Essential Original Albums

~ Release by Miles Davis (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1'Round Midnight
recording engineer:
Ray Moore (on 1956-09-10)
producer:
George Avakian
double bass:
Paul Chambers (on 1956-09-10)
drums (drum set):
Philly Joe Jones (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (on 1956-09-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
’Round Midnight (on 1956-09-10)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
is based on:
I Need You So
5:58
2Ah-Leu-Cha
engineer:
Ray Moore (on 1955-10-26)
producer:
George Avakian
double bass:
Paul Chambers (on 1955-10-26)
drums (drum set):
Philly Joe Jones (on 1955-10-26)
piano:
Red Garland (on 1955-10-26)
tenor saxophone:
John Coltrane (on 1955-10-26)
trumpet:
Miles Davis (on 1955-10-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1955-10-26)
recording of:
Ah-Leu-Cha (on 1955-10-26)
composer:
Charlie Parker
5:55
3All of You
engineer:
Ray Moore
producer:
George Avakian
double bass:
Paul Chambers (on 1956-09-10)
drums (drum set):
Philly Joe Jones (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (on 1956-09-10)
arranger:
Gil Evans and Teo Macero
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
All of You (Silk Stockings musical) (on 1956-09-10)
lyricist and composer:
Cole Porter (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. and Chappell Music
part of:
Silk Stockings (1957 musical film)
7:05
4Bye, Bye, Blackbird
engineer:
Ray Moore
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
instrumental cover recording of:
Bye Bye Blackbird (on 1956-06-05)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. and Warner Bros., Inc.
7:59
5Tadd's Delight
engineer:
Ray Moore
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
recording of:
Tadd's Delight (on 1956-06-05)
composer:
Tadd Dameron
4:32
6Dear Old Stockholm
recording engineer:
Ray Moore (on 1956-06-05)
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
cover recording of:
Dear Old Stockholm (on 1956-06-05)
writer:
[traditional]
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
7:52
7If I Were a Bell
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
instrumental cover recording of:
If I Were a Bell (Guys and Dolls) (on 1956-10-26)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
8:10
8You're My Everything
instrumental cover recording of:
You’re My Everything (on 1956-10-26)
lyricist:
Mort Dixon and Joe Young
composer:
Harry Warren
recording of:
You’re My Everything
lyricist:
Mort Dixon and Joe Young
composer:
Harry Warren
4:52
9I Could Write a Book
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
instrumental cover recording of:
I Could Write a Book (on 1956-10-26)
lyricist:
Lorenz Hart
composer:
Richard Rodgers
publisher:
Chappell & Co., Inc.
part of:
Pal Joey
5:13
10Oleo
recorded in:
New York, New York, United States (on 1956-10-26)
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
edit of:
Oleo by Miles Davis Quintet
recording of:
Oleo (on 1956-10-26)
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music and Sony/ATV Songs
5:55
11It Could Happen to You
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
It Could Happen to You (on 1956-05-11)
lyricist:
Johnny Burke
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部
6:42
12Woody'n You
recording of:
Woody ’n’ You
composer:
Dizzy Gillespie
5:03
2▼CD
#TitleLength
1Springsville
alto saxophone:
Lee Konitz (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (on 1957-05-23)
clarinet and flute:
Sid Cooper (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (on 1957-05-23), Jimmy Cleveland (on 1957-05-23) and Frank Rehak (on 1957-05-23)
trumpet:
John Carisi (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (on 1957-05-23)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
recording of:
Springsville (on 1957-05-23)
composer:
John Carisi
3:27
2The Maids of Cadiz
alto saxophone:
Lee Konitz (on 1957-05-06)
bass clarinet:
Danny Banks (on 1957-05-06)
bass trombone:
Tom Mitchell (on 1957-05-06)
clarinet and flute:
