Gala Opera Concert

~ Release by Los Angeles Philharmonic, Carlo Maria Giulini, Plácido Domingo (see all versions of this release, 3 available)

Annotation

Recorded in Los Angeles November, 1980. Printed in West Germany; imported to USA by Polydor Inc. Three page (6side) insert and libretto in English, German, French, Italian. Liner notes by Martin Bernheimer, chief music critic of "Los Angeles Times." Notes translated by Sigmund Laufer, Jacques Fournier, Silvia Gaddini.

Tracklist

1▼12" Vinyl
#TitleArtistLength
A1L'elisir d'amore: "Una furtiva lagrima"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
editor:
Hans Weber
tenor vocals:
Plácido Domingo (in 1980-11)
orchestra:
Los Angeles Philharmonic Orchestra (in 1980-11)
conductor:
Carlo Maria Giulini (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (in 1981)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (in 1980-11)
composer:
Gaetano Donizetti (in 1832)
librettist:
Felice Romani
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:36
A2Lucia di Lammermoor: "Tombe degl'avi miei...Fra poco a me recovero"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
editor:
Hans Weber
tenor vocals:
Plácido Domingo (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (in 1981)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (in 1980-11)
composer:
Gaetano Donizetti
librettist:
Salvadore Cammarano
part of:
Lucia di Lammermoor: Atto III
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (in 1980-11)
composer:
Gaetano Donizetti
librettist:
Salvadore Cammarano
part of:
Lucia di Lammermoor: Atto III
Gaetano Donizetti7:16
A3Ernani: "Merce, diletti amici...Come rugiada al cespite" / "Dell'esilio nel dolore...O tu che l'alma adoro"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
editor:
Hans Weber
choir vocals:
The Roger Wagner Chorale (in 1980-11)
tenor vocals:
Plácido Domingo (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (in 1981)
recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani) (in 1980-11)
composer:
Giuseppe Verdi
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro) (in 1980-11)
composer:
Giuseppe Verdi
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi5:29
A4Il trovatore: "Ah si, ben mio"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
editor:
Hans Weber
choir vocals:
The Roger Wagner Chorale (in 1980-11)
tenor vocals:
Plácido Domingo (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (in 1980-11)
edit of:
Il Trovatore: Atto III, scena 2. “Ah sì, ben mio” … “L'onda de' suoni mistici ” … “Di quella pira” by Roger Wagner, Plácido Domingo, The Roger Wagner Chorale, Los Angeles Philharmonic, Carlo Maria Giulini
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1980-11)
composer:
Giuseppe Verdi (in 1853)
librettist:
Salvadore Cammarano (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:21
A5Il trovatore: "Di quella pira"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
editor:
Hans Weber
tenor vocals:
Plácido Domingo (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (in 1980-11)
edit of:
Il Trovatore: Atto III, scena 2. “Ah sì, ben mio” … “L'onda de' suoni mistici ” … “Di quella pira” by Roger Wagner, Plácido Domingo, The Roger Wagner Chorale, Los Angeles Philharmonic, Carlo Maria Giulini
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1980-11)
composer:
Giuseppe Verdi (in 1853)
librettist:
Salvadore Cammarano (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:14
B1Aida: "Se quel guerrier io fossi!...Celeste Aida"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
editor:
Hans Weber
tenor vocals:
Plácido Domingo (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (in 1981)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1980-11)
composer:
Giuseppe Verdi (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:56
B2Le Juive: "Rachel, quand du Seigneur"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
editor:
Hans Weber
tenor vocals:
Plácido Domingo (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (in 1981)
recording of:
La Juive : Acte IV. « Rachel, quand du Seigneur » (Éléazar) (in 1980-11)
composer:
Fromental Halévy
librettist:
Eugène Scribe
part of:
La Juive: Acte IV
Jacques Fromental Halévy5:35
B3L'Africaine: "Pays merveilleux...O paradis"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
editor:
Hans Weber
tenor vocals:
Plácido Domingo (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (in 1981)
recorded at:
Shrine Auditorium in Los Angeles, California, United States (in 1980-11)
recording of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis" (in 1980-11)
composer:
Giacomo Meyerbeer
librettist:
Eugène Scribe
part of:
L’Africaine : Acte IV
Giacomo Meyerbeer3:32
B4Les Pecheurs de perles: "Je crois entendre encore"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
editor:
Hans Weber
tenor vocals:
Plácido Domingo (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (in 1981)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (in 1980-11)
composer:
Georges Bizet (from 1863-04 until 1863-08)
librettist:
Michel Carré and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:40
B5Carmen: "La fleur que tu m'avais jetee"
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann
producer:
Günther Breest
editor:
Hans Weber
tenor vocals:
Plácido Domingo (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (in 1981)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1980-11)
composer:
Georges Bizet (in 1875)
librettist:
Ludovic Halévy (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:54