5 Classic Albums (box set)

~ Release by Fairport Convention (see all versions of this release, 1 available)

Tracklist

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1▼CD: Fairport Convention
#TitleLength
1Time Will Show the Wiser
engineer:
John Wood
producer:
Joe Boyd and Tod Lloyd
piano:
Gianni Nocenzi
synthesizer:
Vittorio Nocenzi
phonographic copyright (℗) by:
Polydor Ltd. (UK) (in 2003)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
cover recording of:
Time Will Show the Wiser
lyricist and composer:
Emitt Rhodes
3:05
2I Don't Know Where I Stand
engineer:
John Wood
producer:
Joe Boyd and Tod Lloyd
phonographic copyright (℗) by:
Polydor Ltd. (UK) (in 2003)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
cover recording of:
I Don’t Know Where I Stand
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
3:45
3If (Stomp)
engineer:
John Wood
producer:
Joe Boyd and Tod Lloyd
phonographic copyright (℗) by:
Polydor Ltd. (UK) (in 2003)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
recording of:
If (Stomp)
writer:
Iain Matthews and Richard Thompson
publisher:
Warlock Music Ltd.
sub-publisher:
Pubco
2:45
4Decameron
engineer:
John Wood
producer:
Joe Boyd and Tod Lloyd
phonographic copyright (℗) by:
Polydor Ltd. (UK) (in 2003)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
recording of:
Decameron
writer:
Paul Ghosh, Andrew Horvitch and Richard Thompson
3:42
5Jack O' Diamonds
engineer:
John Wood
producer:
Joe Boyd and Tod Lloyd
bass guitar:
Ashley Hutchings
drums (drum set):
Martin Lamble
guitar:
Simon Nicol
guitar [lead guitar]:
Richard Thompson
harp:
Judy Dyble
additional vocals:
Iain Matthews
phonographic copyright (℗) by:
Polydor Ltd. (UK) (in 2003)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
cover recording of:
Jack o’ Diamonds (Bob Dylan version)
lyricist:
Ben Carruthers and Bob Dylan
composer:
Troy Kennedy Martin
version of:
Jack o’ Diamonds
recording of:
Jack o’ Diamonds (Bob Dylan version)
lyricist:
Ben Carruthers and Bob Dylan
composer:
Troy Kennedy Martin
version of:
Jack o’ Diamonds
3:30
6Portfolio
engineer:
John Wood
producer:
Joe Boyd and Tod Lloyd
phonographic copyright (℗) by:
Polydor Ltd. (UK) (in 2003)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
recording of:
Portfolio
composer:
Judy Dyble and Ashley Hutchings
2:00
7Chelsea Morning
engineer:
John Wood
producer:
Joe Boyd and Tod Lloyd
phonographic copyright (℗) by:
Polydor Ltd. (UK) (in 2003)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
cover recording of:
Chelsea Morning
lyricist and composer:
Joni Mitchell
publisher:
Crazy Crow Music
version of:
Skärgårdsmorgon
3:05
8Sun Shade
engineer:
John Wood
producer:
Joe Boyd and Tod Lloyd
phonographic copyright (℗) by:
Polydor Ltd. (UK) (in 2003)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
recording of:
Sun Shade
writer:
Paul Ghosh, Andrew Horvitch and Richard Thompson
3:50
9The Lobster
recording of:
The Lobster
composer:
Ashley Hutchings, George Painter and Richard Thompson
5:25
10It's Alright Ma, It's Only Witchcraft
engineer:
John Wood
producer:
Joe Boyd and Tod Lloyd
phonographic copyright (℗) by:
Polydor Ltd. (UK) (in 2003)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
recording of:
It's Alright Ma, It's Only Witchcraft
composer:
Ashley Hutchings and Richard Thompson
3:12
11One Sure Thing
cover recording of:
One Sure Thing
composer:
Harvey Brooks and Jim Glover
2:50
12M1 Breakdown
engineer:
John Wood
producer:
Joe Boyd and Tod Lloyd
phonographic copyright (℗) by:
Polydor Ltd. (UK) (in 2003)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
recording of:
M.1 Breakdown
composer:
Ashley Hutchings and Simon Nicol
1:22
2▼CD: What We Did On Our Holidays
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1Fotheringay
engineer:
John Wood
producer:
Joe Boyd
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recorded at and engineered at:
De Lane Lea Studios in Soho, Westminster, London, England, United Kingdom (on 1968-09-04)
recording of:
Fotheringay (on 1968-09-04)
lyricist, writer and composer:
Sandy Denny
publisher:
Warlock Music Ltd.
