Bernstein Conducts Bernstein

~ Release by Leonard Bernstein; New York Philharmonic (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistLength
1Overture to Candide: Allegro molto con brio
orchestra:
New York Philharmonic (on 1963-06-18)
conductor:
Leonard Bernstein (on 1963-06-18)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1963-06-18)
recording of:
Candide: Overture (on 1963-06-18)
composer:
Leonard Bernstein
part of:
Candide
Leonard Bernstein4:11
2Symphonic Dances (From "West Side Story"): I. Prologue (Allegro moderato)
producer:
John McClure
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: I. Prologue. Allegro moderato (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein4:08
3Symphonic Dances (From "West Side Story"): II. Somewhere (Adagio)
producer:
John McClure
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: II. “Somewhere”. Adagio (on 1961-03-06)
additional orchestrator:
Irwin Kostal and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein3:51
4Symphonic Dances (From "West Side Story"): III. Scherzo (Vivace leggiero)
producer:
John McClure
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: III. Scherzo. Vivace leggiero (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein1:17
5Symphonic Dances (From "West Side Story"): IV. Mambo (Meno presto)
producer:
John McClure
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: IV. Mambo. Presto (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein2:14
6Symphonic Dances (From "West Side Story"): V. Cha-Cha, "Maria" (Andantino con grazia)
producer:
John McClure
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: V. Cha-Cha (“Maria”). Andantino con grazia (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein0:53
7Symphonic Dances (From "West Side Story"): VI. Meeting Scene (Meno mosso)
producer:
John McClure
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: VI. Meeting Scene. Meno mosso (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein0:47
8Symphonic Dances (From "West Side Story"): VII. Fugue, "Cool" (Allegretto)
producer:
John McClure
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: VII. “Cool” Fugue. Allegretto (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein3:03
9Symphonic Dances (From "West Side Story"): VIII. Rumble (Molto allegro)
producer:
John McClure
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: VIII. Rumble. Molto allegro (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein1:52
10Symphonic Dances (From "West Side Story"): IX. Finale (Adagio)
producer:
John McClure
orchestra:
New York Philharmonic (on 1961-03-06)
conductor:
Leonard Bernstein (on 1961-03-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-03-06)
recording of:
Symphonic Dances from West Side Story: IX. Finale. Adagio (on 1961-03-06)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (in 1960)
part of:
Symphonic Dances from West Side Story
Leonard Bernstein2:49
11Symphonic Suite (From the Film "On The Waterfront"): Andante (with dignity) - Presto barbaro Presto barbaro
producer:
Howard Scott
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphonic Suite from On the Waterfront: I. Andante (with dignity) - Presto barbaro (on 1960-05-16)
composer:
Leonard Bernstein (in 1955)
part of:
Symphonic Suite from On the Waterfront
Leonard Bernstein2:59
12Symphonic Suite (From the Film "On The Waterfront"): Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima
producer:
Howard Scott
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphonic Suite from On the Waterfront: II. Adagio - Allegro molto agitato - Alla breve (Poco più mosso) - Presto come prima (on 1960-05-16)
composer:
Leonard Bernstein (in 1955)
part of:
Symphonic Suite from On the Waterfront
Leonard Bernstein2:17
13Symphonic Suite (From the Film "On The Waterfront"): Andante largamente - More Flowing - Still More Flowing - Poco meno mosso - Lento
producer:
Howard Scott
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphonic Suite from On the Waterfront: III. Andante largamente - More flowing - Still more flowing - Poco meno mosso - Lento (on 1960-05-16)
composer:
Leonard Bernstein (in 1955)
part of:
Symphonic Suite from On the Waterfront
Leonard Bernstein4:52
14Symphonic Suite (From the Film "On The Waterfront"): Moving Forward, with Warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, With Intensity - Ancora più mosso
producer:
Howard Scott
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphonic Suite from On the Waterfront: IV. Moving forward, with warmth - Largamente - A tempo - Calmato - Andante come prima - Sempre avanti, with intensity - Ancora più mosso (on 1960-05-16)
composer:
Leonard Bernstein (in 1955)
part of:
Symphonic Suite from On the Waterfront
Leonard Bernstein4:24
15Symphonic Suite (From the Film "On The Waterfront"): Allegro non troppo, molto marcato - Poco più sostenuto - Moving Forward - Meno mosso
producer:
Howard Scott
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphonic Suite from On the Waterfront: V. Allegro non troppo, molto marcato - Poco più sostenuto - Moving forward - Meno mosso (on 1960-05-16)
composer:
Leonard Bernstein (in 1955)
part of:
Symphonic Suite from On the Waterfront
Leonard Bernstein2:50
16Symphonic Suite (From the Film "On The Waterfront"): A tempo
producer:
Howard Scott
orchestra:
New York Philharmonic (on 1960-05-16)
conductor:
Leonard Bernstein (on 1960-05-16)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1960-05-16)
recording of:
Symphonic Suite from On the Waterfront: VI. A tempo (on 1960-05-16)
composer:
Leonard Bernstein (in 1955)
part of:
Symphonic Suite from On the Waterfront
Leonard Bernstein2:06
17Fancy Free Ballet: I. Enter Three Sailors
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: I. Enter Three Sailors (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
Leonard Bernstein2:51
18Fancy Free Ballet: II. Scene at the Bar
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: II. Scene at the Bar (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
Leonard Bernstein1:37
19Fancy Free Ballet: III. Enter Two Girls
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: III. Enter Two Girls (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
Leonard Bernstein2:10
20Fancy Free Ballet: IV. Pas de deux
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: IV. Pas de deux (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
is based on:
Fancy Free: Big Stuff
part of:
Fancy Free
Leonard Bernstein3:22
21Fancy Free Ballet: V. Competition Scene
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: V. Competition Scene (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
Leonard Bernstein3:04
22Fancy Free Ballet: VI. Three Dance Variations: Variation I (Galop)
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: VI. Three Dance Variations: Variation I: Galop (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
Leonard Bernstein1:21
23Fancy Free Ballet: Variation II (Waltz)
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: VI. Three Dance Variations: Variation II: Waltz (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
Leonard Bernstein2:23
24Fancy Free Ballet: Variation III (Danzon)
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: VI. Three Dance Variations: Variation III: Danzon (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
Leonard Bernstein2:36
25Fancy Free Ballet: VII. Finale
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-11)
conductor:
Leonard Bernstein (on 1963-06-11)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-11)
recording of:
Fancy Free: VII. Finale (on 1963-06-11)
composer:
Leonard Bernstein (in 1944)
part of:
Fancy Free
Leonard Bernstein4:34
26Prelude, Fugue & Riffs: I. Prelude
producer:
John McClure
clarinet:
Benny Goodman (on 1963-05-06)
conductor:
Leonard Bernstein (on 1963-05-06)
performer:
Columbia Jazz Combo (on 1963-05-06)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1963-05-06)
recording of:
Prelude, Fugue and Riffs: I. Prelude for the Brass (on 1963-05-06)
composer:
Leonard Bernstein (in 1949)
part of:
Prelude, Fugue and Riffs
Leonard Bernstein1:51
27Prelude, Fugue & Riffs: II. Fugue
producer:
John McClure
clarinet:
Benny Goodman (on 1963-05-06)
conductor:
Leonard Bernstein (on 1963-05-06)
performer:
Columbia Jazz Combo (on 1963-05-06)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1963-05-06)
recording of:
Prelude, Fugue and Riffs: II. Fugue for the Saxes (on 1963-05-06)
composer:
Leonard Bernstein (in 1949)
part of:
Prelude, Fugue and Riffs
Leonard Bernstein1:47
28Prelude, Fugue & Riffs: III. Riffs
producer:
John McClure
clarinet:
Benny Goodman (on 1963-05-06)
conductor:
Leonard Bernstein (on 1963-05-06)
performer:
Columbia Jazz Combo (on 1963-05-06)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1963-05-06)
recording of:
Prelude, Fugue and Riffs: III. Riffs for Everyone (on 1963-05-06)
composer:
Leonard Bernstein (in 1949)
part of:
Prelude, Fugue and Riffs
Leonard Bernstein4:10
2▼CD
#TitleArtistLength
1Dybbuk (Complete Ballet): Part I: The Community
producer:
John McClure
baritone vocals:
David Johnson (on 1974-06-07)
bass vocals:
John Ostendorf (on 1974-06-07)
orchestra:
New York City Ballet Orchestra (on 1974-06-07)
conductor:
Leonard Bernstein (on 1974-06-07)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1974-06-07)
recording of:
Dybbuk, Part I: The Community (on 1974-06-07)
composer:
Leonard Bernstein (in 1974)
part of:
Dybbuk
Leonard Bernstein4:47
2Dybbuk (Complete Ballet): The Fathers
producer:
John McClure
baritone vocals:
David Johnson (on 1974-06-07)
bass vocals:
John Ostendorf (on 1974-06-07)
orchestra:
New York City Ballet Orchestra (on 1974-06-07)
conductor:
Leonard Bernstein (on 1974-06-07)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1974-06-07)
recording of:
Dybbuk, Part I: The Fathers (on 1974-06-07)
composer:
Leonard Bernstein (in 1974)
part of:
Dybbuk
Leonard Bernstein3:55
3Dybbuk (Complete Ballet): Witnesses of Birth
producer:
John McClure
baritone vocals:
David Johnson (on 1974-06-07)
bass vocals:
John Ostendorf (on 1974-06-07)
orchestra:
New York City Ballet Orchestra (on 1974-06-07)
conductor:
Leonard Bernstein (on 1974-06-07)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1974-06-07)
recording of:
Dybbuk, Part I: Witnesses of Birth (on 1974-06-07)
composer:
Leonard Bernstein (in 1974)
part of:
Dybbuk
Leonard Bernstein2:11
4Dybbuk (Complete Ballet): The Children
producer:
John McClure
baritone vocals:
David Johnson (on 1974-06-07)
bass vocals:
John Ostendorf (on 1974-06-07)
orchestra:
New York City Ballet Orchestra (on 1974-06-07)
conductor:
Leonard Bernstein (on 1974-06-07)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1974-06-07)
recording of:
Dybbuk, Part I: The Children (on 1974-06-07)
composer:
Leonard Bernstein (in 1974)
part of:
Dybbuk
Leonard Bernstein5:06
5Dybbuk (Complete Ballet): Part II: Kabbalah: Six Variations
producer:
John McClure
baritone vocals:
David Johnson (on 1974-06-07)
bass vocals:
John Ostendorf (on 1974-06-07)
orchestra:
New York City Ballet Orchestra (on 1974-06-07)
conductor:
Leonard Bernstein (on 1974-06-07)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1974-06-07)
recording of:
Dybbuk, Part II: Kabbalah: Six Variations (on 1974-06-07)
composer:
Leonard Bernstein (in 1974)
part of:
Dybbuk
Leonard Bernstein10:51
6Dybbuk (Complete Ballet): Part III: Witnesses of Death
producer:
John McClure
baritone vocals:
David Johnson (on 1974-06-07)
bass vocals:
John Ostendorf (on 1974-06-07)
orchestra:
New York City Ballet Orchestra (on 1974-06-07)
conductor:
Leonard Bernstein (on 1974-06-07)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1974-06-07)
recording of:
Dybbuk, Part III: Witnesses of Death (on 1974-06-07)
composer:
Leonard Bernstein (in 1974)
part of:
Dybbuk
Leonard Bernstein1:37
7Dybbuk (Complete Ballet): Leah
producer:
John McClure
baritone vocals:
David Johnson (on 1974-06-07)
bass vocals:
John Ostendorf (on 1974-06-07)
orchestra:
New York City Ballet Orchestra (on 1974-06-07)
conductor:
Leonard Bernstein (on 1974-06-07)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1974-06-07)
recording of:
Dybbuk, Part III: Leah (on 1974-06-07)
composer:
Leonard Bernstein (in 1974)
part of:
Dybbuk
Leonard Bernstein2:59
8Dybbuk (Complete Ballet): Possession
producer:
John McClure
baritone vocals:
David Johnson (on 1974-06-07)
bass vocals:
John Ostendorf (on 1974-06-07)
orchestra:
New York City Ballet Orchestra (on 1974-06-07)
conductor:
Leonard Bernstein (on 1974-06-07)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1974-06-07)
recording of:
Dybbuk, Part III: Possession (on 1974-06-07)
composer:
Leonard Bernstein (in 1974)
part of:
Dybbuk
Leonard Bernstein8:08
9Dybbuk (Complete Ballet): Exorcism
producer:
John McClure
baritone vocals:
David Johnson (on 1974-06-07)
bass vocals:
John Ostendorf (on 1974-06-07)
orchestra:
New York City Ballet Orchestra (on 1974-06-07)
conductor:
Leonard Bernstein (on 1974-06-07)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1974-06-07)
recording of:
Dybbuk, Part III: Exorcism (on 1974-06-07)
composer:
Leonard Bernstein (in 1974)
part of:
Dybbuk
Leonard Bernstein3:13
10Dybbuk (Complete Ballet): The Community
producer:
John McClure
baritone vocals:
David Johnson (on 1974-06-07)
bass vocals:
John Ostendorf (on 1974-06-07)
orchestra:
New York City Ballet Orchestra (on 1974-06-07)
conductor:
Leonard Bernstein (on 1974-06-07)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1974-06-07)
recording of:
Dybbuk, Part III: The Community (on 1974-06-07)
composer:
Leonard Bernstein (in 1974)
part of:
Dybbuk
Leonard Bernstein5:13
11Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: I. Phaedrus: Pausanias (Lento - Allegro marcato)
violin:
Zino Francescatti (on 1965-07-22)
orchestra:
New York Philharmonic (on 1965-07-22)
conductor:
Leonard Bernstein (on 1965-07-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-22)
recording of:
Serenade after Plato’s “Symposium”: I. Phaedrus: Pausanias. Lento – Allegro (on 1965-07-22)
composer:
Leonard Bernstein (in 1954)
part of:
Serenade after Plato’s “Symposium”
Leonard Bernstein7:02
12Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: II. Aristophanes (Allegretto)
violin:
Zino Francescatti (on 1965-07-22)
orchestra:
New York Philharmonic (on 1965-07-22)
conductor:
Leonard Bernstein (on 1965-07-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-22)
recording of:
Serenade after Plato’s “Symposium”: II. Aristophanes. Allegretto (on 1965-07-22)
composer:
Leonard Bernstein (in 1954)
part of:
Serenade after Plato’s “Symposium”
Leonard Bernstein4:07
13Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: III. Erixymathus (Presto)
violin:
Zino Francescatti (on 1965-07-22)
orchestra:
New York Philharmonic (on 1965-07-22)
conductor:
Leonard Bernstein (on 1965-07-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-22)
recording of:
Serenade after Plato’s “Symposium”: III. Eryximachus. Presto (on 1965-07-22)
composer:
Leonard Bernstein (in 1954)
part of:
Serenade after Plato’s “Symposium”
Leonard Bernstein1:28
14Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: IV. Agathon (Adagio
violin:
Zino Francescatti (on 1965-07-22)
orchestra:
New York Philharmonic (on 1965-07-22)
conductor:
Leonard Bernstein (on 1965-07-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-22)
recording of:
Serenade after Plato’s “Symposium”: IV. Agathon. Adagio (on 1965-07-22)
composer:
Leonard Bernstein (in 1954)
part of:
Serenade after Plato’s “Symposium”
Leonard Bernstein6:53
15Serenade after Plato's "Symposium" for Solo Violin, Strings, Harp and Percussion: V. Socrates: Alcibiades (Molto tenuto - Allegro molto vivace)
violin:
Zino Francescatti (on 1965-07-22)
orchestra:
New York Philharmonic (on 1965-07-22)
conductor:
Leonard Bernstein (on 1965-07-22)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-22)
recording of:
Serenade after Plato’s “Symposium”: V. Socrates: Alcibiades. Molto tenuto – Allegro molto vivace (on 1965-07-22)
composer:
Leonard Bernstein (in 1954)
part of:
Serenade after Plato’s “Symposium”
Leonard Bernstein10:48
3▼CD
#TitleArtistLength
1Symphony No. 1 "Jeremiah": I. Prophecy
producer:
John McClure
mezzo-soprano vocals:
Jennie Tourel (on 1961-05-20)
orchestra:
New York Philharmonic (on 1961-05-20)
conductor:
Leonard Bernstein (on 1961-05-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-05-20)
recording of:
Symphony no. 1 “Jeremiah”: I. Prophecy (on 1961-05-20)
composer:
Leonard Bernstein (in 1942)
