The Spanish Guitar

~ Release by José Miguel Moreno (see all versions of this release, 1 available)

Tracklist

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1▼CD: Canto del Cavallero
#TitleArtistLength
1Libro de Cifra Nueva: Cinco diferencias sobre vacas
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Luis Venegas de Henestrosa4:06
2Libro de Cifra Nueva: Pues no me queréis hablar
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Luis Venegas de Henestrosa2:31
3Libro de Cifra Nueva: Cinco diferenceias sobre "Conde Claros"
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Luis Venegas de Henestrosa2:14
4Libro de Cifra Nueva: Pavana con su glosa
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Luis Venegas de Henestrosa4:25
5Orphénica lyra: Glosa sobre tan que vivray
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Miguel de Fuenllana5:04
6Orphénica lyra: Una fantasía de redobles
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Miguel de Fuenllana1:24
7Orphénica lyra: Con que la lavaré
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Miguel de Fuenllana3:56
8Orphénica lyra: De Antequera sale el moro
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Miguel de Fuenllana2:22
9Orphénica lyra: Morenica dame un beso
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Miguel de Fuenllana3:03
10Libro de música de vihuela: Dezilde al cavallero que
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Diego Pisador1:25
11Libro de música de vihuela: Madona mala vostra
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Diego Pisador1:38
12Libro de música de vihuela: La cortesía
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Diego Pisador1:41
13Libro de música de vihuela: Pavana muy llana para tañer
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Diego Pisador2:35
14Obras de Música para tecla: Diferencias sobre el canto de la Dama de Demanda
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Antonio de Cabezón4:10
15Obras de Música para tecla: Diferencias sobre en Canto del Cavallero
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
recording of:
Diferencias sobre El Canto del Caballero (in 1992-05)
composer:
Antonio de Cabezón
Antonio de Cabezón3:41
16Silva de Sirenas: Soneto XXII "Lo que queda es lo seguro"
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Enríquez de Valderrábano0:50
17Silva de Sirenas: Soneto XXVII
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Enríquez de Valderrábano2:26
18Silva de Sirenas: Soneto VIII
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Enríquez de Valderrábano1:58
19Silva de Sirenas: Canción VII "A mi sufle"
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
Enríquez de Valderrábano2:43
20El Maestro: Fantasía VIII
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
recording of:
El Maestro: Fantasia VIII (in 1992-05)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán2:28
21El Maestro: Fantasía XII
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
recording of:
El Maestro: Fantasia XII (in 1992-05)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán2:34
22El Maestro: Fantasía I
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
recording of:
El Maestro: Fantasia I (in 1992-05)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán1:55
23El Maestro: Quie amores ten
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
instrumental recording of:
El Maestro: Quien amores ten a fin (in 1992-05)
lyricist:
[anonymous]
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán2:26
24El Maestro: Falai miña amor
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
instrumental recording of:
El Maestro: Falai, miña amor, falaime (in 1992-05)
lyricist:
[anonymous]
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán1:08
25El Maestro: Fantasía XI
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
recording of:
El Maestro: Fantasia XI (in 1992-05)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán3:18
26El Maestro: Pavana IV
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
recording of:
El Maestro: Pavana IV (in 1992-05)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán2:05
27El Maestro: Pavana V
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
recording of:
El Maestro: Pavana V (in 1992-05)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán2:19
28Manuscrito de Simancas: Diferencias sobre Vacas
engineer and producer:
José Miguel Moreno (in 1992-05)
vihuela:
José Miguel Moreno (in 1992-05)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (in 1992-05)
[anonymous]2:23
2▼CD: Canción del Emperador
#TitleArtistLength
1Fantasía 22 de passos largos
Esteban Daça3:04
2Recercada terçera sobre la Bergamasca
Diego Ortiz5:51
3Recercada segunda sobre el passamezzo moderno
Diego Ortiz2:56
4Diferencias de bacas
Luys Maymón4:22
5Fantasía 21 de passos largos
Esteban Daça4:01
