50th Anniversary :: Edition 50e Anniversaire

~ Release by Les Percussions de Strasbourg (see all versions of this release, 1 available)

Annotation

Tracklist & infos pdf file from official homepage

Tracklist

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1▼CD: Messiaen
#TitleArtistLength
1Sept Haïkaï: 1. Introduction
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: I. Introduction (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen1:54
2Sept Haïkaï: 2. Le parc de Nara et les lanternes de pierre
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: II. Le Parc de Nara et les lanternes de pierre (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen1:35
3Sept Haïkaï: 3. Yamanaka-Cadenza
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: III. Yamanaka - Cadenza (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen3:44
4Sept Haïkaï: 4. Gagaku
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: IV. Gagaku (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen3:01
5Sept Haïkaï: 5. Miyajima et le Torii dans la mer
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: V. Miyajima et le torii dans la mer (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen1:28
6Sept Haïkaï: 6. Les oiseaux de Karuizawa
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: VI. Les Oiseaux de Karuizawa (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen5:40
7Sept Haïkaï: 7. Coda
percussion:
Les Percussions de Strasbourg (in 1964)
piano:
Yvonne Loriod (in 1964)
orchestra:
Domaine musical (in 1964) and Domaine musical (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Sept haïkaï: VII. Coda (in 1964)
composer:
Olivier Messiaen (in 1962)
part of:
Sept haïkaï
Olivier Messiaen2:00
8Et exspecto resurrectionem mortuorum: I. « Des profondeurs de l’abîme, je crie vers toi, Seigneur : Seigneur, écoute ma voix ! » (Psaume 130, 1-2)
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: I. Des profondeurs de l'abîme, je cris vers toi, Seigneur: Seigneur, écoute ma voix ! (in 1966-01)
composer:
Olivier Messiaen (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
Olivier Messiaen3:45
9Et exspecto resurrectionem mortuorum: II. « Le Christ, ressuscité des morts, ne meurt plus ; la mort n’a plus sur lui d’empire. » (Romains 6, 9)
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: II. Le Christ, ressucité des morts, ne meurt plus; la mort n’a plus su lui d’empire (in 1966-01)
composer:
Olivier Messiaen (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
Olivier Messiaen5:29
10Et exspecto resurrectionem mortuorum: III. « L’heure vient où les morts entendront la voix du Fils de Dieu… » (Jean 5, 25)
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: III. L’heure vient où les morts entendront la voix du fils de Dieu (in 1966-01)
composer:
Olivier Messiaen (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
Olivier Messiaen5:02
11Et exspecto resurrectionem mortuorum: IV. « Ils ressusciteront, glorieux, avec un nom nouveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel. » (I Corinthiens 15, 43 - Apocalypse 2, 17 - Job 38, 7)
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: IV. Ils ressusciteront, glorieux, avec un nom noveau - dans le concert joyeux des étoiles et les acclamations des fils du ciel (in 1966-01)
composer:
Olivier Messiaen (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
Olivier Messiaen8:56
12Et exspecto resurrectionem mortuorum: V. « Et j’entendis la voix d’une foule immense… » (Apocalypse 19,6)
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Et exspecto resurrectionem mortuorum, I/47: V. Et j’entendis la voix d’une foule immense (in 1966-01)
composer:
Olivier Messiaen (in 1964)
part of:
Et exspecto resurrectionem mortuorum, I/47
Olivier Messiaen6:48
13Couleurs de la cité céleste
percussion:
Groupe instrumental à percussion de Strasbourg (in 1966-01)
piano:
Yvonne Loriod (in 1966-01)
orchestra:
Orchestre du Domaine Musical (in 1966-01)
conductor:
Pierre Boulez (in 1966-01)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (in 1966-01)
recording of:
Couleurs de la cité céleste, I/46 (in 1966-01)
composer:
Olivier Messiaen (from 1963 until 1964)
Olivier Messiaen17:07
2▼CD: Boulez.Amy.Manoury
#TitleArtistLength