Sid Cooper (on 1957-05-06) and Romeo Penque (on 1957-05-06)
double bass [bass]:
Paul Chambers (on 1957-05-06)
drums (drum set):
Art Taylor (on 1957-05-06)
flugelhorn:
Miles Davis (on 1957-05-06)
French horn:
Willie Ruff (on 1957-05-06)
trombone:
Joe Bennett (on 1957-05-06), Jimmy Cleveland (on 1957-05-06) and Frank Rehak (on 1957-05-06)
trumpet:
John Carisi (on 1957-05-06), Bernie Glow (on 1957-05-06), Taft Jordan (on 1957-05-06), Louis R. Mucci (on 1957-05-06) and Ernie Royal (on 1957-05-06)
tuba:
Bill Barber (on 1957-05-06)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-06)
recording of:
Les Filles de Cadix (The Maids of Cadiz) (catch-all for arrangements) (on 1957-05-06)
lyricist:
Alfred de Musset
composer:
Léo Delibes
arrangement of:
Les Filles de Cadix (Chanson espagnole)
3:59
3The Duke
alto saxophone:
Lee Konitz (on 1957-05-06)
bass clarinet:
Danny Banks (on 1957-05-06)
bass trombone:
Tom Mitchell (on 1957-05-06)
clarinet and flute:
Sid Cooper (on 1957-05-06) and Romeo Penque (on 1957-05-06)
double bass [bass]:
Paul Chambers (on 1957-05-06)
drums (drum set):
Art Taylor (on 1957-05-06)
flugelhorn:
Miles Davis (on 1957-05-06)
French horn:
Willie Ruff (on 1957-05-06)
trombone:
Joe Bennett (on 1957-05-06), Jimmy Cleveland (on 1957-05-06) and Frank Rehak (on 1957-05-06)
trumpet:
John Carisi (on 1957-05-06), Bernie Glow (on 1957-05-06), Taft Jordan (on 1957-05-06), Louis R. Mucci (on 1957-05-06) and Ernie Royal (on 1957-05-06)
tuba:
Bill Barber (on 1957-05-06)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-06)
recording of:
The Duke (on 1957-05-06)
composer:
Dave Brubeck
dedicated to:
Duke Ellington
publisher:
Derry Music Company
cover recording of:
The Duke
composer:
Dave Brubeck
dedicated to:
Duke Ellington
publisher:
Derry Music Company
3:28
4My Ship
alto saxophone:
Lee Konitz (on 1957-05-10)
bass clarinet:
Danny Banks (on 1957-05-10)
bass trombone:
Tom Mitchell (on 1957-05-10)
clarinet and flute:
Sid Cooper (on 1957-05-10) and Romeo Penque (on 1957-05-10)
double bass [bass]:
Paul Chambers (on 1957-05-10)
drums (drum set):
Art Taylor (on 1957-05-10)
flugelhorn:
Miles Davis (on 1957-05-10)
French horn:
Willie Ruff (on 1957-05-10)
trombone:
Joe Bennett (on 1957-05-10), Jimmy Cleveland (on 1957-05-10) and Frank Rehak (on 1957-05-10)
trumpet:
John Carisi (on 1957-05-10), Bernie Glow (on 1957-05-10), Taft Jordan (on 1957-05-10), Louis R. Mucci (on 1957-05-10) and Ernie Royal (on 1957-05-10)
tuba:
Bill Barber (on 1957-05-10)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-10)
recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context)
lyricist:
Ira Gershwin
composer:
Kurt Weill
version of:
Lady in the Dark: My Ship
4:28
5Miles Ahead
recording of:
Miles Ahead
composer:
Miles Davis and Gil Evans
3:29
6Blues for Pablo
alto saxophone:
Lee Konitz (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (on 1957-05-23)
clarinet and flute:
Sid Cooper (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (on 1957-05-23), Jimmy Cleveland (on 1957-05-23) and Frank Rehak (on 1957-05-23)
trumpet:
John Carisi (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (on 1957-05-23)
orchestra:
The Gil Evans Orchestra
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
cover recording of:
Blues for Pablo (on 1957-05-23)
composer:
Gil Evans
5:19
7The New Rhumba
alto saxophone:
Lee Konitz (on 1957-05-23)
bass clarinet:
Danny Banks (on 1957-05-23)
bass trombone:
Tom Mitchell (on 1957-05-23)
clarinet and flute:
Sid Cooper (on 1957-05-23) and Romeo Penque (on 1957-05-23)
double bass [bass]:
Paul Chambers (on 1957-05-23)
drums (drum set):
Art Taylor (on 1957-05-23)
flugelhorn:
Miles Davis (on 1957-05-23)
French horn:
Willie Ruff (on 1957-05-23)
trombone:
Joe Bennett (on 1957-05-23), Jimmy Cleveland (on 1957-05-23) and Frank Rehak (on 1957-05-23)
trumpet:
John Carisi (on 1957-05-23), Bernie Glow (on 1957-05-23), Taft Jordan (on 1957-05-23), Louis R. Mucci (on 1957-05-23) and Ernie Royal (on 1957-05-23)
tuba:
Bill Barber (on 1957-05-23)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-23)
cover recording of:
New Rhumba (on 1957-05-23)
composer:
Ahmad Jamal
recording of:
New Rhumba
composer:
Ahmad Jamal
4:35
8The Meaning of the Blues
alto saxophone:
Lee Konitz (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (on 1957-05-27)
clarinet and flute:
Sid Cooper (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (on 1957-05-27), Jimmy Cleveland (on 1957-05-27) and Frank Rehak (on 1957-05-27)
trumpet:
John Carisi (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
cover recording of:
The Meaning of the Blues (on 1957-05-27)
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation
instrumental recording of:
The Meaning of the Blues (on 1957-05-27)
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation
recording of:
The Meaning of the Blues
lyricist:
Leah Worth
composer:
Bobby Troup
publisher:
Londontown Music, Inc. and Universal Music Corporation
2:49
9Lament
recording of:
Lament
composer:
Marcus Miller
2:16
10I Don't Wanna Be Kissed (By Anyone But You)
alto saxophone:
Lee Konitz (on 1957-05-27)
bass clarinet:
Danny Banks (on 1957-05-27)
bass trombone:
Tom Mitchell (on 1957-05-27)
clarinet and flute:
Sid Cooper (on 1957-05-27) and Romeo Penque (on 1957-05-27)
double bass [bass]:
Paul Chambers (on 1957-05-27)
drums (drum set):
Art Taylor (on 1957-05-27)
flugelhorn:
Miles Davis (on 1957-05-27)
French horn:
Willie Ruff (on 1957-05-27)
trombone:
Joe Bennett (on 1957-05-27), Jimmy Cleveland (on 1957-05-27) and Frank Rehak (on 1957-05-27)
trumpet:
John Carisi (on 1957-05-27), Bernie Glow (on 1957-05-27), Taft Jordan (on 1957-05-27), Louis R. Mucci (on 1957-05-27) and Ernie Royal (on 1957-05-27)
tuba:
Bill Barber (on 1957-05-27)
recorded at:
Columbia Studios in New York, New York, United States (on 1957-05-27)
cover recording of:
I Don't Wanna Be Kissed (by Anyone but You) (on 1957-05-27)
composer:
John Elliot and Harold Spina
recording of:
I Don't Wanna Be Kissed (by Anyone but You)
composer:
John Elliot and Harold Spina
3:04
11It Never Entered My Mind
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
It Never Entered My Mind (on 1956-05-11)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
Chappell & Co., Inc. and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
5:24
12Four
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
Four (original instrumental version) (on 1956-05-11)
composer:
Miles Davis
7:13
13In Your Own Sweet Way
recording of:
In Your Own Sweet Way (original instrumental composition)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
5:47
14The Theme [Take 1]
2:01
15Trane's Blues
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
Trane's Blues (on 1956-05-11)
composer:
John Coltrane (in 1956)
is based on:
Vierd Blues
8:29
16Ahmad's Blues
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
cover recording of:
Ahmad’s Blues (on 1956-05-11)
composer:
Ahmad Jamal
7:22
17The Half Nelson
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
Half Nelson (on 1956-05-11)
composer:
Miles Davis
4:46
18The Theme [Take 2]
1:03
3▼CD
#TitleLength
1So What
recording of:
So What
composer:
Miles Davis
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, Volume I)
9:27
2Freddie Freeloader
recorded in:
New York, New York, United States (on 1959-03-02, from 1959-03 until 1959-04)
engineer:
Fred Plaut
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-03-02)
double bass:
Paul Chambers (on 1959-03-02)
drums (drum set):
Jimmy Cobb (on 1959-03-02)
piano:
Wynton Kelly (on 1959-03-02)
tenor saxophone:
John Coltrane (on 1959-03-02)
trumpet:
Miles Davis (on 1959-03-02, from 1959-03 until 1959-04)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-03-02)
remix of:
Freddie Freeloader by Miles Davis Quintet
recording of:
Freddie Freeloader (original Miles Davis instrumental version) (on 1959-03-02)
composer:
Miles Davis
publisher:
Jazz Horn Music Corporation
part of:
The Real Book (compilation of jazz standards, Volume I)
9:51
3Blue in Green
recording of:
Blue in Green
composer:
Miles Davis and Bill Evans
publisher:
Jazz Horn Music, Musical Frontiers Pub. Co. and Warner–Tamerlane Publishing Corp.
