Klassik für Kinder

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Tracklist

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1Kinderszenen, op. 15. Von fremden Ländern und Menschen
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen (in 1954)
composer:
Robert Schumann (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:36
2Kinderszenen, op. 15. Kuriose Geschichte
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: No. 2. Kuriose Geschichte (in 1954)
composer:
Robert Schumann (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:04
3Kinderszenen, op. 15. Hasche‐Mann
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: No. 3. Hasche-Mann (in 1954)
composer:
Robert Schumann (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:32
4Kinderszenen, op. 15. Bittendes Kind
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: No. 4. Bittendes Kind (in 1954)
composer:
Robert Schumann (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:00
5Kinderszenen, op. 15. Glückes genug
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: No. 5. Glückes genug (in 1954)
composer:
Robert Schumann (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:49
6Kinderszenen, op. 15. Wichtige Begebenheit
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: No. 6. Wichtige Begebenheit (in 1954)
composer:
Robert Schumann (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:51
7Kinderszenen, op. 15. Träumerei
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1954)
composer:
Robert Schumann (in 1838)
part of:
Classic 100: Piano (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:02
8Kinderszenen, op. 15. Am Kamin
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: No. 8. Am Kamin (in 1954)
composer:
Robert Schumann (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann0:58
9Kinderszenen, op. 15. Ritter vom Steckenpferd
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: Ritter vom Steckenpferd (for cello and piano, Grützmacher) (in 1954)
composer:
Robert Schumann (in 1838)
arranger:
Friedrich Grützmacher
arrangement of:
Kinderszenen, op. 15: No. 9. Ritter vom Steckenpferd
part of:
Kinderszenen, op. 15 (for cello and piano, Grützmacher)
Robert Schumann0:40
10Kinderszenen, op. 15. Fast zu ernst
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: No. 10. Fast zu ernst (in 1954)
composer:
Robert Schumann (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:41
11Kinderszenen, op. 15. Fürchtenmachen
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: No. 11. Fürchtenmachen (in 1954)
composer:
Robert Schumann (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann1:26
12Kinderszenen, op. 15. Kind im Einschlummern
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: No. 12. Kind im Einschlummern (in 1954)
composer:
Robert Schumann (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann2:09
13Kinderszenen, op. 15. Der Dichter spricht
piano:
Sir Clifford Curzon (in 1954)
recording of:
Kinderszenen, op. 15: No. 13. Der Dichter spricht (in 1954)
composer:
Robert Schumann (in 1838)
part of:
Kinderszenen, op. 15
Robert Schumann2:15
14Children’s Corner: Doctor Gradus ad Parnassum
piano:
Alfred Cortot (in 1947)
recording of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version) (in 1947)
composer:
Claude Debussy (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:09
15Children’s Corner: Jimbo’s Lullaby
piano:
Alfred Cortot (in 1947)
recording of:
Children’s Corner, L. 113: II. Jimbo’s Lullaby (original piano version) (in 1947)
composer:
Claude Debussy (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:34
16Children’s Corner: Serenade for the Doll
piano:
Alfred Cortot (in 1947)
recording of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version) (in 1947)
composer:
Claude Debussy (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy1:54
17Children’s Corner: The Snow is Dancing
piano:
Alfred Cortot (in 1947)
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version) (in 1947)
composer:
Claude Debussy (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:26
18Children’s Corner: The Little Shepherd
piano:
Alfred Cortot (in 1947)
recording of:
Children’s Corner, L. 113: V. The Little Shepherd (original piano version) (in 1947)
composer:
Claude Debussy (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy1:52
19Children’s Corner: Golliwogg’s Cakewalk
piano:
Alfred Cortot (in 1947)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version) (in 1947)
composer:
Claude Debussy (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:39
20For Children, Book I. No. 22
piano:
Louis Kentner (in 1940)
recording of:
For Children, Book 2: No. 22. Allegretto (in 1940)
composer:
Béla Bartók
part of:
For Children, Sz. 42, BB 53, Book 2
Béla Bartók0:45
21For Children, Book I. No. 31
piano:
Louis Kentner (in 1940)
recording of:
For Children, Book 2: No. 31. Andante tranquillo (in 1940)
composer:
Béla Bartók
part of:
