Fritz Wunderlich: Die frühen Jahre 1956–1958

~ Release by Fritz Wunderlich (see all versions of this release, 1 available)

Annotation

Cast list für "Die Zauberflöte": Cast: Fritz Wunderlich (Tamino), Peter Roth-Erang (Sarastro), Gisela Vivarelli (Königin der Nacht), Agnes Giebel (Pamina), Horst Günter (Papageno), Erna-Maria Duske (Papagena), Chor der Staatsoper Hamburg, Orchester der Staatsoper Hamburg, cond. Arthur Rother;
Cast list für "Cavalleria rusticana": Cast: Fritz Wunderlich (Turiddu), Marlies Siemeling (Santuzza), Erika Stroka (Lucia), Gerhard Niese (Alfio), Ingeborg Wenglor (Lola), Günther-Arndt-Chor, Orchester der Deutschen Oper Berlin, cond. Richard Kraus

Tracklist

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1▼CD
#	Title	Artist	Length
1	La Bohème: „Ich male das Rote Meer und erfriere dabei“ baritone vocals: Herbert Brauer and Robert Koffmane bass vocals: Peter Roth-Ehrang choir vocals: Chor der Städtischen Oper Berlin soprano vocals: Trude Eipperle and Ruth-Margret Pütz tenor vocals: Fritz Wunderlich vocals: Leopold Clam orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus recording of: La Bohème: Akt I. „Ich male das Rote Meer und erfriere dabei” (Marcello) translated version of: La bohème: Atto I, no. 1. “Questo Mar Rosso” … “Nei cieli bigi" (Marcello, Rodolfo) part of: La Bohème: Akt I (German translation)	Giacomo Puccini	5:06
2	La Bohème: „Wer klopft?“ baritone vocals: Herbert Brauer and Robert Koffmane bass vocals: Peter Roth-Ehrang choir vocals: Chor der Städtischen Oper Berlin soprano vocals: Trude Eipperle and Ruth-Margret Pütz tenor vocals: Fritz Wunderlich vocals: Leopold Clam orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus recording of: La Bohème: Akt I. „Wer klopft?” (Benoit, Marcello, Schaunard, Rodolfo, Colline) composer: Giacomo Puccini translated version of: La bohème: Atto I, no. 3. “Si può?” – “Chi è là?” (Benoît, Marcello, Schaunard, Colline, Rodolfo) part of: La Bohème: Akt I (German translation)	Giacomo Puccini	2:07
3	La Bohème: „Wie eiskalt ist dies Händchen?“ baritone vocals: Herbert Brauer and Robert Koffmane bass vocals: Peter Roth-Ehrang choir vocals: Chor der Städtischen Oper Berlin soprano vocals: Trude Eipperle and Ruth-Margret Pütz tenor vocals: Fritz Wunderlich vocals: Leopold Clam orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus recording of: La Bohème: Akt I. „Wie eiskalt ist dies Händchen” (Rodolfo) composer: Giacomo Puccini translated version of: La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) part of: La Bohème: Akt I (German translation)	Giacomo Puccini	4:40
4	La Bohème: „Sie nennen mich Mimi“ baritone vocals: Herbert Brauer and Robert Koffmane bass vocals: Peter Roth-Ehrang choir vocals: Chor der Städtischen Oper Berlin soprano vocals: Trude Eipperle and Ruth-Margret Pütz tenor vocals: Fritz Wunderlich vocals: Leopold Clam orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus recording of: La Bohème: Akt I. „Sie nennen mich Mimi” (Mimi) composer: Giacomo Puccini translated version of: La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) part of: La Bohème: Akt I (German translation)	Giacomo Puccini	4:18
5	La Bohème: „Orangen! Datteln!“ … „Was schaust du?“ baritone vocals: Herbert Brauer and Robert Koffmane bass vocals: Peter Roth-Ehrang choir vocals: Chor der Städtischen Oper Berlin soprano vocals: Trude Eipperle and Ruth-Margret Pütz tenor vocals: Fritz Wunderlich vocals: Leopold Clam orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus recording of: La Bohème: Akt II. „Orangen! Datteln! - Was schaust du?” (Chor, Schaunard, Colline, Rodolfo, Mimi, Marcello) translated version of: La bohème: Atto II. no. 10. “Aranci, datteri! Caldi i marroni!” (Venditori [Coro], Schaunard, Colline, Rodolfo, Mimi, Marcello) part of: La bohème: Akt II (German translation)	Giacomo Puccini	4:07