version of:
Boxful of Treasure
3:06
2Mr. Lacey
engineer:
John Wood
producer:
Joe Boyd
other instruments:
Prof. Bruce Lacey
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recorded at and engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1968-09-19)
recording of:
Mr. Lacey (on 1968-09-19)
lyricist and composer:
Ashley Hutchings
publisher:
Warlock Music Ltd.
sub-publisher:
Pubco
2:55
3Book Song
engineer:
John Wood
producer:
Joe Boyd
cello:
Claire Lowther
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recorded at and engineered at:
De Lane Lea Studios in Soho, Westminster, London, England, United Kingdom (on 1968-09-03)
recording of:
Book Song (on 1968-09-03)
composer:
Iain Matthews and Richard Thompson
3:13
4The Lord Is in This Place
engineer:
John Wood
producer:
Joe Boyd
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recorded at:
St Peters Westbourne Grove in Kensington, Kensington and Chelsea, London, England, United Kingdom (in 1968)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (in 1968)
recording of:
"The Lord Is in This Place, How Dreadful Is This Place?" (in 1968)
writer and composer:
Sandy Denny, Ashley Hutchings and Richard Thompson
publisher:
Warlock Music Ltd.
sub-publisher:
Pubco
2:01
5No Man's Land
engineer:
John Wood
producer:
Joe Boyd
accordion:
Richard Thompson
lead vocals:
Iain Matthews
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
recording of:
No Man’s Land (in 1968)
composer:
Richard Thompson
2:32
6I'll Keep It with Mine
engineer:
John Wood
producer:
Joe Boyd
acoustic guitar:
Simon Nicol
bass guitar:
Ashley Hutchings
drums (drum set):
Martin Lamble
electric guitar:
Richard Thompson
vocals:
Sandy Denny and Iain Matthews
phonographic copyright (℗) by:
Island Records and Universal Island Records Ltd. (in 2003)
recorded at and engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1968-09-19)
cover recording of:
I’ll Keep It With Mine (on 1968-09-19)
lyricist and composer:
Bob Dylan (in 1964)
publisher:
Sony/ATV Music Publishing (UK) Ltd. and Special Rider Music
5:56
7Eastern Rain
engineer:
John Wood
producer:
Joe Boyd
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
cover recording of:
Eastern Rain
composer:
Joni Mitchell
3:36
8Nottamun Town
engineer:
John Wood
producer:
Joe Boyd
arranger:
Fairport Convention
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
recording of:
Nottamun Town (Fair Nottamun Town / Nottamun Fair)
lyricist and revised by:
Barry Childs‐Helton
writer and composer:
[traditional]
part of:
Roud Folk Song Index (number: 1044)
3:12
9Tale in Hard Time
engineer:
John Wood
producer:
Joe Boyd
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recorded at and engineered at:
De Lane Lea Studios in Soho, Westminster, London, England, United Kingdom (on 1968-09-04)
recording of:
Tale in Hard Time (on 1968-09-04)
composer:
Richard Thompson
3:29
10She Moves Through the Fair
engineer:
John Wood
producer:
Joe Boyd
arranger:
Fairport Convention
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recorded at and engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1968-10-11)
recording of:
She Moved Through the Fair (on 1968-10-11)
lyricist:
[traditional] and Padraic Colum
composer:
[traditional]
publisher:
Four Season Music
part of:
Roud Folk Song Index (number: 861)
4:14
11Meet on the Ledge
engineer:
John Wood
producer:
Joe Boyd
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recorded at and engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (in 1968)
recording of:
Meet on the Ledge (in 1968)
lyricist and composer:
Richard Thompson
publisher:
Help, I’m a Publisher and Warlock Music Ltd.
2:50
12End of a Holiday
engineer:
John Wood
producer:
Joe Boyd
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recorded at and engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (in 1968)
recording of:
End of a Holiday (in 1968)
composer:
Simon Nicol
publisher:
Warlock Music Ltd.
1:07
3▼CD: Unhalfbricking
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1Genesis Hall
engineer:
John Wood
producer:
Joe Boyd, Fairport Convention and Simon Nicol
acoustic guitar and hammered dulcimer [dulcimer]:
Simon Nicol
bass:
Ashley Hutchings
drums (drum set):
Martin Lamble
electric guitar and background vocals:
Richard Thompson
vocals:
Sandy Denny
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom and Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom
recording of:
Genesis Hall
composer:
Richard Thompson
publisher:
Warlock Music Ltd.
