Annotation

3 cd boxset

Tracklist

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1CD
#TitleLength
1This Can’t Be Love
cover recording of:
This Can’t Be Love
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (in 1938)
publisher:
Warner/Chappell
2:56
2There’s a Small Hotel
cover recording of:
There’s a Small Hotel (from “On Your Toes”)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (in 1936)
part of:
On Your Toes
part of:
Pal Joey
2:49
3Blue Moon3:13
4Where or When2:48
5With a Song in My Heart
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1956-08-30)
drums (drum set):
Alvin Stoller (on 1956-08-30)
guitar:
Barney Kessel (on 1956-08-30)
piano:
Paul Smith (on 1956-08-30)
vocals:
Ella Fitzgerald (on 1956-08-30)
recorded at:
Capitol Studios, Studio B in Hollywood, Los Angeles, California, United States (on 1956-08-30)
cover recording of:
With a Song in My Heart (on 1956-08-30)
lyricist:
Lorenz Hart (in 1929)
composer:
Richard Rodgers (in 1929)
publisher:
Chappell Music Ltd., Harms, Inc., Imagen Music, Warner Bros. Music, Warner Bros., Inc. and Warner Chappell Music Ltd.
2:46
6All the Things You Are
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1963)
conductor:
Nelson Riddle (in 1963)
performer:
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
All the Things You Are (from “Very Warm for May”) (from 1963-01-07 to present)
lyricist:
Oscar Hammerstein II (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc.
part of:
Broadway Rhythm (film)
3:18
7Yesterdays2:53
8The Way You Look Tonight4:30
9A Fine Romance
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1963)
conductor:
Nelson Riddle (in 1963)
performer:
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
cover recording of:
A Fine Romance (from “Swing Time”) (in 1963)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:38
10Can’t Help Lovin’ Dat Man
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat)
lyricist:
Oscar Hammerstein II (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, Volume I)
3:56
11Night and Day
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-03-27) and Bud Shank (on 1956-03-27)
baritone saxophone:
Chuck Gentry (on 1956-03-27)
bass trombone:
George Roberts (on 1956-03-27)
cello:
Robert La Marchina (on 1956-03-27) and Edgar Lustgarten (on 1956-03-27)
double bass:
Joe Mondragon (on 1956-03-27)
drums (drum set):
Alvin Stoller (on 1956-03-27)
guitar:
Barney Kessel (on 1956-03-27)
harp:
Corky Hale (on 1956-03-27)
piano:
Paul Smith (on 1956-03-27)
tenor saxophone:
Bob Cooper (on 1956-03-27) and Ted Nash (on 1956-03-27)
trombone:
Milt Bernhart (on 1956-03-27), Joe Howard (on 1956-03-27) and Lloyd Ulyate (on 1956-03-27)
trumpet:
Pete Candoli (on 1956-03-27), Harry “Sweets” Edison (on 1956-03-27), Maynard Ferguson (on 1956-03-27) and Conrad Gozzo (on 1956-03-27)
lead vocals:
Ella Fitzgerald (on 1956-03-27)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-03-27)
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1956-03-27)
lyricist and composer:
Cole Porter (in 1932)
publisher:
Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:05
12What Is This Thing Called Love?