part of:
Symphony no. 1 “Jeremiah”
Leonard Bernstein7:38
2Symphony No. 1 "Jeremiah": II. Profanation
producer:
John McClure
mezzo-soprano vocals:
Jennie Tourel (on 1961-05-20)
orchestra:
New York Philharmonic (on 1961-05-20)
conductor:
Leonard Bernstein (on 1961-05-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-05-20)
recording of:
Symphony no. 1 “Jeremiah”: II. Profanation (on 1961-05-20)
composer:
Leonard Bernstein (in 1942)
part of:
Symphony no. 1 “Jeremiah”
Leonard Bernstein6:39
3Symphony No. 1 "Jeremiah": III. Lamentation
producer:
John McClure
mezzo-soprano vocals:
Jennie Tourel (on 1961-05-20)
orchestra:
New York Philharmonic (on 1961-05-20)
conductor:
Leonard Bernstein (on 1961-05-20)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1961-05-20)
recording of:
Symphony no. 1 “Jeremiah”: III. Lamentation (on 1961-05-20)
composer:
Leonard Bernstein (in 1942)
part of:
Symphony no. 1 “Jeremiah”
Leonard Bernstein11:20
4On the Town: The Great Lover
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-18)
conductor:
Leonard Bernstein (on 1963-06-18)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-18)
recording of:
Three Dance Episodes from “On the Town”: I. The Great Lover (on 1963-06-18)
composer:
Leonard Bernstein (in 1945)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
Leonard Bernstein1:48
5On the Town: Lonely Town. Pas de deux
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-18)
conductor:
Leonard Bernstein (on 1963-06-18)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-18)
recording of:
Three Dance Episodes from “On the Town”: II. Lonely Town: Pas de deux (on 1963-06-18)
composer:
Leonard Bernstein (in 1945)
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
Leonard Bernstein3:25
6On the Town: Times Square, 1944
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-18)
conductor:
Leonard Bernstein (on 1963-06-18)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-18)
recording of:
Three Dance Episodes from “On the Town”: III. Times Square: 1944 (on 1963-06-18)
composer:
Leonard Bernstein (in 1945)
publisher:
Universal Music Publishing
part of:
Three Dance Episodes from “On the Town” (symphonic suite for orchestra)
recording of:
On the Town: Finale, Act I: Times Square Ballet (dance)
composer:
Leonard Bernstein
part of:
On the Town
Leonard Bernstein4:38
7Symphony No. 2 "The Age of Anxiety": Pt. 1a, The Prologue. Lento moderato
producer:
John McClure
piano:
Philippe Entremont (on 1965-07-19)
orchestra:
New York Philharmonic (on 1965-07-19)
conductor:
Leonard Bernstein (on 1965-07-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-19)
recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): Ia. The Prologue. Lento moderato (on 1965-07-19)
composer:
Leonard Bernstein (from 1948 until 1949)
revised by:
Leonard Bernstein (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
Leonard Bernstein2:32
8Symphony No. 2 "The Age of Anxiety": Pt. 1b, The Seven Ages. Variations 1 - 7
producer:
John McClure
piano:
Philippe Entremont (on 1965-07-19)
orchestra:
New York Philharmonic (on 1965-07-19)
conductor:
Leonard Bernstein (on 1965-07-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-19)
recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): Ib. The Seven Ages (Variations I–VII) (on 1965-07-19)
composer:
Leonard Bernstein (from 1948 until 1949)
revised by:
Leonard Bernstein (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
Leonard Bernstein9:08
9Symphony No. 2 "The Age of Anxiety": Pt. 1c, The Seven Stages. Variations 8 - 14
producer:
John McClure
piano:
Philippe Entremont (on 1965-07-19)
orchestra:
New York Philharmonic (on 1965-07-19)
conductor:
Leonard Bernstein (on 1965-07-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-19)
recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): Ic. The Seven Stages (Variations VIII–XIV) (on 1965-07-19)
composer:
Leonard Bernstein (from 1948 until 1949)
revised by:
Leonard Bernstein (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
Leonard Bernstein6:14
10Symphony No. 2 "The Age of Anxiety": Pt. 2a, The Dirge. Largo
producer:
John McClure
piano:
Philippe Entremont (on 1965-07-19)
orchestra:
New York Philharmonic (on 1965-07-19)
conductor:
Leonard Bernstein (on 1965-07-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-19)
recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): IIa. The Dirge. Largo (on 1965-07-19)
composer:
Leonard Bernstein (from 1948 until 1949)
revised by:
Leonard Bernstein (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
Leonard Bernstein6:04
11Symphony No. 2 "The Age of Anxiety": Pt. 2b, The Masque. Extremely Fast
producer:
John McClure
piano:
Philippe Entremont (on 1965-07-19)
orchestra:
New York Philharmonic (on 1965-07-19)
conductor:
Leonard Bernstein (on 1965-07-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-19)
recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): IIb. The Masque. Extremely Fast (on 1965-07-19)
composer:
Leonard Bernstein (from 1948 until 1949)
revised by:
Leonard Bernstein (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
Leonard Bernstein4:35
12Symphony No. 2 "The Age of Anxiety": Pt. 2c, The Epilogue. L'istesso tempo
producer:
John McClure
piano:
Philippe Entremont (on 1965-07-19)
orchestra:
New York Philharmonic (on 1965-07-19)
conductor:
Leonard Bernstein (on 1965-07-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-19)
recording of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden): IIc. The Epilogue. Adagio – Andante – Con moto (on 1965-07-19)