3:41
2Si Tu Dois Partir
engineer:
John Wood
producer:
Joe Boyd, Fairport Convention and Simon Nicol
bass and bass guitar:
Ashley Hutchings
drums (drum set):
Martin Lamble
fiddle:
Dave Swarbrick
guitar:
Simon Nicol and Richard Thompson
triangle:
Trevor Lucas
vocals:
Sandy Denny, Ashley Hutchings, Simon Nicol and Richard Thompson
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
cover recording of:
Si tu dois partir
lyricist and composer:
Bob Dylan (in 1965)
translator:
Fairport Convention
publisher:
Special Rider Music
translated version of:
If You Gotta Go, Go Now (or Else You Got to Stay All Night)
2:25
3Autopsy
engineer:
John Wood
producer:
Joe Boyd, Fairport Convention and Simon Nicol
Appalachian dulcimer [electric dulcimer] and guitar [lead guitar]:
Richard Thompson
bass:
Ashley Hutchings
drums (drum set):
Martin Lamble
guitar [rhythm guitar]:
Simon Nicol
lead vocals:
Sandy Denny
vocals:
Sandy Denny
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1969-01 until 1969-04)
recording of:
Autopsy (from 1969-01 until 1969-04)
lyricist and composer:
Sandy Denny
publisher:
Warlock Music Ltd.
sub-publisher:
Pubco
4:27
4A Sailor's Life
engineer:
John Wood
producer:
Joe Boyd, Fairport Convention and Simon Nicol
bass:
Ashley Hutchings
drums (drum set):
Martin Lamble
fiddle:
Dave Swarbrick
vocals:
Sandy Denny
arranger:
Sandy Denny, Ashley Hutchings, Martin Lamble, Simon Nicol and Richard Thompson
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recording of:
A Sailor’s Life (aka Sweet William / Willie the Bold Sailor Boy)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 273)
11:20
5Cajun Woman
engineer:
John Wood
producer:
Joe Boyd, Fairport Convention and Simon Nicol
bass:
Ashley Hutchings
drums (drum set):
Martin Lamble
fiddle:
Dave Swarbrick
vocals:
Sandy Denny
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recording of:
Cajun Woman
lyricist and composer:
Richard Thompson
publisher:
Warlock Music Ltd.
2:45
6Who Knows Where the Time Goes
engineer:
John Wood
producer:
Joe Boyd, Fairport Convention and Simon Nicol
bass:
Ashley Hutchings
drums (drum set):
Martin Lamble
vocals:
Sandy Denny
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
recording of:
Who Knows Where the Time Goes? (from 1969-01 until 1969-04)
lyricist and composer:
Sandy Denny
publisher:
Irving Music, Strawberry Music and Winckler Musikforlag
5:13
7Percy's Song
engineer:
John Wood
producer:
Joe Boyd, Fairport Convention and Simon Nicol
bass:
Ashley Hutchings
drums (drum set):
Martin Lamble
background vocals:
Iain Matthews
vocals:
Sandy Denny
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
cover recording of:
Percy’s Song
additional lyricist:
Bob Dylan (from 1963-08 until 1963-09)
composer:
Bob Dylan (from 1963-08 until 1963-09)
publisher:
Warner/Chappell (from 1964 until 1992) and Special Rider Music (from 1992 to present)
version of:
The Two Sisters (aka The Wind and the Rain / The Bows of London / Cruel Sister)
6:55
8Million Dollar Bash
engineer:
John Wood
producer:
Joe Boyd, Fairport Convention and Simon Nicol
bass and bass guitar:
Ashley Hutchings
drums (drum set):
Martin Lamble
electric guitar:
Richard Thompson
guitar:
Simon Nicol
mandolin:
Dave Swarbrick
vocals:
Sandy Denny, Marc Ellington, Ashley Hutchings, Iain Matthews, Simon Nicol and Richard Thompson
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 2003)
cover recording of:
Million Dollar Bash
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Sony/ATV Music Publishing (UK) Ltd. and Dwarf Music (from 1967 to present)
2:56
4▼CD: Liege & Lief
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1Come All Ye
engineer:
John Wood
producer:
Joe Boyd
bass guitar:
Ashley Hutchings (on 1969-10-29)
drums (drum set):
Dave Mattacks (on 1969-10-29)
guitar:
Simon Nicol (on 1969-10-29) and Richard Thompson (on 1969-10-29)
viola, viola and violin and violin:
Dave Swarbrick (on 1969-10-29)
vocals:
Sandy Denny (on 1969-10-29)
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 1969, in 2002)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1969-10-29)
recording of:
Come All Ye (on 1969-10-29)
composer:
Sandy Denny and Ashley Hutchings
4:55
2Reynardine
engineer:
John Wood
producer:
Joe Boyd
bass guitar:
Ashley Hutchings (on 1969-10-22)
drums (drum set):
Dave Mattacks (on 1969-10-22)
guitar:
Simon Nicol (on 1969-10-22) and Richard Thompson (on 1969-10-22)
viola and violin:
Dave Swarbrick (on 1969-10-22)
vocals:
Sandy Denny (on 1969-10-22)
arranger:
Fairport Convention
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 1969)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1969-10-22)
recording of:
Reynardine (on 1969-10-22)
writer:
[traditional]
part of:
Roud Folk Song Index (number: 397)
4:33
3Matty Groves
engineer:
John Wood
producer:
Joe Boyd
bass guitar:
Ashley Hutchings (on 1969-10-22)
drums (drum set):
Dave Mattacks (on 1969-10-22)
guitar:
Simon Nicol (on 1969-10-22) and Richard Thompson (on 1969-10-22)
viola and violin:
Dave Swarbrick (on 1969-10-22)
vocals:
Sandy Denny (on 1969-10-22)
arranger:
Fairport Convention
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 1969)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1969-10-22)
recording of:
Matty Groves (on 1969-10-22)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 52) and Child Ballads (number: 81)
8:08
4Farewell, Farewell
engineer:
John Wood
producer:
Joe Boyd
bass guitar:
Ashley Hutchings (on 1969-10-16)
drums (drum set):
Dave Mattacks (on 1969-10-16)
guitar:
Simon Nicol (on 1969-10-16) and Richard Thompson (on 1969-10-16)
viola and violin:
Dave Swarbrick (on 1969-10-16)
vocals:
Sandy Denny (on 1969-10-16)
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 1969)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1969-10-16)
recording of:
Farewell, Farewell (on 1969-10-16)
lyricist and composer:
Richard Thompson
2:38
5The Deserter
engineer:
John Wood
producer:
Joe Boyd
bass guitar:
Ashley Hutchings (on 1969-10-16)
drums (drum set):
Dave Mattacks (on 1969-10-16)
guitar:
Simon Nicol (on 1969-10-16) and Richard Thompson (on 1969-10-16)
viola and violin:
Dave Swarbrick (on 1969-10-16)
vocals:
Sandy Denny (on 1969-10-16)
arranger:
Fairport Convention
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 1969)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1969-10-16)
recording of:
The Deserter (on 1969-10-16)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 493)
4:10
6Medley: The Lark in the Morning
engineer:
John Wood
producer:
Joe Boyd
bass guitar:
Ashley Hutchings (on 1969-10-29)
drums (drum set):
Dave Mattacks (on 1969-10-29)
guitar:
Simon Nicol (on 1969-10-29) and Richard Thompson (on 1969-10-29)
viola and violin:
Dave Swarbrick (on 1969-10-29)
vocals:
Sandy Denny (on 1969-10-29)
arranger:
Dave Swarbrick
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 1969)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1969-10-29)
recording of:
The Lark in the Morning (Fairport Convention’s four-tunes set) (on 1969-10-29)
arranger:
Fairport Convention
medley of:
The Lark in the Morning (jig, Ng #1091)
medley of:
Rakish Paddy (reel)
medley of:
The Foxhunter's (slip jig)
medley of:
Toss the Feathers (reel - catch-all for arrangements)
4:00
7Tam Lin
engineer:
John Wood
producer:
Joe Boyd
bass guitar:
Ashley Hutchings (on 1969-10-29)
drums (drum set):
Dave Mattacks (on 1969-10-29)
guitar:
Simon Nicol (on 1969-10-29) and Richard Thompson (on 1969-10-29)
viola and violin:
Dave Swarbrick (on 1969-10-29)
vocals:
Sandy Denny (on 1969-10-29)
arranger:
Dave Swarbrick
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 1969)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1969-10-29)
cover recording of:
Tam Lin (on 1969-10-29)
writer:
[traditional]
part of:
Child Ballads (number: 39) and Roud Folk Song Index (number: 35)
7:20
8Crazy Man Michael
engineer:
John Wood
producer:
Joe Boyd
bass guitar:
Ashley Hutchings (on 1969-10-19)
drums (drum set):
Dave Mattacks (on 1969-10-19)
guitar:
Simon Nicol (on 1969-10-19) and Richard Thompson (on 1969-10-19)
viola, viola and violin and violin:
Dave Swarbrick (on 1969-10-19)
vocals:
Sandy Denny (on 1969-10-19)
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 1969, in 2002)
recorded at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (on 1969-10-19)
recording of:
Crazy Man Michael (on 1969-10-19)
lyricist and composer:
Dave Swarbrick and Richard Thompson
publisher:
Embassy Music Corporation and Warlock Music Ltd.