6	La Bohème: „Will ich allein“ baritone vocals: Herbert Brauer and Robert Koffmane bass vocals: Peter Roth-Ehrang choir vocals: Chor der Städtischen Oper Berlin soprano vocals: Trude Eipperle and Ruth-Margret Pütz tenor vocals: Fritz Wunderlich vocals: Leopold Clam orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus recording of: La Bohème: Akt II. „Will ich allein des abends in Paris mich ergeh’n“ – „Goldene Jugend“ – „Seht die letzte Szene“ (Musette, Marcello, Alcindor, Mimi, Rodolfo, Schaunard, Collin, Chor) translated version of: La bohème: Atto II. “Gioventù mia, tu non sei morta” (Marcello, Musetta, Alcindoro, Schaunard, Colline, Rodolfo) translated version of: La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) part of: La bohème: Akt II (German translation)	Giacomo Puccini	3:39
7	La Bohème: „Marcel, da bist du endlich“ baritone vocals: Herbert Brauer and Robert Koffmane bass vocals: Peter Roth-Ehrang choir vocals: Chor der Städtischen Oper Berlin soprano vocals: Trude Eipperle and Ruth-Margret Pütz tenor vocals: Fritz Wunderlich vocals: Leopold Clam orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus recording of: La Bohème: Akt III. „Marcel, da bist du endlich” (Rodolfo, Marcello, Mimi) translated version of: La bohème: Atto III. no. 17. “Marcello, finalmente” (Rodolfo, Marcello, Mimì) part of: La bohème: Akt III (German translation)	Giacomo Puccini	4:22
8	La Bohème: „Leb wohl jetzt! Woher froh sie einst kam“ baritone vocals: Herbert Brauer and Robert Koffmane bass vocals: Peter Roth-Ehrang choir vocals: Chor der Städtischen Oper Berlin soprano vocals: Trude Eipperle and Ruth-Margret Pütz tenor vocals: Fritz Wunderlich vocals: Leopold Clam orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus recording of: La Bohème: Akt III. „Leb wohl jetzt! Woher froh sie einst kam” (Mimi) composer: Giacomo Puccini translated version of: La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì) part of: La bohème: Akt III (German translation)	Giacomo Puccini	3:13
9	La Bohème: „In einem Wagen“ baritone vocals: Herbert Brauer and Robert Koffmane bass vocals: Peter Roth-Ehrang choir vocals: Chor der Städtischen Oper Berlin soprano vocals: Trude Eipperle and Ruth-Margret Pütz tenor vocals: Fritz Wunderlich vocals: Leopold Clam orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus recording of: La Bohème: Akt IV. „In einem Wagen?” (Marcello, Rodolfo) translated version of: La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) part of: La bohème: Akt IV (German translation)	Giacomo Puccini	4:51
10	La Bohème: „Musette! Mimi kommt“ baritone vocals: Herbert Brauer and Robert Koffmane bass vocals: Peter Roth-Ehrang choir vocals: Chor der Städtischen Oper Berlin soprano vocals: Trude Eipperle and Ruth-Margret Pütz tenor vocals: Fritz Wunderlich vocals: Leopold Clam orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus partial recording of: La bohème: Akt IV (German translation) composer: Giacomo Puccini part of: La Bohème (German translation)	Giacomo Puccini	5:15
11	La Bohème: „Sind wir allein?“ baritone vocals: Herbert Brauer and Robert Koffmane bass vocals: Peter Roth-Ehrang choir vocals: Chor der Städtischen Oper Berlin soprano vocals: Trude Eipperle and Ruth-Margret Pütz tenor vocals: Fritz Wunderlich vocals: Leopold Clam orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus recording of: La Bohème: Akt IV. „Sind wir allein?” (Mimi, Rodolfo) translated version of: La bohème: Atto IV. no. 25. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo) translated version of: La bohème: Atto IV. no. 26. “O Dio! Mimì! … Che avvien?” (Rodolfo, Schaunard, Mimì, Musetta, Marcello, Colline) part of: La bohème: Akt IV (German translation)	Giacomo Puccini	6:00
12	Serse, HWV 40: „Ombra mai fù“ tenor vocals: Fritz Wunderlich recording of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) composer: George Frideric Handel (from 1737-12-26 until 1738-01-09) librettist: [anonymous] part of: Serse, HWV 40: Atto I	George Frideric Handel	3:22
13	Martha: „Ach so fromm, ach so traut“ tenor vocals: Fritz Wunderlich recording of: Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel) composer: Friedrich von Flotow librettist: Friedrich Wilhelm Riese part of: Martha: Akt III	Friedrich von Flotow	2:47
14	Der Waffenschmied: „Man wird ja nur einmal geboren“ tenor vocals: Fritz Wunderlich recording of: Der Waffenschmied: Akt I. „Man wird ja einmal nur geboren” (Georg) composer and librettist: Albert Lortzing part of: Der Waffenschmied: Akt I	Albert Lortzing	3:18
