Classics III - Cinema Gala

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 2 available)

Annotation

℗ & © «1989 Decca Music Group Limited»
℗ «This Compilation»

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Tracklist

1▼Digital Media
#TitleLength
1Piano Concerto no. 21 in C major, K. 467: Andante (“Elvira Madigan”)
producer:
James Mallinson (from 1974-03 to present)
piano:
Radu Lupu (in 1974-03)
orchestra:
English Chamber Orchestra (in 1974-03)
conductor:
Uri Segal (in 1974-03)
balance engineer:
Kenneth Wilkinson (from 1974-03 to present, in 1974-03)
phonographic copyright (℗) by:
Decca Music Group Limited (in 1975) and The Decca Record Company Limited (in 1975)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1974-03)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-03)
composer:
Wolfgang Amadeus Mozart (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
7:18
2Così fan tutte, K. 588: Act 1: Soave sia il vento (“Sunday, Bloody Sunday”)
sound engineer:
Jonathan Stokes (from 2007-01-03 until 2007-08-20)
assistant engineer:
Andrew Hallifax (from 2007-01-03 until 2007-08-20)
producer:
James Mallinson
baritone vocals [Don Alfonso]:
Sir Thomas Allen (from 2007-01-03 until 2007-08-20)
baritone vocals [Guglielmo]:
Christopher Maltman (from 2007-01-03 until 2007-08-20)
soprano vocals [Despina]:
Lesley Garrett (from 2007-01-03 until 2007-08-20)
tenor vocals [Ferrando]:
Toby Spence (from 2007-01-03 until 2007-08-20)
orchestra:
Orchestra of the Age of Enlightenment (from 2007-01-03 until 2007-08-20)
conductor:
Charles Mackerras (from 2007-01-03 until 2007-08-20)
phonographic copyright (℗) by:
Chandos Records Ltd. (in 2008)
recorded at:
Watford Colosseum in Watford, Hertfordshire, England, United Kingdom (from 2007-01-03 until 2007-08-20)
partial recording of:
Cosi fan tutte or The School for Lovers (English translation by Browne) (from 2007-01-03 until 2007-08-20)
composer:
Wolfgang Amadeus Mozart
translator:
Marmaduke Browne
translated version of:
Così fan tutte ossia La scuola degli amanti, K. 588
2:40
3Clarinet Concerto in A major, K. 622: Adagio (“Out of Africa”)
engineer:
Kenneth Wilkinson
producer:
Ray Minshull
clarinet:
Gervase de Peyer (in 1959-11)
orchestra:
London Symphony Orchestra (in 1959-11)
conductor:
Peter Maag (in 1959-11)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1959-11)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1959-11)
composer:
Wolfgang Amadeus Mozart (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
8:04
4Symphony no. 25 in G minor, K. 183: Allegro con brio (“Amadeus”)
producer:
Michael Bremner
orchestra:
Academy of St Martin in the Fields (in 1971-09)
conductor:
Sir Neville Marriner (in 1971-09)
balance engineer:
Stanley Goodall (in 1971-09)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1971-09)
recording of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio (in 1971-09)
composer:
Wolfgang Amadeus Mozart (from 1773 until 1773-10-05)
part of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
7:36
5Symphony no. 29 in A major K. 186a (K. 201): Allegro moderato (“Amadeus”)
producer:
Michael Bremner
orchestra:
Academy of St Martin in the Fields (in 1971, in 1971-09)
conductor:
Neville Marriner (in 1971, in 1971-09)
balance engineer:
Stanley Goodall (in 1971-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1972)
recorded at:
St John’s, Smith Square in London, England, United Kingdom (in 1971-09)
recording of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato (in 1971-09)
composer:
Wolfgang Amadeus Mozart (from 1774 until 1774-04-06)
part of:
Symphony no. 29 for Orchestra in A major, K. 186a / 201
7:16
6Don Giovanni, ossia Il dissoluto punito, K. 527 (Prague version 1787): Act 2: Statue Scene (“Amadeus”)
assistant engineer:
Jobst Eberhardt and Volker Martin
producer:
Werner Mayer
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (from 1977-07 until 1977-08)
bass vocals [Il Commendatore]:
John Macurdy (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (from 1977-07 until 1977-08)
choir vocals:
Chor der Wiener Staatsoper (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (from 1977-07 until 1977-08)
conductor:
Karl Böhm (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
8:14
7Requiem in D minor, K. 626: Dies irae (“Amadeus”)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (in 1977-05)
chorus master:
László Heltay (in 1977-05)
balance engineer:
Stanley Goodall (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1977)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIa. Sequenz: “Dies irae” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
1:55
8Requiem in D minor, K. 626: Rex tremendae (“Amadeus”)
producer:
Chris Hazell and Erik Smith
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05, in 1990-02)
orchestra:
Academy of St Martin in the Fields (in 1977-05, in 1990-02)
conductor:
Sir Neville Marriner (in 1977-05, in 1990-02)
chorus master:
László Heltay (in 1977-05)
balance engineer:
Stanley Goodall (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1977)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1977-05) and All Saints Church in London, England, United Kingdom (in 1990-02)
recording of:
Requiem in D minor, K. 626: IIIc. Sequenz: “Rex tremendae” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
2:21
9Requiem in D minor, K. 626: Confutatis (“Amadeus”)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (in 1977-05)
chorus master:
László Heltay (in 1977-05)
balance engineer:
Stanley Goodall (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1977)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIe. Sequenz: “Confutatis” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
2:34
10Requiem in D minor, K. 626: Lacrimosa (“Amadeus”)
producer:
Chris Hazell
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-05)
orchestra:
Academy of St Martin in the Fields (in 1977-05)
conductor:
Sir Neville Marriner (in 1977-05)
chorus master:
László Heltay (in 1977-05)
balance engineer:
Stanley Goodall (in 1977-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1977)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1977-05)
recording of:
Requiem in D minor, K. 626: IIIf. Sequenz: “Lacrimosa” (Beyer/Kunzelmann Edition) (in 1977-05)
additional orchestrator:
Franz Beyer
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
4:13