For Children, Sz. 42, BB 53, Book 2
Béla Bartók1:42
22For Children, Book I. No. 30
piano:
Louis Kentner (in 1940)
recording of:
For Children, Book 2: No. 30. Jeering Song. Allegro ironico (in 1940)
composer:
Béla Bartók
part of:
For Children, Sz. 42, BB 53, Book 2
Béla Bartók0:40
23For Children, Book I. No. 40
piano:
Louis Kentner (in 1940)
recording of:
For Children, Book 2: No. 40. Swineherd's Dance. Allegro vivace (in 1940)
composer:
Béla Bartók
part of:
For Children, Sz. 42, BB 53, Book 2
Béla Bartók1:30
24Young Person’s Guide to the Orchestra, op. 34: Theme: Full Orchestra, Woodwind, Brass, Strings, Percussion
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten1:56
25Young Person’s Guide to the Orchestra, op. 34: Variation A: Flutes & Piccolo
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:35
26Young Person’s Guide to the Orchestra, op. 34: Variation B: Oboes
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten1:00
27Young Person’s Guide to the Orchestra, op. 34: Variation C: Clarinets
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:37
28Young Person’s Guide to the Orchestra, op. 34: Variation D: Bassoons
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:52
29Young Person’s Guide to the Orchestra, op. 34: Variation E: Violins
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:38
30Young Person’s Guide to the Orchestra, op. 34: Variation F: Violas
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten1:13
31Young Person’s Guide to the Orchestra, op. 34: Variation G: Cellos
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten1:18
32Young Person’s Guide to the Orchestra, op. 34: Variation H: Double Basses
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:54
33Young Person’s Guide to the Orchestra, op. 34: Variation I: Harp
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:52
34Young Person’s Guide to the Orchestra, op. 34: Variation J: Horns
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:44
35Young Person’s Guide to the Orchestra, op. 34: Variation K: Trumpets
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:35
36Young Person’s Guide to the Orchestra, op. 34: Variation L: Trombones & Bass Tuba
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten0:58
37Young Person’s Guide to the Orchestra, op. 34: Variation M: Percussion
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion) (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten1:34
38Young Person’s Guide to the Orchestra, op. 34: Fugue
orchestra:
Liverpool Philharmonic Orchestra (in 1946)
conductor:
Sir Malcolm Sargent (in 1946)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto (in 1946)
composer:
Benjamin Britten (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Benjamin Britten2:57
2▼CD
#TitleArtistLength
1The Nutcracker (suite from the ballet), op. 71a: I. Miniatur-Ouvertüre
orchestra:
London Philharmonic Orchestra (in 1948)
conductor:
Sergiu Celibidache (in 1948)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto (in 1948)
composer:
Пётр Ильич Чайковский (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Peter Tchaikovsky2:58
2The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: Marsch
orchestra:
London Philharmonic Orchestra (in 1948)
conductor:
Sergiu Celibidache (in 1948)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva (in 1948)
composer:
Пётр Ильич Чайковский
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Peter Tchaikovsky2:27
3The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: Tanz der Zuckerfee
orchestra:
London Philharmonic Orchestra (in 1948)
conductor:
Sergiu Celibidache (in 1948)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (in 1948)
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Peter Tchaikovsky1:53
4The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: Trepak (Russischer Tanz)
orchestra:
London Philharmonic Orchestra (in 1948)
conductor:
Sergiu Celibidache (in 1948)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace (in 1948)
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Peter Tchaikovsky1:02
5The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: Arabischer Tanz
orchestra:
London Philharmonic Orchestra (in 1948)
conductor:
Sergiu Celibidache (in 1948)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto (in 1948)
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Peter Tchaikovsky3:56
6The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: Chinesischer Tanz
orchestra:
London Philharmonic Orchestra (in 1948)
conductor:
Sergiu Celibidache (in 1948)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato (in 1948)
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Peter Tchaikovsky1:12
7The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: Tanz der Rohrflöten
orchestra:
London Philharmonic Orchestra (in 1948)
conductor:
Sergiu Celibidache (in 1948)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (in 1948)
