| # | Title | Artist | Length |
|---|
| 1 | Don’t Bring Me Down | Electric Light Orchestra | 4:04 |
| 2 | You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | 3:58 |
| 3 | I Drove All Night | Roy Orbison | 3:46 |
| 4 | Addicted to Love | Robert Palmer | 3:56 |
| 5 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records, LLC, Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) and EMI–Manhattan Records (in 1981)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3:46 |
| 6 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London, England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd., Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd., Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Tina Turner | 3:47 |
| 7 | Drive- recording engineer:
- Nigel Green
- producer:
- The Cars and Robert John “Mutt” Lange
- mixer:
- Mike Shipley
- bass:
- Benjamin Orr
- drums (drum set):
- David Robinson
- guitar:
- Elliot Easton and Ric Ocasek
- keyboard:
- Greg Hawkes
- vocals:
- Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1984) and WEA International Inc. (in 1984)
- recorded at:
- Battery Studios in London, England, United Kingdom
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Drive by The Cars
- recording of:
- Drive
- publisher:
- Ric Ocasek (in 1983)
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | 3:58 |
| 8 | Suspicious Minds | Elvis Presley | 4:29 |
| 9 | Good Vibrations | The Beach Boys | 3:37 |
| 10 | A Horse With No Name | America | 4:13 |
| 11 | American Pie- engineer:
- Tom Flye
- acoustic guitar and banjo:
- Don McLean (on 1971-05-26)
- bass:
- Bob Rothstein (on 1971-05-26)
- drums (drum set) and percussion:
- Roy Markowitz (on 1971-05-26)
- electric guitar:
- David Spinozza (on 1971-05-26)
- electric piano:
- Ray Colcord (on 1971-05-26)
- marimba and vibraphone:
- Mike Mainieri (on 1971-05-26)
- piano:
- Paul Griffin (on 1971-05-26)
- choir vocals:
- West 44th Street Rhythm and Noise Choir (on 1971-05-26)
- vocals:
- Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1971), EMI (in 1971) and United Artists Records (in 1971)
- partial recording of:
- American Pie (on 1971-05-26)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc., Illegal Songs Inc., Mayday Music, MCA Music, MCA Music Publishing, MCA Publishing Ltd., Songs of Universal, Inc., Universal, Universal Music Publishing Ltd., Universal Records, Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 4:06 |
| 12 | Stuck in the Middle With You | Stealers Wheel | 3:29 |
| 13 | Maggie May | Rod Stewart | 3:43 |
| 14 | Let’s Stick Together | Bryan Ferry | 2:59 |
| 15 | Dreaming- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- background vocals:
- Ellie Greenwich (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 2001), Chrysalis Records (in 1979), Chrysalis Records Ltd. (in 1979), Chrysalis Records, Inc. (in 1979, in 2001) and Capitol Records (in 2001)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- part of:
- RuPaul’s Drag Race Lip Sync Performances (number: 4) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 414)
- recording of:
- Dreaming (from 1979-05 until 1979-06)
- writer:
- Deborah Harry and Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd., Chrysalis Records Ltd. and EMI Music Publishing Ltd.
| Blondie | 3:06 |
| 16 | Going Underground | The Jam | 2:54 |
| 17 | Cool for Cats | Squeeze | 3:13 |
| 18 | My Sharona | The Knack | 3:59 |
| 19 | Danger Zone- synthesizer [synth] programming:
- Hans Zimmer
- engineer:
- Dave Concors, Dave Connors and Tom Whitlock
- executive producer:
- Michael Dilbeck
- producer:
- Giorgio Moroder and Tom Whitlock
- mixer:
- Giorgio Moroder and Brian Reeves
- drums (drum set):
- John Robinson
- guitar:
- Dann Huff and Kenny Loggins
- keyboard:
- Giorgio Moroder
- saxophone:
- Tom Scott
- synthesizer:
- Tom Whitlock
- lead vocals:
- Kenny Loggins
- phonographic copyright (℗) by:
- CBS Inc. (in 1986), Columbia Records (in 1986), Sony Music Entertainment (in 1986) and Sony Music Entertainment Inc. (in 1986)
- recorded at:
- Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
- a cappella versions:
- Danger Zone by Tufts Beelzebubs
- recording of:
- Danger Zone
- lyricist:
- Thomas Whitlock
- composer:
- Giorgio Moroder
- publisher:
- Budde Music Inc., Neue Welt Musikverlag GmbH, Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH, Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp., ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部, Famous Music Corporation (in 1986) and GMPC (in 1986)
| Kenny Loggins | 3:36 |
| 20 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher, Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas, Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla, Bill Gibson, Chris Hayes, Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla, Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control, Huey Lewis Music, Hulex Music, Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2)
- part of:
- Back to the Future: the Musical
| Huey Lewis and the News | 3:54 |
| 21 | The Look | Roxette | 3:57 |
