Die beliebtesten Meisterwerke der Romantik

~ Release by Various Artists (see all versions of this release, 6 available)

Annotation

Cello Violoncello – Anton Fiebig (tracks: 4-2)
Composed By – Alexander Borodin (tracks: 5-1), Anton Bruckner (tracks: 7-1 to 7-4), Antonin Dvorak* (tracks: 2-1 to 2-4), Dvorak* (tracks: 4-3), Bedrich Smetana* (tracks: 10-1 to 10-6), Smetana* (tracks: 4-1), Debussy* (tracks: 4-4a to 4-4c), Felix Mendelssohn Bartholdy* (tracks: 3-1 to 3-8), Hector Berlioz (tracks: 6-1 to 6-6), Bruch* (tracks: 4-2), Peter Iljitsch Tschaikowsky* (tracks: 1-1 to 1-13, 5-2 to 5-5, 9-1 to 9-10), Robert Schumann (tracks: 8-1 to 8-9)
Conductor – Alberto Lizzio (tracks: 1-1 to 1-8, 4-2, 6-6, 9-1 to 9-8), Alfred Scholz (tracks: 1-9 to 1-13, 4-1, 4,3, 8-1 to 8-9), Anton Nanut (tracks: 6-1 to 6-5, 9-10), Henry Adolph (tracks: 2-1 to 2-4), Lawrence Siegel* (tracks: 5-1, 9-9), Marko Munib* (tracks: 5-2 to 5-5), Milan Horvat (tracks: 3-1 to 3-8, 4-4a to 4-4c, 7-1 to 7-4), Zdenek Macal* (tracks: 10-1 to 10-6)
Orchestra – London Festival Orchestra* (tracks: 9-1 to 9-8), London Symphony Orchestra* (tracks: 4-1, 4-3), New Philharmonic Orchestra (tracks: 1-9 to 1-13), New Philharmonic Orchestra, The* (tracks: 9-9), Austrian Radio Symphony* (tracks: 3-1 to 3-8, 7-1 to 7-4), Austrian Broadcasting* (tracks: 4-4a to 4-4c), Philharmonia Slavonica (tracks: 2-1 to 2-4, 4-2, 8-1 to 8-9), Radio Symphony Orchestra Ljubljana* (tracks: 5-1 to 5-5, 6-1 to 6-5, 9-10), Sinfonieorchester Baden-Baden* (tracks: 10-1 to 10-6), Symphony Orchestra (tracks: 1-1 to 1-8), Süddeutsche Philharmonie (tracks: 6-6)

Tracklist

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1▼CD: Schwanensee / Dornröschen
#TitleArtistLength
1Schwanensee: 1. Szene (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra, New Philharmonic Orchestra and Symphonic Festival Orchestra
conductor:
Henry Adolph, Alberto Lizzio and Laurence Siegel
recording of:
Schwanensee / Swan Lake, Ballett / Ballet: 1. Szene
composer:
Пётр Ильич Чайковский
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight)
composer:
Пётр Ильич Чайковский (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский3:14
2Schwanensee: Valse (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra and Symphonic Festival Orchestra
conductor:
Henry Adolph and Alberto Lizzio
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский7:43
3Schwanensee: Valse (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra, New Philharmonic Orchestra and Symphonic Festival Orchestra
conductor:
Henry Adolph, Alberto Lizzio and Laurence Siegel
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
composer:
Пётр Ильич Чайковский (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:39
4Schwanensee: Pas d'action (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra and Symphonic Festival Orchestra
conductor:
Henry Adolph and Alberto Lizzio
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène
composer:
Пётр Ильич Чайковский (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский8:02
5Schwanensee: Danse Hongroise (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra and Symphonic Festival Orchestra
conductor:
Henry Adolph and Alberto Lizzio
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise
composer:
Пётр Ильич Чайковский (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:52
6Schwanensee: Danse Espagnole (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra and Symphonic Festival Orchestra
conductor:
Henry Adolph and Alberto Lizzio
recording of:
The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole
composer:
Pyotr Ilyich Tchaikovsky (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:25
7Schwanensee: Danse Napolitaine (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra and Symphonic Festival Orchestra
conductor:
Henry Adolph and Alberto Lizzio
recording of:
The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine
composer:
Pyotr Ilyich Tchaikovsky (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:07
