| # | Title | Length |
|---|
| 1 | What Is This Thing Called Love | 3:15 |
| 2 | Begin the Beguine | 3:17 |
| 3 | I’ve Got You Under My Skin- recorded in:
- Los Angeles, California, United States (from 1952-11 until 1952-12, in 1952-12)
- bass:
- Ray Brown (in 1952-12)
- double bass [bass]:
- Ray Brown (in 1952)
- guitar:
- Barney Kessel (in 1952, in 1952-12)
- piano:
- Oscar Peterson (in 1952, in 1952-12)
- instrumental recording of:
- I’ve Got You Under My Skin (in 1952-12)
- lyricist and composer:
- Cole Porter (in 1936)
- publisher:
- Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
- part of:
- The 9th Academy Award for Best Original Song (number: 2)
- part of:
- Born to Dance
- instrumental recording of:
- I’ve Got You Under My Skin (in 1952)
- lyricist and composer:
- Cole Porter (in 1936)
- publisher:
- Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
- part of:
- The 9th Academy Award for Best Original Song (number: 2)
- part of:
- Born to Dance
- recording of:
- I’ve Got You Under My Skin
- lyricist and composer:
- Cole Porter (in 1936)
- publisher:
- Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
- part of:
- The 9th Academy Award for Best Original Song (number: 2)
- part of:
- Born to Dance
| 2:34 |
| 4 | Love for Sale | 3:17 |
| 5 | Let’s Do It (Let’s Fall in Love) | 3:00 |
| 6 | I Love You- recorded in:
- Los Angeles, California, United States (from 1952-11 until 1952-12, in 1952-12)
- bass:
- Ray Brown (in 1952-12)
- double bass [bass]:
- Ray Brown (in 1952)
- guitar:
- Barney Kessel (in 1952, in 1952-12)
- piano:
- Oscar Peterson (in 1952, in 1952-12)
- instrumental recording of:
- I Love You (in 1952-12)
- lyricist and composer:
- Cole Porter (in 1944)
- publisher:
- Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
- instrumental recording of:
- I Love You (in 1952)
- lyricist and composer:
- Cole Porter (in 1944)
- publisher:
- Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
- recording of:
- I Love You
- lyricist and composer:
- Cole Porter (in 1944)
- publisher:
- Chappell & Co., Inc., Chappell Music, EMI Feist Catalog Inc. and Warner/Chappell North America Limited
| 3:10 |
| 7 | So Near and Yet So Far | 3:25 |
| 8 | Just One of Those Things | 3:07 |
| 9 | In the Still of the Night | 3:05 |
| 10 | Night and Day- recorded in:
- Los Angeles, California, United States (in 1952-12)
- bass:
- Ray Brown (in 1952-12)
- guitar:
- Barney Kessel (in 1952-12)
- piano:
- Oscar Peterson (in 1952-12)
- instrumental recording of:
- Night and Day (in 1952-12)
- lyricist and composer:
- Cole Porter (in 1932)
- publisher:
- Chappell & Co., Inc., Chappell Music Ltd., Warner Bros., Warner Bros. Music, Warner Bros., Inc., Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
- part of:
- Gay Divorce
| 3:46 |
| 11 | Ev’ry Time We Say Goodbye | 3:31 |
| 12 | Anything Goes | 3:02 |
| 13 | John Hardy’s Wife | 3:27 |
| 14 | Sophisticated Lady | 3:04 |
| 15 | Things Ain’t What They Used to Be | 3:18 |
| 16 | Just A‐Sittin’ and A‐Rockin’ | 3:47 |
| 17 | In a Mellow Tone | 3:12 |
| 18 | I Got It Bad and That Ain’t Good | 3:17 |
| 19 | Prelude to a Kiss | 3:23 |
| 20 | Cotton Tail | 3:57 |
| 21 | Don’t Get Around Much Anymore | 4:04 |
| 22 | Take the ‘A’ Train | 3:22 |
| 23 | Rockin’ in Rhythm | 2:59 |
| 24 | Do Nothin’ Till You Hear From Me | 2:54 |
