West Coast Blues

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleLength
1The Uptown
recorded in:
New York, New York, United States (on 1961-05-15)
alto saxophone:
Cannonball Adderley (on 1961-05-15)
alto saxophone and flute:
George Dorsey (on 1961-05-15)
baritone saxophone:
Arthur Clarke (on 1961-05-15)
bass trombone:
Paul Faulise (on 1961-05-15)
double bass:
Sam Jones (on 1961-05-15)
drums (drum set):
Charlie Persip (on 1961-05-15)
flute and tenor saxophone:
Oliver Nelson (on 1961-05-15)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-05-15)
piano:
Wynton Kelly (on 1961-05-15)
trombone:
Jimmy Cleveland (on 1961-05-15) and Melba Liston (on 1961-05-15)
trumpet:
Nat Adderley (on 1961-05-15), Ernie Royal (on 1961-05-15), Clark Terry (on 1961-05-15) and Nick Travis (on 1961-05-15)
tuba:
Don Butterfield (on 1961-05-15)
valve trombone:
Bob Brookmeyer (on 1961-05-15)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
recording of:
The Uptown (on 1961-05-15)
composer:
Junior Mance
2:15
2Blue Brass Groove4:52
3Something Different
recorded in:
New York, New York, United States (on 1961-05-09)
alto saxophone:
Cannonball Adderley (on 1961-05-09)
alto saxophone and flute:
George Dorsey (on 1961-05-09)
baritone saxophone:
Arthur Clarke (on 1961-05-09)
bass trombone:
Paul Faulise (on 1961-05-09)
congas:
Ray Barretto (on 1961-05-09)
double bass:
Sam Jones (on 1961-05-09)
drums (drum set):
Charlie Persip (on 1961-05-09)
flute and tenor saxophone:
Oliver Nelson (on 1961-05-09)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-05-09)
piano:
Wynton Kelly (on 1961-05-09)
trombone:
Jimmy Cleveland (on 1961-05-09) and Melba Liston (on 1961-05-09)
trumpet:
Nat Adderley (on 1961-05-09), Ernie Royal (on 1961-05-09), Clark Terry (on 1961-05-09) and Nick Travis (on 1961-05-09)
tuba:
Don Butterfield (on 1961-05-09)
valve trombone:
Bob Brookmeyer (on 1961-05-09)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011), Concord Music Group, Inc. (in 2012) and Kendal (in 2014)
3:05
4West Coast Blues
recorded in:
New York, New York, United States (on 1961-05-09)
alto saxophone:
Cannonball Adderley (on 1961-05-09)
alto saxophone and flute:
George Dorsey (on 1961-05-09)
baritone saxophone:
Arthur Clarke (on 1961-05-09)
bass trombone:
Paul Faulise (on 1961-05-09)
congas:
Ray Barretto (on 1961-05-09)
double bass:
Sam Jones (on 1961-05-09)
drums (drum set):
Louis Hayes (on 1961-05-09)
flute and tenor saxophone:
Oliver Nelson (on 1961-05-09)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-05-09)
piano:
Wynton Kelly (on 1961-05-09)
trombone:
Jimmy Cleveland (on 1961-05-09) and Melba Liston (on 1961-05-09)
trumpet:
Nat Adderley (on 1961-05-09), Ernie Royal (on 1961-05-09), Clark Terry (on 1961-05-09) and Nick Travis (on 1961-05-09)
tuba:
Don Butterfield (on 1961-05-09)
valve trombone:
Bob Brookmeyer (on 1961-05-09)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Kendal (in 2014)
recording of:
West Coast Blues (on 1961-05-09)
composer:
Wes Montgomery
publisher:
Taggie Music Co.