6Diferencias de Conde Claros
Alonso Mudarra4:29
7Al alva venid
[anonymous]2:00
8Diferencias de Conde Claros
Luis de Narváez3:47
9Con que la lavaré
Luis de Narváez3:18
10Vos me matastes
Miguel de Fuenllana1:36
11Si la noche haze escura
Diego Pisador3:06
12Glosa sobre. Tany que vivray
Miguel de Fuenllana2:30
13Recercada quinta sobre el passamezzo antiguo
Diego Ortiz2:58
14Recercada settima sobre la Romanesca
Diego Ortiz2:57
15Diferencias de bacas
Francisco Páez6:03
16Mille regretz. Canción del Emperador I
Luis de Narváez2:46
17Mille regretz. Canción del Emperador II
Luis de Narváez3:59
3▼CD: Luys Milán: Fantasia: Renaissance Guitar & Vihuela
#TitleArtistLength
1Pavana VI
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Pavana VI (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán1:49
2Pavana V
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Pavana V (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán1:57
3Fantasia I
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Fantasia I (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán3:16
4Pavana I
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Pavana I (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán3:10
5Fantasia X
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Fantasia X "de consonancias y redobles" (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán2:19
6Fantasia III
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Fantasia III (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán4:16
7Fantasia XXII
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Fantasia XXII (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán2:59
8Pavana IV
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Pavana IV (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán2:02
9Tento
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Tento IV (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán6:18
10Fantasia IV
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Fantasia IV (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán2:32
11Pavana III
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Pavana III (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán3:03
12Fantasia XVIII
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Fantasia XVIII (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán3:15
13Fantasia XXXV
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Fantasia XXXV (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán3:31
14Madonna per voi ardo
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
instrumental recording of:
El Maestro: Madonna per voi ardo (in 2003-06)
lyricist:
[anonymous]
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán4:18
15Falai miña amor
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
instrumental recording of:
El Maestro: Falai, miña amor, falaime (in 2003-06)
lyricist:
[anonymous]
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán1:13
16Fantasia XII
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Fantasia XII (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán4:36
17Fantasia VIII
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Fantasia VIII (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán4:27
18Pavana II
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Pavana II (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán3:01
19Fantasia XI
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
recording of:
El Maestro: Fantasia XI (in 2003-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán3:03
20Sospiraste Baldovinos
guitar:
Eligio Quinteiro (in 2003-06)
vihuela:
José Miguel Moreno (in 2003-06)
instrumental recording of:
El Maestro: Sospirastes, baldovinos (in 2003-06)
lyricist:
[anonymous]
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán2:48
4▼CD: La Guitarra Española (1536 - 1836)
#TitleArtistLength
1Cuatro diferencias de Guárdame las vacas
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
vihuela:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
partial recording of:
Los seys libros del Delphín de música, Libro sesto: Guárdame las vacas (7 diferencias) (from 1994-03 until 1996-06)
composer:
Luis de Narváez
is based on:
Guardame las vacas
Luis de Narváez3:52
2Passeávase el rey moro
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
vihuela:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Los seys libros del Delphín de música, Libro quinto: Paseavase el rey Moro (from 1994-03 until 1996-06)
composer:
Luis de Narváez (in 1538)
Luis de Narváez3:35
3Tres diferencias de Guárdame las vacas
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
vihuela:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
partial recording of:
Los seys libros del Delphín de música, Libro sesto: Guárdame las vacas (7 diferencias) (from 1994-03 until 1996-06)
composer:
Luis de Narváez
is based on:
Guardame las vacas