15	Undine: „Vater, Mutter, Schwestern, Brüder“ tenor vocals: Fritz Wunderlich orchestra: Berliner Symphoniker conductor: Artur Rother recording of: Undine: Akt III. Nr. 14 Lied und Ensemble „Vater, Mutter, Schwestern, Brüder“ … „Pst, Pst“ (Veit, Hans) composer: Albert Lortzing part of: Undine: Akt III part of: Undine: Akt III	Albert Lortzing	3:33
16	Der Evangelimann: „Selig sind, die Verfolgung leiden“ choir vocals: Schöneberger Sängerknaben tenor vocals: Fritz Wunderlich orchestra: Berliner Symphoniker conductor: Artur Rother recording of: Der Evangelimann: Zweiter Aufzug, I. Teil. „Selig sind, die Verfolgung leiden“ (Mathias) composer: Wilhelm Kienzl (in 1894) part of: Der Evangelimann: Zweiter Aufzug	Wilhelm Kienzl	4:06

2▼CD
#	Title	Artist	Length
1	Madame Butterfly: „Alles kommt!“ bass vocals: Peter Roth-Ehrang bass-baritone vocals: Theo Zilliken choir vocals: Chor der Städtischen Oper Berlin mezzo-soprano vocals: Esther Hilbert soprano vocals: Trude Eipperle and Helga Hildebrand tenor vocals: Martin Vantin and Fritz Wunderlich orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus	Giacomo Puccini	1:38
2	Madame Butterfly: „Im weiten Weltall“ bass vocals: Peter Roth-Ehrang bass-baritone vocals: Theo Zilliken choir vocals: Chor der Städtischen Oper Berlin mezzo-soprano vocals: Esther Hilbert soprano vocals: Trude Eipperle and Helga Hildebrand tenor vocals: Martin Vantin and Fritz Wunderlich orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus	Giacomo Puccini	4:13
3	Madame Butterfly: „Das sind sie!“ … „Bald sind wir auf der Höh’“ bass vocals: Peter Roth-Ehrang bass-baritone vocals: Theo Zilliken choir vocals: Chor der Städtischen Oper Berlin mezzo-soprano vocals: Esther Hilbert soprano vocals: Trude Eipperle and Helga Hildebrand tenor vocals: Martin Vantin and Fritz Wunderlich orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus	Giacomo Puccini	3:01
4	Madame Butterfly: „Meine Geliebte!… Cho‐Cho‐San!“ bass vocals: Peter Roth-Ehrang bass-baritone vocals: Theo Zilliken choir vocals: Chor der Städtischen Oper Berlin mezzo-soprano vocals: Esther Hilbert soprano vocals: Trude Eipperle and Helga Hildebrand tenor vocals: Martin Vantin and Fritz Wunderlich orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus	Giacomo Puccini	3:49
5	Madame Butterfly: „Mädchen, in deinen Augen liegt ein Zauber“ bass vocals: Peter Roth-Ehrang bass-baritone vocals: Theo Zilliken choir vocals: Chor der Städtischen Oper Berlin mezzo-soprano vocals: Esther Hilbert soprano vocals: Trude Eipperle and Helga Hildebrand tenor vocals: Martin Vantin and Fritz Wunderlich orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus	Giacomo Puccini	8:44
6	Madame Butterfly: „Höre! Eines Tages seh’n wir“ bass vocals: Peter Roth-Ehrang bass-baritone vocals: Theo Zilliken choir vocals: Chor der Städtischen Oper Berlin mezzo-soprano vocals: Esther Hilbert soprano vocals: Trude Eipperle and Helga Hildebrand tenor vocals: Martin Vantin and Fritz Wunderlich orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus	Giacomo Puccini	4:42
7	Madame Butterfly: „Madame Butterfly?“ bass vocals: Peter Roth-Ehrang bass-baritone vocals: Theo Zilliken choir vocals: Chor der Städtischen Oper Berlin mezzo-soprano vocals: Esther Hilbert soprano vocals: Trude Eipperle and Helga Hildebrand tenor vocals: Martin Vantin and Fritz Wunderlich orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus	Giacomo Puccini	4:21
8	Madame Butterfly: „Das ist sicher ein Kriegsschiff!“ … „Schüttle alle Zweige“ bass vocals: Peter Roth-Ehrang bass-baritone vocals: Theo Zilliken choir vocals: Chor der Städtischen Oper Berlin mezzo-soprano vocals: Esther Hilbert soprano vocals: Trude Eipperle and Helga Hildebrand tenor vocals: Martin Vantin and Fritz Wunderlich orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus	Giacomo Puccini	4:58
9	Madame Butterfly: „Wer’s sein mag?“ bass vocals: Peter Roth-Ehrang bass-baritone vocals: Theo Zilliken choir vocals: Chor der Städtischen Oper Berlin mezzo-soprano vocals: Esther Hilbert soprano vocals: Trude Eipperle and Helga Hildebrand tenor vocals: Martin Vantin and Fritz Wunderlich orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus	Giacomo Puccini	1:56