4:05
5Smoke Gets in Your Eyes
recorded in:
New York, New York, United States (on 1961-05-09)
alto saxophone:
Cannonball Adderley (on 1961-05-09)
alto saxophone and flute:
George Dorsey (on 1961-05-09)
baritone saxophone:
Arthur Clarke (on 1961-05-09)
bass trombone:
Paul Faulise (on 1961-05-09)
double bass:
Sam Jones (on 1961-05-09)
drums (drum set):
Louis Hayes (on 1961-05-09)
flute and tenor saxophone:
Oliver Nelson (on 1961-05-09)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-05-09)
piano:
Wynton Kelly (on 1961-05-09)
trombone:
Jimmy Cleveland (on 1961-05-09) and Melba Liston (on 1961-05-09)
trumpet:
Nat Adderley (on 1961-05-09), Ernie Royal (on 1961-05-09), Clark Terry (on 1961-05-09) and Nick Travis (on 1961-05-09)
tuba:
Don Butterfield (on 1961-05-09)
valve trombone:
Bob Brookmeyer (on 1961-05-09)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
instrumental recording of:
Smoke Gets in Your Eyes (on 1961-05-09)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music, Chappell Music Ltd., PolyGram International Publishing, Inc., PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
3:02
6Stockholm Sweetnin’
recorded in:
New York, New York, United States (on 1961-05-15)
alto saxophone:
Cannonball Adderley (on 1961-05-15)
alto saxophone and flute:
George Dorsey (on 1961-05-15)
baritone saxophone:
Arthur Clarke (on 1961-05-15)
bass trombone:
Paul Faulise (on 1961-05-15)
double bass:
Sam Jones (on 1961-05-15)
drums (drum set):
Charlie Persip (on 1961-05-15)
flute and tenor saxophone:
Oliver Nelson (on 1961-05-15)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-05-15)
piano:
Wynton Kelly (on 1961-05-15)
trombone:
Jimmy Cleveland (on 1961-05-15) and Melba Liston (on 1961-05-15)
trumpet:
Nat Adderley (on 1961-05-15), Ernie Royal (on 1961-05-15), Clark Terry (on 1961-05-15) and Nick Travis (on 1961-05-15)
tuba:
Don Butterfield (on 1961-05-15)
valve trombone:
Bob Brookmeyer (on 1961-05-15)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
recording of:
Stockholm Sweetnin' (on 1961-05-15)
composer:
Quincy Jones
publisher:
Silhouette Music Corp.
3:42
7Kelly Blue
recorded in:
New York, New York, United States (on 1961-02-28)
alto saxophone:
Cannonball Adderley (on 1961-02-28)
alto saxophone and flute:
George Dorsey (on 1961-02-28)
baritone saxophone:
Arthur Clarke (on 1961-02-28)
bass trombone:
Paul Faulise (on 1961-02-28)
bongos and congas:
Michael Olatuja (on 1961-02-28)
double bass:
Sam Jones (on 1961-02-28)
drums (drum set):
Charlie Persip (on 1961-02-28)
flute and tenor saxophone:
Oliver Nelson (on 1961-02-28)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-02-28)
piano:
Wynton Kelly (on 1961-02-28)
trombone:
Jimmy Cleveland (on 1961-02-28), George Matthews (on 1961-02-28) and Arnett Sparrow (on 1961-02-28)
trumpet:
Nat Adderley (on 1961-02-28), Joe Newman (on 1961-02-28), Ernie Royal (on 1961-02-28) and Clark Terry (on 1961-02-28)
tuba:
Don Butterfield (on 1961-02-28)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
3:52
8Letter From Home
recorded in:
New York, New York, United States (on 1961-05-09)
alto saxophone:
Cannonball Adderley (on 1961-05-09)
alto saxophone and flute:
George Dorsey (on 1961-05-09)
baritone saxophone:
Arthur Clarke (on 1961-05-09)
bass trombone:
Paul Faulise (on 1961-05-09)
congas:
Ray Barretto (on 1961-05-09)
double bass:
Sam Jones (on 1961-05-09)
drums (drum set):
Louis Hayes (on 1961-05-09)
flute and tenor saxophone:
Oliver Nelson (on 1961-05-09)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-05-09)
piano:
Wynton Kelly (on 1961-05-09)
trombone:
Jimmy Cleveland (on 1961-05-09) and Melba Liston (on 1961-05-09)
trumpet:
Nat Adderley (on 1961-05-09), Ernie Royal (on 1961-05-09), Clark Terry (on 1961-05-09) and Nick Travis (on 1961-05-09)
tuba:
Don Butterfield (on 1961-05-09)