5:39
4All Blues
recorded in:
New York, New York, United States (on 1959-04-22)
engineer:
Fred Plaut (on 1959-04-22)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass:
Paul Chambers (on 1959-04-22)
drums (drum set):
Jimmy Cobb (on 1959-04-22)
piano:
Bill Evans (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
All Blues (on 1959-04-22)
composer:
Miles Davis
publisher:
Jazz Horn Music Corporation
11:37
5Flamenco Sketches
recording engineer:
Fred Plaut (on 1959-04-22)
producer:
Irving Townsend
alto saxophone:
Cannonball Adderley (on 1959-04-22)
double bass:
Paul Chambers (on 1959-04-22)
drums (drum set):
Jimmy Cobb (on 1959-04-22)
piano:
Bill Evans (on 1959-04-22)
tenor saxophone:
John Coltrane (on 1959-04-22)
trumpet:
Miles Davis (on 1959-04-22)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1959-04-22)
recording of:
Flamenco Sketches (on 1959-04-22)
composer:
Miles Davis and Bill Evans
9:27
6Générique
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Générique (Ascenseur pour l’échafaud) (from 1957-12-04 until 1957-12-05)
composer:
Miles Davis
publisher:
Edition Continentale
2:52
7L' Assassinat De Carala
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
L'assassinat de Carala (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
2:13
8Sur L'autoroute
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Sur l’autoroute (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
2:22
9Julien Dans L'ascenseur
bass:
Pierre Michelot (on 1957-12-04)
drums (drum set):
Kenny Clarke (on 1957-12-04)
piano:
René Urtreger (on 1957-12-04)
tenor saxophone:
Barney Wilen (on 1957-12-04)
trumpet:
Miles Davis (on 1957-12-04)
recording of:
Julien dans l'ascenseur (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
2:11
10Florence Sur les Champs-Élysées
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Florence sur les Champs-Élysées (from 1957-12-04 until 1957-12-05)
composer:
Miles Davis
publisher:
Edition Continentale
2:54
11Dîner Au Motel
recording of:
Dîner au motel
composer:
Miles Davis
publisher:
Edition Continentale
4:00
12Evasion De Julien
recording of:
Évasion de Julien
composer:
Miles Davis
publisher:
Edition Continentale
0:56
13Visite Du Vigile
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Visite du vigile (on 1957-12-04)
composer:
Miles Davis
publisher:
Edition Continentale
2:08
14Au Bar Du Petit Bac
bass:
Pierre Michelot (on 1957-12-04)
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (on 1957-12-04, from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (on 1957-12-04, from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (on 1957-12-04, from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (on 1957-12-04, from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Au bar du petit bac (in 1957-12)
composer:
Miles Davis
publisher:
Edition Continentale
2:56
15Chez Le Photographe Du Motel
double bass:
Pierre Michelot (from 1957-12-04 until 1957-12-05)
drums (drum set):
Kenny Clarke (from 1957-12-04 until 1957-12-05)
piano:
René Urtreger (from 1957-12-04 until 1957-12-05)
tenor saxophone:
Barney Wilen (from 1957-12-04 until 1957-12-05)
trumpet:
Miles Davis (from 1957-12-04 until 1957-12-05)
recorded at:
Le Poste Parisien in Paris, Île-de-France, France (from 1957-12-04 until 1957-12-05)
recording of:
Chez le photographe du motel (from 1957-12-04 until 1957-12-05)
composer:
Miles Davis
publisher:
Edition Continentale
3:55

Credits

Release

ASIN:US: B01LTHMZ7I [info]