10	Madame Butterfly: „Leb wohl, mein Blütenreich“ bass vocals: Peter Roth-Ehrang bass-baritone vocals: Theo Zilliken choir vocals: Chor der Städtischen Oper Berlin mezzo-soprano vocals: Esther Hilbert soprano vocals: Trude Eipperle and Helga Hildebrand tenor vocals: Martin Vantin and Fritz Wunderlich orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus	Giacomo Puccini	1:53
11	Madame Butterfly: „Willst du’s ihr sagen?“ bass vocals: Peter Roth-Ehrang bass-baritone vocals: Theo Zilliken choir vocals: Chor der Städtischen Oper Berlin mezzo-soprano vocals: Esther Hilbert soprano vocals: Trude Eipperle and Helga Hildebrand tenor vocals: Martin Vantin and Fritz Wunderlich orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus	Giacomo Puccini	2:56
12	Madame Butterfly: „Du! Du kleiner Herrgott“ bass vocals: Peter Roth-Ehrang bass-baritone vocals: Theo Zilliken choir vocals: Chor der Städtischen Oper Berlin mezzo-soprano vocals: Esther Hilbert soprano vocals: Trude Eipperle and Helga Hildebrand tenor vocals: Martin Vantin and Fritz Wunderlich orchestra: Orchester der Städtischen Oper Berlin conductor: Richard Kraus	Giacomo Puccini	3:07
13	Tosca: „Wie sich die Bilder gleichen“ tenor vocals: Fritz Wunderlich recording of: Tosca: 1. Akt. „Gib mir die Farben” - „Wie sich die Bilder gleichen“ (Cavaradossi, Sakristan) composer: Giacomo Puccini translator: Max Kalbeck translated version of: Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) part of: Tosca: 1. Akt	Giacomo Puccini	2:32
14	Tosca: „Und es blitzen die Sterne“ tenor vocals: Fritz Wunderlich recording of: Tosca: 3. Akt. „Und es blitzen die Sterne” (Cavaradossi) (“E lucevan le stelle”) composer: Giacomo Puccini translator: Max Kalbeck translated version of: Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) part of: Tosca: 3. Akt	Giacomo Puccini	2:32
15	Turandot: „Weine nicht, Liu“ tenor vocals: Fritz Wunderlich	Giacomo Puccini	2:22
16	Turandot: „Keiner schlafe“ tenor vocals: Fritz Wunderlich	Giacomo Puccini	2:56
17	Rigoletto: „Freundlich blick’ ich“ tenor vocals: Fritz Wunderlich recording of: Rigoletto: 1. Akt. Ballade „Freundlich blick ich auf diese und jene“ (Herzog) composer: Giuseppe Verdi translated version of: Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) part of: Rigoletto: 1. Akt	Giuseppe Verdi	1:47
18	Rigoletto: „O wie so trügerisch“ tenor vocals: Fritz Wunderlich recording of: Rigoletto: 3. Akt. Kanzone „O wie so trügerisch“ (Herzog) composer: Giuseppe Verdi translated version of: Rigoletto: Atto III. “La donna è mobile” (Duca) part of: Rigoletto: 3. Akt	Giuseppe Verdi	2:03
19	Der Liebestrank (L’elisir d’amore): „Wohl drang aus ihrem Herzen“ tenor vocals: Fritz Wunderlich orchestra: Berliner Symphoniker conductor: Richard Kraus	Gaetano Donizetti	3:45

3▼CD
#	Title	Artist	Length
1	Cavalleria Rusticana: Vorspiel und Siziliana tenor vocals [Turridu]: Fritz Wunderlich (in 1956) orchestra: Orchester der Städtischen Oper Berlin (in 1956) conductor: Richard Kraus (in 1956) recorded at: Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956) recording of: Cavalleria Rusticana: Vorspiel und Siziliana „O Lola” (in 1956) composer: Pietro Mascagni translated version of: Cavalleria rusticana: “O Lola ch'hai di latti la cammisa” (Turiddu) (“Siciliana”) version of: Cavalleria rusticana: Preludio part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	7:22
2	Cavalleria Rusticana: „Duftig erglänzen Orangen“ … „O süße Lenzeslust“ choir vocals: Günther Arndt-Chor (in 1956) orchestra: Orchester der Städtischen Oper Berlin (in 1956) conductor: Richard Kraus (in 1956) recorded at: Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956) recording of: Cavalleria Rusticana: Nr. 1. Eingangschor „Duftig erglänzen Orangen” - „O süße Lenzeslust” (in 1956) composer: Pietro Mascagni translated version of: Cavalleria rusticana: N°4. Coro d'introduzione “Gli aranci olezzano” (Peasant's Chorus) part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	2:11
