolfgang Amadeus Mozart?:??
17Ch'io Mi Scordi di Te?... Non Temer, Amato Bene, K505
producer:
Walter Legge
piano:
Alfred Brendel (from 1968-09-10 until 1968-09-18)
solo soprano vocals:
Elisabeth Schwarzkopf (from 1968-09-10 until 1968-09-18)
orchestra:
London Symphony Orchestra (from 1968-09-10 until 1968-09-18)
conductor:
George Szell (from 1968-09-10 until 1968-09-18)
balance engineer:
Robert Gooch (from 1968-09-10 until 1968-09-18)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1970)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1968-09-10 until 1968-09-18)
recording of:
Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" (from 1968-09-10 until 1968-09-18)
composer:
Wolfgang Amadeus Mozart (in 1786-12)
dedicated to:
Nancy Storace
premiered at:
[farewell concert of Nancy Storage]
part of:
Köchelverzeichnis (number: K. 505), Köchelverzeichnis (number: 505) and Köchelverzeichnis (number: 505)
Wolfgang Amadeus Mozart?:??
18Vado, Ma Dove? Oh Dei!, K583
producer:
Walter Legge
solo soprano vocals:
Elisabeth Schwarzkopf (from 1968-09-10 until 1968-09-18)
orchestra:
London Symphony Orchestra (from 1968-09-10 until 1968-09-18)
conductor:
George Szell (from 1968-09-10 until 1968-09-18)
balance engineer:
Robert Gooch (from 1968-09-10 until 1968-09-18)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1970)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1968-09-10 until 1968-09-18)
recording of:
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” (from 1968-09-10 until 1968-09-18)
lyricist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 583) and Köchelverzeichnis (number: 583)
Wolfgang Amadeus Mozart?:??
19Alma Grande E Nobil Core, K578
producer:
Walter Legge
solo soprano vocals:
Elisabeth Schwarzkopf (from 1968-09-10 until 1968-09-18)
orchestra:
London Symphony Orchestra (from 1968-09-10 until 1968-09-18)
conductor:
George Szell (from 1968-09-10 until 1968-09-18)
balance engineer:
Robert Gooch (from 1968-09-10 until 1968-09-18)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1970)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1968-09-10 until 1968-09-18)
recording of:
Aria for Soprano and Orchestra in B-flat major, K. 578: Allegro "Alma grande e nobil core" (from 1968-09-10 until 1968-09-18)
composer:
Wolfgang Amadeus Mozart
part of:
Köchelverzeichnis (number: 578) and Köchelverzeichnis (number: 578)
Wolfgang Amadeus Mozart?:??
20Nehmt Meinen Dank, K383
producer:
Walter Legge
solo soprano vocals:
Elisabeth Schwarzkopf (from 1968-09-10 until 1968-09-18)
orchestra:
London Symphony Orchestra (from 1968-09-10 until 1968-09-18)
conductor:
George Szell (from 1968-09-10 until 1968-09-18)
balance engineer:
Robert Gooch (from 1968-09-10 until 1968-09-18)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1970)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1968-09-10 until 1968-09-18)
recording of:
Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" (from 1968-09-10 until 1968-09-18)
lyricist:
[unknown]
composer:
Wolfgang Amadeus Mozart (in 1782)
part of:
Köchelverzeichnis (number: 383) and Köchelverzeichnis (number: 383)
Wolfgang Amadeus Mozart?:??
3▼CD: Opera Arias
#TitleArtistLength
1L'amerò, Sarò Costante (from Il Re Pastore)
Wolfgang Amadeus Mozart?:??
2Zeffiretti Lusinghieri (from Idomeneo)
Wolfgang Amadeus Mozart?:??
3Welcher Kummer... Traurigkeit (from Die Entführung Aus Dem Serail)
Wolfgang Amadeus Mozart?:??
4Martern Aller Arten (from Die Entführung Aus Dem Serail)
Wolfgang Amadeus Mozart?:??
5Non So Più Cosa Con (from Le Nozze di Figaro)
Wolfgang Amadeus Mozart?:??