engineer:
Val Valentin
producer:
Norman Granz
bass trombone:
George Roberts (on 1956-02-09)
double bass:
Joe Mondragon (on 1956-02-09)
drums (drum set):
Alvin Stoller (on 1956-02-09)
guitar:
Barney Kessel (on 1956-02-09)
piano:
Paul Smith (on 1956-02-09)
trombone:
Milt Bernhart (on 1956-02-09), Joe Howard (on 1956-02-09) and Lloyd Ulyate (on 1956-02-09)
lead vocals:
Ella Fitzgerald (in 1956, on 1956-02-09)
conductor:
Buddy Bregman (in 1956, on 1956-02-09)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-09)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-02-09)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1956)
lyricist and composer:
Cole Porter (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. and Warner/Chappell
part of:
Wake Up and Dream (1929 revue)
2:06
13I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:02
14Just One of Those Things
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-07) and Bud Shank (on 1956-02-07)
baritone saxophone:
Chuck Gentry (on 1956-02-07)
bass trombone:
George Roberts (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
piano:
Paul Smith (on 1956-02-07)
tenor saxophone:
Bob Cooper (on 1956-02-07) and Ted Nash (on 1956-02-07)
trombone:
Milt Bernhart (on 1956-02-07), Joe Howard (on 1956-02-07) and Lloyd Ulyate (on 1956-02-07)
trumpet:
Pete Candoli (on 1956-02-07), Harry “Sweets” Edison (on 1956-02-07), Maynard Ferguson (on 1956-02-07) and Conrad Gozzo (on 1956-02-07)
lead vocals:
Ella Fitzgerald (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Just One of Those Things (on 1956-02-07)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:34
15Begin the Beguine
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Herb Geller (on 1956-02-08) and Bud Shank (on 1956-02-08)
baritone saxophone:
Chuck Gentry (on 1956-02-08)
bass trombone:
George Roberts (on 1956-02-08)
cello:
Robert La Marchina (on 1956-02-08) and Edgar Lustgarten (on 1956-02-08)
double bass:
Joe Mondragon (on 1956-02-08)
drums (drum set):
Alvin Stoller (on 1956-02-08)
guitar:
Barney Kessel (on 1956-02-08)
harp:
Corky Hale (on 1956-02-08)
piano:
Paul Smith (on 1956-02-08)
tenor saxophone:
Bob Cooper (on 1956-02-08) and Ted Nash (on 1956-02-08)
trombone:
Milt Bernhart (on 1956-02-08), Joe Howard (on 1956-02-08) and Lloyd Ulyate (on 1956-02-08)
trumpet:
Pete Candoli (on 1956-02-08), Harry “Sweets” Edison (on 1956-02-08), Maynard Ferguson (on 1956-02-08) and Conrad Gozzo (on 1956-02-08)
lead vocals:
Ella Fitzgerald (on 1956-02-08)
conductor:
Buddy Bregman (on 1956-02-08)
arranger:
Buddy Bregman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-02-08)
cover recording of:
Begin the Beguine (on 1956-02-08)
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc., Warner Chappell Music Ltd., Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jubilee
3:40
16Blues in the Night
cover recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. and WB Music Corp.
part of:
The 14th Academy Award for Best Original Song (number: 2)
7:13
17That Old Black Magic
cover recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:12
18Stormy Weather5:16
19I’ve Got the World on a String4:53
20Let’s Fall in Love
cover recording of:
Let’s Fall in Love
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. and Francis, Day & Hunter Ltd.
4:01
2CD
#TitleLength
1’S Wonderful
recorded in:
Hollywood, Los Angeles, California, United States (on 1959-07-16)
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Ronnie Lang (on 1959-07-16)
baritone saxophone:
Chuck Gentry (on 1959-07-16)
bass:
Joe Comfort (on 1959-07-16)
bass trombone:
George Roberts (on 1959-07-16)
cello:
Armand Kaproff (on 1959-07-16), Edgar Lustgarten (on 1959-07-16) and Kurt Reher (on 1959-07-16)
drums (drum set):
Alvin Stoller (on 1959-07-16)
guitar:
Herb Ellis (on 1959-07-16)
percussion:
Frank Flynn (on 1959-07-16)
piano:
Lou Levy (on 1959-07-16)
trombone:
James Priddy (on 1959-07-16), Richard Noel (on 1959-07-16) and Tommy Pederson (on 1959-07-16)
trumpet:
Pete Candoli (on 1959-07-16), Cappy Lewis (on 1959-07-16), Dale McMickle (on 1959-07-16) and Shorty Sherock (on 1959-07-16)
tuba:
Red Callender (on 1959-07-16)
viola:
Alvin Dinkin (on 1959-07-16), Lou Kievman (on 1959-07-16), Ralph Lane (on 1959-07-16) and Barbara Simons (on 1959-07-16)
violin:
Victor Bay (on 1959-07-16), Alex Beller (on 1959-07-16), Ben Gill (on 1959-07-16), Jacques Gasselin (on 1959-07-16), Joseph Livoti (on 1959-07-16), Dan Lube (on 1959-07-16), Misha Russell (on 1959-07-16), Paul Shure (on 1959-07-16), Marshall Sosson (on 1959-07-16) and Gerald Vinci (on 1959-07-16)
woodwind:
Buddy Collette (on 1959-07-16), Harry Klee (on 1959-07-16) and Champ Webb (on 1959-07-16)
vocals:
Ella Fitzgerald (on 1959-07-16)
conductor:
Nelson Riddle (on 1959-07-16)
performer:
Nelson Riddle and His Orchestra (on 1959-07-16)
arranger:
Nelson Riddle
cover recording of:
’S Wonderful (on 1959-07-16)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited and WB Music Corp.