8Schwanensee: Mazurka (Symphony Orchestra feat. conductor Alberto Lizzio)
orchestra:
London Festival Orchestra
conductor:
Alberto Lizzio
Пётр Ильич Чайковский3:57
9Dornröschen, Ballet-Suite: Introduktion, Die Fliederfee (New Philharmonic Orchestra feat. conductor: Alfred Scholz)
orchestra:
[unknown], Amsterdam Symphony Orchestra, Deutsches Symphonie‐Orchester Berlin, The English Philharmonic Orchestra, London Festival Orchestra, Musici di San Marco, New Philharmonia Orchestra London, New Philharmonic Orchestra, New Philharmonic Orchestra London, Philharmonic Orchestra London, Radio Symphony Orchestra Ljubljana and Russian State Symphony Orchestra
conductor:
L. Siegel, Alfred Scholz, Peter Stern, Serge Tchaikov, George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Pyotr Ilyich Tchaikovsky
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Introduction
composer:
Pyotr Ilyich Tchaikovsky
part of:
Спящая красавица, op. 66 (The Sleeping Beauty, op. 66, The Sleeping Beauty)
Пётр Ильич Чайковский3:33
10Dornröschen, Ballet-Suite: Pas d'action (New Philharmonic Orchestra feat. conductor: Alfred Scholz)
orchestra:
[unknown], Amsterdam Symphony Orchestra, Deutsches Symphonie‐Orchester Berlin, The English Philharmonic Orchestra, London Festival Orchestra, Musici di San Marco, New Philharmonia Orchestra London, New Philharmonic Orchestra, New Philharmonic Orchestra London, Orquesta Sinfónica Clásica de Baviera, Philharmonic Orchestra London, Radio Symphony Orchestra Ljubljana and Russian State Symphony Orchestra
conductor:
L. Siegel, Alberto Lizzio, Alfred Scholz, Peter Stern, Serge Tchaikov, George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский5:23
11Dornröschen, Ballet-Suite: Panorama (New Philharmonic Orchestra feat. conductor: Alfred Scholz)
orchestra:
[unknown], Amsterdam Symphony Orchestra, Deutsches Symphonie‐Orchester Berlin, The English Philharmonic Orchestra, London Festival Orchestra, Musici di San Marco, New Philharmonia Orchestra London, New Philharmonic Orchestra, New Philharmonic Orchestra London, Philharmonic Orchestra London, Radio Symphony Orchestra Ljubljana and Russian State Symphony Orchestra
conductor:
L. Siegel, Alfred Scholz, Peter Stern, Serge Tchaikov, George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский2:35
12Dornröschen, Ballet-Suite: Valse (New Philharmonic Orchestra feat. conductor: Alfred Scholz)
orchestra:
[unknown], Amsterdam Symphony Orchestra, Deutsches Symphonie‐Orchester Berlin, The English Philharmonic Orchestra, London Festival Orchestra, Musici di San Marco, New Philharmonia Orchestra London, New Philharmonic Orchestra, New Philharmonic Orchestra London, Philharmonia Orchestra, Philharmonic Orchestra London, Radio Symphony Orchestra Ljubljana, Royal Philharmonic Orchestra and Russian State Symphony Orchestra
conductor:
L. Siegel, Alfred Scholz, Peter Stern, Serge Tchaikov, George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский4:24
13Dornröschen, Ballet-Suite: Finale (New Philharmonic Orchestra feat. conductor: Alfred Scholz)
orchestra:
[unknown], Amsterdam Symphony Orchestra, Deutsches Symphonie‐Orchester Berlin, The English Philharmonic Orchestra, London Festival Orchestra, Musici di San Marco, New Philharmonia Orchestra London, New Philharmonic Orchestra, New Philharmonic Orchestra London, Philharmonia Orchestra, Philharmonic Orchestra London, Radio Symphony Orchestra Ljubljana and Russian State Symphony Orchestra
conductor:
L. Siegel, Alfred Scholz, Peter Stern, Serge Tchaikov, George Ralph Warren and Peter Wohlert
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66a (Suite)
partial recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
composer:
Пётр Ильич Чайковский
part of:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский2:01
2▼CD: Symphonie No. 9 "Aus der Neuen Welt" (Philharmonia Slavonica feat. conductor: Henry Adolph)
#TitleArtistLength
1Symphonie No. 9 e-Moll, Op. 95 "Aus der Neuen Welt": I. Adagio - Allegro molto
