The Ultimate Collection

~ Release by B.B. King (see all versions of this release, 3 available)

Tracklist

1Medium
#TitleLength
1Three O'Clock Blues
recorded in:
Memphis, Tennessee, United States (in 1951-09)
bass:
Tuff Green (in 1951-09)
drums (drum set):
Earl Forest (in 1951-09)
guitar:
B.B. King (in 1951-09)
piano:
Johnny Ace (in 1951-09)
saxophone:
Adolph "Billy" Duncan (in 1951-09) and Richard Sanders (in 1951-09)
vocals:
B.B. King (in 1951-09)
cover recording of:
Three O’Clock Blues (First recorded in 1946) (in 1951-09)
writer:
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. and Powerforce Music
recording of:
Three O’Clock Blues (First recorded in 1946)
writer:
Lowell Fulson
publisher:
Careers–BMG Music Publishing, Inc. and Powerforce Music
3:01
2Please Love Me
producer:
Joe Bihari
alto saxophone:
George Coleman (in 1952-12)
bass:
James Walker (in 1952-12)
congas:
Charles Crosby (in 1952-12)
drums (drum set):
Ted Curry (in 1952-12)
guitar:
B.B. King (in 1952-12)
piano:
Connie McBooker (in 1952-12)
tenor saxophone:
Bill Harvey (in 1952-12)
trumpet:
Floyd Jones (in 1952-12)
vocals:
B.B. King (in 1952-12)
arranger:
Bill Harvey
phonographic copyright (℗) by:
Ace Records Ltd (in 1953) and P‐VINE RECORDS (in 1953)
recorded at:
ACA Studios in Houston, Texas, United States (in 1952-12)
recording of:
Please Love Me (in 1952-12)
writer:
B.B. King and Jules Taub
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc. and Powerforce Music
2:49
3You Upset Me Baby
alto saxophone:
Jewell Grant (from 1954-08-18 until 1954-08-19)
bass:
Ralph Hamilton (from 1954-08-18 until 1954-08-19)
drums (drum set):
Jesse Sailes (from 1954-08-18 until 1954-08-19)
guitar:
B.B. King (from 1954-08-18 until 1954-08-19)
piano:
Willard McDaniel (from 1954-08-18 until 1954-08-19)
saxophone:
Floyd Turnham (from 1954-08-18 until 1954-08-19)
tenor saxophone:
Maxwell Davis (from 1954-08-18 until 1954-08-19)
trumpet:
Harry D. Jones (from 1954-08-18 until 1954-08-19)
vocals:
B.B. King (from 1954-08-18 until 1954-08-19)
arranger:
Maxwell Davis
publisher:
Intersong Music
phonographic copyright (℗) by:
Ace Records Ltd (in 1954) and P‐VINE RECORDS (in 1954)
recorded at:
Modern Studios in Culver City, California, United States (from 1954-08-18 until 1954-08-19)
recording of:
You Upset Me Baby (from 1954-08-18 until 1958-08-19)
writer:
Riley B. King and Jules Taub
publisher:
BMG Music Publishing Ltd. and Copyright Control
3:01
4Sweet Sixteen, Parts One & Two6:12
5Rock Me Baby2:59
6How Blue Can You Get?