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
cover recording of:
It’s Wonderful
lyricist:
Mitchell Parish (in 1937)
composer:
Stuff Smith (in 1937)
?:??
2I’ve Got a Crush on You
recorded in:
New York, New York, United States (on 1950-09-11)
producer:
Milt Gabler
piano:
Ellis Larkins
vocals:
Ella Fitzgerald (on 1950-09-11)
cover recording of:
I’ve Got a Crush on You (on 1950-09-11)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
?:??
3Love Is Here to Stay?:??
4Love Walked In
recorded in:
Hollywood, Los Angeles, California, United States (from 1959-01-05 until 1959-07-17)
producer:
Norman Granz
alto saxophone:
Ronnie Lang (from 1959-01-05 until 1959-07-17)
bass:
Joe Comfort (from 1959-01-05 until 1959-07-17)
bass trombone:
George Roberts (from 1959-01-05 until 1959-07-17)
cello:
David Filerman (from 1959-01-05 until 1959-07-17), Elizabeth Greenschpoon (from 1959-01-05 until 1959-07-17), George Neikrug (from 1959-01-05 until 1959-07-17) and Eleanor Slatkin (from 1959-01-05 until 1959-07-17)
drums (drum set):
Mel Lewis (from 1959-01-05 until 1959-07-17) and Alvin Stoller (from 1959-01-05 until 1959-07-17)
French horn:
James Decker (from 1959-01-05 until 1959-07-17) and Vincent DeRosa (from 1959-01-05 until 1959-07-17)
guitar:
Barney Kessel (from 1959-01-05 until 1959-07-17)
percussion:
Larry Bunker (from 1959-01-05 until 1959-07-17)
piano:
Paul Smith (from 1959-01-05 until 1959-07-17)
trombone:
James Priddy (from 1959-01-05 until 1959-07-17), Dick Nash (from 1959-01-05 until 1959-07-17) and Tommy Pederson (from 1959-01-05 until 1959-07-17)
trumpet:
Don Fagerquist (from 1959-01-05 until 1959-07-17)
tuba:
Ed Gilbert (from 1959-01-05 until 1959-07-17)
viola:
Alvin Dinkin (from 1959-01-05 until 1959-07-17) and Stanley Harris (from 1959-01-05 until 1959-07-17)
violin:
Victor Arno (from 1959-01-05 until 1959-07-17), Victor Bay (from 1959-01-05 until 1959-07-17), Alex Beller (from 1959-01-05 until 1959-07-17), Harold Dicterow (from 1959-01-05 until 1959-07-17), Ben Gill (from 1959-01-05 until 1959-07-17), Murray Kellner (from 1959-01-05 until 1959-07-17), Erno Neufeld (from 1959-01-05 until 1959-07-17), Nathan Ross (from 1959-01-05 until 1959-07-17), Paul Shure (from 1959-01-05 until 1959-07-17) and Felix Slatkin (from 1959-01-05 until 1959-07-17)
woodwind:
Jewell Grant (from 1959-01-05 until 1959-07-17), William Green (from 1959-01-05 until 1959-07-17), Jules Jacob (from 1959-01-05 until 1959-07-17), Wilbur Schwartz (from 1959-01-05 until 1959-07-17) and Champ Webb (from 1959-01-05 until 1959-07-17)
vocals:
Ella Fitzgerald (from 1959-01-05 until 1959-07-17)
conductor:
Nelson Riddle (from 1959-01-05 until 1959-07-17)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (from 1959-01-05 until 1959-07-17)
cover recording of:
Love Walked In (in 1959)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
?:??