composer:
Leonard Bernstein (from 1948 until 1949)
revised by:
Leonard Bernstein (in 1965)
part of:
Symphony no. 2 for Piano and Orchestra “The Age of Anxiety” (after W. H. Auden)
Leonard Bernstein8:08
4▼CD
#TitleArtistLength
1Symphony No. 3 "Kaddish" (To the Beloved Memory of John F. Kennedy): I. Invocation
producer:
John McClure
choir vocals:
Camerata Singers (from 1964-04-15 until 1964-04-17)
spoken vocals [speaker]:
Felicia Montealegre (from 1964-04-15 until 1964-04-17)
orchestra:
New York Philharmonic (from 1964-04-15 until 1964-04-17)
conductor:
Leonard Bernstein (from 1964-04-15 until 1964-04-17)
chorus master:
Abraham Kaplan (from 1964-04-15 until 1964-04-17)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1964-04-15 until 1964-04-17)
recording of:
Symphony no. 3 “Kaddish”: I. Invocation – Kaddish 1 (from 1964-04-15 until 1964-04-17)
composer:
Leonard Bernstein (in 1963)
part of:
Symphony no. 3 “Kaddish”
Leonard Bernstein8:24
2Symphony No. 3 "Kaddish" (To the Beloved Memory of John F. Kennedy): II. Din-Torah
producer:
John McClure
choir vocals:
Camerata Singers (from 1964-04-15 until 1964-04-17)
mezzo-soprano vocals and soprano vocals:
Jennie Tourel (from 1964-04-15 until 1964-04-17)
spoken vocals [speaker]:
Felicia Montealegre (from 1964-04-15 until 1964-04-17)
orchestra:
New York Philharmonic (from 1964-04-15 until 1964-04-17)
conductor:
Leonard Bernstein (from 1964-04-15 until 1964-04-17)
chorus master:
Abraham Kaplan (from 1964-04-15 until 1964-04-17)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1964-04-15 until 1964-04-17)
recording of:
Symphony no. 3 “Kaddish”: II. Din-Torah – Kaddish 2 (from 1964-04-15 until 1964-04-17)
composer:
Leonard Bernstein (in 1963)
part of:
Symphony no. 3 “Kaddish”
Leonard Bernstein16:00
3Symphony No. 3 "Kaddish" (To the Beloved Memory of John F. Kennedy): III. Scherzo
producer:
John McClure
choir vocals:
Camerata Singers (from 1964-04-15 until 1964-04-17) and Columbus Boychoir (from 1964-04-15 until 1964-04-17)
spoken vocals [speaker]:
Felicia Montealegre (from 1964-04-15 until 1964-04-17)
orchestra:
New York Philharmonic (from 1964-04-15 until 1964-04-17)
conductor:
Leonard Bernstein (from 1964-04-15 until 1964-04-17)
chorus master:
Donald Bryant (from 1964-04-15 until 1964-04-17) and Abraham Kaplan (from 1964-04-15 until 1964-04-17)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1964-04-15 until 1964-04-17)
recording of:
Symphony no. 3 “Kaddish”: III. Scherzo – Kaddish 3 – Finale. Fugue-Tutti (from 1964-04-15 until 1964-04-17)
composer:
Leonard Bernstein (in 1963)
part of:
Symphony no. 3 “Kaddish”
Leonard Bernstein18:33
4Chichester Psalms: I. Psalm 108:2 "Urah, hanevel, v'chinor!" - Psalm 100 "Hariu l'Adonai kol haarets"
producer:
John McClure
choir vocals:
Camerata Singers (on 1965-07-26)
orchestra:
New York Philharmonic (on 1965-07-26)
conductor:
Leonard Bernstein (on 1965-07-26)
chorus master:
Abraham Kaplan (on 1965-07-26)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-26)
recording of:
Chichester Psalms: I. Psalm 108 verse 2, Psalm 100. Maestoso ma energico – Allegro molto (on 1965-07-26)
composer:
Leonard Bernstein (in 1965)
part of:
Chichester Psalms
Leonard Bernstein3:35
5Chichester Psalms: II. Psalm 23 "Adonai ro-i, lo e?sar" - Psalm 2:1-4 "Lamah rag'shu goyim"
producer:
John McClure
choir vocals:
Camerata Singers (on 1965-07-26)
solo alto vocals:
John Bogart (on 1965-07-26)
orchestra:
New York Philharmonic (on 1965-07-26)
conductor:
Leonard Bernstein (on 1965-07-26)
chorus master:
Abraham Kaplan (on 1965-07-26)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-26)
recording of:
Chichester Psalms: II. Psalm 23, Psalm 2 verses 1–4. Andante con moto, ma tranquillo – Allegro feroce (on 1965-07-26)
composer:
Leonard Bernstein (in 1965)
part of:
Chichester Psalms
Leonard Bernstein5:36
6Chichester Psalms: III. Psalm 131 "Adonai, Adonai" - Psalm 133:1 "Hineh mah tov"
producer:
John McClure
choir vocals:
Camerata Singers (on 1965-07-26)
orchestra:
New York Philharmonic (on 1965-07-26)
conductor:
Leonard Bernstein (on 1965-07-26)
chorus master:
Abraham Kaplan (on 1965-07-26)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1965-07-26)
recording of:
Chichester Psalms: III. Psalm 131, Psalm 133 verse 1. Prelude. Sostenuto molto – Peacefully flowing – Lento possible (on 1965-07-26)
composer:
Leonard Bernstein (in 1965)
part of:
Chichester Psalms
Leonard Bernstein9:13
7I Hate Music: No. 1, My Name Is Barbara
piano:
Leonard Bernstein (on 1960-11-18)
mezzo-soprano vocals:
Jennie Tourel (on 1960-11-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-11-18)
recording of:
I Hate Music: Five Kid Songs for Soprano and Piano: I. My Name Is Barbara (on 1960-11-18)
lyricist and composer:
Leonard Bernstein (in 1943)
publisher:
Boosey & Hawkes Production Music and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
I Hate Music: Five Kid Songs for Soprano and Piano
Leonard Bernstein0:56
8I Hate Music: No. 2, Jupiter Has Seven Moons
piano:
Leonard Bernstein (on 1960-11-18)
mezzo-soprano vocals:
Jennie Tourel (on 1960-11-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-11-18)
recording of:
I Hate Music: Five Kid Songs for Soprano and Piano: II. Jupiter Has Seven Moons (on 1960-11-18)
lyricist and composer:
Leonard Bernstein (in 1943)
publisher:
Boosey & Hawkes Production Music
part of:
I Hate Music: Five Kid Songs for Soprano and Piano
Leonard Bernstein1:19
9I Hate Music: No. 3, I Hate Music!