6Porgi, Amor (from Le Nozze di Figaro)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-07-01 until 1952-07-04)
orchestra:
Philharmonia Orchestra (from 1952-07-01 until 1952-07-04)
conductor:
Sir John Pritchard (from 1952-07-01 until 1952-07-04)
balance engineer:
Douglas Larter (from 1952-07-01 until 1952-07-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1953)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1952-07-01 until 1952-07-04)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (from 1952-07-01 until 1952-07-04)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart?:??
7Voi, Che Sapete (from Le Nozze di Figaro)
Wolfgang Amadeus Mozart?:??
8Dove Sono (from Le Nozze di Figaro)
Wolfgang Amadeus Mozart?:??
9Giunse Alfin Il Momento (from Le Nozze di Figaro)
Wolfgang Amadeus Mozart?:??
10Batti, Batti O Bel Masetto (from Don Giovanni)
Wolfgang Amadeus Mozart?:??
11Vedrai Carino (from Don Giovanni)
Wolfgang Amadeus Mozart?:??
12In Quali Eccessi... Mi Tradì Quell'alma Ingrata (from Don Giovanni)
Wolfgang Amadeus Mozart?:??
13Crudele?... Non Mi Dir (from Don Giovanni)
Wolfgang Amadeus Mozart?:??
14Ach, ich fühl's (from Die Zauberflöte)
Wolfgang Amadeus Mozart?:??
4▼CD: Lieder
#TitleArtistLength
1Die Vogel, D691
sound engineer:
Douglas Larter (on 1948-05-21)
producer:
Walter Legge
piano:
Gerald Moore (on 1948-05-21)
soprano vocals:
Elisabeth Schwarzkopf (on 1948-05-21)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (in 1982)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (on 1948-05-21) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1948-05-21)
recording of:
Die Vögel, D. 691 (on 1948-05-21)
lyricist:
Karl Wilhelm Friedrich von Schlegel
composer:
Franz Schubert
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 691)
Franz Schubert?:??
2Liebhaber In Allen Gestalten, D558
sound engineer:
Douglas Larter (on 1948-05-21)
producer:
Walter Legge
piano:
Gerald Moore (on 1948-05-21)
soprano vocals:
Elisabeth Schwarzkopf (on 1948-05-21)
balance engineer:
Douglas Larter
phonographic copyright (℗) by:
EMI Records Ltd. (in 1982)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (on 1948-05-21) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1948-05-21)
recording of:
Liebhaber in allen Gestalten, D. 558 (on 1948-05-21)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (in 1817)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 558)
Franz Schubert?:??
3An Die Musik, D547
producer:
Walter Legge
piano:
Edwin Fischer (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
An die Musik, D. 547 (original, for solo voice and piano) (from 1952-10-04 until 1952-10-07)
lyricist:
Franz von Schober
composer:
Franz Schubert (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert?:??
4Im Frühling, D882
producer:
Walter Legge
piano:
Edwin Fischer (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
Im Frühling, D. 882 (from 1952-10-04 until 1952-10-07)
lyricist:
Ernst Schulze
composer:
Franz Schubert (in 1826)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 882)
Franz Schubert?:??
5Wehmut, D772
producer:
Walter Legge
piano:
Edwin Fischer (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
Wehmut, D. 772 (from 1952-10-04 until 1952-10-07)
lyricist:
Matthäus von Collin
composer:
Franz Schubert
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 772)
Franz Schubert?:??
6Ganymed, D544
producer:
Walter Legge
piano:
Edwin Fischer (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
Ganymed, D. 544 (from 1952-10-04 until 1952-10-07)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 544)
Franz Schubert?:??
7Das Lied Im Grünen, D917
producer:
Walter Legge
piano:
Edwin Fischer (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
Das Lied im Grünen, D. 917 (from 1952-10-04 until 1952-10-07)
lyricist:
Johann Anton Friedrich Reil
composer:
Franz Schubert (in 1827)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 917)
Franz Schubert?:??
8Gretchen Am Spinnrade, D118
producer:
Walter Legge
piano:
Edwin Fischer (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
Gretchen am Spinnrade, D. 118 (from 1952-10-04 until 1952-10-07)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 118)
Franz Schubert?:??
9Nähe Des Geliebten, D162
producer:
Walter Legge
piano:
Edwin Fischer (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
Nähe des Geliebten, D. 162 (from 1952-10-04 until 1952-10-07)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (on 1815-02-27)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 162)
Franz Schubert?:??
