Pour le piano

~ Release by Debussy; Dino Ciani, Tamás Vásáry (see all versions of this release, 1 available)

Annotation

Tracklist

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1▼CD
#	Title	Artist	Length
1	Préludes, 1er Livre: I. Danseuses de Delphes: Lent et grave audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: I. Danseuses de Delphes. Lent et grave (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	4:27
2	Préludes, 1er Livre: II. Voiles: Modéré audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: II. Voiles. Modéré (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	4:36
3	Préludes, 1er Livre: III. Le vent dans la plaine: Animé audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: III. Le Vent dans la plaine. Animé (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	2:23
4	Préludes, 1er Livre: IV. «Les sons et les parfums tournent dans l’air du soir»: Modéré audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: IV. «Les sons et les parfums tournent dans l'air du soir». Modéré (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	4:33
5	Préludes, 1er Livre: V. Les collines d’Anacapri: Très modéré audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: V. Les collines d'Anacapri. Très modéré (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	3:00
6	Préludes, 1er Livre: VI. Des pas sur la neige: Triste et lent audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: VI. Des pas sur la neige. Triste et lent (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	4:47
7	Préludes, 1er Livre: VII. Ce qu’a vu le vent d’ouest: Animé et tumultueux audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	3:31
8	Préludes, 1er Livre: VIII. La fille aux cheveux de lin: Très calme et doucement expressif audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04: piano) and Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) engineered at: Plenarsaal in Berlin, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	3:05
9	Préludes, 1er Livre: IX. La sérénade interrompue: Modérément animé audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: IX. La sérénade interrompue. Modérément animé (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	2:23
10	Préludes, 1er Livre: X. La cathédrale engloutie: Profondément calme audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	7:00
11	Préludes, 1er Livre: XI. La danse de Puck: Capricieux et léger audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: XI. La danse de Puck. Capricieux et léger (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	2:55
12	Préludes, 1er Livre: XII. Minstrels: Modéré audio engineer: Klaus Behrens executive producer: Franz Christian Wulff producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre I, L. 117, CD 125: XII. Minstrels. Modéré (in 1972-04) composer: Claude Debussy (from 1909-12 until 1910-02) premiered at: [concert] part of: Préludes, Livre I, L. 117, CD 125	Claude Debussy	2:22
13	Suite bergamasque: Prélude: Moderato audio engineer: Jobst Eberhardt executive producer: Karl Faust producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe (in 1969-04) phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Suite bergamasque, L. 75, CD 82 : I. Prélude (for piano) (in 1969-04) composer: Claude Debussy (from 1890 until 1905) part of: Suite bergamasque, L. 75, CD 82 (for piano)	Claude Debussy	3:58
14	Suite bergamasque: Menuet: Andantino audio engineer: Jobst Eberhardt producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe (in 1969-04) phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Suite bergamasque, L. 75, CD 82 : II. Menuet (for piano) (in 1969-04) composer: Claude Debussy (from 1890 until 1905) part of: Suite bergamasque, L. 75, CD 82 (for piano)	Claude Debussy	3:30
15	Suite bergamasque: Clair de lune: Andante très expressif audio engineer: Jobst Eberhardt producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1969-04) composer: Claude Debussy (from 1890 until 1905) part of: Classic 100: Piano (number: 3) part of: Suite bergamasque, L. 75, CD 82 (for piano)	Claude Debussy	5:15
16	Suite bergamasque: Passepied: Allegretto ma non troppo audio engineer: Jobst Eberhardt producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe and Klaus Scheibe (in 1969-04: piano) phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Suite bergamasque, L. 75, CD 82 : IV. Passepied (for piano) (in 1969-04) composer: Claude Debussy (from 1890 until 1905) part of: Suite bergamasque, L. 75, CD 82 (for piano)	Claude Debussy	3:32
17	Danse (Tarantelle styrienne): Allegretto audio engineer: Jobst Eberhardt producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Tarantelle styrienne, L. 69, CD 77a (for piano) (in 1969-04) premiered in: Paris, Île-de-France, France (on 1900-03-10) composer: Claude Debussy (in 1890) dedicated to: Madame Philippe Hottinguer premiered at: [concert] publisher: Choudens (in 1891-11) part of: Catalogue François Lesure des œuvres de Claude Debussy (number: L. 69) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 77)	Claude Debussy	4:29
18	Deux Arabesques: Andantino con moto audio engineer: Jobst Eberhardt producer: Karl Faust piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal in Berlin, Germany (in 1969-04) and Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Deux arabesques, L. 66, CD 74 : No. 1. Andantino con moto (for piano) (in 1969-04) composer: Claude Debussy (from 1890 until 1891) part of: Deux arabesques, L. 66, CD 74 (for piano)	Claude Debussy	3:44
19	Deux Arabesques: Allegretto scherzando audio engineer: Jobst Eberhardt producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Deux arabesques, L. 66, CD 74 : No. 2. Allegretto scherzando (for piano) (in 1969-04) composer: Claude Debussy (from 1890 until 1891) part of: Deux arabesques, L. 66, CD 74 (for piano)	Claude Debussy	3:14

