Christmas Cantatas: BWV 63, 64, 121 & 133

~ Release by Johann Sebastian Bach; Ann Monoyios, Katherine Fuge, Sara Mingardo, Derek Lee Ragin, Julian Podger, Rufus Müller, Stephan Loges, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistLength
1Christen, ätzet diesen Tag, BWV 63: I. Chorus. Christen, ätzet diesen Tag
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
choir vocals:
Monteverdi Choir (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (in 1998-12)
composer:
Johann Sebastian Bach (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach4:55
2Christen, ätzet diesen Tag, BWV 63: II. Recit. O sel'ger Tag
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
alto vocals:
Sara Mingardo (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (in 1998-12)
composer:
Johann Sebastian Bach (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:18
3Christen, ätzet diesen Tag, BWV 63: III. Aria. Gott, Du hast es wohl gefüget
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
bass vocals:
Stephan Loges (in 1998-12)
soprano vocals:
Ann Monoyios (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 (appendix) "Christen, ätzet diesen Tag": III(alt). Duet (Soprano & Bass) "Gott, du hast es wohl gefüget" (in 1998-12)
composer:
Johann Sebastian Bach
version of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget"
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:49
4Christen, ätzet diesen Tag, BWV 63: IV. Recit. So kehret sich nun heut das bange Leid
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
tenor vocals:
Rufus Müller (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (in 1998-12)
composer:
Johann Sebastian Bach (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:45
5Christen, ätzet diesen Tag, BWV 63: V. Aria. Ruft und fleht den Himmel an
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
alto vocals:
Sara Mingardo (in 1998-12)
tenor vocals:
Rufus Müller (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (in 1998-12)
composer:
Johann Sebastian Bach (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:19
6Christen, ätzet diesen Tag, BWV 63: VI. Recit. Verdoppelt euch demnach, ihr heißen andachtsflammen
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
bass vocals:
Stephan Loges (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (in 1998-12)
composer:
Johann Sebastian Bach (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:53
7Christen, ätzet diesen Tag, BWV 63: VII. Chorus. Höchster, schau in Gnaden an
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
choir vocals:
Monteverdi Choir (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (in 1998-12)
composer:
Johann Sebastian Bach (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:35
8Sehet, welch eine Liebe, BWV 64: I. Chorus. Sehet, welch eine Liebe
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
choir vocals:
Monteverdi Choir (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (in 1998-12)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach2:33
9Sehet, welch eine Liebe, BWV 64: II. Chorale. Das hat er alles uns getan
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
choir vocals:
Monteverdi Choir (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (in 1998-12)
composer:
Martin Luther and Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:43
10Sehet, welch eine Liebe, BWV 64: III. Recit. Geh' Welt! behalte nur das Deine (Alto)
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
alto vocals:
Sara Mingardo (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (in 1998-12)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:43
11Sehet, welch eine Liebe, BWV 64: IV. Chorale. Was frag' ich nach der Welt
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
choir vocals:
Monteverdi Choir (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (in 1998-12)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:55
12Sehet, welch eine Liebe, BWV 64: V. Aria. Was die Welt in sich hält (Soprano)
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
soprano vocals:
Ann Monoyios (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (in 1998-12)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:36
13Sehet, welch eine Liebe, BWV 64: VI. Recit. Der Himmel bleibet mir gewiß (Bass)
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
bass vocals:
Stephan Loges (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (in 1998-12)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:00
14Sehet, welch eine Liebe, BWV 64: VII. Aria. Von der Welt verlang ich nichts (Alto)
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
alto vocals:
Sara Mingardo (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (in 1998-12)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:33
15Sehet, welch eine Liebe, BWV 64: VIII. Chorale. Gute Nacht, o Wesen
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
choir vocals:
Monteverdi Choir (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (in 1998-12)