recorded in:
New York, New York, United States (on 1963-09-30)
producer:
Sid Feller
alto saxophone:
Lawrence Burdine (on 1963-09-30)
baritone saxophone:
Jerome Richardson (on 1963-09-30)
bass:
Leo Lauchie (on 1963-09-30)
drums (drum set):
Sonny Freeman (on 1963-09-30)
guitar:
B.B. King (on 1963-09-30)
piano:
Charles Brooks (on 1963-09-30)
tenor saxophone:
Vernon Slater (on 1963-09-30)
trumpet:
Carl Adams (on 1963-09-30) and Kenny Sands (on 1963-09-30)
vocals:
B.B. King (on 1963-09-30)
conductor:
Maxwell Davis
performer:
Jane Feather and Leonard Feather
arranger:
Maxwell Davis
phonographic copyright (℗) by:
MCA Records, Inc. (in 1964)
cover recording of:
How Blue Can You Get? (on 1963-09-30)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
2:42
7Every Day I Have the Blues (live)
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
organ:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live cover recording of:
Everyday I Have the Blues (on 1964-11-21)
writer:
Aaron ‘Pinetop’ Sparks (in 1935) and Milton Sparks (in 1935)
revised by:
Peter Chatman
publisher:
Arc Music, Arc Music Corp., BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd., Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
2:41
8Sweet Little Angel (live)
producer:
Johnny Pate
bass:
Leo Lauchie (on 1964-11-21)
drums (drum set):
Sonny Freeman (on 1964-11-21)
guitar:
B.B. King (on 1964-11-21)
organ:
Duke Jethro (on 1964-11-21)
tenor saxophone:
Johnny Board (on 1964-11-21) and Bobby Forte (on 1964-11-21)
trumpet:
Kenny Sands (on 1964-11-21)
vocals:
B.B. King (on 1964-11-21)
phonographic copyright (℗) by:
MCA Records, Inc. (in 1965)
recorded at:
Regal Theater in Chicago, Illinois, United States (on 1964-11-21)
live recording of:
Sweet Little Angel (on 1964-11-21)
writer:
Jules Bihari and B.B. King
publisher:
Copyright Control, Powerforce Music, Sounds Of Lucille, Inc. and Universal/MCA Music Ltd.
is based on:
Black Angel Blues
3:47
9Don't Answer the Door
recorded in:
Chicago, Illinois, United States (on 1966-07-14) and New York, New York, United States (on 1966-07-14)
producer:
Quincy Jones and Johnny Pate
bass:
Leo Lauchie (on 1966-07-14)
drums (drum set):
Sonny Freeman (on 1966-07-14)
guitar:
B.B. King (on 1966-07-14)
organ:
Duke Jethro (on 1966-07-14)
vocals:
B.B. King (on 1966-07-14)
phonographic copyright (℗) by:
Geffen Records (in 1966)
cover recording of:
Don’t Answer the Door (on 1966-07-14)
writer:
Jimmy Johnson
publisher:
Fordyce Publishing Co and Mercedes Music
recording of:
Don’t Answer the Door
writer:
Jimmy Johnson
publisher:
Fordyce Publishing Co and Mercedes Music
5:10
10Paying the Cost to Be the Boss
recorded in:
Chicago, Illinois, United States (on 1967-09-14)
producer:
Quincy Jones, Johnny Pate and Louis Zito
alto saxophone:
Lawrence Burdine (on 1967-09-14)
baritone saxophone:
Barney Hubert (on 1967-09-14)
bass:
Leo Lauchie (on 1967-09-14)
drums (drum set):
Sonny Freeman (on 1967-09-14)
guitar:
Billy Butler (on 1967-09-14) and B.B. King (on 1967-09-14)
keyboard and organ:
Duke Jethro (on 1967-09-14)
tenor saxophone:
Johnny Board (on 1967-09-14)
trombone:
Pluma Davis (on 1967-09-14)
trumpet:
Henry Boozier (on 1967-09-14), John Browning (on 1967-09-14) and Hobart Dotson (on 1967-09-14)
vocals:
B.B. King (on 1967-09-14)
arranger:
Johnny Pate
phonographic copyright (℗) by:
MCA Records, Inc. (in 1968)
recording of:
Paying the Cost to Be the Boss (on 1967-09-14)
lyricist and composer:
B.B. King
publisher:
Duchess Music Corporation, Songs of Universal, Inc. and Universal Music Careers
2:34
11The Thrill Is Gone
recording engineer:
Joe “Ears” Zagarino (from 1969-06-24 until 1969-06-25) and Bill Szymczyk (from 1969-06-24 until 1969-06-25)
