The Yellow Guide: Classical Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: 1
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1Missa papae marcelli, Kyrie
producer:
Gerd Ploebsch
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (in 1985-02)
balance engineer:
Hans‐Peter Schweigmann (in 1985-02)
recorded at:
All Saints Church in London, England, United Kingdom (in 1985-02)
recording of:
Missa Papae Marcelli: I. Kyrie (in 1985-02)
composer:
Giovanni Pierluigi da Palestrina
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina4:05
2L’Orfeo: Act I. “In questo lieto e fortunato giorno”
recording engineer:
Karl-August Naegler (in 1985-12)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor:
Gregor Zielinsky
choir vocals:
Monteverdi Choir (in 1985-12)
soprano vocals [Ninfa]:
Nancy Argenta (in 1985-12)
tenor vocals [Pastore I]:
Mark Tucker (in 1985-12)
orchestra:
English Baroque Soloists (in 1985-12) and His Majesties Sagbutts & Cornetts (in 1985-12)
conductor:
Sir John Eliot Gardiner (in 1985-12)
balance engineer:
Karl-August Naegler
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1985-12)
recording of:
L'Orfeo: Atto primo. In questo lieto e fortunato giorno (Pastore) (in 1985-12)
composer:
Claudio Monteverdi
librettist:
Alessandro Striggio
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Muse, onor di Parnaso (Ninfa) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
recording of:
L'Orfeo: Atto primo. Vieni, Imeneo, deh, vieni (Coro) (first occurrence) (in 1985-12)
composer:
Claudio Monteverdi
part of:
L’Orfeo: Atto primo
Claudio Monteverdi3:36
3“The Four Seasons”, op. 8: Concerto no. 4 in F minor, RV 297, “Winter”: I. Allegro non molto
recording engineer:
Wolf‐Dieter Karwatky
executive producer:
Alison Ames
producer:
Christian Gansch
violin:
Gil Shaham (in 1993-12)
orchestra:
Orpheus Chamber Orchestra (in 1993-12)
balance engineer:
Andrew Wedman
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1993-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (in 1993-12)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:24
4Messiah: “Hallelujah Chorus”
sound engineer:
Hans‐Peter Schweigmann
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Ulrich Vette
choir vocals:
The English Concert Choir (in 1988-01)
orchestra:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (in 1988-01)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1988)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1988-01)
composer:
George Frideric Handel (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:02
5Suite no. 3 in D major, BWV 1068: II. Air
producer and balance engineer:
Wolfgang Mitlehner
instruments and orchestra:
Musica Antiqua Köln (in 1985-05)
conductor:
Reinhard Goebel (in 1985-05)
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 1985-05)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1985-05)
composer:
Johann Sebastian Bach (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:40
6String Quartet no. 62 in C major “Emperor”, op. 76 no. 3: II. Poco adagio. Cantabile
producer and balance engineer:
Wolfgang Mitlehner
cello:
Martin Lovett (in 1982-11)
string quartet:
Amadeus Quartet (in 1982-11)
viola:
Peter Schidlof (in 1982-11)
violin [violin I]:
Norbert Brainin (in 1982-11)
violin [violin II]:
Siegmund Nissel (in 1982-11)
recorded at:
Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1982-11)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile (in 1982-11)
composer:
Joseph Haydn
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn7:56
7Requiem, K. 626: Lacrimosa
producer:
Michel Glotz
organ:
Rudolf Scholz (from 1975-09-27 until 1975-09-28)
choir vocals:
Wiener Singverein (from 1975-09-27 until 1975-09-28)
orchestra:
Berliner Philharmoniker (from 1975-09-27 until 1975-09-28)
conductor:
Herbert von Karajan (from 1975-09-27 until 1975-09-28)
chorus master:
Helmuth Froschauer (from 1975-09-27 until 1975-09-28)
balance engineer:
Günter Hermanns (from 1975-09-27 until 1975-09-28)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-27 until 1975-09-28)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (from 1975-09-27 until 1975-09-28)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:22
8Symphony no. 5 in C minor, op. 67: I. Allegro con brio
