Tosca (sung in German)

~ Release by Giacomo Puccini; Carla Martinis, Rudolf Schock, Josef Metternich, Benno Kusche, Wilhelm Schüchter (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistLength
1Tosca: 1. Akt. Introduktion – „Ha! Das gelang mir“
baritone vocals [Angelotti]:
Horst Günter (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 1. Akt. Introduktion - „Ha! Das gelang mir” (Angelotti) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti)
part of:
Tosca: 1. Akt
Giacomo Puccini2:05
2Tosca: 1. Akt. „Da sind die Pinsel“ – „Angelus Domini“ – „Was tust du?“
bass vocals [Mesner]:
Benno Kusche (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 1. Akt. „Da sind die Pinsel” - „Angelus Domini” - „Was tust du?” (Sakristan, Cavaradossi) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi)
part of:
Tosca: 1. Akt
Giacomo Puccini3:18
3Tosca: 1. Akt. „Gib mir die Farben“ – „Wie sich die Bilder gleichen“
bass vocals [Mesner]:
Benno Kusche (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 1. Akt. „Gib mir die Farben” - „Wie sich die Bilder gleichen“ (Cavaradossi, Sakristan) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
part of:
Tosca: 1. Akt
Giacomo Puccini3:25
4Tosca: 1. Akt. „Euer Gnaden, darf ich?“ – „Was gibt’s?“
baritone vocals [Angelotti]:
Horst Günter (in 1953-04)
bass vocals [Mesner]:
Benno Kusche (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 1. Akt. „Euer Gnaden, darf ich?” - „Was gibt's” (Cavaradossi, Angelotti, Tosca) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca)
part of:
Tosca: 1. Akt
Giacomo Puccini1:48
5Tosca: 1. Akt. „Mario! Mario!“ – „Tritt ein“ – „Von unserem Häuschen“
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 1. Akt. „Mario! Mario! - Tritt ein” - „Von unserem Häuschen” (Tosca, Cavaradossi) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi)
translated version of:
Tosca: Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi)
part of:
Tosca: 1. Akt
Giacomo Puccini6:59
6Tosca: 1. Akt. „Mit deinen Augen…“
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 1. Akt. „Mit deinen Augen…“ (Tosca, Cavaradossi) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi)
part of:
Tosca: 1. Akt
Giacomo Puccini5:02
7Tosca: 1. Akt. „Sehr gut zwar meint es Tosca“ – „Vom Kastell“
baritone vocals [Angelotti]:
Horst Günter (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 1. Akt. „Sehr gut zwar meint es Tosca“ – „Vom Kastell“ (Cavaradossi, Angelotti) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti)
part of:
Tosca: 1. Akt
Giacomo Puccini3:28
8Tosca: 1. Akt. „Oh, Neuigkeiten, Euer Gnaden“ – „Der Ketzer Pein“
bass vocals [Mesner]:
Benno Kusche (in 1953-04)
choir vocals:
Chor des Norddeutschen Rundfunks Hamburg (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
chorus master:
Max Thurn (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 1. Akt. „Oh, Neuigkeiten, Euer Gnaden“ – „Der Ketzer Pein“ (Sakristan, Chor) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, Coro)
part of:
Tosca: 1. Akt
Giacomo Puccini1:40
9Tosca: 1. Akt. „Ein Tollhaus in der Kirche“
baritone vocals [Scarpia]:
Josef Metternich (in 1953-04)
bass vocals [Mesner]:
Benno Kusche (in 1953-04)
tenor vocals [Spoletta]:
Kurt Marschner (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 1. Akt. „Ein Tollhaus in der Kirche” (Scarpia, Sakristan, Spoletta) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta)
part of:
Tosca: 1. Akt
Giacomo Puccini4:03
10Tosca: 1. Akt. „Mario! Mario! – Betrogen?“
baritone vocals [Scarpia]:
Josef Metternich (in 1953-04)
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 1. Akt. „Mario! Mario! – Betrogen?“ (Scarpia, Tosca, Sakristan) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano)
part of:
Tosca: 1. Akt
Giacomo Puccini6:29
11Tosca: 1. Akt. „Drei Häscher in einem Wagen“ – „Te Deum“
baritone vocals [Scarpia]:
Josef Metternich (in 1953-04)
choir vocals:
Chor des Norddeutschen Rundfunks Hamburg (in 1953-04)
tenor vocals [Spoletta]:
Kurt Marschner (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
chorus master:
Max Thurn (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 1. Akt. „Drei Häscher in einem Wagen” - „Te Deum” (Scarpia, Spoletta, Chor) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro)
part of:
Tosca: 1. Akt
Giacomo Puccini4:04
12Tosca: 2. Akt, 1. Teil. Introduktion – „Fliege, du Falke“
baritone vocals [Scarpia]:
Josef Metternich (in 1953-04)
bass vocals [Sciarrone]:
Karl Otto (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 2. Akt, 1. Teil. Introduktion - „Fliege, du Falke” (Scarpia, Sciarrone) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone)
