Louis Armstrong at the Crescendo 1955

~ Release by Louis Armstrong & His All‐Stars (see all versions of this release, 1 available)

Tracklist

| |
1▼CD
#TitleLength
1When It's Sleepy Time Down South
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
When It’s Sleepy Time Down South (on 1955-01-21)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music
3:27
2Back Home Again in Indiana
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Indiana (Back Home Again in Indiana) (on 1955-01-21)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd.
4:22
3The Gypsy
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
4:41
4Someday You'll Be Sorry
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
Someday (on 1955-01-21)
composer:
Louis Armstrong
live recording of:
Someday You’ll Be Sorry (in 1955)
writer:
Louis Armstrong
4:54
5Tin Roof Blues
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Tin Roof Blues (original instrumental version) (on 1955-01-21)
composer:
Georg Brunis, Paul Mares, Ben Pollack, Leon Roppolo and Mel Stitzel
5:12
6The Bucket's Got a Hole in It
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21) and Barney Bigard (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
My Bucket’s Got a Hole in It (on 1955-01-21)
lyricist and composer:
Clarence Williams
publisher:
MCA Music Publishing (in 1933)
3:07
7Rose Room
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Rose Room (on 1955-01-21)
lyricist:
Harry Williams (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing, Miller Music, Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
live instrumental recording of:
Rose Room (on 1955-01-21)
lyricist:
Harry Williams (in 1917)
composer:
Art Hickman (in 1917)
publisher:
EMI Music Publishing, Miller Music, Paul Rodriguez Music Ltd, Universal Music Publishing Group and Warner/Chappell Music, Inc.
6:10
8Perdido
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Perdido (original instrumental version) (on 1955-01-21)
composer:
Juan Tizol
live recording of:
Perdido (with lyrics) (on 1955-01-21)
lyricist:
Ervin Drake (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris
publisher:
Tempo Music, Inc.
version of:
Perdido (original instrumental version)
3:56
9Blues for Bass
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
4:23
10Me and Brother Bill
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Me and Brother Bill (on 1955-01-21)
writer:
[traditional]
3:34
11When You're Smiling
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
When You’re Smiling (the Whole World Smiles With You) (on 1955-01-21)
lyricist:
Mark Fisher and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
3:37
12'Tain't What You Do
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Trummy Young (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
It Ain’t What You Do (It’s the Way That You Do It) (on 1955-01-21)
writer:
Sy Oliver and Trummy Young
2:57
13Lover Come Back to Me
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live cover recording of:
Lover, Come Back to Me (from "The New Moon") (on 1955-01-21)
lyricist:
Oscar Hammerstein II (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The New Moon: Act II
3:14
14Don't Fence Me In
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21) and Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Don’t Fence Me In (on 1955-01-21)
lyricist:
Robert Fletcher (in 1934) and Cole Porter (in 1934)
composer:
Cole Porter (in 1934)
publisher:
Warner Bros., Inc.
5:24
15Basin Street Blues
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Basin Street Blues (on 1955-01-21)
lyricist and composer:
Spencer Williams
publisher:
EMI Music Publishing Ltd.
5:16
16When It's Sleepy Time Down South #2
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
When It’s Sleepy Time Down South (on 1955-01-21)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music
1:56
17Medley: Shadrack/When the Saints Go Marching In
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live medley including a recording of:
Shadrack (on 1955-01-21)
writer:
R. McGimsey
live medley including a recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (on 1955-01-21)
lyricist and composer:
[traditional]
arranger:
Louis Armstrong
version of:
When the Saints Go Marching In
7:03
18C’est si bon
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
C’est si bon (It's So Good, English version) (on 1955-01-21)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (in 1947)
translator:
Jerry Seelen (in 1949)
publisher:
Éditions Beuscher Arpège
translated version of:
C’est si bon (original French version)
2:25
2▼CD
#TitleLength
1The Whiffenpoof Song
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
The Whiffenpoof Song (on 1955-01-21)
lyricist:
Meade Minnigerode and George S Pomeroy
composer:
Tod B Galloway
5:14
2Rockin' Chair
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21) and Trummy Young (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (on 1955-01-21)
lyricist:
Hoagy Carmichael
composer:
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd.
4:15
3Twelfth Street Rag
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
7:33
4Muskrat Ramble
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Muskrat Ramble (1926 original instrumental version) (on 1955-01-21)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
5:56
5St. Louis Blues
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live instrumental recording of:
St. Louis Blues (on 1955-01-21)
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:31
6The Man I Love
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
The Man I Love (on 1955-01-21)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
4:45
7Back o’ Town Blues
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Back o’ Town Blues (on 1955-01-21)