producer:
Bill Szymczyk
bass:
Gerald “Fingers” Jemmott (from 1969-06-24 until 1969-06-25)
drums (drum set):
Herbie Lovelle (from 1969-06-24 until 1969-06-25)
electric piano, organ and piano:
Paul Harris (from 1969-06-24 until 1969-06-25)
guitar:
B.B. King (from 1969-06-24 until 1969-06-25) and Hugh McCracken (from 1969-06-24 until 1969-06-25)
lead vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
performer:
Ravon Darnell (from 1969-06-24 until 1969-06-25) and Roy Hawkins (from 1969-06-24 until 1969-06-25)
phonographic copyright (℗) by:
MCA Records, Inc. (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1969-06-24 until 1969-06-25)
remasters:
The Thrill Is Gone by B.B. King
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1985)
recording of:
The Thrill Is Gone (1951 blues song) (from 1969-06-24 until 1969-06-25)
writer:
Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
5:25
12Nobody Loves Me but My Mother
assistant engineer:
John Henning, Llyllianne Douma and Mike D. Stone
engineer:
Gary Kellgren and Bill Szymczyk
producer:
Bill Szymczyk
piano:
B.B. King (from 1970-05 until 1970-06)
vocals:
B.B. King (from 1970-05 until 1970-06)
recorded at:
The Record Plant in Hollywood, Los Angeles, California, United States (from 1970-05 until 1970-06)
recording of:
Nobody Loves Me but My Mother (from 1970-05 until 1970-06)
writer:
B.B. King
publisher:
Pamco Music Inc.
1:27
13Chains and Things
assistant engineer:
John Henning, Llyllianne Douma and Mike D. Stone
engineer:
Gary Kellgren and Bill Szymczyk
producer:
Bill Szymczyk
bass:
Bryan Garofalo (from 1970-05 until 1970-06)
drums (drum set):
Russ Kunkel (from 1970-05 until 1970-06)
electric piano:
Carole King (from 1970-05 until 1970-06)
guitar:
B.B. King (from 1970-05 until 1970-06)
vocals:
B.B. King (from 1970-05 until 1970-06)
strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
MCA Records, Inc. (in 1970)
recorded at:
The Record Plant in Hollywood, Los Angeles, California, United States (from 1970-05 until 1970-06)
recording of:
Chains and Things (from 1970-05 until 1970-06)
writer:
Dave Clark and B.B. King
publisher:
Duchess Music Corporation, MCA, Inc., Pamco Music Inc. and Sounds Of Lucille, Inc.
4:53
14Ain't Nobody Home
producer:
Ed Michel and Joe Zagarino
drums (drum set):
Jim Keltner (from 1971-06-09 until 1971-06-16)
electric bass guitar:
Klaus Voormann (from 1971-06-09 until 1971-06-16)
guitar:
B.B. King (from 1971-06-09 until 1971-06-16), David Spinozza (from 1971-06-09 until 1971-06-16) and John Uribe (from 1971-06-09 until 1971-06-16)
organ:
Gary Wright (from 1971-06-09 until 1971-06-16)
piano:
Jerry Ragovoy (from 1971-06-09 until 1971-06-16)
saxophone:
Bobby Keys (from 1971-06-09 until 1971-06-16)
trombone and trumpet:
Jim Price (from 1971-06-09 until 1971-06-16)
vocals:
Jo Armstead (from 1971-06-09 until 1971-06-16), Carl Hall (from 1971-06-09 until 1971-06-16), B.B. King (from 1971-06-09 until 1971-06-16) and Tasha Thomas (from 1971-06-09 until 1971-06-16)
phonographic copyright (℗) by:
Geffen Records (in 1971) and MCA Records, Inc. (in 1971)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States, The Record Plant in Hollywood, Los Angeles, California, United States and The Village Recorder in Los Angeles, California, United States
recorded at:
Command Studios in London, England, United Kingdom (from 1971-06-09 until 1971-06-16) and Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1971-06-09 until 1971-06-16)
recording of:
Ain’t Nobody Home (from 1971-06-09 until 1971-06-16)
lyricist and composer:
Jerry Ragovoy
publisher:
Chappell & Co.