1Le marteau sans maître: 1. Avant « L’artisanat furieux »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: I. Avant l'Artisanat furieux. Rapide (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez1:29
2Le marteau sans maître: 2. Commentaire I de « Bourreaux de solitude »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:39
3Le marteau sans maître: 3. « L’artisanat furieux »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: III. L'Artisanat furieux. Modéré sans riguer (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez2:04
4Le marteau sans maître: 4. Commentaire II de « Bourreaux de solitude »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez4:16
5Le marteau sans maître: 5. « Bel édifice et les pressentiments », version première
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: V. Bel édifice et les pressentiments - version première. Assez vif (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:26
6Le marteau sans maître: 6. « Bourreaux de solitude »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: VI. Bourreaux de solitude. Assez lent (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:18
7Le marteau sans maître: 7. Après « L’artisanat furieux »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: VII. Après l'Artisanat furieux. Rapide (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez1:04
8Le marteau sans maître: 8. Commentaire III de « Bourreaux de solitude »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez5:37
9Le marteau sans maître: 9. « Bel édifice et les pressentiments », double
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (in 1964)
guitar:
Anton Stingl (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (in 1964)
conductor:
Pierre Boulez (in 1964)
recording of:
Le marteau sans maître: IX. Bel édifice et les pressentiments - double. Tempo libre de rècit (in 1964)
composer:
Pierre Boulez (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez7:19
10Cycle: Frontispice
engineer:
Gerhard Henjes (in 1970-07)
producer:
Gilbert Amy and Michel Bernard
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-07)
recording of:
Cycle: Frontispice (in 1970-07)
composer:
Gilbert Amy (in 1966)
part of:
Cycle
Gilbert Amy3:20
11Cycle: Parenthèse I
engineer:
Gerhard Henjes (in 1970-07)
producer:
Gilbert Amy and Michel Bernard
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-07)
recording of:
Cycle: Parenthèse I (in 1970-07)
composer:
Gilbert Amy (in 1966)
part of:
Cycle
Gilbert Amy1:38
12Cycle: Développement Central
engineer:
Gerhard Henjes (in 1970-07)
producer:
Gilbert Amy and Michel Bernard
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-07)
recording of:
Cycle: Développement central (in 1970-07)
composer:
Gilbert Amy (in 1966)
part of:
Cycle
Gilbert Amy6:41
11Cycle: Parenthèse II
engineer:
Gerhard Henjes (in 1970-07)
producer:
Gilbert Amy and Michel Bernard
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-07)
recording of:
Cycle: Parenthèse II (in 1970-07)
composer:
Gilbert Amy (in 1966)
part of:
Cycle
Gilbert Amy1:17
14Cycle: Antiphonie
engineer:
Gerhard Henjes (in 1970-07)
producer:
Gilbert Amy and Michel Bernard
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-07)
recording of:
Cycle: Antiphonie (in 1970-07)
composer:
Gilbert Amy (in 1966)
part of:
Cycle
Gilbert Amy1:51
15Cycle: Variation
engineer:
Gerhard Henjes (in 1970-07)
producer:
Gilbert Amy and Michel Bernard
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-07)
recording of:
Cycle: Variation (in 1970-07)
composer:
Gilbert Amy (in 1966)
part of:
Cycle
Gilbert Amy2:20
16Le livre des claviers: Premier quatuor
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est, France (from 1992-12-18 until 1992-12-23)
recording of:
Le Livre des claviers: I. Premier quatuor (from 1992-12-18 until 1992-12-23)
composer:
Philippe Manoury (in 1952)
part of:
Le Livre des claviers
Philippe Manoury1:24
17Le livre des claviers: Duo de marimbas
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est, France (from 1992-12-18 until 1992-12-23)
recording of:
Le Livre des claviers: II. Duo de marimbas (from 1992-12-18 until 1992-12-23)
composer:
Philippe Manoury (in 1952)
part of:
Le Livre des claviers
Philippe Manoury6:36
18Le livre des claviers: Sextuor de sixens
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est, France (from 1992-12-18 until 1992-12-23)