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Peter Tchaikovsky2:38
8The Nutcracker (suite from the ballet), op. 71a: III: Blumenwalzer
orchestra:
London Philharmonic Orchestra (in 1948)
conductor:
Sergiu Celibidache (in 1948)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (in 1948)
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Peter Tchaikovsky6:25
9The Sleeping Beauty, op. 66: Einführung
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Introduction (in 1934)
composer:
Pyotr Ilyich Tchaikovsky
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66, The Sleeping Beauty)
Peter Tchaikovsky0:48
10The Sleeping Beauty, op. 66: Prolog: Marsch
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Prolog. no. 1 Marche (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Prologue
Peter Tchaikovsky3:09
11The Sleeping Beauty, op. 66: Prolog: Pas de six
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Prolog. No. 3 Pas de six: Introduction (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Prologue
Peter Tchaikovsky4:08
12The Sleeping Beauty, op. 66: Prolog: Variationen: Candide. Die Fee der Beredsamkeit. Die Fliederfee
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Prolog. no. 3 Pas de six: Var. I: Candide (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Prologue
recording of:
The Sleeping Beauty, op. 66: Prolog. No. 3 Pas de six: Var. II: Coulante. Fleur de Farine (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Prologue
recording of:
The Sleeping Beauty, op. 66: Prolog. No. 3 Pas de six: Var. VI: La Fee des Lilas (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Prologue
Peter Tchaikovsky4:18
13The Sleeping Beauty, op. 66: Acte I: Walzer
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 6. Valse (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte I
Peter Tchaikovsky3:17
14The Sleeping Beauty, op. 66: Acte I: Tanz der Hofdamen und ihre Pagen
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: b. Danse des demoiselles d’honneur et des pages (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte I
Peter Tchaikovsky4:29
15The Sleeping Beauty, op. 66: Acte I: Tanz der Prinzessin Aurora
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte I, no. 8. Pas d’action: c. Variation d’Aurore (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte I
Peter Tchaikovsky1:30
16The Sleeping Beauty, op. 66: Acte II: Tanz der Baronessen
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte II, no. 12. c. Danse des baronnes (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte II
Peter Tchaikovsky2:49
17The Sleeping Beauty, op. 66: Acte II: Prinzessin Aurora und der Märchenprinz
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte II, no. 15. Pas d’action: a. Scène d’Aurore et de Désiré (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte II
Peter Tchaikovsky0:48
18The Sleeping Beauty, op. 66: Acte II: Tanz (Mazurka)
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte II, no. 16. Scène (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte II
Peter Tchaikovsky3:44
19The Sleeping Beauty, op. 66: Acte II: Panorama
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte II, no. 17. Panorama (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte II
Peter Tchaikovsky0:47
20The Sleeping Beauty, op. 66: Acte III: Tanz (Polonaise)
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 22. Polacca (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Tchaikovsky2:46
21The Sleeping Beauty, op. 66: Acte III: Die Silberfee
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 23. Pas de quatre: c. Var. II: La Fée-Argent (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Tchaikovsky3:38
22The Sleeping Beauty, op. 66: Acte III: Der gestiefelte Kater und die weiße Katze
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 24. Pas de caractère: Le Chat botté et la chatte blanche (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Tchaikovsky0:46
23The Sleeping Beauty, op. 66: Acte III: Die Diamantfee: Pas de quatre
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 23. Pas de quatre: e. Var. IV: La Fée-Diamant (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Tchaikovsky2:19
24The Sleeping Beauty, op. 66: Acte III: Aschenputtel und der Prinz
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre: b. Var. I: Cendrillon et Fortune (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Tchaikovsky1:58
25The Sleeping Beauty, op. 66: Acte III: Der blaue Vogel und die verzauberte Prinzessin
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 25. Pas de quatre: c. Var. II: L’Oiseau bleu et la princesse Florine (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Tchaikovsky0:43
26The Sleeping Beauty, op. 66: Acte III: Rotkäppchen und der Wolf
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 26. Pas de caractère: a. Le Petit Chaperon rouge et le loup (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Tchaikovsky4:11