valve trombone:
Bob Brookmeyer (on 1961-05-09)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
2:01
9African Waltz
recorded in:
New York, New York, United States (on 1961-02-28)
alto saxophone:
Cannonball Adderley (on 1961-02-28)
alto saxophone and flute:
George Dorsey (on 1961-02-28)
baritone saxophone:
Arthur Clarke (on 1961-02-28)
bass trombone:
Paul Faulise (on 1961-02-28)
bongos and congas:
Michael Olatuja (on 1961-02-28)
double bass:
Sam Jones (on 1961-02-28)
drums (drum set):
Charlie Persip (on 1961-02-28)
flute and tenor saxophone:
Oliver Nelson (on 1961-02-28)
flute, piccolo and tenor saxophone:
Jerome Richardson (on 1961-02-28)
piano:
Wynton Kelly (on 1961-02-28)
trombone:
Jimmy Cleveland (on 1961-02-28), George Matthews (on 1961-02-28) and Arnett Sparrow (on 1961-02-28)
trumpet:
Nat Adderley (on 1961-02-28), Joe Newman (on 1961-02-28), Ernie Royal (on 1961-02-28) and Clark Terry (on 1961-02-28)
tuba:
Don Butterfield (on 1961-02-28)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
2:12
10I’ll Close My Eyes
phonographic copyright (℗) by:
Kendal (in 2014)
3:42
11This Here
alto saxophone:
Cannonball Adderley (from 1959-10-18 until 1959-10-20)
cornet:
Nat Adderley (from 1959-10-18 until 1959-10-20)
double bass:
Sam Jones (from 1959-10-18 until 1959-10-20)
drums (drum set):
Louis Hayes (from 1959-10-18 until 1959-10-20)
piano:
Bobby Timmons (from 1959-10-18 until 1959-10-20)
phonographic copyright (℗) by:
Kendal (in 2014)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1959-10-18 until 1959-10-20)
live recording of:
This Here (from 1959-10-18 until 1959-10-20)
composer:
Stefano Di Battista and Bobby Timmons
12:30
12Things Are Getting Better
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (in 1973), Concord Music Group, Inc. (in 2012, in 2013) and Kendal (in 2014)
recording of:
Things Are Getting Better (on 1958-10-28)
writer:
Dory Langdon and Julian Adderley
7:14
13Blues Oriental
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (in 1973), Concord Music Group, Inc. (in 2013) and Kendal (in 2014)
recording of:
Blues Oriental (on 1958-10-28)
composer:
Milt Jackson
5:04
14Serves Me Right
phonographic copyright (℗) by:
Kendal (in 2014)
recording of:
Serves Me Right
composer:
Buddy Johnson
4:49
15Groovin’ High
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (in 1973), Concord Music Group, Inc. (in 2009, in 2013) and Kendal (in 2014)
recording of:
Groovin’ High (on 1958-10-28)
composer:
Dizzy Gillespie, Frank Paparelli and Charlie Parker
5:22
16Serves Me Right (alternate take)
recorded in:
New York, New York, United States (on 1958-10-28)
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Concord Music Group, Inc. (in 2013) and Kendal (in 2014)
recording of:
Serves Me Right
composer:
Buddy Johnson
4:37
17The Sidewalks of New York
phonographic copyright (℗) by:
Kendal (in 2014)
instrumental recording of:
The Sidewalks of New York
lyricist:
James W. Blake
composer:
Charles B. Lawlor
7:00
18Sounds for Sid
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (in 1973), Concord Music Group, Inc. (in 2013) and Kendal (in 2014)
recording of:
Sounds for Sid (on 1958-10-28)
composer:
Julian Adderley
6:28
19The Sidewalks of New York (alternate take)
recorded in:
New York, New York, United States (on 1958-10-28)
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Concord Music Group, Inc. (in 2013) and Kendal (in 2014)
instrumental recording of:
The Sidewalks of New York (on 1958-10-28)
lyricist:
James W. Blake
composer:
Charles B. Lawlor
5:15
20Just One of Those Things
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (in 1973), Concord Music Group, Inc. (in 2013) and Kendal (in 2014)
instrumental recording of:
Just One of Those Things (on 1958-10-28)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
6:45
21You Got It!