4:35
5▼CD: Full House
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1Walk Awhile
engineer:
John Wood (from 1970-02 until 1970-03)
producer:
Joe Boyd
phonographic copyright (℗) by:
Island Records Ltd. (in 1970)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (from 1970-02 until 1970-03) and Vanguard Studios in New York, New York, United States (in 1970-04)
recording of:
Walk Awhile
writer:
Dave Swarbrick and Richard Thompson
publisher:
Warlock Music
3:58
2Doctor of Physick
engineer:
John Wood (from 1970-02 until 1970-03)
producer:
Joe Boyd
phonographic copyright (℗) by:
Island Records Ltd. (in 1970)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (from 1970-02 until 1970-03) and Vanguard Studios in New York, New York, United States (in 1970-04)
recording of:
Doctor of Physick
writer:
Dave Swarbrick and Richard Thompson
publisher:
Warlock Music
3:37
3Dirty Linen
engineer:
John Wood (from 1970-02 until 1970-03)
producer:
Joe Boyd
phonographic copyright (℗) by:
Island Records Ltd. (in 1970)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (from 1970-02 until 1970-03)
recording of:
Dirty Linen
composer:
[traditional]
arranger:
Dave Swarbrick
publisher:
Warlock Music
4:17
4Sloth
engineer:
John Wood (from 1970-02 until 1970-03)
producer:
Joe Boyd
phonographic copyright (℗) by:
Island Records Ltd. (in 1970)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (from 1970-02 until 1970-03) and Vanguard Studios in New York, New York, United States (in 1970-04)
recording of:
Sloth
writer:
Dave Swarbrick and Richard Thompson
publisher:
Warlock Music
9:19
5Sir Patrick Spens
engineer:
John Wood (from 1970-02 until 1970-03)
producer:
Joe Boyd
phonographic copyright (℗) by:
Island Records Ltd. (in 1970)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (from 1970-02 until 1970-03) and Vanguard Studios in New York, New York, United States (in 1970-04)
recording of:
Sir Patrick Spens (from 1970-02 until 1970-03)
composer:
[traditional]
part of:
Child Ballads (number: 58) and Roud Folk Song Index (number: 41)
3:30
6Flatback Caper
engineer:
John Wood (from 1970-02 until 1970-03)
producer:
Joe Boyd
phonographic copyright (℗) by:
Island Records Ltd. (in 1970)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (from 1970-02 until 1970-03)
recording of:
Flatback Caper
composer:
[traditional]
arranger:
Fairport Convention
publisher:
Warlock Music
medley of:
Miss Susan Cooper
medley of:
The Friar’s Breeches
medley of:
The Sport of the Chase
medley of:
Carolan’s Concerto
6:24
7Poor Will & the Jolly Hangman
engineer:
John Wood (from 1970-02 until 1970-03)
producer:
Joe Boyd
phonographic copyright (℗) by:
Island Records Ltd. (in 1988)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (from 1970-02 until 1970-03) and Vanguard Studios in New York, New York, United States (in 1970-04)
recording of:
Poor Will and the Jolly Hangman
writer:
Dave Swarbrick and Richard Thompson
publisher:
Warlock Music
sub-publisher:
Pubco
5:31
8Flowers of the Forest
engineer:
John Wood (from 1970-02 until 1970-03)
producer:
Joe Boyd
phonographic copyright (℗) by:
Island Records Ltd. (in 1970)
engineered at:
Sound Techniques in Chelsea, Kensington and Chelsea, London, England, United Kingdom (from 1970-02 until 1970-03) and Vanguard Studios in New York, New York, United States (in 1970-04)
recording of:
Flowers of the Forest (catch-all for traditional work found in John Skene Manuscript c. 1630)
lyricist and composer:
[traditional]
part of:
Ancient Scotish Melodies, John Skene Manuscript and Roud Folk Song Index (number: 3812)
is based on:
Flowres of the Forrest (as in John Skene Manuscript circa 1630)
4:04