orchestra:
London Philharmonic Festival Orchestra, Philharmonia Slavonica and Radio Symphony Orchestra Ljubljana
conductor:
Henry Adolph, Anton Nanut and Victor de Stradelli
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 "From the New World": I. Adagio — Allegro molto)
composer:
Antonín Dvořák (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák9:09
2Symphonie No. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo
orchestra:
London Philharmonic Festival Orchestra, Philharmonia Slavonica and Radio Symphony Orchestra Ljubljana
conductor:
Henry Adolph, Anton Nanut and Victor de Stradelli
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
composer:
Antonín Dvořák (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák12:12
3Symphonie No. 9 e-Moll, Op. 95 "Aus der Neuen Welt": III. Scherzo. Molto vivace
orchestra:
London Philharmonic Festival Orchestra, Philharmonia Slavonica and Radio Symphony Orchestra Ljubljana
conductor:
Henry Adolph, Anton Nanut and Victor de Stradelli
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace — Poco sostenuto)
composer:
Antonín Dvořák (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák7:44
4Symphonie No. 9 e-Moll, Op. 95 "Aus der Neuen Welt": IV. Allegro con fuoco
orchestra:
London Philharmonic Festival Orchestra, Philharmonia Slavonica and Radio Symphony Orchestra Ljubljana
conductor:
Henry Adolph, Anton Nanut and Victor de Stradelli
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 "From the New World": IV. Allegro con fuoco)
composer:
Antonín Dvořák (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák11:15
3▼CD: Symphonie Nr. 4 Italienische / Symphonie Nr. 5 Reformation (Austrian Radio Symphony feat. conductor: Milan Horvat)
#TitleArtistLength
1Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": I. Allegro vivace
orchestra:
Bamberger Symphoniker, London Festival Orchestra, London Symphony Orchestra, London Symphony Orchestra, ORF Radio‐Symphonieorchester Wien and Philharmonia Slavonica
conductor:
Milan Horvat, Alberto Lizzio, Alfred Scholz, Walter Scholz and Hans Swarowsky
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
composer:
Felix Mendelssohn (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Felix Mendelssohn11:33
2Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": II. Andante con moto
orchestra:
Bamberger Symphoniker, London Festival Orchestra, London Symphony Orchestra, London Symphony Orchestra, ORF Radio‐Symphonieorchester Wien and Philharmonia Slavonica
conductor:
Milan Horvat, Alberto Lizzio, Alfred Scholz and Hans Swarowsky
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto
composer:
Felix Mendelssohn (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:46
3Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": III. Con moto moderato
orchestra:
Bamberger Symphoniker, London Festival Orchestra, London Symphony Orchestra, London Symphony Orchestra, ORF Radio‐Symphonieorchester Wien and Philharmonia Slavonica
conductor:
Milan Horvat, Alberto Lizzio, Alfred Scholz and Hans Swarowsky
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato
composer:
Felix Mendelssohn (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:57
4Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": IV. Saltarello. Presto
orchestra:
Bamberger Symphoniker, London Festival Orchestra, London Symphony Orchestra, London Symphony Orchestra, ORF Radio‐Symphonieorchester Wien and Philharmonia Slavonica
conductor:
Milan Horvat, Alberto Lizzio, Alfred Scholz and Hans Swarowsky
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
composer:
Felix Mendelssohn (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:02
5Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": I. Andante. Allegro con fuoco
orchestra:
Bamberger Symphoniker, London Symphony Orchestra, ORF Radio‐Symphonieorchester Wien and The London Philharmonic Orchestra
conductor:
Milan Horvat, Alexander von Pitamic, Alfred Scholz and Hans Swarowsky
