Hit Singles 1958–1977

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

Matrix 1 3 81909 SRC-03 Matrix 2 M3S12 (barely visible) From disc ID K0yJcbzAcf0Uk8FFj4Ec7AcmXy4

Tracklist

1▼CD
#	Title	Artist	Length
1	Splish Splash producer: Herb Abramson and Ahmet Ertegun recording of: Splish Splash writer: Bobby Darin and Jean Murray publisher: Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. and Oirt Music Inc.	Bobby Darin	2:15
2	Mack the Knife producer: Ahmet Ertegun, Nesuhi Ertegun and Jerry Wexler vocals: Bobby Darin conductor: Richard Wess arranger: Richard Wess part of: Grammy Award: Record of the Year nominees (number: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (number: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 40) and Rolling Stone: 500 Greatest Songs of All Time (number: 251) cover recording of: Mack the Knife (1954 Blitzstein translation) lyricist: Bertolt Brecht composer: Kurt Weill translator: Marc Blitzstein (in 1954) publisher: Universal Edition translated version of: Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer	Bobby Darin	3:06
3	Deep Purple engineer: Dave Wiechman conductor: Jimmie Haskell arranger: Jimmie Haskell phonographic copyright (℗) by: WEA International Inc. (in 1963) cover recording of: Deep Purple lyricist: Mitchell Parish (in 1938) composer: Peter de Rose publisher: Robbins Music	Nino Tempo & April Stevens	2:44
4	Good Lovin’ producer: Tom Dowd, Arif Mardin and The Young Rascals drums (drum set): Dino Danelli (on 1966-02-01) guitar: Gene Cornish (on 1966-02-01) organ: Felix Cavaliere (on 1966-02-01) percussion: Eddie Brigati (on 1966-02-01) phonographic copyright (℗) by: Atlantic Recording Corporation (in 1966) recorded at: Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1966-02-01) part of: Rolling Stone: 500 Greatest Songs of All Time (number: 325) cover recording of: Good Lovin’ (on 1966-02-01) writer: Rudy Clark and Arthur Resnick publisher: Alley Music Corp., Carlin Music Corporation, Hudson Bay Music and Trio Music Company	The Rascals	2:31
5	Groovin’ producer: The Rascals background vocals: David Brigati part of: Rock and Roll Hall of Fame – 500 Songs That Shaped Rock recording of: Groovin’ writer: Eddie Brigati and Felix Cavaliere publisher: Slacsar	The Rascals	2:33
6	The Beat Goes On engineer: Stan Ross producer: Sonny Bono conductor: Harold Battiste phonographic copyright (℗) by: ATCO Records (in 1967) engineered at: Gold Star Studios in Hollywood, Los Angeles, California, United States recording of: The Beat Goes On (in 1967) lyricist and composer: Sonny Bono publisher: Chris Marc Music, Cotillion, Cotillion Music, Inc., Warner–Tamerlane Publishing Corp. and Warner/Chappell Music Australia Pty. Ltd.	Sonny & Cher	3:29
7	For What It’s Worth producer: Charles Greene and Brian Stone background vocals: Richie Furay and Dewey Martin vocals: Stephen Stills phonographic copyright (℗) by: Warner Music International (in 1967) and Atlantic Recording Corporation (in 1969) part of: Rolling Stone: 500 Greatest Songs of All Time (number: 63) recording of: For What It’s Worth (on 1966-12-05) lyricist and composer: Stephen Stills publisher: Cotillion, Cotillion Music Inc., Richie Furay Music, Springalo Toones, Ten East and Ten‐East Music	Buffalo Springfield	2:40
8	People Got to Be Free recording of: People Got to Be Free writer: Eddie Brigati and Felix Cavaliere publisher: Eddie Brigati Music, EMI April Music Inc., EMI Jamaxal Music Inc., Huna Music and Slacsar Pub. Co. Ltd.	The Rascals	3:02
