A Tribute to Fats

~ Release by Al Casey (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleLength
1It Don’t Mean a Thing
engineer:
Mark Derksen
mixer:
Peter Hubka
bass:
Ján Jankeje (on 1994-05-22)
drums (drum set):
Imre Kőszegi (on 1994-05-22)
guitar:
Al Casey (on 1994-05-22)
piano:
Red Richards (on 1994-05-22)
phonographic copyright (℗) by:
Jazzpoint Records (in 1994)
recorded at:
Markant Studio in Heeze-Leende, Noord-Brabant, Netherlands, Kingdom of the Netherlands (on 1994-05-22)
mixed at:
Slovak Radio Bratislava in Bratislava, Bratislavský kraj, Slovakia
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1994-05-22)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music
part of:
The Real Book (compilation of jazz standards, Volume I)
3:29
2Squeeze Me
engineer:
Mark Derksen
mixer:
Peter Hubka
bass:
Ján Jankeje (on 1994-05-22)
drums (drum set):
Imre Kőszegi (on 1994-05-22)
guitar:
Al Casey (on 1994-05-22)
piano:
Red Richards (on 1994-05-22)
phonographic copyright (℗) by:
Jazzpoint Records (in 1994)
recorded at:
Markant Studio in Heeze-Leende, Noord-Brabant, Netherlands, Kingdom of the Netherlands (on 1994-05-22)
mixed at:
Slovak Radio Bratislava in Bratislava, Bratislavský kraj, Slovakia
instrumental recording of:
Squeeze Me (on 1994-05-22)
lyricist:
Clarence Williams
composer:
Fats Waller
publisher:
MCA Music
3:45
3Holey Moley
engineer:
Mark Derksen
mixer:
Peter Hubka
bass:
Ján Jankeje (on 1994-05-22)
drums (drum set):
Imre Kőszegi (on 1994-05-22)
guitar:
Al Casey (on 1994-05-22)
piano:
Red Richards (on 1994-05-22)
phonographic copyright (℗) by:
Jazzpoint Records (in 1994)
recorded at:
Markant Studio in Heeze-Leende, Noord-Brabant, Netherlands, Kingdom of the Netherlands (on 1994-05-22)
mixed at:
Slovak Radio Bratislava in Bratislava, Bratislavský kraj, Slovakia
recording of:
Holey Moley (on 1994-05-22)
composer:
Al Casey
4:16
4Jit It
engineer:
Mark Derksen
mixer:
Peter Hubka
bass:
Ján Jankeje (on 1994-05-22)
drums (drum set):
Imre Kőszegi (on 1994-05-22)
guitar:
Al Casey (on 1994-05-22)
piano:
Red Richards (on 1994-05-22)
phonographic copyright (℗) by:
Jazzpoint Records (in 1994)
recorded at:
Markant Studio in Heeze-Leende, Noord-Brabant, Netherlands, Kingdom of the Netherlands (on 1994-05-22)
mixed at:
Slovak Radio Bratislava in Bratislava, Bratislavský kraj, Slovakia
recording of:
Jit It (on 1994-05-22)
composer:
Al Casey
4:00
5Like It Ji’s
engineer:
Mark Derksen
mixer:
Peter Hubka
bass:
Ján Jankeje (on 1994-05-22)
drums (drum set):
Imre Kőszegi (on 1994-05-22)
guitar:
Al Casey (on 1994-05-22)
piano:
Red Richards (on 1994-05-22)
phonographic copyright (℗) by:
Jazzpoint Records (in 1994)
recorded at:
Markant Studio in Heeze-Leende, Noord-Brabant, Netherlands, Kingdom of the Netherlands (on 1994-05-22)
mixed at:
Slovak Radio Bratislava in Bratislava, Bratislavský kraj, Slovakia
recording of:
Like It Ji’s (on 1994-05-22)
composer:
Red Richards
6:03
6Cute
engineer:
Mark Derksen
mixer:
Peter Hubka
bass:
Ján Jankeje (on 1994-05-22)
drums (drum set):
Imre Kőszegi (on 1994-05-22)
guitar:
Al Casey (on 1994-05-22)
piano:
Red Richards (on 1994-05-22)
phonographic copyright (℗) by:
Jazzpoint Records (in 1994)
recorded at:
Markant Studio in Heeze-Leende, Noord-Brabant, Netherlands, Kingdom of the Netherlands (on 1994-05-22)