5Embraceable You
recorded in:
Hollywood, Los Angeles, California, United States (on 1959-01-08)
engineer:
Val Valentin
producer:
Norman Granz
bass:
Joe Mondragon (on 1959-01-08)
cello:
James Arkatov (on 1959-01-08), Elizabeth Greenschpoon (on 1959-01-08), George Neikrug (on 1959-01-08) and Kurt Reher (on 1959-01-08)
drums (drum set):
Bill Richmond (on 1959-01-08)
guitar:
Herb Ellis (on 1959-01-08)
piano:
Paul Smith (on 1959-01-08)
viola:
David Sterkin (on 1959-01-08), Alvin Dinkin (on 1959-01-08), Paul Robyn (on 1959-01-08) and Barbara Simons (on 1959-01-08)
violin:
Victor Arno (on 1959-01-08), Victor Bay (on 1959-01-08), Alex Beller (on 1959-01-08), Ben Gill (on 1959-01-08), Jacques Gasselin (on 1959-01-08), Murray Kellner (on 1959-01-08), Erno Neufeld (on 1959-01-08), Misha Russell (on 1959-01-08), Paul Shure (on 1959-01-08) and Marshall Sosson (on 1959-01-08)
vocals:
Ella Fitzgerald (on 1959-01-08)
conductor:
Nelson Riddle (on 1959-01-08)
performer:
Nelson Riddle and His Orchestra (on 1959-01-08)
arranger:
Nelson Riddle
cover recording of:
Embraceable You (on 1959-01-08)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (in 1928)
publisher:
Ira Gershwin Music, New World Music, New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
?:??
6Don’t Get Around Much Anymore
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (from 1957-09-04 until 1957-09-16)
cover recording of:
Don’t Get Around Much Anymore (from 1957-09-04 until 1957-09-16)
lyricist:
Bob Russell (in 1942)
composer:
Duke Ellington (in 1940)
publisher:
EMI Music, EMI Robbins Catalog Inc., Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
version of:
Never No Lament
?:??
7It Don’t Mean a Thing (If It Ain’t Got That Swing)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (from 1957-09-04 until 1957-09-16)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (from 1957-09-04 until 1957-09-16)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
8Mood Indigo
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Ray Brown (on 1957-10-17)
drums (drum set):
Alvin Stoller (on 1957-10-17)
guitar:
Herb Ellis (on 1957-10-17)
piano:
Oscar Peterson (on 1957-10-17)
tenor saxophone:
Ben Webster (on 1957-10-17)
lead vocals:
Ella Fitzgerald (on 1957-10-17)
cover recording of:
Mood Indigo (1930 jazz composition and song) (on 1957-10-17)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
9I Let a Song Go Out of My Heart
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (from 1957-09-04 until 1957-09-16)
cover recording of:
I Let a Song Go Out of My Heart (from 1957-09-04 until 1957-09-16)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (in 1938)
composer:
Duke Ellington (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
10Satin Doll
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (from 1957-09-04 until 1957-09-16)
drums (drum set):
Alvin Stoller (from 1957-09-04 until 1957-09-16)
guitar:
Barney Kessel (from 1957-09-04 until 1957-09-16)
piano:
Paul Smith (from 1957-09-04 until 1957-09-16)
tenor saxophone:
Ben Webster (from 1957-09-04 until 1957-09-16)
violin:
Stuff Smith (from 1957-09-04 until 1957-09-16)
lead vocals:
Ella Fitzgerald (from 1957-09-04 until 1957-09-16)
cover recording of:
Satin Doll (from 1957-09-04 until 1957-09-16)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. and WB Music Corp.
?:??
11Alexander’s Ragtime Band
engineer:
Val Valentin (on 1958-03-19)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
vocals:
Ella Fitzgerald (on 1958-03-19)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-19)
cover recording of:
Alexander’s Ragtime Band (on 1958-03-19)
lyricist and composer:
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
?:??