9	Son of a Preacher Man engineer: Ed Kollis producer: Tom Dowd, Arif Mardin and Jerry Wexler bass guitar: Tommy Cogbill (in 1968-09) drums (drum set): Gene Chrisman (in 1968-09) electric piano and organ: Bobby Emmons (in 1968-09) guitar and sitar: Reggie Young (in 1968-09) background vocals: The Sweet Inspirations (in 1968-09) vocals: Dusty Springfield (in 1968-09) conductor: Gene Orloff (in 1968-09) brass and strings arranger: Arif Mardin brass arranger: Tom Dowd phonographic copyright (℗) by: Mercury Records Ltd. (in 1968) part of: Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (number: 240) recording of: Son of a Preacher Man (in 1968-09) writer: John Hurley and Ronnie Wilkins publisher: Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC and Sony/ATV Songs LLC	Dusty Springfield	2:30
10	Ride Captain Ride producer: Richard Podolor part of: Billboard Year-End Hot 100 singles of 1970 (number: 32) recording of: Ride Captain Ride lyricist: Frank “Skip” Konte composer: Mike Pinera publisher: Atlantic and ATM Music	Blues Image	3:45
11	Love the One You’re With engineer: Andy Johns producer: Bill Halverson and Stephen Stills bass: Calvin Samuels (in 1970-03) congas: Jeff Whittaker (in 1970-03) guitar, organ, percussion and lead vocals: Stephen Stills (in 1970-03) steelpan: Stephen Stills background vocals: Rita Coolidge (in 1970-03), David Crosby (in 1970-03), Graham Nash (in 1970-03), Priscilla Jones (in 1970-03) and John Sebastian (in 1970-03) phonographic copyright (℗) by: Atlantic Recording Corporation (in 1970) recorded at: Island Studios in Notting Hill, Kensington and Chelsea, London, England, United Kingdom (in 1970-03) recording of: Love the One You’re With (in 1970-03) lyricist and composer: Stephen Stills publisher: Sony/ATV Music Publishing LLC, Warner Chappell, ユニバーサル・ミュージック・パブリッシング Synch事業部 and Gold Hill Music, Inc. (in 1970) sub-publisher: EMI Music Publishing Scandinavia AB (in 1997)	Stephen Stills	3:07
12	The Lion Sleeps Tonight cover recording of: The Lion Sleeps Tonight lyricist: George David Weiss (in 1961) writer: Luigi Creatore, Hugo Peretti and Albert Stanton composer: Solomon Linda publisher: Abilene Music Inc., Copyright Control, Luigi Creatore Music and Memory Lane Music Ltd. is based on: Mbube is based on: Wimoweh version of: Wimoweh part of: The Lion King (stage musical) part of: The Lion King (2019 film soundtrack)	Robert John	2:37
13	Smokin’ in the Boys Room engineer: Michael Delugg producer: Doug Morris and Eric Stevens phonographic copyright (℗) by: Big Tree Records (in 1973) and Warner Music International (in 1973) recorded at: Mediasound Studios in New York, New York, United States recording of: Smokin’ in the Boys Room writer: Cub Koda and Michael Lutz publisher: Big Leaf Publishing, Lady J Music, Tooney Loons Publishing and Walden Music, Inc.	Brownsville Station	3:00
14	Pick Up the Pieces producer: Arif Mardin horn arranger: Roger Ball arranger: AWB phonographic copyright (℗) by: Atlantic Recording Corporation (in 1974, in 1975) part of: Rock and Roll Hall of Fame – 500 Songs That Shaped Rock recording of: Pick Up the Pieces writer: Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh, Onnie McIntyre and Hamish Stuart publisher: Average Music, BMG Bumblebee, Bug Music Ltd., Fairwood Music (USA) Inc., Fairwood Music Ltd. and Joe’s Songs Inc.	Average White Band	4:02
15	I’d Really Love to See You Tonight phonographic copyright (℗) by: Atlantic Recording Corporation (in 1976) recording of: I’d Really Love to See You Tonight lyricist and composer: Parker McGee publisher: Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing and Sutjujo Music	England Dan & John Ford Coley	2:41
16	Angel in Your Arms recording of: Angel in Your Arms writer: Tom Brasfield, Clayton Ivey and Terry Woodford publisher: Careers–BMG Music Publishing, Inc. and New Envoy Music, Inc.	Hot	2:58