recording of:
Le Livre des claviers: III. Sextuor de sixens (from 1992-12-18 until 1992-12-23)
composer:
Philippe Manoury (in 1952)
part of:
Le Livre des claviers
Philippe Manoury3:24
19Le livre des claviers: Solo de vibraphone
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est, France (from 1992-12-18 until 1992-12-23)
recording of:
Le Livre des claviers: IV. Solo de vibraphone (from 1992-12-18 until 1992-12-23)
composer:
Philippe Manoury (in 1952)
part of:
Le Livre des claviers
Philippe Manoury8:14
20Le livre des claviers: Deuxième quatuor
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est, France (from 1992-12-18 until 1992-12-23)
recording of:
Le Livre des claviers: V. Deuxième quatuor (from 1992-12-18 until 1992-12-23)
composer:
Philippe Manoury (in 1952)
part of:
Le Livre des claviers
Philippe Manoury2:34
21Le livre des claviers: Sextuor de sixens
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est, France (from 1992-12-18 until 1992-12-23)
recording of:
Le Livre des claviers: VI. Sextuor de sixens (from 1992-12-18 until 1992-12-23)
composer:
Philippe Manoury (in 1952)
part of:
Le Livre des claviers
Philippe Manoury6:50
3▼CD: Les formes ouvertes:: Boucourechliev.Haubenstock-Ramati ::
#TitleArtistLength
1Jeux 6
engineer:
Gerhard Henjes (in 1970-07)
producer:
Gilbert Amy and Michel Bernard
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-07)
recording of:
Jeux 6 (in 1970-07)
composer:
Roman Haubenstock-Ramati (in 1960)
Roman Haubenstock-Ramati18:28
2Archipel 3: Version 1: I
assistant engineer:
Jürgen Krämer
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (from 1969-12-28 until 1969-12-29), Gabriel Bouchet (from 1969-12-28 until 1969-12-29), Detlev Kieffer (from 1969-12-28 until 1969-12-29), Jean-Paul Finkbeiner (from 1969-12-28 until 1969-12-29), Georges van Gucht (from 1969-12-28 until 1969-12-29) and Claude Ricou (from 1969-12-28 until 1969-12-29)
piano:
Georges Pludermacher (from 1969-12-28 until 1969-12-29)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (from 1969-12-28 until 1969-12-29)
recording of:
Archipel 3: Version 1: I (from 1969-12-28 until 1969-12-29)
composer:
André Boucourechliev (in 1969)
part of:
Archipel 3
André Boucourechliev2:16
3Archipel 3: Version 1: II
assistant engineer:
Jürgen Krämer
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (from 1969-12-28 until 1969-12-29), Gabriel Bouchet (from 1969-12-28 until 1969-12-29), Detlev Kieffer (from 1969-12-28 until 1969-12-29), Jean-Paul Finkbeiner (from 1969-12-28 until 1969-12-29), Georges van Gucht (from 1969-12-28 until 1969-12-29) and Claude Ricou (from 1969-12-28 until 1969-12-29)
piano:
Georges Pludermacher (from 1969-12-28 until 1969-12-29)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (from 1969-12-28 until 1969-12-29)
recording of:
Archipel 3: Version 1: II (from 1969-12-28 until 1969-12-29)
composer:
André Boucourechliev (in 1969)
part of:
Archipel 3
André Boucourechliev1:09
4Archipel 3: Version 1: III
assistant engineer:
Jürgen Krämer
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (from 1969-12-28 until 1969-12-29), Gabriel Bouchet (from 1969-12-28 until 1969-12-29), Detlev Kieffer (from 1969-12-28 until 1969-12-29), Jean-Paul Finkbeiner (from 1969-12-28 until 1969-12-29), Georges van Gucht (from 1969-12-28 until 1969-12-29) and Claude Ricou (from 1969-12-28 until 1969-12-29)
piano:
Georges Pludermacher (from 1969-12-28 until 1969-12-29)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (from 1969-12-28 until 1969-12-29)
recording of:
Archipel 3: Version 1: III (from 1969-12-28 until 1969-12-29)
composer:
André Boucourechliev (in 1969)
part of:
Archipel 3
André Boucourechliev5:24
5Archipel 3: Version 1: IV
assistant engineer:
Jürgen Krämer
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (from 1969-12-28 until 1969-12-29), Gabriel Bouchet (from 1969-12-28 until 1969-12-29), Detlev Kieffer (from 1969-12-28 until 1969-12-29), Jean-Paul Finkbeiner (from 1969-12-28 until 1969-12-29), Georges van Gucht (from 1969-12-28 until 1969-12-29) and Claude Ricou (from 1969-12-28 until 1969-12-29)
piano:
Georges Pludermacher (from 1969-12-28 until 1969-12-29)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (from 1969-12-28 until 1969-12-29)
recording of:
Archipel 3: Version 1: IV (from 1969-12-28 until 1969-12-29)
composer:
André Boucourechliev (in 1969)
part of:
Archipel 3
André Boucourechliev3:30
6Archipel 3: Version 2: V
assistant engineer:
Jürgen Krämer
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (from 1969-12-28 until 1969-12-29), Gabriel Bouchet (from 1969-12-28 until 1969-12-29), Detlev Kieffer (from 1969-12-28 until 1969-12-29), Jean-Paul Finkbeiner (from 1969-12-28 until 1969-12-29), Georges van Gucht (from 1969-12-28 until 1969-12-29) and Claude Ricou (from 1969-12-28 until 1969-12-29)
piano:
Georges Pludermacher (from 1969-12-28 until 1969-12-29)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (from 1969-12-28 until 1969-12-29)
recording of:
Archipel 3: Version 2: V (from 1969-12-28 until 1969-12-29)
composer:
André Boucourechliev (in 1969)
part of:
Archipel 3
André Boucourechliev3:12
7Archipel 3: Version 2: VI
assistant engineer:
Jürgen Krämer
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (from 1969-12-28 until 1969-12-29), Gabriel Bouchet (from 1969-12-28 until 1969-12-29), Detlev Kieffer (from 1969-12-28 until 1969-12-29), Jean-Paul Finkbeiner (from 1969-12-28 until 1969-12-29), Georges van Gucht (from 1969-12-28 until 1969-12-29) and Claude Ricou (from 1969-12-28 until 1969-12-29)
piano:
Georges Pludermacher (from 1969-12-28 until 1969-12-29)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (from 1969-12-28 until 1969-12-29)
recording of:
Archipel 3: Version 2: VI (from 1969-12-28 until 1969-12-29)
composer:
André Boucourechliev (in 1969)
part of:
Archipel 3
André Boucourechliev9:22
8Archipel 3: Version 2: VII
assistant engineer:
Jürgen Krämer
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (from 1969-12-28 until 1969-12-29), Gabriel Bouchet (from 1969-12-28 until 1969-12-29), Detlev Kieffer (from 1969-12-28 until 1969-12-29), Jean-Paul Finkbeiner (from 1969-12-28 until 1969-12-29), Georges van Gucht (from 1969-12-28 until 1969-12-29) and Claude Ricou (from 1969-12-28 until 1969-12-29)
piano:
Georges Pludermacher (from 1969-12-28 until 1969-12-29)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (from 1969-12-28 until 1969-12-29)
recording of:
Archipel 3: Version 2: VII (from 1969-12-28 until 1969-12-29)
composer:
André Boucourechliev (in 1969)
part of:
Archipel 3
André Boucourechliev2:16
9Archipel 3: Version 3: VII
assistant engineer:
Jürgen Krämer
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (from 1969-12-28 until 1969-12-29), Gabriel Bouchet (from 1969-12-28 until 1969-12-29), Detlev Kieffer (from 1969-12-28 until 1969-12-29), Jean-Paul Finkbeiner (from 1969-12-28 until 1969-12-29), Georges van Gucht (from 1969-12-28 until 1969-12-29) and Claude Ricou (from 1969-12-28 until 1969-12-29)
piano:
Georges Pludermacher (from 1969-12-28 until 1969-12-29)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (from 1969-12-28 until 1969-12-29)
recording of:
Archipel 3: Version 3: VII (from 1969-12-28 until 1969-12-29)
composer:
André Boucourechliev (in 1969)
part of:
Archipel 3
André Boucourechliev0:46
10Archipel 3: Version 3: IX
assistant engineer:
Jürgen Krämer
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (from 1969-12-28 until 1969-12-29), Gabriel Bouchet (from 1969-12-28 until 1969-12-29), Detlev Kieffer (from 1969-12-28 until 1969-12-29), Jean-Paul Finkbeiner (from 1969-12-28 until 1969-12-29), Georges van Gucht (from 1969-12-28 until 1969-12-29) and Claude Ricou (from 1969-12-28 until 1969-12-29)
piano:
Georges Pludermacher (from 1969-12-28 until 1969-12-29)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (from 1969-12-28 until 1969-12-29)
recording of:
Archipel 3: Version 3: IX (from 1969-12-28 until 1969-12-29)
composer:
André Boucourechliev (in 1969)
part of:
Archipel 3
André Boucourechliev3:10
11Archipel 3: Version 3: X
assistant engineer:
Jürgen Krämer
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (from 1969-12-28 until 1969-12-29), Gabriel Bouchet (from 1969-12-28 until 1969-12-29), Detlev Kieffer (from 1969-12-28 until 1969-12-29), Jean-Paul Finkbeiner (from 1969-12-28 until 1969-12-29), Georges van Gucht (from 1969-12-28 until 1969-12-29) and Claude Ricou (from 1969-12-28 until 1969-12-29)
piano:
Georges Pludermacher (from 1969-12-28 until 1969-12-29)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (from 1969-12-28 until 1969-12-29)