10Die Junge Nonne, D828
producer:
Walter Legge
piano:
Edwin Fischer (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
Die junge Nonne, D. 828 (from 1952-10-04 until 1952-10-07)
lyricist:
Jacob Nicolaus Craigher de Jachelutta and Jacob Nikolaus Craigher de Jachelutta
composer:
Franz Schubert (in 1825)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 828)
Franz Schubert?:??
11An Sylvia, D891
producer:
Walter Legge
piano:
Edwin Fischer (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
An Sylvia, D. 891 (for voice and piano) (from 1952-10-04 until 1952-10-07)
lyricist:
William Shakespeare
composer:
Franz Schubert (in 1826)
translator:
Eduard von Bauernfeld
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 891)
Franz Schubert?:??
12Auf Dem Wasser Zu Singen, D774
producer:
Walter Legge
piano:
Edwin Fischer (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
Auf dem Wasser zu singen, D. 774 (from 1952-10-04 until 1952-10-07)
lyricist:
Friedrich Leopold Graf zu Stolberg-Stolberg
composer:
Franz Schubert
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 774)
Franz Schubert?:??
13Nachtviolen, D752
producer:
Walter Legge
piano:
Edwin Fischer (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
Nachtviolen, D. 752 (from 1952-10-04 until 1952-10-07)
lyricist:
Johann Mayrhofer
composer:
Franz Schubert
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 752)
Franz Schubert?:??
14Der Musensohn, D764
producer:
Walter Legge
piano:
Edwin Fischer (from 1952-10-04 until 1952-10-07)
soprano vocals:
Elisabeth Schwarzkopf (from 1952-10-04 until 1952-10-07)
balance engineer:
Harold Davidson
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1952-10-04 until 1952-10-07)
recording of:
Der Musensohn, D. 764 (from 1952-10-04 until 1952-10-07)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (in 1822)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 764)
Franz Schubert?:??
15Litanei Auf Das Fest Allerseelen, D343
producer:
Walter Legge
piano:
Gerald Moore (from 1954-01-09 until 1954-01-10)
soprano vocals:
Elisabeth Schwarzkopf (from 1954-01-09 until 1954-01-10)
balance engineer:
Douglas Larter
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1954-01-09 until 1954-01-10)
recording of:
Am Tage aller Seelen (Litanei), D. 343 (original for voice and piano) (from 1954-01-09 until 1954-01-10)
lyricist:
Johann Georg Jacobi
composer:
Franz Schubert (in 1816-08)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 343)
Franz Schubert?:??
16Ungeduld, D795
producer:
Walter Legge
piano:
Gerald Moore (from 1954-01-09 until 1954-01-10)
soprano vocals:
Elisabeth Schwarzkopf (from 1954-01-09 until 1954-01-10)
balance engineer:
Douglas Larter
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1954-01-09 until 1954-01-10)
recording of:
Die schöne Müllerin, D. 795: Nr. 7. Ungeduld (from 1954-01-09 until 1954-01-10)
lyricist:
Wilhelm Müller
composer:
Franz Schubert (in 1823)
part of:
Die schöne Müllerin, D. 795
Franz Schubert?:??
17Heidenröslein, D257
sound engineer:
Neville Boyling (on 1957-06-11)
producer:
Walter Legge
piano:
Gerald Moore (on 1957-06-11)
soprano vocals:
Elisabeth Schwarzkopf (on 1957-06-11)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1966)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1957-06-11)
recording of:
Heidenröslein, D. 257 ("Sah ein Knab’ ein Röslein stehn”) (on 1957-06-11)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (on 1815-08-19)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 257)
Franz Schubert?:??
18Der Jüngling An Der Quelle, D300
sound engineer:
Neville Boyling (on 1962-12-07)
producer:
Walter Legge
piano:
Gerald Moore (on 1962-12-07)
soprano vocals:
Elisabeth Schwarzkopf (on 1962-12-07)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1966)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (on 1962-12-07)
recording of:
Der Jüngling an der Quelle, D. 300 (on 1962-12-07)
lyricist:
Johann Gaudenz von Salis-Seewis
composer:
Franz Schubert
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 300)
Franz Schubert?:??