3:15
15I Like to Live the Love
recorded in:
Philadelphia, Pennsylvania, United States (in 1973)
producer:
Dave Crawford
guitar:
B.B. King (in 1973)
vocals:
B.B. King (in 1973)
conductor:
Dave Crawford
arranger:
Dave Crawford
cover recording of:
I Like to Live the Love (in 1973)
writer:
Dave Crawford and Charles Mann
publisher:
American Broadcasting Music, Inc.
3:17
16Never Make a Move Too Soon5:30
17Better Not Look Down
recorded in:
Hollywood, Los Angeles, California, United States (from 1978-12 until 1979-01)
engineer and mixer:
Rik Pekkonen
producer:
Wilton Felder, Stix Hooper, Stewart Levine, Johnny Pate and Joe Sample
baritone saxophone:
Kim Hutchcroft (from 1978-12 until 1979-01)
bass and tenor saxophone:
Wilton Felder (from 1978-12 until 1979-01)
drums (drum set):
James Gadson (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
guitar:
Paul Jackson (from 1978-12 until 1979-01), B.B. King (from 1978-12 until 1979-01) and Dean Parks (from 1978-12 until 1979-01)
keyboard:
Joe Sample (from 1978-12 until 1979-01)
percussion:
Paulinho da Costa (from 1978-12 until 1979-01) and Stix Hooper (from 1978-12 until 1979-01)
saxophone:
Dennis Quitman (from 1978-12 until 1979-01) and Larry Williams (from 1978-12 until 1979-01)
trombone:
Charles Fendley (from 1978-12 until 1979-01), Chuck Findley (from 1978-12 until 1979-01) and Jack Redmond (from 1978-12 until 1979-01)
trumpet:
Gary Grant (from 1978-12 until 1979-01) and Steve Madaio (from 1978-12 until 1979-01)
background vocals:
Luther Waters (from 1978-12 until 1979-01), Maxine Waters (from 1978-12 until 1979-01) and Oren Waters (from 1978-12 until 1979-01)
vocals:
Julia Tillman (from 1978-12 until 1979-01) and B.B. King (from 1978-12 until 1979-01)
performer:
The Crusaders
phonographic copyright (℗) by:
Geffen Records (in 1979) and MCA Records, Inc. (in 1979)
recorded at:
Hollywood Sound Recorders in Los Angeles, California, United States (from 1978-12 until 1979-01)
recording of:
Better Not Look Down (from 1978-12 until 1979-01)
writer:
Will Jennings and Joe Sample
publisher:
Four Knights Music, Four Knights Music Co., Irving Music, Inc., Music Corporation of America, Inc., Rondor Music (London) Ltd. and Warner Chappell Music Ltd.
3:20
18There Must Be a Better World Somewhere
recorded in:
New York, United States (in 1980-10)
executive producer:
Sidney A. Seidenberg
producer:
Stewart Levine
alto saxophone:
Hank Crawford (in 1980-10)
baritone saxophone:
Ronnie Cuber (in 1980-10)
bass:
Wilbur “Bad” Bascomb (in 1980-10)
drums (drum set):
Bernard “Pretty” Purdie (in 1980-10)
guitar:
B.B. King (in 1980-10) and Hugh McCracken (in 1980-10)
keyboard:
Dr. John (in 1980-10)
tenor saxophone:
David “Fathead” Newman (in 1980-10)
trombone:
Tom “Bones” Malone (in 1980-10)
trumpet:
Waymon Reed (in 1980-10)
vocals:
B.B. King (in 1980-10)
horn arranger:
Hank Crawford
phonographic copyright (℗) by:
MCA Records, Inc. (in 1981)
cover recording of:
There Must Be a Better World Somewhere (in 1980-10)
writer:
Malcolm J Rebennack and Doc Pomus
publisher:
Daremoly Music and Warner–Tamerlane Publishing Corp.