recording of:
Symphony no. 5 in D major, op. 107 "Reformation": I. Andante - Allegro con fuoco
composer:
Felix Mendelssohn (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn11:06
6Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": II. Allegro vivace
orchestra:
Bamberger Symphoniker, London Symphony Orchestra, ORF Radio‐Symphonieorchester Wien and The London Philharmonic Orchestra
conductor:
Milan Horvat, Alexander von Pitamic, Alfred Scholz and Hans Swarowsky
recording of:
Symphony no. 5 in D major, op. 107 "Reformation": II. Allegro vivace
composer:
Felix Mendelssohn (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn5:37
7Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": III. Andante
orchestra:
Bamberger Symphoniker, London Symphony Orchestra, ORF Radio‐Symphonieorchester Wien and The London Philharmonic Orchestra
conductor:
Milan Horvat, Alexander von Pitamic, Alfred Scholz and Hans Swarowsky
recording of:
Symphony no. 5 in D major, op. 107 “Reformation”: III. Andante
composer:
Felix Mendelssohn (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn3:15
8Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": IV. Choral: Ein' feste Burg ist unser Gott! Andante con moto
orchestra:
Bamberger Symphoniker, London Symphony Orchestra, ORF Radio‐Symphonieorchester Wien and The London Philharmonic Orchestra
conductor:
Milan Horvat, Alexander von Pitamic, Alfred Scholz and Hans Swarowsky
recording of:
Symphony no. 5 in D major, op. 107 “Reformation”: IV. Choral “Ein’ feste Burg ist unser Gott”
composer:
Felix Mendelssohn (in 1830)
part of:
Symphony no. 5 in D major, op. 107 "Reformation"
Felix Mendelssohn8:35
4▼CD: Moldau / Kol Nidrei und andere Werke
#TitleArtistLength
1Sinfonische Dichtung: Die Moldau (London Symphony Orchestra feat. conductor: Alfred Scholz)
orchestra:
Philharmonisches Staatsorchester Hamburg, London Festival Orchestra, London Symphony Orchestra, Philharmonia Slavonica, The Vienna Symphony Orchestra and Wiener Symphoniker
conductor:
Henry Adolph, Pietro di la Corona, Alfred Scholz, George Ralph Warren and Yuri Ahronovich
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:57
2Kol Nidrei, Variationen für Violoncello und Orchester Op. 47, Adagio (Philharmonia Slavonic feat. conductor: Alberto Lizzio, Violoncello: Anton Fiebig)
cello:
Anton Fiebig and Josef Vondra
orchestra:
Camerata Romana and Philharmonia Slavonica
conductor:
Henry Adolph and Alberto Lizzio
recording of:
Kol Nidrei, op. 47
composer:
Max Bruch (in 1880-07)
dedicated to:
Robert Hausmann
part of:
Works of Max Bruch by opus number (number: op. 47)
Max Bruch9:51
3Slawischer Tanz Nr. 2 e-Moll (London Symphony Orchestra feat. conductor: Alfred Scholz)
orchestra:
Berlin Festival Orchestra, London Festival Orchestra and London Symphony Orchestra
conductor:
Vladimir Petroschoff, Alfred Scholz, Thomas Waldham and George Ralph Warren
phonographic copyright (℗) by:
Mediaphon (in 1984)
recording of:
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka)
composer:
Antonín Dvořák (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák5:38
4La Mer: De l'aube a midi sur la mer (Austrian Broadcasting feat. conductor: Milan Horvat)
orchestra:
London Festival Orchestra, Orchestre philharmonique de l’ORTF, ORF-Symphonic Orchestra and Philharmonia Slavonica
conductor:
Loic Bertrand, Milan Horvat, Alberto Lizzio, Alexander von Pitamic and Alfred Scholz
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer”
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy9:02
5La Mer: Jeux de vague (Austrian Broadcasting feat. conductor: Milan Horvat)
orchestra:
London Festival Orchestra, Orchestre philharmonique de l’ORTF, ORF-Symphonic Orchestra and Philharmonia Slavonica
conductor:
Loic Bertrand, Milan Horvat, Alberto Lizzio, Alexander von Pitamic and Alfred Scholz
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues”
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy6:31
6La Mer: Dialogue du vent et de la mer (Austrian Broadcasting feat. conductor: Milan Horvat)