lyricist:
Johann Franck
composer:
Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:08
16Christum wir sollen loben schon, BWV 121: I. Chorus. Christum wir sollen loben schon
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
choir vocals:
Monteverdi Choir (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (in 1998-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach2:40
17Christum wir sollen loben schon, BWV 121: II. Aria. O du von Gott erhöhte Kreatur (Tenor)
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
tenor vocals:
Rufus Müller (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (in 1998-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach4:39
18Christum wir sollen loben schon, BWV 121: III. Recit. Der Gnade unermesslich's Wesen (Alto)
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
alto vocals:
Sara Mingardo (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (in 1998-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:03
19Christum wir sollen loben schon, BWV 121: IV. Aria. Johannis freudenvolles Springen (Bass)
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
bass vocals:
Stephan Loges (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (in 1998-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach7:27
20Christum wir sollen loben schon, BWV 121: V. Recit. Doch wie erblickt es dich in deiner Krippe (Soprano)
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
soprano vocals:
Ann Monoyios (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (in 1998-12)
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach0:50
21Christum wir sollen loben schon, BWV 121: VI. Chorale. Lob, Ehr und Dank sei dir gesagt
executive producer:
David R. Murray
producer:
Dr. Isabella de Sabata and Nicholas Parker
choir vocals:
Monteverdi Choir (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Mike Hatch
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 1998-12)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (in 1998-12)
lyricist:
Martin Luther
composer:
Johann Sebastian Bach (in 1724)
premiered at:
Thomaskirche in Leipzig, Sachsen, Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:01
22Ich freue mich in Dir, BWV 133: I. Chorus. Ich freue mich in Dir
recording engineer:
Jürgen Bulgrin
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing and Dr. Isabella de Sabata
choir vocals:
Monteverdi Choir (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (in 1998-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir"
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:11
23Ich freue mich in Dir, BWV 133: II. Aria. Getrost, getrost! (Countertenor)
recording engineer:
Jürgen Bulgrin
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing and Dr. Isabella de Sabata
countertenor vocals [alto]:
Derek Lee Ragin (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": II. Aria (Alt) "Getrost! es faßt ein heilger Leib" (in 1998-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:06
24Ich freue mich in Dir, BWV 133: III. Recit. Ein Adam mag sich voller Schrecken (Tenor)
recording engineer:
Jürgen Bulgrin
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing and Dr. Isabella de Sabata
tenor vocals:
Julian Podger (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": III. Recitativo (Tenor) "Ein Adam mag sich voller Schrecken" (in 1998-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:59
25Ich freue mich in Dir, BWV 133: IV. Aria. Wie lieblich klingt es in den Ohren (Soprano)
recording engineer:
Jürgen Bulgrin
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing and Dr. Isabella de Sabata
soprano vocals:
Katherine Fuge (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": IV. Aria (Sopran) "Wie lieblich klingt es in den Ohren" (in 1998-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach7:25
26Ich freue mich in Dir, BWV 133: V. Recit. Wohlan des Todes Furcht (Bass)
recording engineer:
Jürgen Bulgrin
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing and Dr. Isabella de Sabata
bass vocals:
Gotthold Schwarz (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": V. Recitativo (Bass) "Wohlan, des Todes Furcht und Schmerz" (in 1998-12)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach0:58
27Ich freue mich in Dir, BWV 133: VI. Chorale. Wohlan! So will ich mich
recording engineer:
Jürgen Bulgrin
executive producer:
David R. Murray
producer:
Hans Bernhard Bätzing and Dr. Isabella de Sabata
choir vocals:
Monteverdi Choir (in 1998-12)
orchestra:
English Baroque Soloists (in 1998-12)
conductor:
Sir John Eliot Gardiner (in 1998-12)
balance engineer:
Rainer Maillard
recorded at:
St. Giles’ Cripplegate in City of London, London, England, United Kingdom (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": VI. Choral "Wohlan, so will ich mich" (in 1998-12)
lyricist:
Caspar Ziegler
composer:
Johann Sebastian Bach (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 181)
part of:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach1:05