3	Cavalleria Rusticana: „Saget, Mutter Lucia“ contralto vocals [Lucia]: Erika Stroka (in 1956) soprano vocals [Santuzza]: Marlies Siemeling (in 1956) orchestra: Orchester der Städtischen Oper Berlin (in 1956) conductor: Richard Kraus (in 1956) recorded at: Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956) recording of: Cavalleria Rusticana: Nr. 2. Szene „Saget, Mutter Lucia” (in 1956) composer: Pietro Mascagni translated version of: Cavalleria rusticana: “Dite, mamma Lucia …” (Santuzza, Lucia) part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	1:58
4	Cavalleria Rusticana: „Rossestampfen, Peitschenknall“ baritone vocals [Alfio]: Gerhard Niese (in 1956) choir vocals: Günther Arndt-Chor (in 1956) orchestra: Orchester der Städtischen Oper Berlin (in 1956) conductor: Richard Kraus (in 1956) recorded at: Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956) recording of: Cavalleria Rusticana: Nr. 3. Lied des Alfio „Rossestampfen, Peitschenknall” (Alfio, Chor) (in 1956) composer: Pietro Mascagni translated version of: Cavalleria rusticana: “Il cavallo scalpita” (Alfio, Coro) part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	1:11
5	Cavalleria Rusticana: „Lasst uns preisen“ choir vocals: Günther Arndt-Chor (in 1956) contralto vocals [Lucia]: Erika Stroka (in 1956) soprano vocals [Santuzza]: Marlies Siemeling (in 1956) orchestra: Orchester der Städtischen Oper Berlin (in 1956) conductor: Richard Kraus (in 1956) recorded at: Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956) recording of: Cavalleria Rusticana: Nr. 4a. Gebet „Lasst uns preisen” (in 1956) composer: Pietro Mascagni translated version of: Cavalleria rusticana: “Inneggiamo …” (Santuzza, Lucia, coro esterno) (preghiera) part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	2:25
6	Cavalleria Rusticana: „Als euer Sohn einst fortzog“ contralto vocals [Lucia]: Erika Stroka (in 1956) soprano vocals [Santuzza]: Marlies Siemeling (in 1956) orchestra: Orchester der Städtischen Oper Berlin (in 1956) conductor: Richard Kraus (in 1956) recorded at: Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956) recording of: Cavalleria Rusticana: Nr. 5. Romanze und Szene „Als euer Sohn einst fortzog” (Santuzza, Lucia) (in 1956) composer: Pietro Mascagni translated version of: Cavalleria rusticana: “Voi lo sapete, o mamma” (Santuzza, Lucia) part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	3:27
7	Cavalleria Rusticana: „Du hier, Santuzza?“ … „O süße Lilie“ soprano vocals [Lola]: Ingeborg Wenglor (in 1956) soprano vocals [Santuzza]: Marlies Siemeling (in 1956) tenor vocals [Turridu]: Fritz Wunderlich (in 1956) orchestra: Orchester der Städtischen Oper Berlin (in 1956) conductor: Richard Kraus (in 1956) recorded at: Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956) recording of: Cavalleria Rusticana: Nr. 6. Duett „Du hier, Santuzza?” (in 1956) composer: Pietro Mascagni translated version of: Cavalleria rusticana: “Tu qui, Santuzza?” (Turiddu, Santuzza) part of: Cavalleria rusticana (German lyrics) recording of: Cavalleria Rusticana: Nr. 7. Lied der Lola „O süße Lilie” (in 1956) composer: Pietro Mascagni translated version of: Cavalleria rusticana: “Fior di giaggiolo” (Lola, Turiddu, Santuzza) part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	7:56
8	Cavalleria Rusticana: „Sagt, wie weit ist die Messe?“ baritone vocals [Alfio]: Gerhard Niese (in 1956) soprano vocals [Santuzza]: Marlies Siemeling (in 1956) orchestra: Orchester der Städtischen Oper Berlin (in 1956) conductor: Richard Kraus (in 1956) recorded at: Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956) recording of: Cavalleria Rusticana: „Sagt, wie weit ist die Messe?” (in 1956) composer: Pietro Mascagni translated version of: Cavalleria Rusticana: "Oh! il Signore vi manda" (Santuzza, Alfio) part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	2:21
9	Cavalleria Rusticana: Intermezzo sinfonico orchestra: Orchester der Städtischen Oper Berlin (in 1956) conductor: Richard Kraus (in 1956) recorded at: Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956) recording of: Cavalleria rusticana: Intermezzo (in 1956) composer: Pietro Mascagni (in 1888) publisher: Ascherberg Hopwood & Crew part of: Cavalleria rusticana part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	3:15