27The Sleeping Beauty, op. 66: Acte III: Walzer
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
partial recording of:
The Sleeping Beauty, op. 66: Acte III (in 1934)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66, The Sleeping Beauty)
Peter Tchaikovsky1:24
28The Sleeping Beauty, op. 66: Acte III: Tanz (Sarabande)
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 29. Sarabande (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Tchaikovsky1:39
29The Sleeping Beauty, op. 66: Acte III: Apothéose
orchestra:
Leopold Stokowski Symphony Orchestra (in 1934)
conductor:
Leopold Stokowski (in 1934)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose (in 1934)
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte III
Peter Tchaikovsky1:34
3▼CD
#TitleArtistLength
1Peter und der Wolf Op. 67: Einführung
spoken vocals [narrator]:
Sir John Gielgud (in 1994)
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Peter and the Wolf, op. 67: 1. Introduction (in 1994)
composer:
Сергей Сергеевич Прокофьев
part of:
Peter and the Wolf, op. 67
Sergei Prokofiev0:45
2Peter und der Wolf Op. 67: Vorstellung der Instrumente und Figuren
spoken vocals [narrator]:
Sir John Gielgud (in 1994)
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
partial recording of:
Peter and the Wolf, op. 67 (in 1994)
composer and librettist:
Сергей Сергеевич Прокофьев (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Sergei Prokofiev0:07
3Peter und der Wolf Op. 67: Vorstellung der Instrumente und Figuren
spoken vocals [narrator]:
Sir John Gielgud (in 1994)
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
partial recording of:
Peter and the Wolf, op. 67 (in 1994)
composer and librettist:
Сергей Сергеевич Прокофьев (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Sergei Prokofiev0:14
4Peter und der Wolf Op. 67: Vorstellung der Instrumente und Figuren
spoken vocals [narrator]:
Sir John Gielgud (in 1994)
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
partial recording of:
Peter and the Wolf, op. 67 (in 1994)
composer and librettist:
Сергей Сергеевич Прокофьев (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Sergei Prokofiev0:12
5Peter und der Wolf Op. 67: Vorstellung der Instrumente und Figuren
spoken vocals [narrator]:
Sir John Gielgud (in 1994)
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
partial recording of:
Peter and the Wolf, op. 67 (in 1994)
composer and librettist:
Сергей Сергеевич Прокофьев (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Sergei Prokofiev0:14
6Peter und der Wolf Op. 67: Vorstellung der Instrumente und Figuren
spoken vocals [narrator]:
Sir John Gielgud (in 1994)
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
partial recording of:
Peter and the Wolf, op. 67 (in 1994)
composer and librettist:
Сергей Сергеевич Прокофьев (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Sergei Prokofiev0:12
7Peter und der Wolf Op. 67: Vorstellung der Instrumente und Figuren
spoken vocals [narrator]:
Sir John Gielgud (in 1994)
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
partial recording of:
Peter and the Wolf, op. 67 (in 1994)
composer and librettist:
Сергей Сергеевич Прокофьев (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Sergei Prokofiev0:14
8Peter und der Wolf Op. 67: Vorstellung der Instrumente und Figuren
spoken vocals [narrator]:
Sir John Gielgud (in 1994)
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
partial recording of:
Peter and the Wolf, op. 67 (in 1994)
composer and librettist:
Сергей Сергеевич Прокофьев (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Sergei Prokofiev0:24
9Peter und der Wolf Op. 67: Das Märchen von Peter und der Wolf
spoken vocals [narrator]:
Sir John Gielgud (in 1994)
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Peter and the Wolf, op. 67 (in 1994)
composer and librettist:
Сергей Сергеевич Прокофьев (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Sergei Prokofiev25:31
10Till Eulenspiegels lustige Streiche Op. 28
orchestra:
Royal Philharmonic Orchestra (in 1995)
conductor:
Charles Mackerras (in 1995)
recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171) (in 1995)
composer:
Richard Strauss (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (number: TrV 171)
Richard Strauss14:40
11Der Karneval der Tiere: Einführung und Königlicher Marsch des Löwen
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : I. Introduction et marche royale du lion (The Carnival of the Animals: I. Introduction and Royal March of the Lion) (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:06
12Der Karneval der Tiere: Hennen und Hähne
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : II. Poules et coqs (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:48
13Der Karneval der Tiere: Wildesel
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : III. Hèmiones (Animaux véloces) (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:44