mixed at:
Slovak Radio Bratislava in Bratislava, Bratislavský kraj, Slovakia
instrumental recording of:
Cute (on 1994-05-22)
lyricist:
Stanley Styne
composer and arranger:
Neal Hefti
publisher:
WB Music Corp.
3:56
7After You’ve Gone
engineer:
Mark Derksen
mixer:
Peter Hubka
bass:
Ján Jankeje (on 1994-05-22)
drums (drum set):
Imre Kőszegi (on 1994-05-22)
guitar:
Al Casey (on 1994-05-22)
piano:
Red Richards (on 1994-05-22)
phonographic copyright (℗) by:
Jazzpoint Records (in 1994)
recorded at:
Markant Studio in Heeze-Leende, Noord-Brabant, Netherlands, Kingdom of the Netherlands (on 1994-05-22)
mixed at:
Slovak Radio Bratislava in Bratislava, Bratislavský kraj, Slovakia
instrumental recording of:
After You’ve Gone (on 1994-05-22)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
2:37
8Just the Blues
engineer:
Mark Derksen
mixer:
Peter Hubka
bass:
Ján Jankeje (on 1994-05-22)
drums (drum set):
Imre Kőszegi (on 1994-05-22)
guitar:
Al Casey (on 1994-05-22)
piano:
Red Richards (on 1994-05-22)
phonographic copyright (℗) by:
Jazzpoint Records (in 1994)
recorded at:
Markant Studio in Heeze-Leende, Noord-Brabant, Netherlands, Kingdom of the Netherlands (on 1994-05-22)
mixed at:
Slovak Radio Bratislava in Bratislava, Bratislavský kraj, Slovakia
recording of:
Just the Blues (on 1994-05-22)
composer:
Red Richards
4:27
9Honeysuckle Rose
engineer:
Mark Derksen
mixer:
Peter Hubka
bass:
Ján Jankeje (on 1994-05-22)
drums (drum set):
Imre Kőszegi (on 1994-05-22)
guitar:
Al Casey (on 1994-05-22)
piano:
Red Richards (on 1994-05-22)
phonographic copyright (℗) by:
Jazzpoint Records (in 1994)
recorded at:
Markant Studio in Heeze-Leende, Noord-Brabant, Netherlands, Kingdom of the Netherlands (on 1994-05-22)
mixed at:
Slovak Radio Bratislava in Bratislava, Bratislavský kraj, Slovakia
instrumental recording of:
Honeysuckle Rose (on 1994-05-22)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
4:42
10How Long Is This Been Going On
engineer:
Mark Derksen
mixer:
Peter Hubka
bass:
Ján Jankeje (on 1994-05-22)
drums (drum set):
Imre Kőszegi (on 1994-05-22)
guitar:
Al Casey (on 1994-05-22)
piano:
Red Richards (on 1994-05-22)
phonographic copyright (℗) by:
Jazzpoint Records (in 1994)
recorded at:
Markant Studio in Heeze-Leende, Noord-Brabant, Netherlands, Kingdom of the Netherlands (on 1994-05-22)
mixed at:
Slovak Radio Bratislava in Bratislava, Bratislavský kraj, Slovakia
instrumental recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1994-05-22)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
5:11
11Cheek to Cheek
engineer:
Mark Derksen
mixer:
Peter Hubka
bass:
Ján Jankeje (on 1994-05-22)
drums (drum set):
Imre Kőszegi (on 1994-05-22)
guitar:
Al Casey (on 1994-05-22)
piano:
Red Richards (on 1994-05-22)
phonographic copyright (℗) by:
Jazzpoint Records (in 1994)
recorded at:
Markant Studio in Heeze-Leende, Noord-Brabant, Netherlands, Kingdom of the Netherlands (on 1994-05-22)
mixed at:
Slovak Radio Bratislava in Bratislava, Bratislavský kraj, Slovakia
instrumental recording of:
Cheek to Cheek (from “Top Hat”) (on 1994-05-22)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
7:07

Credits

Release

liner notes:Dieter Antritter
copyrighted (©) by:Jazzpoint Records (in 1994)
Discogs:https://www.discogs.com/release/18069796 [info]
ASIN:DE: B000001P4A [info]