10	Cavalleria Rusticana: „Ihr Freunde kommt und trinkt“ choir vocals: Günther Arndt-Chor (in 1956) soprano vocals [Lola]: Ingeborg Wenglor (in 1956) tenor vocals [Turridu]: Fritz Wunderlich (in 1956) orchestra: Orchester der Städtischen Oper Berlin (in 1956) conductor: Richard Kraus (in 1956) recorded at: Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956) recording of: Cavalleria Rusticana: Ihr Freunde kommt und trinkt (in 1956) composer: Pietro Mascagni translated version of: Cavalleria rusticana: Brindisi “Intanto amici, qua … Viva il vino spumeggiante” (Turridu, Lola, coro) part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	1:32
11	Cavalleria Rusticana: „Seid mir alle gegrüßt“ … „Mutter, der Rote war allzu feurig“ baritone vocals [Alfio]: Gerhard Niese (in 1956) choir vocals: Günther Arndt-Chor (in 1956) contralto vocals [Lucia]: Erika Stroka (in 1956) soprano vocals [Lola]: Ingeborg Wenglor (in 1956) tenor vocals [Turridu]: Fritz Wunderlich (in 1956) orchestra: Orchester der Städtischen Oper Berlin (in 1956) conductor: Richard Kraus (in 1956) recorded at: Festsaal Hotel Esplanade, Berlin in Berlin, Germany (in 1956) recording of: Cavalleria rusticana: „Mutter, der Rote war allzu feurig” (Turiddu, Lucia) (in 1956) composer: Pietro Mascagni translated version of: Cavalleria Rusticana: "A voi tutti salute!" (Alfio, Coro, Lola) translated version of: Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre) part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	4:31
12	Es muss ein Wunderbares sein tenor vocals: Fritz Wunderlich recording of: Es muss ein Wunderbares sein, S. 314 lyricist: Oskar von Redwitz composer: Franz Liszt part of: The Music of Liszt (number: S. 314)	Franz Liszt	1:55
13	Nur wer die Sehnsucht kennt tenor vocals: Fritz Wunderlich recording of: Nur wer die Sehnsucht kennt lyricist: Johann Wolfgang von Goethe composer: Pjotr Iljitsch Tschaikowski version of: 6 Romances, op. 6, no. 6: None but the Lonely Heart (Нет, только тот, кто знал) (6 Romances, Op. 6: No. 6. None but the Lonely Heart, original for voice and piano)	Peter Tschaikowsky	3:11
14	Caro mio ben tenor vocals: Fritz Wunderlich recording of: Caro mio ben lyricist: [anonymous] previously attributed to: Giuseppe Giordani and Tommaso Giordani publisher: G. Schirmer Inc.	Tommaso Giordani	3:10
15	Unter dem Sternenzelt tenor vocals: Fritz Wunderlich recording of: Unter dem Sternenzelt writer: Peter Francke composer: Marc Roland publisher: Ufaton	Marc Roland	3:00
16	Vergiss mein nicht tenor vocals: Fritz Wunderlich recording of: Vergiß mein nicht lyricist: Domenico Furnò and Ernst Marischka composer: Ernesto De Curtis translator: Ernst Marischka translated version of: Vergiß mein nicht (original italian)	Ernesto De Curtis	3:33
17	Alle Tage ist kein Sonntag tenor vocals: Fritz Wunderlich orchestra: Berliner Symphoniker conductor: Gerhard Becker recording of: Alle Tage ist kein Sonntag lyricist: Carl Ferdinands composer: Carl Clewing	Carl Clewing	2:26
18	Das ist der Liebe Freud und Leid tenor vocals: Fritz Wunderlich	Gerhard Winkler	2:59
19	Sonne Italiens tenor vocals: Fritz Wunderlich	Gerhard Winkler	2:32
20	O sole mio tenor vocals: Fritz Wunderlich	Eduardo Di Capua	2:26
21	Granada tenor vocals: Fritz Wunderlich orchestra: Berliner Symphoniker	Agustín Lara	3:13
22	Maske in Blau: „Schau einer schönen Frau nie zu tief in die Augen“ soprano vocals: Ursula Schirrmacher tenor vocals: Fritz Wunderlich orchestra: FFB‐Orchester conductor: Gerhard Becker recording of: Maske in Blau: „Schau einer schönen Frau nie zu tief in die Augen” lyricist: Günther Schwenn composer: Fred Raymond publisher: Albert Bennefeld e.K. part of: Maske in Blau	Fred Raymond	2:21
23	Maske in Blau: „Maske in Blau“ soprano vocals: Ursula Schirrmacher tenor vocals: Fritz Wunderlich orchestra: FFB‐Orchester conductor: Gerhard Becker recording of: Maske in Blau: „Maske in Blau” lyricist: Günther Schwenn composer: Fred Raymond publisher: Albert Bennefeld e.K. part of: Maske in Blau	Fred Raymond	1:41
24	Maske in Blau: „In dir hab ich mein Glück gefunden“ soprano vocals: Ursula Schirrmacher tenor vocals: Fritz Wunderlich orchestra: FFB‐Orchester conductor: Gerhard Becker recording of: Maske in Blau: „In dir hab ich mein Glück gefunden” lyricist: Günther Schwenn composer: Fred Raymond publisher: Albert Bennefeld e.K. part of: Maske in Blau	Fred Raymond	1:33