12Puttin’ on the Ritz
engineer:
Val Valentin (on 1958-03-18)
producer:
Norman Granz
vocals:
Ella Fitzgerald (on 1958-03-18)
conductor:
Paul Weston (on 1958-03-18)
performer:
Paul Weston and His Orchestra (on 1958-03-18)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-18)
cover recording of:
Puttin’ On the Ritz (on 1958-03-18)
lyricist and composer:
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp and Universal Music Publishing Ltd.
part of:
Idiot’s Delight (film)
?:??
13Remember
engineer:
Val Valentin (on 1958-03-18)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
vocals:
Ella Fitzgerald (on 1958-03-18)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-18)
cover recording of:
Remember (on 1958-03-18)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
?:??
14Blue Skies
recorded in:
Hollywood, Los Angeles, California, United States (on 1958-03-18)
engineer:
Val Valentin (on 1958-03-18)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (on 1958-03-18)
conductor:
Paul Weston (on 1958-03-18)
performer:
Paul Weston and His Orchestra (on 1958-03-18)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-18)
cover recording of:
Blue Skies (on 1958-03-18)
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
?:??
15Always
engineer:
Val Valentin (on 1958-03-13)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
vocals:
Ella Fitzgerald (on 1958-03-13)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-13)
cover recording of:
Always (on 1958-03-13)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
?:??
16Cheek to Cheek
engineer:
Val Valentin (on 1958-03-18)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
vocals:
Ella Fitzgerald (on 1958-03-18)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1958-03-18)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1958-03-18)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
?:??
17They Can’t Take That Away From Me
double bass:
Ray Brown (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (on 1956-08-16)
piano:
Oscar Peterson (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music, Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, WB Music Corp. (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music, Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, WB Music Corp. (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
?:??
18Stars Fell on Alabama
double bass:
Ray Brown (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (on 1956-08-16)
piano:
Oscar Peterson (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Stars Fell on Alabama
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. and Mills Music
?:??
19Tenderly
double bass:
Ray Brown (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (on 1956-08-16)
piano:
Oscar Peterson (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (on 1956-08-16)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Tenderly (on 1956-08-16)
lyricist:
Jack Lawrence (in 1946)
composer:
Walter Gross (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
?:??
3CD
#TitleLength
1April in Paris
double bass:
Ray Brown (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (on 1956-08-16)
piano:
Oscar Peterson (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
April in Paris (on 1956-08-16)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
2I’m Beginning to See the Light
engineer:
Val Valentin
producer:
Norman Granz
piano:
Duke Ellington (from 1957-06-25 until 1957-06-27)
trumpet:
William “Cat” Anderson (from 1957-06-25 until 1957-06-27), Willie Cook (from 1957-06-25 until 1957-06-27), Dizzy Gillespie (from 1957-06-25 until 1957-06-27) and Clark Terry (from 1957-06-25 until 1957-06-27)
trumpet and violin:
Ray Nance (from 1957-06-25 until 1957-06-27)
lead vocals:
Ella Fitzgerald (from 1957-06-25 until 1957-06-27)
performer:
Duke Ellington and His Orchestra (from 1957-06-25 until 1957-06-27)
cover recording of:
I’m Beginning to See the Light (from 1957-06-25 until 1957-06-27)
lyricist:
Don George (in 1944)
writer:
Duke Ellington
composer:
Duke Ellington (in 1944), Johnny Hodges (in 1944) and Harry James (in 1944)
publisher:
Anne-Rachel Music Corp.
?:??
3Them There Eyes
cover recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co., Redwood Music Ltd. and Warner Chappell Music Limited
?:??
4Dream a Little Dream of Me?:??
