Arthur Prysock / Count Basie (mono)

~ Release by Count Basie & Arthur Prysock (see all versions of this release, 11 available)

Tracklist

1▼CD
#	Title	Length
1	I Could Have Told You engineer: Rudy van Gelder and Val Valentin producer: Creed Taylor bass: Norman Keenan (from 1965-12-12 until 1965-12-21) drums (drum set): Grady Tate (from 1965-12-12 until 1965-12-21) guitar: Fred Green (from 1965-12-12 until 1965-12-21) piano: Count Basie (from 1965-12-12 until 1965-12-21) reeds: Charles Fowlkes (from 1965-12-12 until 1965-12-21), Eric Dixon (from 1965-12-12 until 1965-12-21), Eddie Davis (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21) trombone: Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (from 1965-12-12 until 1965-12-21), Al Grey (from 1965-12-12 until 1965-12-21), Grover Mitchell (from 1965-12-12 until 1965-12-21) and William Hughes (from 1965-12-12 until 1965-12-21) trumpet: Albert Aarons (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21) vocals: Arthur Prysock (from 1965-12-12 until 1965-12-21) conductor: Dick Hyman (from 1965-12-12 until 1965-12-21) arranger: Dick Hyman recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21) cover recording of: I Could Have Told You (from 1965-12-12 until 1965-12-21) lyricist: Carl Sigman composer: Jimmy Van Heusen publisher: Boca Music, Inc., Major Songs and Music Sales Corporation	3:47
2	Ain’t No Use engineer: Rudy van Gelder and Val Valentin producer: Creed Taylor bass: Norman Keenan (from 1965-12-12 until 1965-12-21) drums (drum set): Grady Tate (from 1965-12-12 until 1965-12-21) guitar: Fred Green (from 1965-12-12 until 1965-12-21) piano: Count Basie (from 1965-12-12 until 1965-12-21) reeds: Charles Fowlkes (from 1965-12-12 until 1965-12-21), Eric Dixon (from 1965-12-12 until 1965-12-21), Eddie Davis (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21) trombone: Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (from 1965-12-12 until 1965-12-21), Al Grey (from 1965-12-12 until 1965-12-21), Grover Mitchell (from 1965-12-12 until 1965-12-21) and William Hughes (from 1965-12-12 until 1965-12-21) trumpet: Albert Aarons (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21) vocals: Arthur Prysock (from 1965-12-12 until 1965-12-21) conductor: Frank Foster (from 1965-12-12 until 1965-12-21) arranger: Frank Foster recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21) cover recording of: Ain’t No Use (from 1965-12-12 until 1965-12-21) writer: Leroy Kirkland and Sid Wyche	2:49
3	I Could Write a Book engineer: Rudy van Gelder and Val Valentin producer: Creed Taylor bass: Norman Keenan (from 1965-12-12 until 1965-12-21) drums (drum set): Grady Tate (from 1965-12-12 until 1965-12-21) guitar: Fred Green (from 1965-12-12 until 1965-12-21) piano: Count Basie (from 1965-12-12 until 1965-12-21) reeds: Charles Fowlkes (from 1965-12-12 until 1965-12-21), Eric Dixon (from 1965-12-12 until 1965-12-21), Eddie Davis (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21) trombone: Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (from 1965-12-12 until 1965-12-21), Al Grey (from 1965-12-12 until 1965-12-21), Grover Mitchell (from 1965-12-12 until 1965-12-21) and William Hughes (from 1965-12-12 until 1965-12-21) trumpet: Albert Aarons (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21) vocals: Arthur Prysock (from 1965-12-12 until 1965-12-21) conductor: Dick Hyman (from 1965-12-12 until 1965-12-21) arranger: Dick Hyman recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21) cover recording of: I Could Write a Book (from 1965-12-12 until 1965-12-21) lyricist: Lorenz Hart composer: Richard Rodgers publisher: Chappell & Co., Inc. part of: Pal Joey	3:44
4	Gone Again engineer: Rudy van Gelder and Val Valentin producer: Creed Taylor bass: Norman Keenan (from 1965-12-12 until 1965-12-21) drums (drum set): Grady Tate (from 1965-12-12 until 1965-12-21) guitar: Fred Green (from 1965-12-12 until 1965-12-21) piano: Count Basie (from 1965-12-12 until 1965-12-21) reeds: Charles Fowlkes (from 1965-12-12 until 1965-12-21), Eric Dixon (from 1965-12-12 until 1965-12-21), Eddie Davis (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21) trombone: Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (from 1965-12-12 until 1965-12-21), Al Grey (from 1965-12-12 until 1965-12-21), Grover Mitchell (from 1965-12-12 until 1965-12-21) and William Hughes (from 1965-12-12 until 1965-12-21) trumpet: Albert Aarons (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21) vocals: Arthur Prysock (from 1965-12-12 until 1965-12-21) conductor: Billy Byers (from 1965-12-12 until 1965-12-21) arranger: Billy Byers recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21) cover recording of: He’s Gone Again (from 1965-12-12 until 1965-12-21) writer: Curley Hamner, Gladys Hampton and Curtis Lewis	3:12