4▼CD
#	Title	Artist	Length
1	Die Fledermaus: Ouvertüre baritone vocals: Bruno Samland soprano vocals: Henriette Robert tenor vocals: Fritz Wunderlich vocals: Lore Paul orchestra: Chor und Orchester des SDR conductor: Hans Müller-Kray recording of: Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) composer: Johann Strauss part of: Die Fledermaus part of: Die Fledermaus (English version, lyrics by Mandel/Sachs) part of: Die Fledermaus (English version, lyrics by Dietz) part of: Die Fledermaus (english; unknown version)	Johann Strauss	7:53
2	Die Fledermaus: „So muss allein ich bleiben“ baritone vocals: Bruno Samland soprano vocals: Henriette Robert tenor vocals: Fritz Wunderlich vocals: Lore Paul orchestra: Chor und Orchester des SDR conductor: Hans Müller-Kray recording of: Die Fledermaus: Akt I. Nr. 4 Terzett „So muß ich allein bleiben“ … „Oh je, oh je, wie rührt mich dies” (Rosalinde, Eisenstein, Adele) composer: Johann Strauss part of: Die Fledermaus: Akt I	Johann Strauss	3:26
3	Die Fledermaus: „Trinke, Liebchen, trinke schnell“ baritone vocals: Bruno Samland soprano vocals: Henriette Robert tenor vocals: Fritz Wunderlich vocals: Lore Paul orchestra: Chor und Orchester des SDR conductor: Hans Müller-Kray recording of: Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ … „Glücklich ist, wer vergisst” (Alfred, Rosalinde, Frank) composer: Johann Strauss part of: Die Fledermaus: Akt I	Johann Strauss	3:02
4	Die Fledermaus: „Mein Herr, was dächten Sie von mir“ baritone vocals: Bruno Samland soprano vocals: Henriette Robert tenor vocals: Fritz Wunderlich vocals: Lore Paul orchestra: Chor und Orchester des SDR conductor: Hans Müller-Kray recording of: Die Fledermaus: Akt I. Nr. 5b Couplets „Mein Herr, was dächten Sie von mir“ (Rosalinde, Alfred, Frank) composer: Johann Strauss part of: Die Fledermaus: Akt I	Johann Strauss	2:26
5	Die Fledermaus: „Mein Herr Marquis“ baritone vocals: Bruno Samland soprano vocals: Henriette Robert tenor vocals: Fritz Wunderlich vocals: Lore Paul orchestra: Chor und Orchester des SDR conductor: Hans Müller-Kray recording of: Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song) composer: Johann Strauss part of: Die Fledermaus: Akt II	Johann Strauss	2:56
6	Die Fledermaus: „Im Feuerstrom der Reben“ … „Brüderlein und Schwesterlein“ baritone vocals: Bruno Samland soprano vocals: Henriette Robert tenor vocals: Fritz Wunderlich vocals: Lore Paul orchestra: Chor und Orchester des SDR conductor: Hans Müller-Kray recording of: Die Fledermaus: Akt II. Nr. 11a Finale „Im Feuerstrom der Reben“ (Orlofsky, Eisenstein, Rosalinde, Frank, Falke, Adele, Ida, Chor) composer: Johann Strauss part of: Die Fledermaus: Akt II	Johann Strauss	4:14
7	Die Fledermaus: „Champagner hat’s verschuldet“ baritone vocals: Bruno Samland soprano vocals: Henriette Robert tenor vocals: Fritz Wunderlich vocals: Lore Paul orchestra: Chor und Orchester des SDR conductor: Hans Müller-Kray partial recording of: Die Fledermaus: Akt III. Nr. 16 Finale „O Fledermaus, o Fledermaus!“ … „Champagner hat’s verschuldet” (Eisenstein, Falke, Orlofsky, Adele, Alfred, Rosalinde, Frank, Ida, Blind, Chor) composer: Johann Strauss part of: Die Fledermaus: Akt III	Johann Strauss	0:55
8	Eine Nacht in Venedig: „Treu sein, das liegt mir nicht“ tenor vocals: Fritz Wunderlich orchestra: Berliner Symphoniker conductor: Alois Melichar	Johann Strauss	2:19
9	Eine Nacht in Venedig: „Komm in die Gondel“ tenor vocals: Fritz Wunderlich orchestra: Berliner Symphoniker conductor: Alois Melichar recording of: Eine Nacht in Venedig: Akt I. Gondellied "Komm' in die Gondel, mein Liebchen" (Herzog, Delacqua, Annina) composer: Johann Strauss part of: Eine Nacht in Venedig: Akt I	Johann Strauss	4:34
10	Eine Nacht in Venedig: „Ach, wie so herrlich zu schaun“ tenor vocals: Fritz Wunderlich orchestra: Münchner Rundfunkorchester conductor: Werner Schmidt-Boelcke recording of: Eine Nacht in Venedig: Akt III. "Ach, wie so herrlich zu schau'n" (Caramello) composer: Johann Strauss part of: Eine Nacht in Venedig: Akt III	Johann Strauss	2:59