recording of:
Archipel 3: Version 3: X (from 1969-12-28 until 1969-12-29)
composer:
André Boucourechliev (in 1969)
part of:
Archipel 3
André Boucourechliev0:37
12Archipel 3: Version 3: XI
assistant engineer:
Jürgen Krämer
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (from 1969-12-28 until 1969-12-29), Gabriel Bouchet (from 1969-12-28 until 1969-12-29), Detlev Kieffer (from 1969-12-28 until 1969-12-29), Jean-Paul Finkbeiner (from 1969-12-28 until 1969-12-29), Georges van Gucht (from 1969-12-28 until 1969-12-29) and Claude Ricou (from 1969-12-28 until 1969-12-29)
piano:
Georges Pludermacher (from 1969-12-28 until 1969-12-29)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (from 1969-12-28 until 1969-12-29)
recording of:
Archipel 3: Version 3: XI (from 1969-12-28 until 1969-12-29)
composer:
André Boucourechliev (in 1969)
part of:
Archipel 3
André Boucourechliev15:02
13Archipel 3: Version 3: XII
assistant engineer:
Jürgen Krämer
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (from 1969-12-28 until 1969-12-29), Gabriel Bouchet (from 1969-12-28 until 1969-12-29), Detlev Kieffer (from 1969-12-28 until 1969-12-29), Jean-Paul Finkbeiner (from 1969-12-28 until 1969-12-29), Georges van Gucht (from 1969-12-28 until 1969-12-29) and Claude Ricou (from 1969-12-28 until 1969-12-29)
piano:
Georges Pludermacher (from 1969-12-28 until 1969-12-29)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (from 1969-12-28 until 1969-12-29)
recording of:
Archipel 3: Version 3: XII (from 1969-12-28 until 1969-12-29)
composer:
André Boucourechliev (in 1969)
part of:
Archipel 3
André Boucourechliev1:46
4▼CD: Americana:: Varese.Chavez.Cage.Campion ::
#TitleArtistLength
1Ionisation
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-07)
recording of:
Ionisation (in 1970-07)
composer:
Edgard Varèse (from 1929 until 1931)
Edgard Varèse6:27
2Tambuco
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-07)
recording of:
Tambuco (in 1970-07)
composer:
Carlos Chávez (in 1964)
Carlos Chávez15:16
3Toccata: 1. Allegro
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (in 1970-01), Gabriel Bouchet (in 1970-01), Detlev Kieffer (in 1970-01), Jean-Paul Finkbeiner (in 1970-01), Georges van Gucht (in 1970-01) and Claude Ricou (in 1970-01)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-01)
recording of:
Toccata for Percussion Instruments: I. Allegro sempre giusto (in 1970-01)
composer:
Carlos Chávez (in 1942)
part of:
Toccata for Percussion Instruments
Carlos Chávez4:54
4Toccata: 2. Largo
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (in 1970-01), Gabriel Bouchet (in 1970-01), Detlev Kieffer (in 1970-01), Jean-Paul Finkbeiner (in 1970-01), Georges van Gucht (in 1970-01) and Claude Ricou (in 1970-01)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-01)
recording of:
Toccata for Percussion Instruments: II. Largo (in 1970-01)
composer:
Carlos Chávez (in 1942)
part of:
Toccata for Percussion Instruments
Carlos Chávez4:23
5Toccata: 3. Allegro un poco marziale
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (in 1970-01), Gabriel Bouchet (in 1970-01), Detlev Kieffer (in 1970-01), Jean-Paul Finkbeiner (in 1970-01), Georges van Gucht (in 1970-01) and Claude Ricou (in 1970-01)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-01)
recording of:
Toccata for Percussion Instruments: III. Allegro un poco marziale (in 1970-01)
composer:
Carlos Chávez (in 1942)
part of:
Toccata for Percussion Instruments
Carlos Chávez3:25
6First Construction (in Metal)
engineer:
Gerhard Henjes
producer:
Michel Bernard
percussion:
Jean Batigne (in 1970-01), Gabriel Bouchet (in 1970-01), Detlev Kieffer (in 1970-01), Jean-Paul Finkbeiner (in 1970-01), Georges van Gucht (in 1970-01) and Claude Ricou (in 1970-01)
recorded at:
Polydor Studios, Köln in Köln, Nordrhein-Westfalen, Germany (in 1970-01)
recording of:
First Construction (In Metal) (in 1970-01)
composer:
John Cage (in 1939)
John Cage10:33
7Ondoyant et divers
recorded in:
Berkeley, California, United States (from 2011-03-12 to present)
recording engineer:
Edmund Campion (on 2011-03-12) and Jay Cloidt (on 2011-03-12)
percussion:
Jean-Paul Bernard (on 2011-03-12), Claude Ferrier (on 2011-03-12), Keiko Nakamura (on 2011-03-12), Bernard Lesage (on 2011-03-12), François Papirer (on 2011-03-12) and Olaf Tzschoppe (on 2011-03-12)