19Der Einsame, D800
sound engineer:
Wolfgang Gülich (from 1965-08-22 until 1965-08-27)
producer:
Walter Legge
piano:
Gerald Moore (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1966)
recorded at:
Evangelisches Gemeindehaus in Berlin, Germany (from 1965-08-22 until 1965-08-27)
recording of:
Der Einsame, D. 800 (from 1965-08-22 until 1965-08-27)
lyricist:
Karl Lappe
composer:
Franz Schubert
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 800)
Franz Schubert?:??
20Die Forelle, D550
sound engineer:
Wolfgang Gülich (from 1965-08-22 until 1965-08-27)
producer:
Walter Legge
piano:
Gerald Moore (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (from 1965-08-22 until 1965-08-27)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1966)
recorded at:
Evangelisches Gemeindehaus in Berlin, Germany (from 1965-08-22 until 1965-08-27)
recording of:
Die Forelle, D. 550 (The Trout, D. 550) (from 1965-08-22 until 1965-08-27)
lyricist:
Christian Friedrich Daniel Schubart (from 1777 until 1787)
composer:
Franz Schubert (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert?:??
21Lieber Schwarmt Auf Allen Wegen, D239
producer:
Walter Legge
piano:
Gerald Moore (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (from 1965-08-22 until 1965-08-27)
balance engineer:
Wolfgang Gülich
recorded at:
Evangelisches Gemeindehaus in Berlin, Germany (from 1965-08-22 until 1965-08-27)
recording of:
Claudine von Villa Bella, D. 239: Nr. 6. Liebe schwärmt auf allen Wegen (for voice and piano) (from 1965-08-22 until 1965-08-27)
composer:
Franz Schubert (in 1815)
librettist:
Johann Wolfgang von Goethe
version of:
Claudine von Villa Bella, D. 239: Nr. 6. Liebe schwärmt auf allen Wegen
Franz Schubert?:??
22Seligkeit, D433
producer:
Walter Legge
piano:
Gerald Moore (from 1965-08-22 until 1965-08-27)
soprano vocals:
Elisabeth Schwarzkopf (from 1965-08-22 until 1965-08-27)
balance engineer:
Wolfgang Gülich
recorded at:
Evangelisches Gemeindehaus in Berlin, Germany (from 1965-08-22 until 1965-08-27)
recording of:
Seligkeit, D. 433 (from 1965-08-22 until 1965-08-27)
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Franz Schubert (in 1816-05)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 433)
Franz Schubert?:??
23An Mein Klavier, D342
sound engineer:
Wolfgang Gülich (from 1966-04-21 until 1966-04-29)
producer:
Walter Legge
piano:
Geoffrey Parsons (from 1966-04-21 until 1966-04-29)
soprano vocals:
Elisabeth Schwarzkopf (from 1966-04-21 until 1966-04-29)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1968)
recorded at:
Evangelisches Gemeindehaus in Berlin, Germany (from 1966-04-21 until 1966-04-29)
recording of:
An mein Klavier, D. 342 (from 1966-04-21 until 1966-04-29)
lyricist:
Christian Friedrich Daniel Schubart
composer:
Franz Schubert
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 342)
Franz Schubert?:??
24Erlkönig, D328
sound engineer:
Wolfgang Gülich (from 1966-04-21 until 1966-04-29)
producer:
Walter Legge
piano:
Geoffrey Parsons (from 1966-04-21 until 1966-04-29)
soprano vocals:
Elisabeth Schwarzkopf (from 1966-04-21 until 1966-04-29)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1968)
recorded at:
Evangelisches Gemeindehaus in Berlin, Germany (from 1966-04-21 until 1966-04-29)
recording of:
Erlkönig, D. 328 (from 1966-04-21 until 1966-04-29)
lyricist:
Johann Wolfgang von Goethe (in 1782)
composer:
Franz Schubert (in 1815)
publisher:
Cappi & Diabelli (in 1821)
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien, Austria (on 1821-03-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 328)
is based on:
Erlkönig (Goethe’s poem)
Franz Schubert?:??
5▶CD: Lieder
6▶CD: Mörike Lieder
7▶CD: Vier Letzte Lieder
8▶CD: Der Rosenkavalier (Excerpts)
9▶CD: Operetta Arias
10▶CD: Arias & Songs

Credits

Release

part of:ICON (order: 7)
Discogs:https://www.discogs.com/release/15566296 [info]