part of:
Tosca: 2. Akt
Giacomo Puccini2:06
13Tosca: 2. Akt, 1. Teil. „Nein warte, gib ihr lieber dies Billet“
baritone vocals [Scarpia]:
Josef Metternich (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 2. Akt, 1. Teil. „Nein warte, gib ihr lieber dies Billet” (Scarpia, Sciarrone) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone)
part of:
Tosca: 2. Akt
Giacomo Puccini2:02
14Tosca: 2. Akt, 1. Teil. „Spoletta wartet“
baritone vocals [Scarpia]:
Josef Metternich (in 1953-04)
bass vocals [Sciarrone]:
Karl Otto (in 1953-04)
choir vocals:
Chor des Norddeutschen Rundfunks Hamburg (in 1953-04)
tenor vocals [Spoletta]:
Kurt Marschner (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
chorus master:
Max Thurn (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 2. Akt, 1. Teil. „Spoletta wartet” (Scarpia, Spoletta) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta)
part of:
Tosca: 2. Akt
Giacomo Puccini1:35
15Tosca: 2. Akt, 1. Teil. „Ein Gewaltakt!“ – „Gar so heftig“ – „Mario, du hier?“
baritone vocals [Scarpia]:
Josef Metternich (in 1953-04)
choir vocals:
Chor des Norddeutschen Rundfunks Hamburg (in 1953-04)
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
chorus master:
Max Thurn (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 2. Akt, 1. Teil. „Ein Gewaltakt!” – „Gar so heftig” – „Mario, du hier?” (Scarpia, Cavaradossi, Spoletta, Tosca) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Mario, tu qui?” … "Pria le forme ordinarie” (Tosca, Cavaradossi, Scarpia)
translated version of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini4:10
16Tosca: 2. Akt, 1. Teil. „Wir aber plaudern hier als gute Freunde“
baritone vocals [Scarpia]:
Josef Metternich (in 1953-04)
bass vocals [Sciarrone]:
Karl Otto (in 1953-04)
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
tenor vocals [Spoletta]:
Kurt Marschner (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 2. Akt, 1. Teil. „Wir aber plaudern hier als gute Freunde” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini8:08
17Tosca: 2. Akt, 1. Teil. „Floria!“ – „Geliebter!“ – „Viktoria!“
baritone vocals [Scarpia]:
Josef Metternich (in 1953-04)
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 2. Akt, 1. Teil. „Floria!“ – „Geliebter!“ (Cavaradossi, Tosca) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini2:53
18Tosca: 2. Akt, 1. Teil. „O rettet ihn“ – „Es war doch schade“ – „Sei, man redet“
baritone vocals [Scarpia]:
Josef Metternich (in 1953-04)
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 2. Akt, 1. Teil. „O rettet ihn” - „Es war doch schade” - „Sei, man redet” (Scarpia, Tosca) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini5:28
2▼CD
#TitleArtistLength
1Tosca: 2. Akt, 2. Teil. „Nur der Schönheit weiht’ ich mein Leben“
baritone vocals [Scarpia]:
Josef Metternich (in 1953-04)
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 2. Akt, 2. Teil. „Nur der Schönheit weiht’ ich mein Leben“ (Tosca) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini3:05
2Tosca: 2. Akt, 2. Teil. „Wehe!“ – „Vor dem da zitterte das ganze Rom“
baritone vocals [Scarpia]:
Josef Metternich (in 1953-04)
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Spoletto]:
Kurt Marschner (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 2. Akt, 2. Teil. „Wehe!“ – „Vor dem da zitterte das ganze Rom“ (Scarpia, Spoletta, Tosca) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca)
part of:
Tosca: 2. Akt
Giacomo Puccini9:12
3Tosca: 3. Akt. Introduktion – „Ach, meine Seufzer“
soprano vocals [Hirt]:
Ena Thiessen (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 3. Akt. Introduktion – „Ach, meine Seufzer“ (Ein Hirte) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore)
part of:
Tosca: 3. Akt
Giacomo Puccini5:17
4Tosca: 3. Akt. „Mario Cavaradossi ? Hierher“ – „Und es blitzten…“
bass vocals [Schliesser]:
Karl Otto (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 3. Akt. „Mario Cavaradossi? – Hierher” (Schließer, Cavaradossi) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi)
part of:
Tosca: 3. Akt
Giacomo Puccini6:34
5Tosca: 3. Akt. „Ha! Geleit für Floria Tosca!“
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 3. Akt. „Ha! Geleit für Floria Tosca!” (Cavaradossi, Tosca) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca)
part of:
Tosca: 3. Akt
Giacomo Puccini2:39
6Tosca: 3. Akt. „Die zarten Hände“ – „Bald naht sich die Stunde“