recording of:
Ondoyant et divers (on 2011-03-12)
composer:
Edmund Campion (in 2005)
Edmund Campion14:03
5▼CD: Musiques de l’est:: Stibilj.Silvestrov.Denisov.Kabelac ::
#TitleArtistLength
1Épervier de ta faiblesse, domine
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
spoken vocals [récitant]:
Claude Petitpierre (in 1967-02)
recording of:
Épervier de ta faiblesse, domine (in 1967-02)
composer:
Milan Stibilj (in 1964)
Milan Stibilj8:34
2Mystères
alto flute:
François Hébral (in 1968-07)
percussion:
Jean Batigne (in 1968-07), Gabriel Bouchet (in 1968-07), Detlev Kieffer (in 1968-07), Jean-Paul Finkbeiner (in 1968-07), Georges van Gucht (in 1968-07) and Claude Ricou (in 1968-07)
recording of:
Mystères (in 1968-07)
composer:
Валентин Сильвестров (in 1964)
Valentin Silvestrov12:40
3Nuages noirs
vibraphone:
Georges van Gucht (in 1990)
recording of:
Trois pièces pour instruments à percussion: No. 1. Nuages noirs (in 1990)
composer:
Эдисон Васильевич Денисов (in 1984)
part of:
Trois pièces pour instruments à percussion
Edison Denisov9:32
4Apparitions et disparitions
percussion:
Christian Hamouy (in 1990) and Vincent Vergnais (in 1990)
recording of:
Trois pièces pour instruments à percussion: No. 2. Apparitions et disparitions (in 1990)
composer:
Эдисон Васильевич Денисов (in 1986)
part of:
Trois pièces pour instruments à percussion
Edison Denisov4:51
5Rayons des étoiles lointaines dans l’espace courbé
percussion:
Jean-Paul Bernard (in 1990), Guillaume Blaise (in 1990) and Keiko Nakamura (in 1990)
recording of:
Trois pièces pour instruments à percussion: No. 3. Les Rayons des étoiles lointaines dans l'espace courbe (in 1990)
composer:
Эдисон Васильевич Денисов (in 1989)
part of:
Trois pièces pour instruments à percussion
Edison Denisov7:08
6Huit inventions, op. 45: Corale
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Huit inventions, op. 45: No. 1. Corale (in 1967-02)
composer:
Miloslav Kabeláč (in 1963)
part of:
Huit inventions, op. 45
Miloslav Kabeláč3:37
7Huit inventions, op. 45: Giubiloso
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Huit inventions, op. 45: No. 2. Giubiloso (in 1967-02)
composer:
Miloslav Kabeláč (in 1963)
part of:
Huit inventions, op. 45
Miloslav Kabeláč1:55
8Huit inventions, op. 45: Recitativo
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Huit inventions, op. 45: No. 3. Recitativo (in 1967-02)
composer:
Miloslav Kabeláč (in 1963)
part of:
Huit inventions, op. 45
Miloslav Kabeláč2:50
9Huit inventions, op. 45: Scherzo
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Huit inventions, op. 45: No. 4. Scherzo (in 1967-02)
composer:
Miloslav Kabeláč (in 1963)
part of:
Huit inventions, op. 45
Miloslav Kabeláč2:02
10Huit inventions, op. 45: Lamentoso
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Huit inventions, op. 45: No. 5. Lamentoso (in 1967-02)
composer:
Miloslav Kabeláč (in 1963)
part of:
Huit inventions, op. 45
Miloslav Kabeláč3:40
11Huit inventions, op. 45: Danza
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Huit inventions, op. 45: No. 6. Danza (in 1967-02)
composer:
Miloslav Kabeláč (in 1963)
part of:
Huit inventions, op. 45
Miloslav Kabeláč3:21
12Huit inventions, op. 45: Aria
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Huit inventions, op. 45: No. 7. Aria (in 1967-02)
composer:
Miloslav Kabeláč (in 1963)
part of:
Huit inventions, op. 45
Miloslav Kabeláč3:10
13Huit inventions, op. 45: Diabolico
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Huit inventions, op. 45: No. 8. Diabolico (in 1967-02)
composer:
Miloslav Kabeláč (in 1963)
part of:
Huit inventions, op. 45
Miloslav Kabeláč1:53
6▼CD: Espace temps:: Serocki.Aperghis.Xenakis ::
#TitleArtistLength
1Continuum
percussion:
Jean Batigne (from 1968-06 until 1968-07), Gabriel Bouchet (from 1968-06 until 1968-07), Detlev Kieffer (from 1968-06 until 1968-07), Jean-Paul Finkbeiner (from 1968-06 until 1968-07), Georges van Gucht (from 1968-06 until 1968-07) and Claude Ricou (from 1968-06 until 1968-07)
recording of:
Continuum (from 1968-06 until 1968-07)
composer:
Kazimierz Serocki (from 1965 until 1966)
dedicated to:
Les Percussions de Strasbourg
Kazimierz Serocki12:55
2Kryptogramma
sound engineer:
Henk Jansen (in 1971)
producer:
Michel Bernard
