Aria 51 (Disk 1 of 3)

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Compilation produced by Merrin Lazyan, Matt Abramovitz and Jenny Houser

Tracklist

1▼CD
#	Title	Artist	Length
1	Rusalka: Song to the Moon soprano vocals [Rusalka]: Jana Valášková orchestra: Radio Symphony Orchestra conductor: Johannes Wildner recording of: Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) composer: Antonín Dvořák (from 1900-04-21 until 1900-11-27) part of: Rusalka, op. 114, B. 203: 1. jednání	Antonín Dvořák	5:53
2	The Magic Flute: “Der Hölle Rache” soprano vocals [Königin der Nacht]: Hellen Kwon orchestra: Failoni Orchestra conductor: Michael Halász recording of: Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) composer: Wolfgang Amadeus Mozart (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart	2:55
3	Tannhäuser: “O du, mein holder Abendstern” baritone vocals [Wolfram]: Dmitri Hvorostovsky orchestra: Spiritual Revival Choir of Russia conductor: Constantine Orbelian recording of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern” composer: Richard Wagner (from 1843 until 1845-04-13) librettist: Richard Wagner (from 1842-06 until 1843-04) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III	Richard Wagner	4:42
4	Carmen: « L’amour est un oiseau rebelle » choir vocals: Slovak Philharmonic Chorus mezzo-soprano vocals [Carmen]: Graciela Alperyn orchestra: Slovak Radio Symphony Orchestra conductor: Alexander Rahbari recording of: Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) composer: Georges Bizet librettist: Ludovic Halévy and Henri Meilhac is based on: El arreglito part of: Carmen : Acte I	Georges Bizet	4:52
5	Romeo et Juliette : « Ah, lève toi soleil » tenor vocals [Romeo]: Yinjia Gong orchestra: Sinfonia Lahti conductor: Markus Lehtinen recording of: Roméo et Juliette : Acte II. No. 7 Cavatine « L’amour ! l’amour ! » … « Ah ! lève‐toi, soleil ! » (Roméo) composer: Charles Gounod (in 1867) librettist: Jules Barbier and Michel Carré publisher: Choudens part of: Roméo et Juliette: Acte II	Charles Gounod	4:43
6	Rinaldo: “Lascia ch’io pianga” mezzo-soprano vocals [Almirena]: Heather Johnson orchestra: London Arts Orchestra conductor: John Landor recording of: Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) composer: George Frideric Handel (in 1711) librettist: Giacomo Rossi part of: Rinaldo, HWV 7a: Atto II	George Frideric Handel	4:35
7	La bohème: “Che gelida manina” tenor vocals [Rodolfo]: Jonathan Welch orchestra: Slovak Radio Symphony Orchestra conductor: Will Humburg recording of: La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) composer: Giacomo Puccini (in 1896) librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini	4:23
8	The Marriage of Figaro: “Voi, che sapete” mezzo-soprano vocals [Cherubino]: Michelle Breedt orchestra: Nicolaus Esterházy Sinfonia conductor: Michael Halász recording of: Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) composer: Wolfgang Amadeus Mozart (in 1786) librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)	Wolfgang Amadeus Mozart	2:49
9	Nabucco: “Va, pensiero” choir vocals: Slovak Philharmonic Chorus (from 1990-03-27 until 1990-04-01) orchestra: Symfonický orchester Slovenského rozhlasu (from 1990-03-27 until 1990-04-01) conductor: Oliver Dohnányi (from 1990-03-27 until 1990-04-01) phonographic copyright (℗) by: Naxos and HNH International Ltd. (in 1991) recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (from 1990-03-27 until 1990-04-01) composer: Giuseppe Verdi (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Giuseppe Verdi	4:39
10	La Fille du régiment : « Pour mon âme » tenor vocals [Tonio]: Michael Spyres orchestra: Moscow Chamber Orchestra conductor: Constantine Orbelian recording of: La Fille du régiment : Acte I, Scène 11. Final “Pour mon âme” (Tonio) composer: Gaetano Donizetti librettist: Jean-François Bayard and Jules-Henri Vernoy de Saint-Georges part of: La Fille du régiment : Acte I	Gaetano Donizetti	4:06
11	Madama Butterfly: “Un bel dì vedremo” soprano vocals [Butterfly]: Miriam Gauci orchestra: Slovak Philharmonic Orchestra conductor: Alexander Rahbari recording of: Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)	Giacomo Puccini	4:37
12	Aida: “Celeste Aida” tenor vocals [Radamès]: Thomas Harper orchestra: Slovak Radio Symphony Orchestra conductor: Michael Halász recording of: Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) composer: Giuseppe Verdi (in 1871) librettist: Antonio Ghislanzoni (in 1870) part of: Aida: Atto I	Giuseppe Verdi	4:31
13	The Marriage of Figaro: “Sull’aria” soprano vocals [La Contessa]: Maria Pia Ionata soprano vocals [Susanna]: Patrizia Pace orchestra: Hungarian State Opera Chamber Orchestra conductor: Pier Giorgio Morandi recording of: Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)	Wolfgang Amadeus Mozart	2:36
14	Dido and Aeneas: “When I Am Laid in Earth” soprano vocals [Dido]: Karina Gauvin orchestra: Les Boréades de Montréal conductor: Francis Colpron recording of: Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) composer: Henry Purcell (in 1689) librettist: Nahum Tate part of: Dido and Aeneas, Z. 626: Act III	Henry Purcell	4:37
15	Madama Butterfly: Humming Chorus choir vocals: Slovak Philharmonic Chorus orchestra: Slovak Radio Symphony Orchestra conductor: Alexander Rahbari recording of: Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)	Giacomo Puccini	2:46
16	Rigoletto: “Caro nome” choir vocals: Slovak Philharmonic Chorus soprano vocals [Gilda]: Alida Ferrarini orchestra: Slovak Radio Symphony Orchestra conductor: Alexander Rahbari recording of: Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) lyricist and librettist: Francesco Maria Piave composer: Giuseppe Verdi part of: Rigoletto: Atto I	Giuseppe Verdi	5:47
17	Hänsel und Gretel: “Abends wenn ich schlafen geh” choir vocals: Vienna Choir Boys chorus master: Helmuth Froschauer recording of: Hänsel und Gretel: Akt II, 2. Szene. “Abends, will ich schlafen gehn” (Hänsel, Gretel) (Hansel and Gretel: Evening Prayer, Nachtgebet / Evening Prayer / Prière du soir) composer: Engelbert Humperdinck (from 1891 until 1892) librettist: Adelheid Wette part of: Hänsel und Gretel (original german lyrics)	Engelbert Humperdinck	2:09