piano:
Leonard Bernstein (on 1960-11-18)
mezzo-soprano vocals:
Jennie Tourel (on 1960-11-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-11-18)
recording of:
I Hate Music: Five Kid Songs for Soprano and Piano: III. I Hate Music! (on 1960-11-18)
lyricist and composer:
Leonard Bernstein (in 1943)
publisher:
Boosey & Hawkes Production Music and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
I Hate Music: Five Kid Songs for Soprano and Piano
Leonard Bernstein1:37
10I Hate Music: No. 4, A Big Indian and a Little Indian (Riddle Song)
piano:
Leonard Bernstein (on 1960-11-18)
mezzo-soprano vocals:
Jennie Tourel (on 1960-11-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-11-18)
recording of:
I Hate Music: Five Kid Songs for Soprano and Piano: IV. A Big Indian and a Little Indian (on 1960-11-18)
lyricist and composer:
Leonard Bernstein (in 1943)
publisher:
Boosey & Hawkes Production Music
part of:
I Hate Music: Five Kid Songs for Soprano and Piano
Leonard Bernstein0:43
11I Hate Music: No. 5, I'm a Person Too
piano:
Leonard Bernstein (on 1960-11-18)
mezzo-soprano vocals:
Jennie Tourel (on 1960-11-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-11-18)
recording of:
I Hate Music: Five Kid Songs for Soprano and Piano: V. I’m a Person, Too (on 1960-11-18)
lyricist and composer:
Leonard Bernstein (in 1943)
publisher:
Boosey & Hawkes Production Music
part of:
I Hate Music: Five Kid Songs for Soprano and Piano
Leonard Bernstein1:55
12La bonne cuisine (Four Recipes): No. 1, Plum Pudding
piano:
Leonard Bernstein (on 1960-11-18)
mezzo-soprano vocals:
Jennie Tourel (on 1960-11-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-11-18)
recording of:
La Bonne Cuisine (Four Recipes for Voice and Piano): I. Plum Pudding (on 1960-11-18)
lyricist:
Émile Dumont
composer:
Leonard Bernstein (in 1947)
part of:
La Bonne Cuisine (Four Recipes for Voice and Piano)
Leonard Bernstein0:46
13La bonne cuisine (Four Recipes): No. 2, Queues de boeuf
piano:
Leonard Bernstein (on 1960-11-18)
mezzo-soprano vocals:
Jennie Tourel (on 1960-11-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-11-18)
recording of:
La Bonne Cuisine (Four Recipes for Voice and Piano): II. Queues de bœuf (Oxtails) (on 1960-11-18)
lyricist:
Émile Dumont
composer:
Leonard Bernstein (in 1947)
part of:
La Bonne Cuisine (Four Recipes for Voice and Piano)
Leonard Bernstein0:49
14La bonne cuisine (Four Recipes): No. 3, Tavouk guenksis
piano:
Leonard Bernstein (on 1960-11-18)
mezzo-soprano vocals:
Jennie Tourel (on 1960-11-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-11-18)
recording of:
La Bonne Cuisine (Four Recipes for Voice and Piano): III. Tavouk Guenksis (on 1960-11-18)
lyricist:
Émile Dumont
composer:
Leonard Bernstein (in 1947)
part of:
La Bonne Cuisine (Four Recipes for Voice and Piano)
Leonard Bernstein1:08
15La bonne cuisine (Four Recipes): No. 4, Civet à toute vitesse
piano:
Leonard Bernstein (on 1960-11-18)
mezzo-soprano vocals:
Jennie Tourel (on 1960-11-18)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-11-18)
recording of:
La Bonne Cuisine (Four Recipes for Voice and Piano): IV. Civet à toute vitesse (Rabbit at Top Speed) (on 1960-11-18)
lyricist:
Émile Dumont
composer:
Leonard Bernstein (in 1947)
part of:
La Bonne Cuisine (Four Recipes for Voice and Piano)
Leonard Bernstein1:14
5▼CD
#TitleArtistLength
1Trouble in Tahiti - An Opera in Seven Scenes: Prelude
producer:
John McClure
baritone vocals [Trio]:
Mark Brown (on 1973-08-11, from 1973-08-13 until 1973-08-15)
soprano vocals [Trio]:
Antonia Butler (on 1973-08-11, from 1973-08-13 until 1973-08-15)
tenor vocals [Trio]:
Michael Clarke (on 1973-08-11, from 1973-08-13 until 1973-08-15)
orchestra:
Columbia Wind Ensemble (on 1973-08-11, from 1973-08-13 until 1973-08-15)
conductor:
Leonard Bernstein (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recorded at:
London Weekend Television Studios and CBS Studio 1 in London, England, United Kingdom (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recording of:
Trouble in Tahiti: Prelude. "Daa/Doa Day" - "Mornin' sun" (from 1973-08-11 until 1973-08-15)
composer:
Leonard Bernstein (in 1952)
part of:
Trouble in Tahiti
Leonard Bernstein3:11
2Trouble in Tahiti - An Opera in Seven Scenes: Scene I: "How could you say the thing that you did"
producer:
John McClure
baritone vocals [Trio]:
Mark Brown (on 1973-08-11, from 1973-08-13 until 1973-08-15)
bass-baritone vocals [Sam]:
Julian Patrick (on 1973-08-11, from 1973-08-13 until 1973-08-15)
mezzo-soprano vocals [Dinah]:
Nancy Williams (on 1973-08-11, from 1973-08-13 until 1973-08-15)
soprano vocals [Trio]:
Antonia Butler (on 1973-08-11, from 1973-08-13 until 1973-08-15)
tenor vocals [Trio]:
Michael Clarke (on 1973-08-11, from 1973-08-13 until 1973-08-15)
orchestra:
Columbia Wind Ensemble (on 1973-08-11, from 1973-08-13 until 1973-08-15)
conductor:
Leonard Bernstein (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recorded at:
London Weekend Television Studios and CBS Studio 1 in London, England, United Kingdom (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recording of:
Trouble in Tahiti: Scene 1. "How could you say" (from 1973-08-11 until 1973-08-15)
composer:
Leonard Bernstein (in 1952)
part of:
Trouble in Tahiti
Leonard Bernstein5:31
3Trouble in Tahiti - An Opera in Seven Scenes: Scene II: "Yes? Oh, Mister Partridge!"