orchestra:
London Festival Orchestra, Orchestre Radio Symphonique, ORF-Symphonic Orchestra and Philharmonia Slavonica
conductor:
Loic Bertrand, Milan Horvat, Alberto Lizzio, Alexander von Pitamic and Alfred Scholz
recording of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer”
composer:
Claude Debussy (from 1903 until 1905)
part of:
La Mer, trois esquisses symphoniques pour orchestre, L. 109
Claude Debussy8:06
5▼CD: Polowetzer Tänze / Symphonie Nr. 5 Op. 64
#TitleArtistLength
1Polowetzer Tänze 8 und 17 (Radio Symphony Orchestra Ljubljana feat. conductor Lawrence Siegel)
orchestra:
Simfonični orkester RTV Slovenija
conductor:
Laurence Siegel
recording of:
Polowetzer Tänze 8 und 17
composer:
Александр Порфирьевич Бородин
Александр Порфирьевич Бородин13:58
2Symphonie No. 5 e-Moll, Op. 64: I. Andante (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih)
orchestra:
Radio Symphony Orchestra Ljubljana
conductor:
Marko Munih
recording of:
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima
composer:
Пётр Ильич Чайковский (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский15:29
3Symphonie No. 5 e-Moll, Op. 64: II. Andante cantabile (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih)
orchestra:
Radio Symphony Orchestra Ljubljana
conductor:
Marko Munih
recording of:
Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza
composer:
Pyotr Ilyich Tchaikovsky (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский13:12
4Symphonie No. 5 e-Moll, Op. 64: III. Valse. Allegro moderato (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih)
orchestra:
Radio Symphony Orchestra Ljubljana
conductor:
Marko Munih
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato
composer:
Пётр Ильич Чайковский (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский6:01
5Symphonie No. 5 e-Moll, Op. 64: IV. Finale. Andante maestoso (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih)
orchestra:
Radio Symphony Orchestra Ljubljana
conductor:
Marko Munih
recording of:
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Moderato assai e molto maestoso – Presto – Molto meno mosso (Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace)
composer:
Пётр Ильич Чайковский (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский11:23
6▼CD: Symphonie Fantastique, Op. 14A / Rokoczy - Marsch
#TitleArtistLength
1Symphonie Fantastique, Op. 14a (Episoden aus dem Leben eines Künstlers): Träume, Leiden (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut)
orchestra:
Ljubljana Radio Symphony Orchestra, London Festival Orchestra and Süddeutsche Philharmonie
conductor:
Alberto Lizzio, Anton Nanut and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions
composer:
Hector Berlioz (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz15:26
2Symphonie Fantastique, Op. 14a (Episoden aus dem Leben eines Künstlers): Ein Ball (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut)
orchestra:
Ljubljana Radio Symphony Orchestra, London Festival Orchestra and Süddeutsche Philharmonie
conductor:
Alberto Lizzio, Anton Nanut and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: II. Un bal
composer:
Hector Berlioz (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:14
3Symphonie Fantastique, Op. 14a (Episoden aus dem Leben eines Künstlers): Szene auf dem Lande (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut)
orchestra:
Ljubljana Radio Symphony Orchestra, London Festival Orchestra and Süddeutsche Philharmonie
conductor:
Alberto Lizzio, Anton Nanut and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs
composer:
Hector Berlioz (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz17:11
4Symphonie Fantastique, Op. 14a (Episoden aus dem Leben eines Künstlers): Gang zum Richtplatz (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut)
orchestra:
Ljubljana Radio Symphony Orchestra, London Festival Orchestra and Süddeutsche Philharmonie
conductor:
Alberto Lizzio, Anton Nanut and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
composer:
Hector Berlioz (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:47
5Symphonie Fantastique, Op. 14a (Episoden aus dem Leben eines Künstlers): Traum einer Sabbatnacht (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut)
orchestra:
Ljubljana Radio Symphony Orchestra, London Festival Orchestra and Süddeutsche Philharmonie
conductor:
Alberto Lizzio, Anton Nanut and Alfred Scholz
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
composer:
Hector Berlioz (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat
composer:
Hector Berlioz (in 1830)
quotes music from:
Dies Irae (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz11:35
6Rakoczy-Marsch (Ungarischer Marsch) (Süddeutsche Philharmonie feat. conductor Alberto Lizzio)
orchestra:
Philharmonia Slavonica, Royal Philharmonic Orchestra, Simfonični orkester RTV Slovenija and Süddeutsche Philharmonie
conductor:
Henry Adolph, Alberto Lizzio and Anton Nanut
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March)
composer:
Hector Berlioz
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:14
7▼CD: Symphonie No. 4 Romantische (Austrian Radio Symphony feat. conductor Milan Horvat)
#TitleArtistLength
1Symphonie Nr. 4, Es-Dur (Romantische): I. Bewegt, nicht zu schnell
orchestra:
Philharmonia Slavonica and ORF-Symphonieorchester (on 1971-12-11)
conductor:
Henry Adolph and Milan Horvat (on 1971-12-11)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: I. Bewegt, nicht zu schnell (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (on 1971-12-11)
composer:
Anton Bruckner (from 1873 until 1874)
revised by:
Anton Bruckner (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner17:24
2Symphonie Nr. 4, Es-Dur (Romantische): II. Andante
orchestra:
Philharmonia Slavonica and ORF-Symphonieorchester (on 1971-12-11)
conductor:
Henry Adolph and Milan Horvat (on 1971-12-11)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: II. Andante, quasi allegretto (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (on 1971-12-11)
composer:
Anton Bruckner (from 1873 until 1874)
revised by:
Anton Bruckner (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner14:47
3Symphonie Nr. 4, Es-Dur (Romantische): III. Scherzo: Bewegt
orchestra:
Philharmonia Slavonica and ORF-Symphonieorchester (on 1971-12-11)
conductor:
Henry Adolph and Milan Horvat (on 1971-12-11)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: III. Scherzo (Bewegt) - Trio (Nicht zu schnell, Keinesfalls schleppend) (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (on 1971-12-11)
composer:
Anton Bruckner (from 1873 until 1874)
revised by:
Anton Bruckner (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner10:59
4Symphonie Nr. 4, Es-Dur (Romantische): IV. Finale: Bewegt, doch nicht zu schnell
orchestra:
Philharmonia Slavonica and ORF-Symphonieorchester (on 1971-12-11)
conductor:
Henry Adolph and Milan Horvat (on 1971-12-11)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: IV. Finale. Bewegt, doch nicht zu schnell (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (on 1971-12-11)
composer:
Anton Bruckner (from 1873 until 1874)
revised by:
Anton Bruckner (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner19:20
8▼CD: Symphonie No. 1 / No. 3 (Philharmonia Slavonica feat. conductor Alfred Scholz)
#TitleArtistLength
1Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": I. Andante un poco maestoso. Allegro molto vivace
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: I. Andante un poco maestoso - Allegro molto vivace
composer:
Robert Schumann (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann12:11
2Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": II. Larghetto. Attacca
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: II. Larghetto - (attacca:)
composer:
Robert Schumann (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann7:23
3Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": III. Scherzo. Molto vivace