engineer and balance engineer:
Hans‐Peter Schweigmann
producer:
Hans Weber
editor:
Christopher Alder
orchestra:
Los Angeles Philharmonic (in 1981-11)
conductor:
Carlo Maria Giulini (in 1981-11)
phonographic copyright (℗) by:
Polydor International GmbH (from 1982 to present)
recorded at:
Royce Hall in Los Angeles, California, United States (in 1981-11)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1981-11)
composer:
Ludwig van Beethoven (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:25
9Caprice no. 24 in A minor
producer:
Wolfgang Stengel
violin:
Shlomo Mintz (in 1981-12)
balance engineer:
Klaus Scheibe (in 1981-12)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1981-12)
recording of:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto (in 1981-12)
composer:
Niccolò Paganini
part of:
24 Caprices for Solo Violin, op. 1, MS 25
Niccolò Paganini6:24
10William Tell Overture (excerpt)
partial recording of:
Guillaume Tell : Ouverture (William Tell: Overture)
composer:
Gioachino Rossini
librettist:
Hippolyte Louis-Florent Bis and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini3:15
11Piano Quintet in A major, D. 667 “The Trout”: IV. Andantino - Allegretto
recording engineer:
Klaus Scheibe
producer:
Günther Breest
cello:
Martin Lovett (from 1975-08 until 1975-09)
double bass:
Rainer Zepperitz (from 1975-08 until 1975-09)
piano:
Emil Gilels (from 1975-08 until 1975-09)
string trio:
Amadeus Quartet (from 1975-08 until 1975-09)
viola:
Peter Schidlof (from 1975-08 until 1975-09)
violin:
Norbert Brainin (from 1975-08 until 1975-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
Turun konserttitalo in Turku, Varsinais-Suomi, Finland (from 1975-08 until 1975-09)
recording of:
Quintett A-Dur, D. 667 „Forellenquintett“: IV. Theme con variazioni. Andantine - Allegretto (from 1975-08 until 1975-09)
composer:
Franz Schubert (in 1819)
publisher:
G. Henle Verlag
part of:
Quintett A-Dur, D. 667 „Forellenquintett“ (Piano quintet in A, "Trout Quintet")
Franz Schubert8:01
12Symphonie Fantastique, op. 14: II. Un bal
recording engineer:
Stephan Flock and Hans‐Rudolf Müller
producer:
Helmut Burk
editor:
Jürgen Bulgrin and Reinhard Lagemann
orchestra:
The Cleveland Orchestra (in 1996-03)
conductor:
Pierre Boulez (in 1996-03)
balance engineer:
Ulrich Vette
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1996-03)
recording of:
Symphonie fantastique, op. 14: II. Un bal (in 1996-03)
composer:
Hector Berlioz (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:07
13A Midsummer Night’s Dream, op. 61: IX. Wedding March
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:12
14Étude, op. 25 no. 6 in G-sharp minor
piano:
Ivo Pogorelich (in 1981-02)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1981-02)
recording of:
Étude in G‐sharp minor, op. 25 no. 6 “Thirds”: Allegro (in 1981-02)
composer:
Fryderyk Chopin
part of:
Études, op. 25
Frédéric Chopin2:18
15Kinderszenen, op. 15: Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1983-04)
composer:
Robert Schumann (in 1838)
part of:
Classic 100: Piano (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:02
2▼CD: 2
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1Hungarian Rhapsody no. 6 in D-flat major
executive producer:
Elsa Schiller
producer:
Karl-Heinz Schneider
piano:
Martha Argerich (in 1960-07)
balance engineer:
Heinz Wildhagen (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal in Hannover, Niedersachsen, Germany (in 1960-07)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto - Presto - Andante - Allegro - Presto (in 1960-07)
composer:
Franz Liszt
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt6:25
2Die Walkure: "Ride of the Valkyries" (Act III)
mezzo-soprano vocals [Rossweisse]:
Anne Wilkens (in 1988)
mezzo-soprano vocals [Schwertleite]:
Ruthild Engert (in 1988)
mezzo-soprano vocals [Siegrune]:
Diane Kesling (in 1988)
mezzo-soprano vocals [Waltraute]:
Reinhild Runkel (in 1988)
soprano vocals [Gerhilde]:
Marita Napier (in 1988)
soprano vocals [Grimgerde]:
Meredith Parsons (in 1988)
soprano vocals [Helmwige]:
Linda Kelm (in 1988)
soprano vocals [Ortlinde]:
Marilyn Mims (in 1988)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (in 1988)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1988)