2▼CD
#	Title	Artist	Length
1	Préludes, 2e Livre: I. Brouillards: Modéré audio engineer: Klaus Behrens producer: Cord Garben instruments: Dino Ciani (in 1972-04) piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: I. Brouillards. Modéré (Préludes, Book II: 1. Brouillards) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	3:24
2	Préludes, 2e Livre: II. Feuilles mortes: Lent et mélancolique audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: II. Feuilles mortes. Lent et mélancolique (Préludes, Book II: 2. Feuilles mortes) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	4:58
3	Préludes, 2e Livre: III. La puerta del vino: Mouvement de Habanera audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: III. La puerta del Vino. Mouvement de Habanera (Préludes, Book II: 3. La Puerta del Vino) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	3:41
4	Préludes, 2e Livre: IV. Les fées sont d’exquises danseuses: Rapide et léger audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: IV. «Les fées sont d’exquises danseuses». Rapide et léger (Préludes, Book II: 4. “Les Fées sont d’exquises danseuses”) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	3:25
5	Préludes, 2e Livre: V. Bruyères: Calme audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: V. Bruyères. Calme (Préludes, Book II: 5. Bruyères) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	3:16
6	Préludes, 2e Livre: VI. «General Lavine» - excentric: Dans le style et le Mouvement d’un Cake-Walk audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: VI. Général Lavine – eccentric. Dans le style et le mouvement d’un Cakewalk (Préludes, Book II: 6. General Lavine – eccentric) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	2:26
7	Préludes, 2e Livre: VII. La terrasse des audiences du clair de lune: Lent audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: VII. La terrasse des audiences du clair de lune. Lent (Préludes, Book II: 7. La Terrasse des audiences du clair de lune) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	5:48
8	Préludes, 2e Livre: VIII. Ondine: Scherzando audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: VIII. Ondine. Scherzando (Préludes, Book II: 8. Ondine) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	3:46
9	Préludes, 2e Livre: IX. Hommage à S. Pickwick, Esq. P.P.M.P.C.: Grave audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: IX. Hommage à S. Pickwick Esq. P.P.M.P.C.. Grave (Préludes, Book II: 9. Hommage à S. Pickwick Esq. P.P.M.P.C.) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	2:33
10	Préludes, 2e Livre: X. Canope: Très calme et doucement triste audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: X. Canope. Très calme et doucement triste (Préludes, Book II: 10. Canope) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	3:23
11	Préludes, 2e Livre: XI. Les tierces alternées: Modérément animé audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: XI. Les tierces alternées. Modérément animé (Préludes, Book II: 11. Les Tierces alternées) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	2:25
12	Préludes, 2e Livre: XII. Feux d’artifice: Modérément animé audio engineer: Klaus Behrens producer: Cord Garben piano: Dino Ciani (in 1972-04) balance engineer: Hans‐Peter Schweigmann (in 1972-04) phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1972-04) recording of: Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) (in 1972-04) composer: Claude Debussy (from 1911 until 1912) part of: Préludes, Livre II, L. 123	Claude Debussy	4:31