3:47
19When Love Comes to Town (7" version)
recording engineer:
Jack Clement (from 1987-02 until 1987-11) and David Ferguson (from 1987-02 until 1987-11)
assistant engineer:
Randy Wine
producer:
Jimmy Iovine
mixer:
Rob Jacobs and Shelly Yakus
bass:
Adam Clayton (from 1987-02 until 1987-11)
drums (drum set):
Larry Mullen, Jr. (from 1987-02 until 1987-11)
guest guitar and guest vocals:
B.B. King (from 1987-02 until 1987-11)
guitar and keyboard:
The Edge (from 1987-02 until 1987-11)
background vocals:
Helen Duncan (from 1987-02 until 1987-11), Phyllis Duncan (from 1987-02 until 1987-11) and Rebecca Evans Russell (from 1987-02 until 1987-11)
lead vocals:
Bono (from 1987-02 until 1987-11)
performer:
B.B. King (from 1987-02 until 1987-11) and U2 (from 1987-02 until 1987-11)
phonographic copyright (℗) by:
Island Records Ltd. (in 1988), Universal Island Records Ltd. (in 1988) and Island Records (in 2017)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (from 1987-02 until 1987-11) and Sun Studio in Memphis, Tennessee, United States (from 1987-02 until 1987-11)
recording of:
When Love Comes to Town (from 1987-02 until 1987-11)
lyricist:
Bono
composer:
U2
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V. and Taiyo Music Inc.
4:18
20Ten Long Years
engineered in:
Studio City, Los Angeles, California, United States (from 2000-01 until 2000-04)
drums (drum set) programming:
Paul Waller (from 2000-01 until 2000-04)
assistant engineer:
Tom Sweeney
engineer and mixer:
Alan Douglas
producer:
Eric Clapton and Simon Climie
bass:
Nathan East (from 2000-01 until 2000-04)
drums (drum set):
Steve Gadd (from 2000-01 until 2000-04)
guitar:
B.B. King (from 2000-01 until 2000-04)
guitar [guitars]:
Doyle Bramhall II (from 2000-01 until 2000-04), Eric Clapton (from 2000-01 until 2000-04) and Andy Fairweather‐Low (from 2000-01 until 2000-04)
Hammond organ:
Tim Carmon (from 2000-01 until 2000-04)
Wurlitzer electric piano:
Joe Sample (from 2000-01 until 2000-04)
vocals:
B.B. King (from 2000-01 until 2000-04)
phonographic copyright (℗) by:
Reprise Records (in 2000), Warner Bros. Records Inc. (in 2000) and WEA International Inc. (in 2000)
recording of:
Ten Long Years (from 2000-01 until 2000-04)
writer:
Jules Bihari and Riley B. King
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc. and Powerforce Music
4:40
21I'll Survive
recorded in:
Maurice, Louisiana, United States (in 1998)
executive producer:
Sidney A. Seidenberg
producer:
B.B. King
bass:
Michael Doster (in 1998)
drums (drum set):
Calep Emphrey (in 1998)
guitar:
B.B. King (in 1998) and Leon Warren (in 1998)
keyboard:
James Toney (in 1998)
percussion:
Tony Coleman (in 1998)
saxophone:
Melvin Jackson (in 1998)
trumpet:
Stan Abernathy (in 1998) and James Bolden (in 1998)
vocals:
B.B. King (in 1998)
recording of:
I’ll Survive (in 1998)
writer:
B.B. King and Sam Ling
publisher:
BMG Music Publishing Ltd.
4:51

Credits

Release group

Wikidata:Q7771094 [info]