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: III. Scherzo: Molto vivace
composer:
Robert Schumann (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann5:47
4Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": IV. Allegro animato e grazioso
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso
composer:
Robert Schumann (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann6:55
5Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": I. Lebhaft
orchestra:
Philharmonia Slavonica
conductor:
Alexander von Pitamic and Alfred Scholz
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: I. Lebhaft
composer:
Robert Schumann (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann8:49
6Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": II. Scherzo. Sehr mäßig
orchestra:
Philharmonia Slavonica
conductor:
Alexander von Pitamic and Alfred Scholz
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: II. Scherzo. Sehr mäßig
composer:
Robert Schumann (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann5:31
7Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": III. Nicht so schnell
orchestra:
Hamburger Symphoniker and Philharmonia Slavonica
conductor:
Alberto Lizzio, Alexander von Pitamic and Alfred Scholz
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: III. Nicht schnell
composer:
Robert Schumann (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann4:33
8Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": IV. Feierlich
orchestra:
Philharmonia Slavonica
conductor:
Alexander von Pitamic and Alfred Scholz
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: IV. Feierlich
composer:
Robert Schumann (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann5:19
9Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": V. Lebhaft
orchestra:
Philharmonia Slavonica
conductor:
Alexander von Pitamic and Alfred Scholz
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft
composer:
Robert Schumann (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann5:46
9▼CD: Der Nussknacker / Romeo & Julia / Capriccio Italien, Op. 45
#TitleArtistLength
1Der Nussknacker: Ouverture miniature (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra, Leipzig Philharmonic Orchestra, London Festival Orchestra, Symphonic Festival Orchestra, The New Philharmonic Orchestra and Tokyo Festival Orchestra
conductor:
Henry Adolph, Gerhard Bosse, Alberto Lizzio and Takao Matsumo
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
composer:
Пётр Ильич Чайковский (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:19
2Der Nussknacker: Marsch (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra, London Festival Orchestra, Philharmonia Slavonica, Symphonic Festival Orchestra, The New Philharmonic Orchestra and Tokyo Festival Orchestra
conductor:
Henry Adolph, Alberto Lizzio and Takao Matsumo
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
composer:
Пётр Ильич Чайковский
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
composer:
Пётр Ильич Чайковский
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Пётр Ильич Чайковский2:48
3Der Nussknacker: Tanz der Zuckerfee (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra, London Festival Orchestra, Symphonic Festival Orchestra, The New Philharmonic Orchestra and Tokyo Festival Orchestra
conductor:
Henry Adolph, Alberto Lizzio and Takao Matsumo
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский2:10
4Der Nussknacker: Russischer Tanz (Trepank) (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra, London Festival Orchestra, Philharmonia Slavonica, Symphonic Festival Orchestra, The New Philharmonic Orchestra and Tokyo Festival Orchestra
conductor:
Henry Adolph, Alberto Lizzio and Takao Matsumo
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:16
5Der Nussknacker: Arabischer Tanz (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra, London Festival Orchestra, Symphonic Festival Orchestra, The New Philharmonic Orchestra and Tokyo Festival Orchestra