percussion:
Jean Batigne (in 1971), Gabriel Bouchet (in 1971), Detlev Kieffer (in 1971), Jean-Paul Finkbeiner (in 1971), Georges van Gucht (in 1971) and Claude Ricou (in 1971)
recorded at:
Église Saint-Paul de Strasbourg in Strasbourg, Bas-Rhin, Grand Est, France (in 1971)
recording of:
Kryptogramma (in 1971)
composer:
Georges Aperghis (in 1970)
Georges Aperghis17:40
3Persephassa
percussion:
Les Percussions de Strasbourg, Jean Batigne (in 1971), Gabriel Bouchet (in 1971), Detlev Kieffer (in 1971), Jean-Paul Finkbeiner (in 1971), Georges van Gucht (in 1971) and Claude Ricou (in 1971)
recording of:
Perséphassa
composer:
Ιάννης Ξενάκης (in 1969)
Iannis Xenakis29:58
7▼CD: Invités:: Schat.Puig.Denisov ::
#TitleArtistLength
1Signalement
double bass:
Jean Hème (in 1967-02), Robert Quattrochi (in 1967-02) and Léon Vienne (in 1967-02)
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Signalement (in 1967-02)
composer:
Peter Schat (in 1961)
Peter Schat20:10
2Provisoires agglomérats
darbuka [darabouka]:
Jean-Pierre Drouet (in 1968-07)
percussion:
Jean Batigne (in 1968-07), Gabriel Bouchet (in 1968-07), Detlev Kieffer (in 1968-07), Jean-Paul Finkbeiner (in 1968-07), Georges van Gucht (in 1968-07) and Claude Ricou (in 1968-07)
choir vocals:
Chorale expérimentale de Paris (in 1968-07)
contralto vocals:
Karen Fenn (in 1968-07)
spoken vocals [récitant]:
Claude Petitpierre (in 1968-07)
recording of:
Provisoires agglomérats (in 1968-07)
composer:
Michel Puig (in 1966)
Michel Puig29:13
3Concerto piccolo
percussion:
Jean-Paul Bernard (in 1990), Guillaume Blaise (in 1990), Christian Hamouy (in 1990), Keiko Nakamura (in 1990), Claire Talibart (in 1990) and Vincent Vergnais (in 1990)
saxophone:
Claude Delangle (in 1990)
recording of:
Concerto piccolo (in 1990)
composer:
Эдисон Васильевич Денисов (in 1977)
Edison Denisov21:48
8▼CD: Asie et autres influences:: Scherchen.Shinohara.Ohana.Louvier.Taïra ::
#TitleArtistLength
1Shen
sound engineer:
Henk Jansen (in 1971)
producer:
Michel Bernard
percussion:
Jean Batigne (in 1971), Gabriel Bouchet (in 1971), Detlev Kieffer (in 1971), Jean-Paul Finkbeiner (in 1971), Georges van Gucht (in 1971) and Claude Ricou (in 1971)
recorded at:
Église Saint-Paul de Strasbourg in Strasbourg, Bas-Rhin, Grand Est, France (in 1971)
recording of:
Shen (in 1971)
composer:
Tona Scherchen (in 1968)
Tona Scherchen10:55
2Alternances
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Alternances (in 1967-02)
composer:
篠原眞 (from 1961 until 1962)
Makoto Shinohara13:35
3Quatre études chorégraphiques: Etude 1
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Quatre études chorégraphiques: No. 1 (in 1967-02)
composer:
Maurice Ohana (in 1955)
revised by:
Maurice Ohana (from 1961 until 1963)
part of:
Quatre études chorégraphiques
Maurice Ohana3:31
4Quatre études chorégraphiques: Etude 2
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Quatre études chorégraphiques: No. 2 (in 1967-02)
composer:
Maurice Ohana (in 1955)
revised by:
Maurice Ohana (from 1961 until 1963)
part of:
Quatre études chorégraphiques
Maurice Ohana5:42
5Quatre études chorégraphiques: Etude 3
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Quatre études chorégraphiques: No. 3 (in 1967-02)
composer:
Maurice Ohana (in 1955)
revised by:
Maurice Ohana (from 1961 until 1963)
part of:
Quatre études chorégraphiques
Maurice Ohana4:21
6Quatre études chorégraphiques: Etude 4
percussion:
Jean Batigne (in 1967-02), Gabriel Bouchet (in 1967-02), Detlev Kieffer (in 1967-02), Jean-Paul Finkbeiner (in 1967-02), Georges van Gucht (in 1967-02) and Claude Ricou (in 1967-02)
recording of:
Quatre études chorégraphiques: No. 4 (in 1967-02)
composer:
Maurice Ohana (in 1955)
revised by:
Maurice Ohana (from 1961 until 1963)
part of:
Quatre études chorégraphiques
Maurice Ohana3:18
7Candrakâla
sound engineer:
Henk Jansen (in 1971)
producer:
Michel Bernard
percussion:
Jean Batigne (in 1971), Gabriel Bouchet (in 1971), Detlev Kieffer (in 1971), Jean-Paul Finkbeiner (in 1971), Georges van Gucht (in 1971) and Claude Ricou (in 1971)
recorded at:
Église Saint-Paul de Strasbourg in Strasbourg, Bas-Rhin, Grand Est, France (in 1971)
recording of:
Candrakâla (in 1971)
composer:
Alain Louvier (in 1970)
Alain Louvier6:54
8Shima
sound engineer:
Henk Jansen (in 1971)
producer:
Michel Bernard
percussion:
Jean Batigne (in 1971), Gabriel Bouchet (in 1971), Detlev Kieffer (in 1971), Jean-Paul Finkbeiner (in 1971), Georges van Gucht (in 1971) and Claude Ricou (in 1971)
recorded at:
Église Saint-Paul de Strasbourg in Strasbourg, Bas-Rhin, Grand Est, France (in 1971)
recording of:
Shima (in 1971)
composer:
Alain Louvier (in 1970)
Alain Louvier8:06
9Hiérophonie V
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est, France (from 1992-12-18 until 1992-12-23)
recording of:
Hiérophonie V (from 1992-12-18 until 1992-12-23)
composer:
平義久 (in 1974)
Yoshihisa Taïra17:20
9▼CD: Dufourt
#TitleArtistLength
1Erewhon: Erewhon I
recording engineer:
Pascal Besnard (from 1999-03-27 until 1999-03-29)
editor:
Yves Baudry
creative direction:
Philippe Pélissier
percussion:
Jean-Paul Bernard (from 1999-03-27 until 1999-03-29), Claude Ferrier (from 1999-03-27 until 1999-03-29), Keiko Nakamura (from 1999-03-27 until 1999-03-29), Bernard Lesage (from 1999-03-27 until 1999-03-29), François Papirer (from 1999-03-27 until 1999-03-29) and Olaf Tzschoppe (from 1999-03-27 until 1999-03-29)
conductor:
Lorraine Vaillancourt (from 1999-03-27 until 1999-03-29)
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (from 1999-03-27 until 1999-03-29)
recording of:
Erewhon: Erewhon I (from 1999-03-27 until 1999-03-29)
composer:
Hugues Dufourt (from 1972 until 1976)
part of:
Erewhon
Hugues Dufourt8:28
2Erewhon: Erewhon II
recording engineer:
Pascal Besnard (from 1999-03-27 until 1999-03-29)
editor:
Yves Baudry
creative direction:
Philippe Pélissier
percussion:
Jean-Paul Bernard (from 1999-03-27 until 1999-03-29), Claude Ferrier (from 1999-03-27 until 1999-03-29), Keiko Nakamura (from 1999-03-27 until 1999-03-29), Bernard Lesage (from 1999-03-27 until 1999-03-29), François Papirer (from 1999-03-27 until 1999-03-29) and Olaf Tzschoppe (from 1999-03-27 until 1999-03-29)
conductor:
Lorraine Vaillancourt (from 1999-03-27 until 1999-03-29)
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (from 1999-03-27 until 1999-03-29)
recording of:
Erewhon: Erewhon II (from 1999-03-27 until 1999-03-29)
composer:
Hugues Dufourt (from 1972 until 1976)
part of:
Erewhon
Hugues Dufourt27:05
3Erewhon: Erewhon III
recording engineer:
Pascal Besnard (from 1999-03-27 until 1999-03-29)
editor:
Yves Baudry
creative direction:
Philippe Pélissier
percussion:
Jean-Paul Bernard (from 1999-03-27 until 1999-03-29), Claude Ferrier (from 1999-03-27 until 1999-03-29), Keiko Nakamura (from 1999-03-27 until 1999-03-29), Bernard Lesage (from 1999-03-27 until 1999-03-29), François Papirer (from 1999-03-27 until 1999-03-29) and Olaf Tzschoppe (from 1999-03-27 until 1999-03-29)
conductor:
Lorraine Vaillancourt (from 1999-03-27 until 1999-03-29)
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (from 1999-03-27 until 1999-03-29)
recording of:
Erewhon: Erewhon III (from 1999-03-27 until 1999-03-29)
composer:
Hugues Dufourt (from 1972 until 1976)
part of:
Erewhon
Hugues Dufourt18:10
4Erewhon: Erewhon IV
recording engineer:
Pascal Besnard (from 1999-03-27 until 1999-03-29)
editor:
Yves Baudry
creative direction:
Philippe Pélissier
percussion:
Jean-Paul Bernard (from 1999-03-27 until 1999-03-29), Claude Ferrier (from 1999-03-27 until 1999-03-29), Keiko Nakamura (from 1999-03-27 until 1999-03-29), Bernard Lesage (from 1999-03-27 until 1999-03-29), François Papirer (from 1999-03-27 until 1999-03-29) and Olaf Tzschoppe (from 1999-03-27 until 1999-03-29)
conductor:
Lorraine Vaillancourt (from 1999-03-27 until 1999-03-29)
recorded at:
Studio 103, Radio France in Paris, Île-de-France, France (from 1999-03-27 until 1999-03-29)
recording of:
Erewhon: Erewhon IV (from 1999-03-27 until 1999-03-29)
composer:
Hugues Dufourt (from 1972 until 1976)
part of:
Erewhon
Hugues Dufourt12:38
5Sombre journée
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est, France (from 1992-12-18 until 1992-12-23)
recording of:
Sombre journée (from 1992-12-18 until 1992-12-23)
composer:
Hugues Dufourt (from 1976 until 1977)
dedicated to:
Les Percussions de Strasbourg
Hugues Dufourt10:55
10▶CD: Monnet
11▶CD: Œuvre collective
12▶CD: Musique et espace:: Grisey ::
13▶CD: Amerique du sud / Musique et film:: Pampin.Matalon ::
14▶CD: Mâche
15▶CD: Transformations et détournements:: Racot.Levinas.D’Adamo.Paris ::