writer:
Louis Armstrong and Luis Russell
5:07
8Old Man Mose
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Ol’ Man Mose (on 1955-01-21)
writer:
Louis Armstrong and Zilner Randolph
3:19
9Jeepers Creepers
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Jeepers Creepers (on 1955-01-21)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (in 1938)
publisher:
B. Feldman & Co. Ltd. and Copyright Control
part of:
The 11th Academy Award for Best Original Song (number: 2)
3:34
10Margie
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Margie (aka “My Little Margie”) (on 1955-01-21)
lyricist:
Benny Davis (in 1920)
composer:
Con Conrad (in 1920) and J. Russel Robinson (in 1920)
3:50
11Big Mama's Back in Town
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
3:10
12Big Butter and Egg Man
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21) and Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Big Butter and Egg Man (on 1955-01-21)
writer:
Louis Armstrong and Percy Venable (in 1926)
4:03
13Stompin' at the Savoy
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live instrumental recording of:
Stompin’ at the Savoy (on 1955-01-21)
lyricist:
Andy Razaf
composer:
Benny Goodman, Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog, Ragbag Music, Razaf Music, Rytvoc, フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
3:44
14When It’s Sleepy Time Down South #3
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
When It’s Sleepy Time Down South (on 1955-01-21)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music
2:07
15Struttin' With Some Barbecue
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Struttin’ With Some Barbecue (on 1955-01-21)
composer:
Lil Hardin Armstrong
5:43
16Lazy River
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
Lazy River (on 1955-01-21)
lyricist:
Hoagy Carmichael
composer:
Sidney Arodin and Hoagy Carmichael
4:10
17Old Man Mose #2
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Ol’ Man Mose (on 1955-01-21)
writer:
Louis Armstrong and Zilner Randolph
4:01
18The Bucket's Got a Hole in It #2
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21) and Barney Bigard (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
My Bucket’s Got a Hole in It (on 1955-01-21)
lyricist and composer:
Clarence Williams
publisher:
MCA Music Publishing (in 1933)
2:59
3▼CD
#TitleLength
1's Wonderful
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live instrumental recording of:
’S Wonderful (on 1955-01-21)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited and WB Music Corp.
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
7:25
2Big Mama's Back in Town #2
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
3:20
3Since I Fell for You
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Velma Middleton (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
live recording of:
Since I Fell for You (on 1955-01-21)
lyricist and composer:
Buddy Johnson (in 1945)
publisher:
Warner Bros. Music (ended), Warner Bros., Inc. (ended) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
4:02
4Mop Mop
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
2:55
5When It's Sleepy Time Down South #4
clarinet:
Barney Bigard (on 1955-01-21)
double bass:
Arvell Shaw (on 1955-01-21)
drums (drum set):
Barrett Deems (on 1955-01-21)
piano:
Billy Kyle (on 1955-01-21)
trombone:
Trummy Young (on 1955-01-21)
trumpet:
Louis Armstrong (on 1955-01-21)
vocals:
Louis Armstrong (on 1955-01-21)
recorded at:
Crescendo Club in Hollywood, Los Angeles, California, United States (on 1955-01-21)
recording of:
When It’s Sleepy Time Down South (on 1955-01-21)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music
2:53
6When It's Sleepy Time Down South
live recording of:
When It’s Sleepy Time Down South (on 1954-08-13)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music
2:16
7Indiana
live recording of:
Indiana (Back Home Again in Indiana) (on 1954-08-13)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd.
4:35
8The Gypsy
4:19
9Lover Come Back to Me
0:35
10When It's Sleepy Time Down South
live recording of:
When It’s Sleepy Time Down South (on 1954-08-20)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music
2:09
11Some Day You'll Be Sorry
live recording of:
Someday You’ll Be Sorry (on 1954-08-20)
writer:
Louis Armstrong
4:28
12Big Butrer and Egg Man
live recording of:
Big Butter and Egg Man (on 1954-08-20)
writer:
Louis Armstrong and Percy Venable (in 1926)
4:17
13Muskrat Ramble
live recording of:
Muskrat Ramble (1926 original instrumental version) (on 1954-08-20)
composer:
Kid Ory (in 1926)
sub-publisher:
Carl Gehrmans Musikförlag
1:13
14When It's Sleepy Time Down South
live recording of:
When It’s Sleepy Time Down South (on 1954-08-27)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music
2:31
15Struttin' With Some Barbecue
live recording of:
Struttin’ With Some Barbecue (on 1954-08-27)
composer:
Lil Hardin Armstrong
5:12
16Big Butter and Egg Man
live recording of:
Big Butter and Egg Man (on 1954-08-27)
writer:
Louis Armstrong and Percy Venable (in 1926)
3:59
17When It's Sleepy Time Down South
live recording of:
When It’s Sleepy Time Down South (on 1954-09-02)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music
2:11
18Tea for Two
live recording of:
Tea for Two (No, No, Nanette) (on 1954-09-02)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc., Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
No, No, Nanette
5:41
19The Dummy Song
2:41
20Perdido
recording of:
Perdido (with lyrics) (on 1954-09-20)
lyricist:
Ervin Drake (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris
publisher:
Tempo Music, Inc.
version of:
Perdido (original instrumental version)
1:53
21Struttin' With Some Babecue
2:32
22The Formula for Love
2:37
23Ain't Misbehavin'
1:01