conductor:
Henry Adolph, Alberto Lizzio and Takao Matsumo
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:41
6Der Nussknacker: Chinesischer Tanz (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra, London Festival Orchestra, Symphonic Festival Orchestra, The New Philharmonic Orchestra and Tokyo Festival Orchestra
conductor:
Henry Adolph, Alberto Lizzio and Takao Matsumo
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:24
7Der Nussknacker: Tanz der Rohrflöten (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra, London Festival Orchestra, London Festival Orchestra, Symphonic Festival Orchestra, The New Philharmonic Orchestra and Tokyo Festival Orchestra
conductor:
Henry Adolph, Alberto Lizzio and Takao Matsumo
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:40
8Der Nussknacker: Blumenwalzer (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra, Hamburger Symphoniker, London Festival Orchestra, Symphonic Festival Orchestra, The New Philharmonic Orchestra and Tokyo Festival Orchestra
conductor:
Henry Adolph, Pietro di la Corona, Alberto Lizzio and Takao Matsumo
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:10
9Romeo & Julia: Fantasie-Ouverture (The New Philharmonic Orchestra feat. conductor: Lawrence Siegel)
orchestra:
London Festival Orchestra, New Philharmonia Orchestra London, New Philharmonic Orchestra and New Philharmonic Orchestra London
conductor:
Alberto Lizzio and Laurence Siegel
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (in 1869)
revised by:
Пётр Ильич Чайковский (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский20:57
10Capriccio Italien, Op. 45 (Radio Symphony Orchestra Ljubljana feat. conductor Anton Nanut)
orchestra:
Simfonični orkester RTV Slovenija
conductor:
Anton Nanut
recording of:
Capriccio italien, op. 45
premiered in:
Moscow, Russia (on 1880-12-18)
composer:
Пётр Ильич Чайковский (from 1880-01 until 1880-05)
dedicated to:
Карл Юльевич Давыдов
part of:
The Tchaikovsky Handbook (number: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 44) and Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 45)
Пётр Ильич Чайковский15:00
10▼CD: Mein Vaterland (Sinfonieorchester Baden-Baden feat. conductor Zdenek Macal)
#TitleArtistLength
1Vyšehrad
orchestra:
Sinfonieorchester Baden-Baden
conductor:
Zdeněk Mácal
recording of:
Má vlast: I. Vyšehrad, JB 1:112/1
composer:
Bedřich Smetana (from 1872 until 1874-11-18)
part of:
B. number catalogue by František Bartoš (number: B. 110)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana13:41
2Vltava - Die Moldau
orchestra:
Sinfonieorchester Baden-Baden
conductor:
Zdeněk Mácal
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana11:32
3Šárka
orchestra:
Sinfonieorchester Baden-Baden
conductor:
Zdeněk Mácal
recording of:
Má vlast: III. Šárka, JB 1:112/3
composer:
Bedřich Smetana (in 1875)
part of:
B. number catalogue by František Bartoš (number: B. 113)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana9:40
4Z českých luhů a hájů - Aus Böhmens Hain und Flur
orchestra:
Sinfonieorchester Baden-Baden
conductor:
Zdeněk Mácal
recording of:
Má vlast: IV. Z českých luhů a hájů, JB 1:112/4 (My Country: IV. From Bohemia's Woods and Fields, From Bohemia's Woods and Fields)
composer:
Bedřich Smetana (in 1875)
part of:
B. number catalogue by František Bartoš (number: B. 114)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:20
5Tábor
orchestra:
Sinfonieorchester Baden-Baden
conductor:
Zdeněk Mácal
recording of:
Má vlast: V. Tábor, JB 1:112/5
composer:
Bedřich Smetana (in 1878)
part of:
B. number catalogue by František Bartoš (number: B. 120)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:26
6Blaník
orchestra:
Sinfonieorchester Baden-Baden
conductor:
Zdeněk Mácal
recording of:
Má vlast: VI. Blaník, JB 1:112/6
composer:
Bedřich Smetana (on 1879-03-09)
part of:
B. number catalogue by František Bartoš (number: B. 121)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana13:13