13	Pour le piano: Prélude: Assez animé et très rythmé audio engineer: Jobst Eberhardt executive producer: Karl Faust producer: Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Pour le piano, L. 95, CD 95: I. Prélude. À Mademoiselle M.W. de Romilly. Assez animé et très rythmé - Tempo di cadenza - Tempo I (in 1969-04) composer: Claude Debussy (from 1894 until 1901) dedicated to: Mademoiselle Worms de Romilly part of: Pour le piano, L. 95, CD 95	Claude Debussy	4:05
14	Pour le piano: Sarabande: Avec une élégance grave et lente audio engineer: Jobst Eberhardt executive producer: Karl Faust producer: Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Pour le piano, L. 95, CD 95: II. Sarabande. À Madame E. Rouart (née Y. Lerolle). Avec une élégance grave et lente (in 1969-04) composer: Claude Debussy (from 1894 until 1901) dedicated to: Yvonne Lerolle is based on: Images oubliées, L. 87, CD 94 : II. Dans le mouvement d’une ‘Sarabande’, c’est-à-dire avec une élégance grâve et lente, même un peu vieux portrait, souvenir du Louvre, etc. (for piano) part of: Pour le piano, L. 95, CD 95	Claude Debussy	4:44
15	Pour le piano: Toccata: Vif audio engineer: Jobst Eberhardt executive producer: Karl Faust producer: Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Pour le piano, L. 95, CD 95: III. Toccata. À N.G. Coronio. Vif (in 1969-04) composer: Claude Debussy (from 1894 until 1901) dedicated to: Nicolas G. Coronio part of: Pour le piano, L. 95, CD 95	Claude Debussy	3:50
16	La plus que lente (Valse) audio engineer: Jobst Eberhardt producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: La plus que lente, L. 121, CD 128 (pour piano solo) (in 1969-04) composer: Claude Debussy (in 1910) premiered at: [concert] publisher: Durand et Cie (in 1910-07) part of: Catalogue François Lesure des œuvres de Claude Debussy (number: L. 121) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 128)	Claude Debussy	3:46
17	L’Isle joyeuse: Modéré et très souple audio engineer: Jobst Eberhardt producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: L’Isle joyeuse, L. 106, CD 109 (for piano) (in 1969-04) composer: Claude Debussy (from 1903 until 1904-08) premiered at: [concert] part of: Catalogue François Lesure des œuvres de Claude Debussy (number: L. 106) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 109)	Claude Debussy	5:45
18	Masques: Très vif et fantasque audio engineer: Jobst Eberhardt producer: Karl Faust and Hans-Joachim Reiser piano: Tamás Vásáry (in 1969-04) balance engineer: Klaus Scheibe phonographic copyright (℗) by: Polydor International GmbH (in 1970) recorded at: Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04) recording of: Masques, L. 105, CD 110 (for piano) (in 1969-04) composer: Claude Debussy (from 1903 until 1904-07) premiered at: [concert] publisher: A. Durand et Fils (in 1904-09) part of: Catalogue François Lesure des œuvres de Claude Debussy (number: L. 105) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 110)	Claude Debussy	4:45

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part of:	DG 2 CD (order: 18)

ASIN:	DE: B000001GYF [info]
other databases:	https://d-nb.info/1001772474 [info]
discography entry:	http://www.deutschegrammophon.com/de/cat/4530702 [info]
Allmusic:	https://www.allmusic.com/album/release/mr0002740567 [info]

Préludes / Suite bergamasque / Pour le piano

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Genres: classical

Other tags: keyboard

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