5Ain’t Misbehavin’
engineer:
Val Valentin
producer:
Norman Granz
double bass:
John Clayton (on 1979-02-15)
guitar:
Freddie Green (on 1979-02-15)
membranophone:
Butch Miles (on 1979-02-15)
piano:
Count Basie (on 1979-02-15)
tenor saxophone:
Eric Dixon (on 1979-02-15), Charlie Fowlkes (on 1979-02-15), Kenny Hing (on 1979-02-15), Bobby Plater (on 1979-02-15) and Danny Turner (on 1979-02-15)
trombone:
Bill Hughes (on 1979-02-15), Mel Wanzo (on 1979-02-15), Dennis Wilson (on 1979-02-15) and Booty Wood (on 1979-02-15)
trumpet:
Ray Brown (on 1979-02-15), Sonny Cohn (on 1979-02-15), Pete Minger (on 1979-02-15) and Nolan Smith (on 1979-02-15)
vocals:
Ella Fitzgerald (on 1979-02-15)
conductor:
Benny Carter (on 1979-02-15)
arranger:
Benny Carter
recorded at:
Group IV Studios in Hollywood, Los Angeles, California, United States (on 1979-02-15)
cover recording of:
Ain’t Misbehavin’ (on 1979-02-15)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd., EMI Music, Redwood Music and Redwood Music Ltd.
?:??
6On the Sunny Side of the Street?:??
7Don’t Be That Way
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (on 1957-08-13)
piano:
Oscar Peterson (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (on 1957-08-13)
cover recording of:
Don’t Be That Way (on 1957-08-13)
lyricist:
Mitchell Parish
composer:
Benny Goodman and Edgar Sampson
publisher:
EMI Robbins Catalog Inc., Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
?:??
8I Only Have Eyes for You?:??
9Somebody Loves Me
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1959)
conductor:
Nelson Riddle (in 1959)
performer:
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
cover recording of:
Somebody Loves Me (in 1959)
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
?:??
10I Hear Music
producer:
Norman Granz (on 1961-11-14)
vocals:
Ella Fitzgerald (on 1961-11-14)
conductor:
Nelson Riddle (on 1961-11-14)
cover recording of:
I Hear Music (Dancing on a Dime) (on 1961-11-14)
lyricist:
Frank Loesser
composer:
Burton Lane
?:??
11I Can’t Get Started With You?:??
12A‐Tisket, A‐Tasket?:??
13(If You Can’t Sing It) You’ll Have to Swing It
cover recording of:
If You Can’t Sing It (You’ll Have to Swing It)
lyricist and composer:
Sam Coslow
?:??
14Into Each Life Some Rain Must Fall
recorded in:
New York, New York, United States (on 1944-08-30)
vocals:
Ella Fitzgerald and The Ink Spots
cover recording of:
Into Each Life Some Rain Must Fall (on 1944-08-30)
lyricist:
Allan Roberts
composer:
Doris Fisher
?:??
15You Brought a New Kind of Love to Me
recorded in:
Los Angeles, California, United States (on 1958-11-23)
alto saxophone:
Bud Shank (in 1958)
baritone saxophone:
Med Flory (in 1958)
bass:
Joe Mondragon (in 1958)
drums (drum set):
Mel Lewis (in 1958)
French horn:
Vincent DeRosa (in 1958)
piano:
Lou Levy (in 1958)
tenor saxophone:
Bob Enevoldsen (in 1958) and Bill Holman (in 1958)
trumpet:
Don Fagerquist (in 1958) and Al Porcino (in 1958)
valve trombone:
Bob Enevoldsen (in 1958)
vocals:
Ella Fitzgerald (on 1958-11-23)
conductor:
Marty Paich (on 1958-11-23)
arranger:
Marty Paich
recording of:
You Brought a New Kind of Love to Me (on 1958-11-23)
lyricist:
Irving Kahal (in 1930)
composer:
Pierre Norman Connor (in 1930) and Sammy Fain (in 1930)
publisher:
Famous Music Corporation, Warner Chappell Music Ltd. and Sony/ATV Harmony (in 1930)
part of:
New York, New York (1977 musical film soundtrack)
part of:
The Real Book (compilation of jazz standards, Volume I)
?:??
16Little White Lies?:??
17A Beautiful Friendship
lead vocals:
Ella Fitzgerald
recording of:
A Beautiful Friendship
lyricist:
Stanley Styne
composer:
Donald Kahn
?:??
18Body and Soul (live)?:??
19Bill Bailey, Won’t You Please Come Home (live)
live cover recording of:
Bill Bailey, Won’t You Please Come Home
lyricist and composer:
Hughie Cannon
publisher:
Henrees Music co. and Shawnee Press Inc.
?:??
20Mack the Knife (live)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
?:??
21How High the Moon (Pt.1)?:??