Luis de Narváez4:08
4Canción del Emperador
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
vihuela:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Los seys libros del Delphín de música, Libro tercero: Mille regres. La canción del Emperador del quarto tono de Jusquin (from 1994-03 until 1996-06)
composer:
Josquin des Prez
arranger:
Luis de Narváez (in 1538)
arrangement of:
Mille regretz (à 4)
Luis de Narváez3:40
5Fantasía
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
vihuela:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Fantasía (from 1994-03 until 1996-06)
composer:
López
López1:57
6Pavana II
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
vihuela:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
El Maestro: Pavana II (from 1994-03 until 1996-06)
composer:
Luis de Milán (in 1536)
part of:
El Maestro
Luis de Milán3:22
7Pavana de Alexandre
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
vihuela:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Pavan and galliard d'Alexandra (for vihuela) (from 1994-03 until 1996-06)
composer:
Alonso Mudarra (in 1546)
Alonso Mudarra2:06
8Fantasía X que contrahaze la harpa en la manera de Ludovico
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
vihuela:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Fantasía que contrahaza la harpa en la manera de Ludovico (from 1994-03 until 1996-06)
composer:
Alonso Mudarra
Alonso Mudarra2:09
9Giga
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
baroque guitar:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Giga (from 1994-03 until 1996-06)
composer:
Santiago de Murcia
Santiago de Murcia2:46
10Cumbés
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
baroque guitar:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Cumbees (from 1994-03 until 1996-06)
composer:
Santiago de Murcia
Santiago de Murcia4:23
11Marionas
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
baroque guitar:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Marionas (from 1994-03 until 1996-06)
composer:
Francisco Guerau
Francisco Guerau4:31
12Canarios
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
baroque guitar:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Canarios (from 1994-03 until 1996-06)
composer:
Francisco Guerau
Francisco Guerau4:58
13Pavana al ayre español
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
baroque guitar:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Pavana al ayre español (from 1994-03 until 1996-06)
composer:
Gaspar Sanz
Gaspar Sanz2:35
14Folías
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
baroque guitar:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Folias (from 1994-03 until 1996-06)
composer:
Gaspar Sanz
Gaspar Sanz3:48
15Lantururú
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
baroque guitar and classical guitar:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Lantururu (from 1994-03 until 1996-06)
composer:
Gaspar Sanz
Gaspar Sanz1:39
16Canarios
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
baroque guitar:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Canarios (from 1994-03 until 1996-06)
composer:
Gaspar Sanz
part of:
Instrucción de música sobre la guitarra española, volumen 1
Gaspar Sanz3:54
17Andante maestoso
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
classical guitar [guitarra clásico-romantica]:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Andante maestoso for guitar (from 1994-03 until 1996-06)
composer:
Fernando Sor
Fernando Sor2:16
18Andante expressivo
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
classical guitar [guitarra clásico-romantica]:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Andante expressivo for guitar (from 1994-03 until 1996-06)
composer:
Fernando Sor
Fernando Sor5:09
19Variations on a theme of The Magic Flute
recording engineer and producer:
José Miguel Moreno (from 1994-03 until 1996-06)
editor:
Carlos Céster (from 1994-03 until 1996-06)
classical guitar [guitarra clásico-romantica]:
José Miguel Moreno (from 1994-03 until 1996-06)
recorded at:
Villa Consuelo in San Lorenzo de El Escorial, Comunidad de Madrid, Spain (from 1994-03 until 1996-06)
recording of:
Introduction and Variations on a Theme by Mozart, op. 9 (from 1994-03 until 1996-06)
composer:
Fernando Sor
publisher:
B. Schott's Söhne
part of:
Works of Fernando Sor by opus number (number: op. 9)
is based on:
Die Zauberflöte: Akt I. „Das klinget so herrlich” (Monostatos, Sklaven)
Fernando Sor11:43
5▶CD: La Guitarra Española Vol. II (1818-1918)
6▶CD: Claros y frescos ríos: Songs and instrumental pieces from the Spanish Renaissance
7▶CD: Al Alva Venid
8▶CD: Fuenllana: Orphénica Lyra (1554)
9▶CD: Música en el Quijote y otras obras de Miguel de Cervantes
10▶CD: Instrucción de música sobre la guitarra española
11▶CD: Música en Tiempos de Velázquez
12▶CD: Las mujeres y cuerdas