| # | Title | Length |
|---|
| 1 | The Great Beyond (From Mam On The Moon) | 5:32 |
| 2 | At My Most Beautuful (From Never Been Kissed) | 3:39 |
| 3 | Revolution (From Batman) | 3:06 |
| 4 | Daysleepper | 3:39 |
| 5 | The Wake-Up Bomb | 5:09 |
| 6 | E-Bow The Letter- additional recording engineer:
- John Keane and Patrick McCarthy
- recording engineer:
- Adam Kasper
- additional assistant engineer:
- Victor Janacua
- assistant engineer:
- Sam Hofstedt and William “Billy” Field
- producer:
- Scott Litt and R.E.M.
- mixer:
- John Keane and Scott Litt
- editor:
- Eric Stolz
- drums (drum set) and percussion:
- Bill Berry
- ebow [e-bow guitar] and electric sitar:
- Peter Buck
- Moog [Moog synthesizer], bass guitar, mellotron and organ:
- Mike Mills
- background vocals:
- Patti Smith
- lead vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1996)
- additionally recorded at:
- John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
- recorded at:
- Bad Animals Studio in Seattle, Washington, United States
- mixed at:
- John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
- music videos:
- E‐Bow the Letter by R.E.M.
- recording of:
- E‐Bow the Letter
- writer:
- Bill Berry, Peter Buck, Mike Mills and Michael Stipe
- publisher:
- Warner-Tamerlane and Night Garden Music (in 1996)
| 5:25 |
| 7 | Bittersweet Me- additional recording engineer:
- John Keane and Patrick McCarthy
- recording engineer:
- Joe O’Herlihy, Jo Ravitch and Jeff Wooding
- additional assistant engineer:
- Victor Janacua
- assistant engineer:
- William “Billy” Field
- producer:
- Scott Litt and R.E.M.
- mixer:
- John Keane and Scott Litt
- editor:
- Eric Stolz
- bass guitar, mellotron and organ:
- Mike Mills
- drums (drum set) and percussion:
- Bill Berry
- guitar:
- Peter Buck
- piano:
- Scott McCaughey
- lead vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1996)
- additionally recorded at:
- John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
- recorded at:
- Pyramid Arena in Memphis, Tennessee, United States (on 1995-11-07)
- mixed at:
- John Keane Studios in Athens, Georgia, United States and Louie’s Clubhouse in Los Angeles, California, United States
- music videos:
- Bittersweet Me by R.E.M. and Bittersweet Me by R.E.M.
- recording of:
- Bittersweet Me (on 1995-11-07)
- writer:
- Bill Berry, Peter Buck, Mike Mills and Michael Stipe
- publisher:
- Warner-Tamerlane and Night Garden Music (in 1996)
| 4:06 |
| 8 | Whats The Frequency, Kenneth?- additional engineer:
- David Colvin, Jeff DeMorris, Mark Gruber and Mark Howard
- engineer:
- Pat McCarthy
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Victor Janacua
- bass guitar:
- Mike Mills
- drums (drum set):
- Bill Berry
- guitar:
- Peter Buck
- vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1994)
- recorded at:
- Criteria Studios in Miami, Florida, United States, Crossover Soundstage in Atlanta, Georgia, United States, Kingsway Studios in New Orleans, Louisiana, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
- mixed at:
- Louie’s Clubhouse in Los Angeles, California, United States
- music videos:
- What’s the Frequency, Kenneth? (music video) by R.E.M.
- recording of:
- What’s the Frequency, Kenneth?
- writer:
- Bill Berry, Peter Buck, Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| 4:02 |
| 9 | Bang And Blame- additional engineer:
- David Colvin, Jeff DeMorris, Mark Gruber and Mark Howard
- engineer:
- Pat McCarthy
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Victor Janacua
- bass guitar:
- Mike Mills
- drums (drum set):
- Bill Berry
- guitar:
- Peter Buck
- vocals:
- Michael Stipe
- additional performer:
- Ané, Sally Dworsky, Lou, Lynda and Rain
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1994)
- recorded at:
- Criteria Studios in Miami, Florida, United States, Crossover Soundstage in Atlanta, Georgia, United States, Kingsway Studios in New Orleans, Louisiana, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
- mixed at:
- Louie’s Clubhouse in Los Angeles, California, United States
- recording of:
- Bang and Blame
- writer:
- Bill Berry, Peter Buck, Mike Mills and Michael Stipe
- publisher:
- Warner–Tamerlane Publishing Corp. (ended), CD Baby Publishing and Night Garden Music
| 5:31 |
| 10 | Star 69- additional engineer:
- David Colvin, Jeff DeMorris, Mark Gruber and Mark Howard
- engineer:
- Pat McCarthy
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Victor Janacua
- bass guitar:
- Mike Mills
- drums (drum set):
- Bill Berry
- guitar:
- Peter Buck
- vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1994)
- recorded at:
- Criteria Studios in Miami, Florida, United States, Crossover Soundstage in Atlanta, Georgia, United States, Kingsway Studios in New Orleans, Louisiana, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
- mixed at:
- Louie’s Clubhouse in Los Angeles, California, United States
- recording of:
- Star 69
- writer:
- Bill Berry, Peter Buck, Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| 3:09 |
| 11 | Everybody Hurts- additional engineer:
- George Cowan, Mark Howard, John Keane, Ted Malia and Andrew Roshberg
- engineer:
- Clif Norrell
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Ed Brooks
- assistant mixer:
- Tod Lemkuhl
- mixer:
- Scott Litt and Clif Norrell
- guest cello:
- Kathleen Kee, Daniel Laufer and Elizabeth Proctor Murphy
- guest oboe:
- Deborah Workman
- guest viola:
- Reid Harris, Paul Murphy and Heidi Nitchie
- guest violin:
- Denise Berginson-Smith, Patti Gouvas, Lonnie Ottzen, Sandy Salzinger, Sou-Chun Su and Jody Taylor
- vocals:
- Michael Stipe
- conductor:
- George Hanson
- orchestrator:
- John Paul Jones
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
- additionally recorded at:
- Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios in New Orleans, Louisiana, United States
- recorded at:
- Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
- mixed at:
- Bad Animals Studio in Seattle, Washington, United States
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 203)
- recording of:
- Everybody Hurts
- writer:
- Bill Berry, Peter Buck, Mike Mills and Michael Stipe
- publisher:
- Night Garden Music and Warner–Tamerlane Publishing Corp.
| 5:18 |
| 12 | Man On The Moon- additional engineer:
- George Cowan, Mark Howard, John Keane, Ted Malia and Andrew Roshberg
- engineer:
- Clif Norrell
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Ed Brooks
- assistant mixer:
- Tod Lemkuhl
- mixer:
- Scott Litt and Clif Norrell
- vocals:
- Michael Stipe
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
- additionally recorded at:
- Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios in New Orleans, Louisiana, United States
- recorded at:
- Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
- mixed at:
- Bad Animals Studio in Seattle, Washington, United States
- recording of:
- Man on the Moon
- writer:
- Bill Berry, Peter Buck, Mike Mills and Michael Stipe
- publisher:
- Night Garden Music
| 5:14 |
| 13 | Photograph | 3:39 |
| 14 | Losing My Religion | 4:28 |
| 15 | Shiny Happy People | 3:47 |
| 16 | The One I Love | 3:22 |
| 17 | Pop Song 89 | 3:09 |