composer:
Richard Wagner (from 1854 until 1856)
publisher:
Schott Music International
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:47
3Nabucco: "Va Pensiero, Sull'Ali Dorate" (Chorus of the Hebrew Slaves) (Act III)
producer:
Hans Hirsch and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (in 1982-05, in 1983)
orchestra:
Orchester der Deutschen Oper Berlin (in 1982-05)
conductor:
Giuseppe Sinopoli (in 1982-05, in 1983)
balance engineer:
Klaus Hiemann (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:57
4The Bartered Bride - Overture
executive producer:
Dr. Steven Paul
producer:
Werner Mayer
editor:
Klaus Behrens
orchestra:
Wiener Philharmoniker (in 1986-06)
conductor:
James Levine (in 1986-06)
balance engineer:
Klaus Scheibe
phonographic copyright (℗) by:
Polydor International GmbH (in 1987)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1986-06)
recording of:
Prodaná nevěsta: Overture (The Bartered Bride: Overture) (in 1986-06)
composer:
Bedřich Smetana
part of:
Prodaná nevěsta (The Bartered Bride)
Bedřich Smetana6:37
5Te Deum: 1st Movement "Te Deum"
producer:
Wolfgang Lohse
organ:
Wolfgang Meyer (in 1965-07)
bass vocals:
Peter Lagger (in 1965-07)
choir vocals:
Chor der Deutschen Oper Berlin (in 1965-07)
contralto vocals:
Sieglinde Wagner (in 1965-07)
soprano vocals:
Maria Stader (in 1965-07)
tenor vocals:
Ernst Haefliger (in 1965-07)
orchestra:
Berliner Philharmoniker (in 1965-07)
conductor:
Eugen Jochum (in 1965-07)
chorus master:
Walter Hagen-Groll (in 1965-07)
balance engineer:
Klaus Scheibe (in 1965-07)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1965-07)
recording of:
Te Deum in C major: I. Te Deum. Allegro moderato (in 1965-07)
composer:
Anton Bruckner (until 1884-03-07)
part of:
Te Deum in C major
Anton Bruckner6:01
6The Blue Danube, op. 314
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (from 1980-06-13 until 1980-12-04)
conductor:
Herbert von Karajan (from 1980-06-13 until 1980-12-04)
balance engineer:
Günter Hermanns (from 1980-06-13 until 1980-12-04)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-06-13 until 1980-12-04)
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (from 1980-06-13 until 1980-12-04)
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II11:48
7Symphony no. 3 in F major op. 90: 3rd Movement (Poco allegretto)
producer:
Christopher Alder
orchestra:
Berliner Philharmoniker (in 1989-09)
conductor:
Claudio Abbado (in 1989-09)
balance engineer:
Günter Hermanns
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1989-09)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto (in 1989-09)
composer:
Johannes Brahms (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms6:31
8Carnival of the Animals - The Swan
engineer:
Gernot von Schultzendorff
producer:
Christian Gansch
cello:
Mischa Maisky (in 1991-06)
orchestra:
Orchestre de Paris (in 1991-06)
conductor:
Semyon Bychkov (in 1991-06)
recorded at:
Salle Wagram in Paris, Île-de-France, France (in 1991-06)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (in 1991-06)
orchestrator:
Paul Vidal
composer:
Camille Saint‐Saëns
cello arranger:
Paul Vidal
orchestration of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint‐Saëns3:54
9Carmen - Habanera
recording engineer:
Rainer Brock
executive producer:
Rainer Brock
choir vocals:
Ambrosian Singers (in 1977-08) and George Watson’s College Boys’ Chorus (in 1977-08)
mezzo-soprano vocals [Carmen]:
Teresa Berganza (in 1977-08)
vocals:
Ambrosian Singers and Teresa Berganza
orchestra:
London Symphony Orchestra (in 1977-08)
conductor:
Claudio Abbado (in 1977-08)
chorus master:
Patrick Criswell (in 1977-08) and John McCarthy (in 1977-08)
phonographic copyright (℗) by:
Polydor International GmbH (in 1978)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (in 1977-08)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:26
10Pictures at an Exhibition: "The Grand Gate of Kiev"
producer:
Günther Breest
orchestra:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (in 1976-04)
balance engineer:
Klaus Scheibe
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1976-04)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (in 1976-04)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский5:47