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 3. Akt. „Die zarten Hände” - „Bald naht sich die Stunde” (Cavaradossi, Tosca) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca)
translated version of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca)
part of:
Tosca: 3. Akt
Giacomo Puccini2:57
7Tosca: 3. Akt. „Nur deinetwegen wollt’ ich noch nicht sterben“
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Cavaradossi]:
Rudolf Schock (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 3. Akt. „Nur deinetwegen wollt' ich noch nicht sterben” (Tosca) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “Amaro sol per te m’era il morire” (Cavaradossi, Tosca)
part of:
Tosca: 3. Akt
Giacomo Puccini4:02
8Tosca: 3. Akt. „Die Stunde“ – „O Scarpia, uns richte Gott“
bass vocals [Schliesser] and bass vocals [Sciarrone]:
Karl Otto (in 1953-04)
soprano vocals [Tosca]:
Carla Martinis (in 1953-04)
tenor vocals [Spoletta]:
Kurt Marschner (in 1953-04)
orchestra:
Sinfonieorchester des Norddeutschen Rundfunks Hamburg (in 1953-04)
conductor:
Wilhelm Schüchter (in 1953-04)
recorded at:
NDR Hamburg in Hamburg, Germany (in 1953-04)
recording of:
Tosca: 3. Akt. „Die Stunde“ – „O Scarpia, uns richte Gott“ (Schließer, Cavaradossi, Tosca, Stimmen, Sciarrone, Spoletta) (in 1953-04)
composer:
Giacomo Puccini
translator:
Max Kalbeck
translated version of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca)
translated version of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta)
part of:
Tosca: 3. Akt
Giacomo Puccini4:04
9La Bohème: „Wie eiskalt ist dies Händchen“
tenor vocals:
Rudolf Schock (on 1946-10-13)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (on 1946-10-13)
conductor:
Felix Lederer (on 1946-10-13)
recording of:
La Bohème: Akt I. „Wie eiskalt ist dies Händchen” (Rodolfo) (on 1946-10-13)
composer:
Giacomo Puccini
translated version of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
part of:
La Bohème: Akt I (German translation)
Giacomo Puccini5:06
10La Bohème: „Oh du süssestes Mädchen“
soprano vocals:
Sigrid Ekkehard (on 1946-10-13)
tenor vocals:
Rudolf Schock (on 1946-10-13)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (on 1946-10-13)
conductor:
Felix Lederer (on 1946-10-13)
recording of:
La Bohème: Akt I. „He, Rodolfo!“ – „Rodolfo“ – „O du süßestes Mädchen“ (Schaunard, Collin, Marcello, Rodolfo, Mimi) (on 1946-10-13)
composer:
Giacomo Puccini
translated version of:
La bohème: Atto I, no. 8. “Ehi! Rodolfo” (Schaunard, Colline, Marcello, Mimi)
translated version of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì)
part of:
La Bohème: Akt I (German translation)
Giacomo Puccini4:27
11Madame Butterfly: „Mädchen, in deinen Augen“
tenor vocals:
Rudolf Schock (on 1946-11-17)
vocals:
Irma Beilke (on 1946-11-17)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (on 1946-11-17)
conductor:
Felix Lederer (on 1946-11-17)
recording of:
Madame Butterfly: „Die prunkende Schleife” / „Mädchen, in deinen Augen”
composer:
Giacomo Puccini
part of:
Madame Butterfly (german lyrics)
Giacomo Puccini11:01
12Madame Butterfly: „Leb wohl, mein Blütenreich“
tenor vocals:
Rudolf Schock (on 1953-03-21)
orchestra:
Hamburger Rundfunkorchester (on 1953-03-21)
conductor:
Wilhelm Schüchter (on 1953-03-21)
recording of:
Madame Butterfly: „Leb wohl, mein Blütenreich”
composer:
Giacomo Puccini
part of:
Madame Butterfly (german lyrics)
Giacomo Puccini1:40
13Manon Lescaut: „Wo lebte wohl ein Wesen“
tenor vocals:
Rudolf Schock (on 1953-03-18)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (on 1953-03-18)
conductor:
Wolfgang Sawallisch (on 1953-03-18)
Giacomo Puccini2:29
14Turandot: „Oh weine nicht, Liù“
tenor vocals:
Rudolf Schock (on 1950-08-30)
orchestra:
RIAS-Symphonie-Orchester (on 1950-08-30)
conductor:
Leopold Ludwig (on 1950-08-30)
recording of:
Turandot: Akt I. „O weine nicht, Liù“ (Calaf, Liù, Timur)
composer:
Giacomo Puccini
translated version of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
Giacomo Puccini2:30
15Turandot: „Keiner schlafe“
tenor vocals:
Rudolf Schock (on 1950-08-30)
orchestra:
RIAS-Symphonie-Orchester (on 1950-08-30)
conductor:
Leopold Ludwig (on 1950-08-30)
recording of:
Turandot: Akt III. „Keiner schlafe“ (Calaf)
composer:
Giacomo Puccini
translated version of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Giacomo Puccini3:14

Credits

Release

liner notes:Rico Leitner (in 2003)
Thomas Voigt (in 2003)
liner notes translator:Roger Clément (in 2003)
executive producer:Rico Leitner (in 2003)
remastering:Friedhelm Holle
distributed by:Sonimex
ASIN:FR: B0001D0A56 [info]