Spinners

~ Release by The Spinners (see all versions of this release, 6 available)

Tracklist

1▼Digital Media
#TitleLength
1Just Can't Get You Out of My Mind
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Just Can't Get You Out of My Mind (in 1973)
composer:
Vinnie Barrett and Thom Bell
3:39
2Just You and Me Baby
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Just You and Me Baby (in 1973)
lyricist and composer:
Yvette Davis
publisher:
Warner–Tamerlane Publishing Corp.
2:59
3Don't Let the Green Grass Fool You
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Don’t Let the Green Grass Fool You (in 1973)
writer:
Jerry Akines, Johnnie Bellmon, Victor Drayton and Reginald Turner
publisher:
Warner–Tamerlane Publishing Corp.
4:00
4I Could Never (Repay Your Love)
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I Could Never (in 1973)
lyricist and composer:
Bruce Hawes
publisher:
Warner–Tamerlane Publishing Corp.
6:56
5I'll Be Around
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I’ll Be Around (in 1973)
composer:
Thom Bell and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp.
3:08
6One of a Kind (Love Affair)
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
One of a Kind (in 1973)
lyricist and composer:
Joseph Jefferson
publisher:
Warner–Tamerlane Publishing Corp.
3:34
7We Belong Together
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
We Belong Together (in 1973)
lyricist and composer:
Yvette Davis
publisher:
Warner–Tamerlane Publishing Corp.
4:12
8Ghetto Child
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Ghetto Child (in 1973)
composer:
Thom Bell and Linda Creed
publisher:
Warner–Tamerlane Publishing Corp.
3:50
9How Could I Let You Get Away
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
How Could I Let You Get Away (in 1973)
lyricist and composer:
Yvette Davis
publisher:
Warner–Tamerlane Publishing Corp.
3:49
10Could It Be I'm Falling in Love
recording engineer:
Joe Tarsia
producer:
Thom Bell
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (in 1973), Bobbie Smith (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (in 1973)
remixer:
Joe Tarsia
arranger:
Thom Bell
phonographic copyright (℗) by:
Atlantic Recording Corporation
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
part of:
Billboard: The 500 Best Pop Songs (number: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd., Warner Chappell North America and Warner–Tamerlane Publishing Corp.
4:09