11Symphony no. 5 in E minor op. 64: 3rd Movement (Valse)
assistant engineer:
Reinhard Lagemann (in 1995-04)
producer:
Christian Gansch
editor:
Martin Derner
orchestra:
Russian National Orchestra (in 1995-04)
conductor:
Mikhail Pletnev (in 1995-04)
balance engineer:
Rainer Maillard (in 1995-04)
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал in Moscow, Russia (in 1995-04)
recording of:
Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato (in 1995-04)
composer:
Пётр Ильич Чайковский (from 1888-05 until 1888-08)
part of:
Symphony no. 5 in E minor, op. 64
Пётр Ильич Чайковский5:52
12Symphony no. 9 in E minor op. 95 "From the New World": 2nd Movement (Largo)
orchestra:
Wiener Philharmoniker
conductor:
Lorin Maazel
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo)
composer:
Antonín Dvořák (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák4:09
13Peer Gynt op. 23: "In the Hall of the Mountain King"
orchestra:
Göteborgs Symfoniker (in 1992-08)
conductor:
Neeme Järvi (in 1992-08)
recorded at:
Göteborgs konserthus in Gothenburg, Västra Götaland, Sweden (in 1992-08)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1992-08)
composer:
Edvard Grieg (in 1875)
revised by:
Edvard Grieg (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:00
3▼CD: 3
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1Madama Butterfly: "Un Bel di Vedremo" (Act II)
producer:
Wolfgang Stengel
soprano vocals [Butterfly]:
Mirella Freni (in 1987-04)
orchestra:
Philharmonia Orchestra (in 1987-04)
conductor:
Giuseppe Sinopoli (in 1987-04)
balance engineer:
Klaus Hiemann
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1987-04)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:01
2Symphony no. 5: 4th Movement (Adagietto)
recording engineer:
Reinhard Lagemann (in 1996-03)
producer:
Christian Gansch
editor:
Mark Bücker and Martin Derner
orchestra:
Wiener Philharmoniker (in 1996-03)
conductor:
Pierre Boulez (in 1996-03)
balance engineer:
Rainer Maillard (in 1996-03)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1996-03)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1996-03)
composer:
Gustav Mahler (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler11:01
3Préludes Book II: "Feux D'Artifice"
producer and editor:
Helmut Burk
piano:
Krystian Zimerman (in 1991-08)
balance engineer:
Helmut Burk (in 1991-08)
recorded at:
Kassel, Stadthalle, Festsaal in Kassel, Hessen, Germany (in 1991-08)
live recording of:
Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) (in 1991-08)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
recording of:
Préludes, Livre II, L. 123: XII. Feux d’artifice. Modérément animé (Préludes, Book II: 12. Feux d’artifice) (in 1991-08)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy4:28
4Also Sprach Zarathustra op. 30: Introduction
engineer:
Günter Hermanns (in 1983-09)
producer:
Werner Mayer
orchestra:
Berliner Philharmoniker (from 1983-09-29 until 1983-09-30)
conductor:
Herbert von Karajan (from 1983-09-29 until 1983-09-30)
balance engineer:
Günter Hermanns (from 1983-09-29 until 1983-09-30)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1983-09-29 until 1983-09-30)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (from 1983-09-29 until 1983-09-30)
composer:
Richard Strauss (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:42
5Valse Triste op. 44/1
executive producer:
Günther Breest
orchestra:
Berliner Philharmoniker (from 1984-02-19 until 1984-02-24)
conductor:
Herbert von Karajan (from 1984-02-19 until 1984-02-24)
balance engineer:
Günter Hermanns (from 1984-02-19 until 1984-02-24)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1984-02-19 until 1984-02-24)
recording of:
Valse triste, op. 44 no. 1 (for orchestra) (from 1984-02-19 until 1984-02-24)
composer:
Jean Sibelius (in 1903)
revised by:
Jean Sibelius (in 1904)
premiered at:
Konsertti
premiered at:
Svenska Teatern in Helsinki, Uusimaa, Finland (on 1904-04-25)
part of:
2 Pieces from Kuolema, op. 44
revision of:
Kuolema, JS 113: No. 1. Tempo di valse lente (for orchestra)
Jean Sibelius6:00
6Gymnopédie no. 1
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch
orchestra:
Orpheus Chamber Orchestra (in 1995-04)
