Look at Yourself

~ Release by Uriah Heep (see all versions of this release, 19 available)

Tracklist

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1▼CD: Original LP Remastered
#TitleLength
1Look at Yourself
producer:
Gerry Bron
drums (drum set):
Iain Clarke (in 1971-07)
electric bass guitar:
Paul Newton (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
percussion:
Loughty Amao, Teddy Osei and Mac Tontoh
vocals:
David Byron (in 1971-07)
additional performer:
Osibisa (in 1971-07)
arranger:
Uriah Heep
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971, in 1986), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (in 1971, in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (in 1971-07)
recording of:
Look at Yourself (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc., EMI Music Ltd., EMI Music Publishing, EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5:11
2I Wanna Be Free
producer:
Gerry Bron
bass guitar and electric bass guitar:
Paul Newton (in 1971-07)
drums (drum set):
Iain Clarke (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (in 1971, in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (in 1971-07)
recording of:
I Wanna Be Free (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:02
3July Morning
engineer:
Peter Gallen
producer:
Gerry Bron
additional Minimoog:
Manfred Mann (in 1971-07)
bass guitar and electric bass guitar:
Paul Newton (in 1971-07)
drums (drum set):
Iain Clarke (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971), Castle Copyrights Ltd. (in 1971) and Sanctuary Records Group Ltd. (in 1971, in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (in 1971-07)
recording of:
July Morning (in 1971-07)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Ltd., EMI Music Publishing, EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
10:35
4Tears in My Eyes
producer:
Gerry Bron
additional Minimoog:
Manfred Mann (in 1971-07)
drums (drum set):
Iain Clarke (in 1971-07)
electric bass guitar:
Paul Newton (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (in 1971, in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (in 1971-07)
recording of:
Tears in My Eyes (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5:01
5Shadows of Grief
producer:
Gerry Bron
drums (drum set):
Iain Clarke (in 1971-07)
electric bass guitar:
Paul Newton (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (in 1971, in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (in 1971-07)
recording of:
Shadows of Grief (in 1971-07)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
8:41
6What Should Be Done
producer:
Gerry Bron
drums (drum set):
Iain Clarke (in 1971-07)
electric bass guitar:
Paul Newton (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (in 1971, in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (in 1971-07)
recording of:
What Should Be Done (in 1971-07)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:14
7Love Machine
producer:
Gerry Bron
bass guitar and electric bass guitar:
Paul Newton (in 1971-07)
drums (drum set):
Iain Clarke (in 1971-07)
guitar:
Mick Box (in 1971-07)
organ:
Ken Hensley (in 1971-07)
lead vocals:
David Byron (in 1971-07)
vocals:
David Byron (in 1971-07)
arranger:
Uriah Heep
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1971) and Sanctuary Records Group Ltd. (in 1971, in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (in 1971-07)
recording of:
Love Machine (in 1971-07)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Ltd., EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:40
2▼CD: An Alternative Look at Yourself
#TitleLength
1I Wanna Be Free (alternative mix)
mixer:
Mike Brown (from 1989 until 1995) and Robert M. Corich (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (from 1970 until 1971)
recording of:
I Wanna Be Free (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:20
2Tears in My Eyes (alternative mix extended)
mixer:
Mike Brown (from 1989 until 1995) and Robert M. Corich (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (from 1970 until 1971)
recording of:
Tears in My Eyes (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5:55
3What Should Be Done (alternative mix)
mixer:
Mike Brown (from 1989 until 1995) and Robert M. Corich (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (from 1970 until 1971)
recording of:
What Should Be Done (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
4:35
4Shadows of Grief (alternative mix)
mixer:
Mike Brown (from 1989 until 1995) and Robert M. Corich (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (from 1970 until 1971)
recording of:
Shadows of Grief (from 1970 until 1971)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
9:34
5Look at Yourself (alternative mix)
mixer:
Mike Brown (from 1989 until 1995) and Robert M. Corich (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (from 1970 until 1971)
recording of:
Look at Yourself (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc., EMI Music Ltd., EMI Music Publishing, EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
5:15
6July Morning (alternative mix)
mixer:
Mike Brown (from 1989 until 1995) and Robert M. Corich (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (from 1970 until 1971)
recording of:
July Morning (from 1970 until 1971)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Ltd., EMI Music Publishing, EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
11:19
7Why Fourteen Minutes (alternative mix)
mixer:
Mike Brown (from 1989 until 1995) and Robert M. Corich (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (from 1970 until 1971)
recording of:
Why Fourteen Minutes (from 1970 until 1971)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd.
14:17
8Love Machine (alternative mix)
mixer:
Mike Brown (from 1989 until 1995) and Robert M. Corich (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (from 1970 until 1971)
recording of:
Love Machine (from 1970 until 1971)
writer:
Mick Box, David Byron and Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Ltd., EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:55
9What’s Within My Heart (alternative mix)
mixer:
Mike Brown (from 1989 until 1995) and Robert M. Corich (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (from 1970 until 1971)
recording of:
What's Within My Heart (from 1970 until 1971)
writer:
Ken Hensley
publisher:
EMI Music Publishing Ltd.
5:34
10July Morning (alternative mix; live)
recorded in:
London, England, United Kingdom (in 1971)
mixer:
Mike Brown (from 1989 until 1995) and Robert M. Corich (from 1989 until 1995)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (in 2017)
live recording of:
July Morning (in 1971)
writer:
David Byron and Ken Hensley
publisher:
Dick James Music, Inc., EMI Music Ltd., EMI Music Publishing, EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
11:28
11Look at Yourself (alternative single version)
mixer:
Mike Brown (from 1989 until 1995), Robert M. Corich (from 1989 until 1995, from 1994 until 2002) and Ian Herron (from 1994 until 2002)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (in 1993, in 2017)
recorded at:
Lansdowne Studios in London, England, United Kingdom (from 1970 until 1971)
recording of:
Look at Yourself (from 1970 until 1971)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc., EMI Music Ltd., EMI Music Publishing, EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
recording of:
Look at Yourself (in 1971)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Dick James Music, Inc., EMI Music Ltd., EMI Music Publishing, EMI Music Publishing Ltd., EMI Publishing Ltd. and S. Bron Music Co. Ltd.
3:19

Credits

Release

photography:Tony Evans
liner notes:Ken Hensley (in 1971-07)
Joel McIver (in 2017)
Robert M. Corich (in 2017-04)
remastering:Andy Pearce (in 2016)
Matt Wortham (in 2016)
acoustic guitar and guitar:Mick Box (from 1970 until 1971)
Ken Hensley (from 1970 until 1971)
bass guitar:Paul Newton (from 1970 until 1971)
organ and piano:Ken Hensley (from 1970 until 1971)
lead vocals:David Byron (from 1970 until 1971)
vocals:Ken Hensley (from 1970 until 1971)
design:Hugh Gilmour
copyrighted (©) by:Sanctuary Records Group Ltd. (in 2017)
mixed at:Cretin Studios in North Miami, Florida, United States (from 1989 until 1995)
CTS Studios in Wembley, Brent, London, England, United Kingdom (from 1989 until 1995)
Lansdowne Studios in London, England, United Kingdom (from 1989 until 1995)
Discogs:https://www.discogs.com/release/10068697 [info]
ASIN:US: B01MYGVW0Z [info]