engineer:
Reice Hamel (in 1959-10)
producer:
Orrin Keepnews (in 1959-10)
alto saxophone:
Cannonball Adderley (from 1959-10-18 until 1959-10-20)
cornet:
Nat Adderley (from 1959-10-18 until 1959-10-20)
double bass:
Sam Jones (from 1959-10-18 until 1959-10-20)
drums (drum set):
Louis Hayes (from 1959-10-18 until 1959-10-20)
piano:
Bobby Timmons (from 1959-10-18 until 1959-10-20)
phonographic copyright (℗) by:
Kendal (in 2014)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1959-10-18 until 1959-10-20)
5:07
22Straight, No Chaser
alto saxophone:
Cannonball Adderley (on 1959-10-18)
cornet:
Nat Adderley (on 1959-10-18)
double bass:
Sam Jones (on 1959-10-18)
drums (drum set):
Louis Hayes (on 1959-10-18)
piano:
Bobby Timmons (on 1959-10-18)
phonographic copyright (℗) by:
Fantasy, Inc. (in 1989), Concord Music Group, Inc. (in 2007) and Kendal (in 2014)
recorded at:
The Jazz Workshop in San Francisco, California, United States (on 1959-10-18, on 1959-10-20)
live recording of:
Straight, No Chaser (in 1959-10)
composer:
Thelonious Monk
publisher:
Thelonious Music
11:52
23This Here (alternate take)
phonographic copyright (℗) by:
Kendal (in 2014)
recording of:
This Here
composer:
Stefano Di Battista and Bobby Timmons
3:01
24Hi-Fly
alto saxophone:
Cannonball Adderley (from 1959-10-18 until 1959-10-20)
cornet:
Nat Adderley (from 1959-10-18 until 1959-10-20)
double bass:
Sam Jones (from 1959-10-18 until 1959-10-20)
drums (drum set):
Louis Hayes (from 1959-10-18 until 1959-10-20)
piano:
Bobby Timmons (from 1959-10-18 until 1959-10-20)
phonographic copyright (℗) by:
Kendal (in 2014)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1959-10-18 until 1959-10-20)
live recording of:
Hi Fly (from 1959-10-18 until 1959-10-20)
composer:
Randy Weston
11:12
25Bohemia After Dark
alto saxophone:
Cannonball Adderley (from 1959-10-18 until 1959-10-20)
cornet:
Nat Adderley (from 1959-10-18 until 1959-10-20)
double bass:
Sam Jones (from 1959-10-18 until 1959-10-20)
drums (drum set):
Louis Hayes (from 1959-10-18 until 1959-10-20)
piano:
Bobby Timmons (from 1959-10-18 until 1959-10-20)
phonographic copyright (℗) by:
Mastercorp Pty Ltd (in 2011) and Kendal (in 2014)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1959-10-18 until 1959-10-20)
recording of:
Bohemia After Dark (from 1959-10-18 until 1959-10-20)
composer:
Oscar Pettiford (in 1955)
8:06
26Spontaneous Combustion
alto saxophone:
Cannonball Adderley (from 1959-10-18 until 1959-10-20)
cornet:
Nat Adderley (from 1959-10-18 until 1959-10-20)
double bass:
Sam Jones (from 1959-10-18 until 1959-10-20)
drums (drum set):
Louis Hayes (from 1959-10-18 until 1959-10-20)
piano:
Bobby Timmons (from 1959-10-18 until 1959-10-20)
phonographic copyright (℗) by:
Kendal (in 2014)
recorded at:
The Jazz Workshop in San Francisco, California, United States (from 1959-10-18 until 1959-10-20)
live recording of:
Spontaneous Combustion (in 1959-10)
composer:
Julian “Cannonball” Adderley
11:56

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