14Der Karneval der Tiere: Schildkröten
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : IV. Tortues (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:06
15Der Karneval der Tiere: Der Elefant
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : V. L'Éléphant (The Carnival of the Animals: V. The Elephant) (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:36
16Der Karneval der Tiere: Kängurus
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : VI. Kangourous (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:56
17Der Karneval der Tiere: Das Aquarium
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : VII. Aquarium (The Carnival of the Animals: VII. Aquarium) (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:13
18Der Karneval der Tiere: Persönlichkeiten mit langen Ohren
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : VIII. Personnages à longues oreilles (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns0:42
19Der Karneval der Tiere: Der Kuckuck im tiefen Wald
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : IX. Le Coucou au fond des bois (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:11
20Der Karneval der Tiere: Das Vogelhaus
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : X. Volière (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:17
21Der Karneval der Tiere: Die Pianisten
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : XI. Pianistes (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:24
22Der Karneval der Tiere: Die Fossilien
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : XII. Fossiles (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns1:29
23Der Karneval der Tiere: Der Schwan
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano) (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:04
24Der Karneval der Tiere: Das Finale
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Le Carnaval des animaux : XIV. Finale (The Carnival of the Animals: XIV. Finale) (in 1994)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns2:03
4▼CD
#TitleArtistLength
1Scheherazade. Symphonic Suite, op. 35: Das Meer und Sindbads Schiff
orchestra:
Bamberger Symphoniker
conductor:
Jonel Perlea
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
composer:
Николай Андреевич Римский‐Корсаков (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov11:31
2Scheherazade. Symphonic Suite, op. 35: Die Geschichte vom Prinzen Kalender
orchestra:
Bamberger Symphoniker
conductor:
Jonel Perlea
recording of:
Scheherazade, op. 35: II. The Kalendar Prince
composer:
Николай Андреевич Римский‐Корсаков (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov11:59
3Scheherazade. Symphonic Suite, op. 35: Vom jungen Prinzen und der jungen Prinzessin
orchestra:
Bamberger Symphoniker
conductor:
Jonel Perlea
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto)
composer:
Николай Андреевич Римский‐Корсаков (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov10:15
4Scheherazade. Symphonic Suite, op. 35: Fest in Bagdad. Das Meer. Das Schiff treibt gegen den Magnetberg und zerschellt
orchestra:
Bamberger Symphoniker
conductor:
Jonel Perlea
recording of:
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman
composer:
Николай Андреевич Римский‐Корсаков (in 1888)
part of:
Scheherazade, op. 35
Nikolai Rimsky-Korsakov12:35
5Jeux d'enfants : Marche (Marsch)
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: I. Marche. Trompette et tambour (in 1994)
orchestrator and composer:
Georges Bizet (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : VI. Trompette et Tambour
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet2:17
6Jeux d'enfants : Berceuse (Wiegenlied)
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: II. Berceuse. La Poupée (in 1994)
orchestrator and composer:
Georges Bizet (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : III. La Poupée
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet2:56
7Jeux d'enfants : Impromptu
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: III. Impromptu. La Toupie (in 1994)
orchestrator and composer:
Georges Bizet (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : II. La Toupie
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet1:02
8Jeux d'enfants : Duo
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: IV. Duo. Petit mari, petite femme (in 1994)
orchestrator and composer:
Georges Bizet (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : XI. Petit Mari, petite Femme
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet4:00
9Jeux d'enfants : Galop (Galopp)
orchestra:
Royal Philharmonic Orchestra (in 1994)
conductor:
Andrea Licata (in 1994)
recording of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22: V. Galop. Le Bal (in 1994)
orchestrator and composer:
Georges Bizet (in 1871)
orchestration of:
Jeux d’enfants, op. 22 : XII. Le Bal
part of:
Petite Suite d'orchestre (Jeux d'enfants), op. 22
Georges Bizet1:57