11	Der Zigeunerbaron: „Als flotter Geist“ choir vocals: Rudolf Lamy-Chor soprano vocals: Friederike Sailer tenor vocals: Fritz Wunderlich orchestra: Münchner Rundfunkorchester conductor: Werner Schmidt-Boelcke recording of: Der Zigeunerbaron: Akt I, Nr. 2. „Als flotter Geist“ composer: Johann Strauss part of: Der Zigeunerbaron: Akt I	Johann Strauss	2:43
12	Der Zigeunerbaron: „Wer uns getraut“ soprano vocals: Friederike Sailer tenor vocals: Fritz Wunderlich orchestra: Münchner Rundfunkorchester conductor: Werner Schmidt-Boelcke recording of: Der Zigeunerbaron: Akt II, Nr. 6. „Wer uns getraut?“ (Saffi, Barinkay, Carnero, Chor) composer: Johann Strauss part of: Der Zigeunerbaron: Akt II	Johann Strauss	3:51
13	Der Bettelstudent: „Ich knüpfte manche zarte Bande“ tenor vocals: Fritz Wunderlich orchestra: Berliner Symphoniker conductor: Alois Melichar	Carl Millöcker	3:10
14	Der Bettelstudent: „Ich hab’ kein Geld, bin vogelfrei“ soprano vocals: Friederike Sailer tenor vocals: Fritz Wunderlich orchestra: Münchner Rundfunkorchester conductor: Werner Schmidt-Boelcke	Carl Millöcker	1:43
15	Der Bettelstudent: „Soll ich reden?“ … „Ich setz’ den Fall“ soprano vocals: Friederike Sailer tenor vocals: Fritz Wunderlich orchestra: Münchner Rundfunkorchester conductor: Werner Schmidt-Boelcke recording of: Der Bettelstudent: Akt II. Duett Symon, Laura: „Soll ich reden, darf ich schweigen?“ … „Ich setz' den Fall“ composer: Carl Millöcker part of: Der Bettelstudent	Carl Millöcker	5:49
16	Der Vogelhändler: „Grüß euch Gott, alle miteinander“ choir vocals: Rudolf Lamy Chor tenor vocals: Fritz Wunderlich orchestra: Münchner Rundfunkorchester conductor: Werner Schmidt-Boelcke recording of: Der Vogelhändler: Akt I. „Grüss euch Gott” (Adam, Chor) composer: Carl Zeller part of: Der Vogelhändler: Akt I	Carl Zeller	4:20
17	Der Vogelhändler: „Wie mei’ Ahnerl zwanzig Jahr“ choir vocals: Rudolf Lamy Chor tenor vocals: Fritz Wunderlich orchestra: Münchner Rundfunkorchester conductor: Werner Schmidt-Boelcke recording of: Der Vogelhändler: Akt II. „Wie mein Ahn’l zwanzig Jahr” (Adam) composer: Carl Zeller part of: Der Vogelhändler: Akt II	Carl Zeller	4:12
18	Die Zirkusprinzessin: „Zwei Märchenaugen“ tenor vocals: Fritz Wunderlich orchestra: Berliner Symphoniker conductor: Alois Melichar recording of: Die Zirkusprinzessin: Akt I. „Zwei Märchenaugen” composer: Emmerich Kálmán part of: Die Zirkusprinzessin: Akt I	Emmerich Kálmán	3:15
19	Der Vetter aus Dingsda: „Ich bin nur ein armer Wandergesell“ tenor vocals: Fritz Wunderlich vocals: Fritz Wunderlich orchestra: Berliner Symphoniker conductor: Gerhard Becker recording of: Der Vetter aus Dingsda: „Ich bin nur ein armer Wandergesell” composer: Eduard Künneke part of: Der Vetter aus Dingsda	Eduard Künneke	3:26
20	Der Zarewitsch: „Es steht ein Soldat am Wolgastrand“ (Wolgalied) tenor vocals: Fritz Wunderlich orchestra: Berliner Symphoniker conductor: Alois Melichar recording of: Der Zarewitsch: Akt I. Nr. 5 Wolgalied „Allein, wieder allein“ – „Es steht ein Soldat am Wolgastrand“ (Zarewitsch) composer: Franz Lehár part of: Der Zarewitsch: Akt I recording of: Der Zarewitsch: Akt I. Nr. 6 Finale I „Ein Weib! Du ein Weib!“ – „Champagner ist ein Feuerwein“ – „Es steht ein Soldat am Wolgastrand“ (Zarewitsch, Sonja) composer: Franz Lehár part of: Der Zarewitsch: Akt I	Franz Lehár	4:56
21	Friederike: „O Mädchen, mein Mädchen“ tenor vocals: Fritz Wunderlich recording of: Friederike: Akt II. “O Mädchen, mein Mädchen” lyricist and librettist: Ludwig Herzer and Fritz Löhner-Beda composer: Franz Lehár part of: Friederike: Akt II	Franz Lehár	3:02
22	Schön ist die Welt: „Schön ist die Welt“ tenor vocals: Fritz Wunderlich recording of: Schön ist die Welt: Akt I. Nr. 5 „Bruder Leichtsinn, so werd ich genannt” - „Schön ist die Welt” (Georg) composer: Franz Lehár part of: Schön ist die Welt part of: Schön ist die Welt	Franz Lehár	1:19
23	Giuditta: „Freunde, das Leben ist lebenswert“ tenor vocals: Fritz Wunderlich orchestra: Berliner Symphoniker conductor: Alois Melichar recording of: Giuditta: Akt I. Nr. 4 Auftrittslied „Freunde, das Leben ist lebenswert!” (Octavio, Chor, Antonio) composer: Franz Lehár part of: Giuditta: Akt I	Franz Lehár	2:40

5▶CD

Fritz Wunderlich: Die frühen Jahre 1956–1958

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