5	Come Home engineer: Rudy van Gelder and Val Valentin producer: Creed Taylor bass: Norman Keenan (from 1965-12-12 until 1965-12-21) drums (drum set): Grady Tate (from 1965-12-12 until 1965-12-21) guitar: Fred Green (from 1965-12-12 until 1965-12-21) piano: Count Basie (from 1965-12-12 until 1965-12-21) reeds: Charles Fowlkes (from 1965-12-12 until 1965-12-21), Eric Dixon (from 1965-12-12 until 1965-12-21), Eddie Davis (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21) trombone: Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (from 1965-12-12 until 1965-12-21), Al Grey (from 1965-12-12 until 1965-12-21), Grover Mitchell (from 1965-12-12 until 1965-12-21) and William Hughes (from 1965-12-12 until 1965-12-21) trumpet: Albert Aarons (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21) vocals: Arthur Prysock (from 1965-12-12 until 1965-12-21) conductor: Billy Byers (from 1965-12-12 until 1965-12-21) arranger: Billy Byers recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21) cover recording of: Come Home lyricist and composer: Bubber Johnson	3:44
6	I Worry ’Bout You engineer: Rudy van Gelder and Val Valentin producer: Creed Taylor bass: Norman Keenan (from 1965-12-12 until 1965-12-21) drums (drum set): Rufus Jones (from 1965-12-12 until 1965-12-21) guitar: Fred Green (from 1965-12-12 until 1965-12-21) piano: Count Basie (from 1965-12-12 until 1965-12-21) reeds: Charles Fowlkes (from 1965-12-12 until 1965-12-21), Eric Dixon (from 1965-12-12 until 1965-12-21), Eddie Davis (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21) trombone: Henderson Chambers (from 1965-12-12 until 1965-12-21), Al Grey (from 1965-12-12 until 1965-12-21), Grover Mitchell (from 1965-12-12 until 1965-12-21) and William Hughes (from 1965-12-12 until 1965-12-21) trumpet: Albert Aarons (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21) vocals: Arthur Prysock (from 1965-12-12 until 1965-12-21) conductor: Frank Foster (from 1965-12-12 until 1965-12-21) arranger: Frank Foster recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21) cover recording of: I Worry ’bout You writer: Norman Mapp	2:20
7	What Will I Tell My Heart engineer: Rudy van Gelder and Val Valentin producer: Creed Taylor bass: Norman Keenan (from 1965-12-12 until 1965-12-21) drums (drum set): Rufus Jones (from 1965-12-12 until 1965-12-21) guitar: Fred Green (from 1965-12-12 until 1965-12-21) piano: Count Basie (from 1965-12-12 until 1965-12-21) reeds: Charles Fowlkes (from 1965-12-12 until 1965-12-21), Eric Dixon (from 1965-12-12 until 1965-12-21), Eddie Davis (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21) trombone: Henderson Chambers (from 1965-12-12 until 1965-12-21), Al Grey (from 1965-12-12 until 1965-12-21), Grover Mitchell (from 1965-12-12 until 1965-12-21) and William Hughes (from 1965-12-12 until 1965-12-21) trumpet: Albert Aarons (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21) vocals: Arthur Prysock (from 1965-12-12 until 1965-12-21) conductor: Mort Garson (from 1965-12-12 until 1965-12-21) arranger: Mort Garson recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21) cover recording of: What Will I Tell My Heart (from 1965-12-12 until 1965-12-21) lyricist and composer: Jack Lawrence and Peter Tinturin	2:49
8	Don’t Go to Strangers engineer: Rudy van Gelder and Val Valentin producer: Creed Taylor bass: Norman Keenan (from 1965-12-12 until 1965-12-21) drums (drum set): Grady Tate (from 1965-12-12 until 1965-12-21) guitar: Fred Green (from 1965-12-12 until 1965-12-21) piano: Count Basie (from 1965-12-12 until 1965-12-21) reeds: Charles Fowlkes (from 1965-12-12 until 1965-12-21), Eric Dixon (from 1965-12-12 until 1965-12-21), Eddie Davis (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21) trombone: Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (from 1965-12-12 until 1965-12-21), Al Grey (from 1965-12-12 until 1965-12-21), Grover Mitchell (from 1965-12-12 until 1965-12-21) and William Hughes (from 1965-12-12 until 1965-12-21) trumpet: Albert Aarons (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21) vocals: Arthur Prysock (from 1965-12-12 until 1965-12-21) conductor: Billy Byers (from 1965-12-12 until 1965-12-21) arranger: Billy Byers recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21) cover recording of: Don’t Go to Strangers lyricist: Redd Evans composer: Arthur Kent and David Mann	2:50