producer:
John McClure
baritone vocals [Trio]:
Mark Brown (on 1973-08-11, from 1973-08-13 until 1973-08-15)
bass-baritone vocals [Sam]:
Julian Patrick (on 1973-08-11, from 1973-08-13 until 1973-08-15)
soprano vocals [Trio]:
Antonia Butler (on 1973-08-11, from 1973-08-13 until 1973-08-15)
tenor vocals [Trio]:
Michael Clarke (on 1973-08-11, from 1973-08-13 until 1973-08-15)
orchestra:
Columbia Wind Ensemble (on 1973-08-11, from 1973-08-13 until 1973-08-15)
conductor:
Leonard Bernstein (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recorded at:
London Weekend Television Studios and CBS Studio 1 in London, England, United Kingdom (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recording of:
Trouble in Tahiti: Scene 2. "Yes? Oh, Mister Partridge" (from 1973-08-11 until 1973-08-15)
composer:
Leonard Bernstein (in 1952)
part of:
Trouble in Tahiti
Leonard Bernstein3:03
4Trouble in Tahiti - An Opera in Seven Scenes: Scene III: "I was standing in a garden!"
producer:
John McClure
bass-baritone vocals [Sam]:
Julian Patrick (on 1973-08-11, from 1973-08-13 until 1973-08-15)
mezzo-soprano vocals [Dinah]:
Nancy Williams (on 1973-08-11, from 1973-08-13 until 1973-08-15)
orchestra:
Columbia Wind Ensemble (on 1973-08-11, from 1973-08-13 until 1973-08-15)
conductor:
Leonard Bernstein (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recorded at:
London Weekend Television Studios and CBS Studio 1 in London, England, United Kingdom (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recording of:
Trouble in Tahiti: Scene 3. "I was standing in a garden" (from 1973-08-11 until 1973-08-15)
composer:
Leonard Bernstein (in 1952)
part of:
Trouble in Tahiti
Leonard Bernstein4:34
5Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa: "Then desire took hold inside me"
producer:
John McClure
mezzo-soprano vocals [Dinah]:
Nancy Williams (on 1973-08-11, from 1973-08-13 until 1973-08-15)
orchestra:
Columbia Wind Ensemble (on 1973-08-11, from 1973-08-13 until 1973-08-15)
conductor:
Leonard Bernstein (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recorded at:
London Weekend Television Studios and CBS Studio 1 in London, England, United Kingdom (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recording of:
Trouble in Tahiti: Scene 3a. "Then desire took hold inside me" (from 1973-08-11 until 1973-08-15)
composer:
Leonard Bernstein (in 1952)
part of:
Trouble in Tahiti
Leonard Bernstein2:46
6Trouble in Tahiti - An Opera in Seven Scenes: Scene IIIa: "Then desire took hold inside me"
producer:
John McClure
bass-baritone vocals [Sam]:
Julian Patrick (on 1973-08-11, from 1973-08-13 until 1973-08-15)
mezzo-soprano vocals [Dinah]:
Nancy Williams (on 1973-08-11, from 1973-08-13 until 1973-08-15)
orchestra:
Columbia Wind Ensemble (on 1973-08-11, from 1973-08-13 until 1973-08-15)
conductor:
Leonard Bernstein (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recorded at:
London Weekend Television Studios and CBS Studio 1 in London, England, United Kingdom (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recording of:
Trouble in Tahiti: Scene 4. "I'm on my way" (from 1973-08-11 until 1973-08-15)
composer:
Leonard Bernstein (in 1952)
part of:
Trouble in Tahiti
Leonard Bernstein6:27
7Trouble in Tahiti - An Opera in Seven Scenes: Interlude:"Skid a lit day"
producer:
John McClure
baritone vocals [Trio]:
Mark Brown (on 1973-08-11, from 1973-08-13 until 1973-08-15)
soprano vocals [Trio]:
Antonia Butler (on 1973-08-11, from 1973-08-13 until 1973-08-15)
tenor vocals [Trio]:
Michael Clarke (on 1973-08-11, from 1973-08-13 until 1973-08-15)
orchestra:
Columbia Wind Ensemble (on 1973-08-11, from 1973-08-13 until 1973-08-15)
conductor:
Leonard Bernstein (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recorded at:
London Weekend Television Studios and CBS Studio 1 in London, England, United Kingdom (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recording of:
Trouble in Tahiti: Interlude. "Skid a lit day" (from 1973-08-11 until 1973-08-15)
composer:
Leonard Bernstein (in 1952)
part of:
Trouble in Tahiti
Leonard Bernstein1:44
8Trouble in Tahiti - An Opera in Seven Scenes: Scene V:"There's a law"
producer:
John McClure
bass-baritone vocals [Sam]:
Julian Patrick (on 1973-08-11, from 1973-08-13 until 1973-08-15)
orchestra:
Columbia Wind Ensemble (on 1973-08-11, from 1973-08-13 until 1973-08-15)
conductor:
Leonard Bernstein (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recorded at:
London Weekend Television Studios and CBS Studio 1 in London, England, United Kingdom (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recording of:
Trouble in Tahiti: Scene 5. "There's a law" (from 1973-08-11 until 1973-08-15)
composer:
Leonard Bernstein (in 1952)
part of:
Trouble in Tahiti
Leonard Bernstein4:20
9Trouble in Tahiti - An Opera in Seven Scenes: Scene VI:"What a movie!"
