Annotation

Soloists:
Arleen Auger, soprano (BWV 147, BWV 140)
Helen Donath, soprano (BWV 61)
Helen Watts, alto (BWV 147)
Adalbert Kraus, tenor (BWV 61)
Kurt Equiluz, tenor (BWV 147)
Aldo Baldin, tenor (BWV 140)
Wolfgang Schöne, bass (BWV 61, BWV 147)
Philippe Huttenlocher, bass (BWV 140)

Licensed from Hänssler-Verlag

Tracklist

1CD
#TitleArtistLength
1Cantata, BWV 147: Coro: Herz und Mund und Tat und LebenJohann Sebastian Bach4:36
2Cantata, BWV 147: RecitativoJohann Sebastian Bach1:54
3Cantata, BWV 147: Aria: Schäme dich, o Seele, nichtJohann Sebastian Bach3:54
4Cantata, BWV 147: RecitativoJohann Sebastian Bach1:49
5Cantata, BWV 147: Aria: Bereite dir, Jesu, noch itzo die BahnJohann Sebastian Bach4:08
6Cantata, BWV 147: Choral: Wohl mir, dass ich Jesum habeJohann Sebastian Bach3:02
7Cantata, BWV 147: Aria: Hilf, Jesu, hilfJohann Sebastian Bach3:05
8Cantata, BWV 147: RecitativoJohann Sebastian Bach2:49
9Cantata, BWV 147: Aria: Ich will von Jesu Wundern singenJohann Sebastian Bach3:14
10Cantata, BWV 147: Choral: Jesus bleibet meine Freude
choir vocals:
Frankfurter Kantorei and Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1976-09 until 1977-06)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1976-09 until 1977-06)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (in 1665)
composer:
Johann Sebastian Bach (in 1723)
part of:
Classic 100: Piano (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:01
11Cantata, BWV 140: Coro: Wachet auf, ruft uns die Stimme
choir vocals:
Gächinger Kantorei Stuttgart (from 1983 until 1984)
orchestra:
Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (from 1983 until 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach6:07
12Cantata, BWV 140: Recitativo
tenor vocals:
Aldo Baldin (from 1983 until 1984)
orchestra:
Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (from 1983 until 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:10
13Cantata, BWV 140: Aria (Duet): Wenn kommst du, mein Heil?
bass vocals:
Philippe Huttenlocher (from 1983 until 1984)
soprano vocals:
Arleen Augér (from 1983 until 1984)
orchestra:
Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (from 1983 until 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach5:07
14Cantata, BWV 140: Choral: Zion hört die Wächter singen
choir vocals:
Gächinger Kantorei Stuttgart (from 1983 until 1984)
tenor vocals:
Aldo Baldin
orchestra:
Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1983 until 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach3:52
15Cantata, BWV 140: Recitativo
bass vocals:
Philippe Huttenlocher (from 1983 until 1984)
vocals:
Philippe Huttenlocher
orchestra:
Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Bass) "So geh herein zu mir" (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Bass) "So geh herein zu mir" (from 1983 until 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:30
16Cantata, BWV 140: Aria (Duet): Mein Freund ist mein
bass vocals:
Philippe Huttenlocher (from 1983 until 1984)
soprano vocals:
Arleen Augér (from 1983 until 1984)
orchestra:
Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Sop, Bass) "Mein Freund ist mein" (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Sop, Bass) "Mein Freund ist mein" (from 1983 until 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach4:53
17Cantata, BWV 140: Choral: Gloria sei dir gesungen
choir vocals:
Gächinger Kantorei Stuttgart (from 1983 until 1984)
orchestra:
Württembergisches Kammerorchester Heilbronn (from 1983 until 1984)
conductor and chorus master:
Helmuth Rilling (from 1983 until 1984)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983 until 1984, from 1983-09 until 1984-02)
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
recording of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" (from 1983 until 1984)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Johann Sebastian Bach1:40
18Cantata, BWV 61: Coro: Nun komm, der Heiden HeilandJohann Sebastian Bach4:42
19Cantata, BWV 61: RecitativoJohann Sebastian Bach1:31
20Cantata, BWV 61: Aria: Komm, Jesu, komm zu deiner KircheJohann Sebastian Bach5:01
21Cantata, BWV 61: RecitativoJohann Sebastian Bach1:06
22Cantata, BWV 61: Aria: öffne dich, mein ganzes HerzeJohann Sebastian Bach4:42
23Cantata, BWV 61: Choral: Amen, Amen!Johann Sebastian Bach1:06