9	I’m Lost engineer: Rudy van Gelder and Val Valentin producer: Creed Taylor bass: Norman Keenan (from 1965-12-12 until 1965-12-21) drums (drum set): Rufus Jones (from 1965-12-12 until 1965-12-21) guitar: Fred Green (from 1965-12-12 until 1965-12-21) piano: Count Basie (from 1965-12-12 until 1965-12-21) reeds: Charles Fowlkes (from 1965-12-12 until 1965-12-21), Eric Dixon (from 1965-12-12 until 1965-12-21), Eddie Davis (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21) trombone: Henderson Chambers (from 1965-12-12 until 1965-12-21), Al Grey (from 1965-12-12 until 1965-12-21), Grover Mitchell (from 1965-12-12 until 1965-12-21) and William Hughes (from 1965-12-12 until 1965-12-21) trumpet: Albert Aarons (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21) vocals: Arthur Prysock (from 1965-12-12 until 1965-12-21) conductor: Billy Byers (from 1965-12-12 until 1965-12-21) arranger: Billy Byers recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21) cover recording of: I’m Lost (from 1965-12-12 until 1965-12-21) writer: Otis René	3:24
10	I’m Gonna Sit Right Down and Write Myself a Letter engineer: Rudy van Gelder and Val Valentin producer: Creed Taylor bass: Norman Keenan (from 1965-12-12 until 1965-12-21) drums (drum set): Grady Tate (from 1965-12-12 until 1965-12-21) guitar: Fred Green (from 1965-12-12 until 1965-12-21) piano: Count Basie (from 1965-12-12 until 1965-12-21) reeds: Charles Fowlkes (from 1965-12-12 until 1965-12-21), Eric Dixon (from 1965-12-12 until 1965-12-21), Eddie Davis (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21) trombone: Henderson Chambers (from 1965-12-12 until 1965-12-21), Henry Coker (from 1965-12-12 until 1965-12-21), Al Grey (from 1965-12-12 until 1965-12-21), Grover Mitchell (from 1965-12-12 until 1965-12-21) and William Hughes (from 1965-12-12 until 1965-12-21) trumpet: Albert Aarons (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21) vocals: Arthur Prysock (from 1965-12-12 until 1965-12-21) conductor: Dick Hyman (from 1965-12-12 until 1965-12-21) arranger: Dick Hyman recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21) cover recording of: I’m Gonna Sit Right Down and Write Myself a Letter (from 1965-12-12 until 1965-12-21) lyricist: Joe Young composer: Fred Ahlert and Joe Young publisher: Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC, Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music and Rytvoc, Inc.	2:55
11	Come Rain or Come Shine engineer: Rudy van Gelder and Val Valentin producer: Creed Taylor bass: Norman Keenan (from 1965-12-12 until 1965-12-21) drums (drum set): Rufus Jones (from 1965-12-12 until 1965-12-21) guitar: Fred Green (from 1965-12-12 until 1965-12-21) piano: Count Basie (from 1965-12-12 until 1965-12-21) reeds: Charles Fowlkes (from 1965-12-12 until 1965-12-21), Eric Dixon (from 1965-12-12 until 1965-12-21), Eddie Davis (from 1965-12-12 until 1965-12-21), Marshal Royal (from 1965-12-12 until 1965-12-21) and Robert Plater (from 1965-12-12 until 1965-12-21) trombone: Henderson Chambers (from 1965-12-12 until 1965-12-21), Al Grey (from 1965-12-12 until 1965-12-21), Grover Mitchell (from 1965-12-12 until 1965-12-21) and William Hughes (from 1965-12-12 until 1965-12-21) trumpet: Albert Aarons (from 1965-12-12 until 1965-12-21), George Cohn (from 1965-12-12 until 1965-12-21), Wallace Davenport (from 1965-12-12 until 1965-12-21) and Phil Guilbeau (from 1965-12-12 until 1965-12-21) vocals: Arthur Prysock (from 1965-12-12 until 1965-12-21) conductor: Billy Byers (from 1965-12-12 until 1965-12-21) arranger: Billy Byers recorded at: Van Gelder Studio in Englewood Cliffs, New Jersey, United States (from 1965-12-12 until 1965-12-21) cover recording of: Come Rain or Come Shine (from 1965-12-12 until 1965-12-21) lyricist: Johnny Mercer (in 1946) composer: Harold Arlen (in 1946) publisher: Chappell & Co., Chappell & Co., Inc., S.A. Music Co. and Warner/Chappell Music Scandinavia AB	2:24
12	Where Are You cover recording of: Where Are You? lyricist: Harold Adamson writer: Harold Adamson and Jimmy McHugh composer: Jimmy McHugh publisher: Cotton Club Publishing, Harold Adamson Music and Leo Feist, Inc.	3:46
13	Do Nothin’ Till You Hear From Me cover recording of: Do Nothin’ Till You Hear From Me lyricist: Bob Russell (in 1943) composer: Duke Ellington (in 1943) publisher: Music Sales Corporation and Sony/ATV Harmony version of: Concerto for Cootie	3:17
14	Sunday cover recording of: Sunday (famously sung by Frank Sinatra & others) writer: Chester Conn (until 1926), Benny Krueger (until 1926), Ned Miller (until 1926) and Jule Styne (until 1926) publisher: EMI United Partnership Ltd. and Leo Feist, Inc.	2:38

Credits

Release

Discogs:	https://www.discogs.com/release/8966788 [info]

Discogs