producer:
John McClure
baritone vocals [Trio]:
Mark Brown (on 1973-08-11, from 1973-08-13 until 1973-08-15)
mezzo-soprano vocals [Dinah]:
Nancy Williams (on 1973-08-11, from 1973-08-13 until 1973-08-15)
soprano vocals [Trio]:
Antonia Butler (on 1973-08-11, from 1973-08-13 until 1973-08-15)
tenor vocals [Trio]:
Michael Clarke (on 1973-08-11, from 1973-08-13 until 1973-08-15)
orchestra:
Columbia Wind Ensemble (on 1973-08-11, from 1973-08-13 until 1973-08-15)
conductor:
Leonard Bernstein (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recorded at:
London Weekend Television Studios and CBS Studio 1 in London, England, United Kingdom (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recording of:
Trouble in Tahiti: Scene 6. "What a movie" (from 1973-08-11 until 1973-08-15)
composer:
Leonard Bernstein (in 1952)
part of:
Trouble in Tahiti
Leonard Bernstein4:38
10Trouble in Tahiti - An Opera in Seven Scenes: Scene VIa:"There's a law that a man has to pay for what he gets"
producer:
John McClure
bass-baritone vocals [Sam]:
Julian Patrick (on 1973-08-11, from 1973-08-13 until 1973-08-15)
orchestra:
Columbia Wind Ensemble (on 1973-08-11, from 1973-08-13 until 1973-08-15)
conductor:
Leonard Bernstein (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recorded at:
London Weekend Television Studios and CBS Studio 1 in London, England, United Kingdom (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recording of:
Trouble in Tahiti: Scene 6a. "There's a law" (from 1973-08-11 until 1973-08-15)
composer:
Leonard Bernstein (in 1952)
part of:
Trouble in Tahiti
Leonard Bernstein0:38
11Trouble in Tahiti - An Opera in Seven Scenes: Scene VII:"Evenin' shadows are spreadin' softly"
producer:
John McClure
baritone vocals [Trio]:
Mark Brown (on 1973-08-11, from 1973-08-13 until 1973-08-15)
bass-baritone vocals [Sam]:
Julian Patrick (on 1973-08-11, from 1973-08-13 until 1973-08-15)
mezzo-soprano vocals [Dinah]:
Nancy Williams (on 1973-08-11, from 1973-08-13 until 1973-08-15)
soprano vocals [Trio]:
Antonia Butler (on 1973-08-11, from 1973-08-13 until 1973-08-15)
tenor vocals [Trio]:
Michael Clarke (on 1973-08-11, from 1973-08-13 until 1973-08-15)
orchestra:
Columbia Wind Ensemble (on 1973-08-11, from 1973-08-13 until 1973-08-15)
conductor:
Leonard Bernstein (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recorded at:
London Weekend Television Studios and CBS Studio 1 in London, England, United Kingdom (on 1973-08-11, from 1973-08-13 until 1973-08-15)
recording of:
Trouble in Tahiti: Scene 7. "Evenin' shadows" (from 1973-08-11 until 1973-08-15)
composer:
Leonard Bernstein (in 1952)
part of:
Trouble in Tahiti
Leonard Bernstein7:11
12Facsimile - Choreographic Essay for Orchestra: Part I - Molto Adagio
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-18)
conductor:
Leonard Bernstein (on 1963-06-18)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-18)
recording of:
Facsimile, Part I: Molto adagio - Più andante - Moderate waltz tempo - Sostenuto assai - Accelerando - A tempo (on 1963-06-18)
composer:
Leonard Bernstein (in 1946)
part of:
Facsimile: Choreographic Essay for Orchestra
Leonard Bernstein9:46
13Facsimile - Choreographic Essay for Orchestra: Part II - Allegretto
producer:
John McClure
orchestra:
New York Philharmonic (on 1963-06-18)
conductor:
Leonard Bernstein (on 1963-06-18)
recorded at:
David Geffen Hall in Upper West Side, New York, New York, United States (on 1963-06-18)
recording of:
Facsimile, Part II: Allegretto - Subito allegro - Più mosso - Andante - Meno mosso - Rallentando - Adagio - Molto rallentando - Adagio, come prima (on 1963-06-18)
composer:
Leonard Bernstein (in 1946)
part of:
Facsimile: Choreographic Essay for Orchestra
Leonard Bernstein8:57
6▶CD
7▶CD