balance engineer:
Andrew Wedman
recorded at:
State University of New York at Purchase, Performing Arts Center in Purchase, Harrison, New York, United States (in 1995-04)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy) (in 1995-04)
orchestrator:
Claude Debussy (in 1897)
composer:
Erik Satie (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Rurik Satie3:04
7Rhapsody on a Theme of Paganini op. 43: Variation no. 18
piano:
Tamás Vásáry
orchestra:
London Symphony Orchestra
conductor:
Yuri Ahronovitch
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Васильевич Рахманинов3:22
8Pavane Pour Une Infante Défunte
producer:
Rainer Brock
orchestra:
London Symphony Orchestra (in 1985-06)
conductor:
Claudio Abbado (in 1985-06)
balance engineer:
Klaus Hiemann
recorded at:
Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1985-06)
recording of:
Pavane pour une infante défunte (orchestrated version) (in 1985-06)
orchestrator:
Maurice Ravel (in 1910)
composer:
Maurice Ravel (in 1899)
publisher:
Editions Max Eschig
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 19a)
orchestration of:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:37
9Concerto for Orchestra: 2nd Movement
recording engineer:
Jobst Eberhardt and Reinhild Schmidt
producer:
Karl-August Naegler
editor:
Reinhild Schmidt
orchestra:
Chicago Symphony Orchestra (in 1992-12)
conductor:
Pierre Boulez (in 1992-12)
balance engineer:
Rainer Maillard
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1992-12)
recording of:
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando (in 1992-12)
composer:
Béla Bartók (in 1943)
part of:
Concerto for Orchestra, Sz. 116, BB 123
Béla Bartók6:24
10The Firebird: "Infernal Dance"
producer:
Lennart Dehn
orchestra:
Orchestre de l’Opéra Bastille (in 1992-09)
conductor:
Myung-Whun Chung (in 1992-09)
balance engineer:
Wolfgang Mitlehner (in 1992-09)
recorded at:
Opéra Bastille in Paris, Île-de-France, France (in 1992-09)
edit of:
L'Oiseau de feu: III. Danse infernale du roi Kachtcheï by Orchestre de l’Opéra Bastille, Myung-Whun Chung
partial recording of:
L’Oiseau de feu: III. Danse infernale du roi Kachtcheï (“Concert suite for orchestra No. 2” 1919 version) (in 1992-09)
composer:
Игорь Фёдорович Стравинский (in 1919)
part of:
L’Oiseau de feu, suite de 1919 (“The Firebird” 1919 Suite, aka Concert Suite for Orchestra no. 2)
Игорь Фёдорович Стравинский3:55
11Lulu Suite: "Lied Der Lulu"
executive producer:
Karl Faust
producer:
Rainer Brock
soprano vocals:
Margaret Price (in 1970-12)
orchestra:
London Symphony Orchestra (in 1970-12)
conductor:
Claudio Abbado (in 1970-12)
balance engineer:
Günter Hermanns
recorded at:
Anvil Studios in Denham, Buckinghamshire, England, United Kingdom (in 1970-12)
recording of:
Lulu Suite: III. Lied der Lulu: Comodo (in 1970-12)
composer:
Alban Berg (in 1934)
dedicated to:
Anton v. Webern zum 50. Geburtstag
part of:
Lulu Suite (Symphonische Stücke aus der Oper ‘Lulu’)
Alban Berg2:56
12Romeo and Juliet op. 64: "Dance of the Knights"
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (in 1987)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1986-10)
composer:
Сергей Сергеевич Прокофьев
part of:
Romeo and Juliet, op. 64: Act I
Сергей Сергеевич Прокофьев5:22
13Cuban Overture
producer:
Christopher Alder
piano:
James Levine (in 1990-07)
orchestra:
Chicago Symphony Orchestra (in 1990-07)
conductor:
James Levine (in 1990-07)
balance engineer:
Gregor Zielinsky
recorded at:
Symphony Center in Chicago, Illinois, United States (in 1990-07) and Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1990-07)
recording of:
Cuban Overture (in 1990-07)
composer:
George Gershwin (from 1932-07 until 1932-08)
publisher:
New World Music Corp.
part of:
An American in Paris (2015 Broadway musical)
George Gershwin9:49
14Violin Concerto: 1st Movement
recording engineer:
Rainer Maillard
producer:
Wolfgang Stengel
violin:
Gidon Kremer (in 1992-02)
orchestra:
Wiener Philharmoniker (in 1992-02)
conductor:
Christoph von Dohnányi (in 1992-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1992-02)
recording of:
Violin Concerto no. 1: I. ♩ = 104 — ♩ = 120 (in 1992-02)
composer:
Philip Glass (in 1987)
part of:
Violin Concerto no. 1
Philip Glass6:36