Het geluid van wolken: De muziekkeuze van Paul Witteman

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

The CD supplied with the equally named book.

Tracklist

1▼CD
#TitleArtistLength
1Hohe Messe - Domine Deus
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul
editor:
Klaus Behrens and Gregor Zielinsky
flute:
Lisa Beznosiuk (in 1985-02)
soprano vocals:
Nancy Argenta (in 1985-02)
tenor vocals:
Howard Milner (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler
phonographic copyright (℗) by:
Polydor (in 1985)
recorded at:
All Saints Church in London, England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:18
2Hohe Messe - Qui Tollis Peccata Mundi
recording engineer:
Klaus Behrens
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul
editor:
Klaus Behrens and Gregor Zielinsky
choir vocals:
Monteverdi Choir (in 1985-02)
orchestra:
English Baroque Soloists (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler
phonographic copyright (℗) by:
Polydor (in 1985)
recorded at:
All Saints Church in London, England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (in 1985-02)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:23
3Jephta - Some Dire Event
recording engineer:
Hein Dekker and Stan Taal
executive producer:
Una Marchetti and Erik Smith
producer:
Wilhelm Hellweg
editor:
Tony Bridge and Stan Taal
mezzo-soprano vocals [Storgè]:
Anne Sofie von Otter (from 1988-06-13 until 1988-06-16)
orchestra:
English Baroque Soloists (from 1988-06-13 until 1988-06-16)
conductor:
Sir John Eliot Gardiner (from 1988-06-13 until 1988-06-16)
balance engineer:
Onno Scholtze
phonographic copyright (℗) by:
Universal International Music B.V. (in 1989)
recorded at:
Stadthalle in Göttingen, Niedersachsen, Germany (from 1988-06-13 until 1988-06-16)
recording of:
Jephtha, HWV 70: Act I, no. 10a. Recitative "Some dire event hangs o'er our heads" (Storge) (from 1988-06-13 until 1988-06-16)
composer:
George Frideric Handel
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
recording of:
Jephtha, HWV 70: Act I, no. 11. Air "Scenes of horror, scenes of woe" (Storge) (from 1988-06-13 until 1988-06-16)
composer:
George Frideric Handel
librettist:
Thomas Morell
part of:
Jephtha, HWV 70: Act I
George Frideric Handel5:00
4Flow My Tears
producer:
Chris Sayers
lute:
Jacob Heringman (from 1998-10-03 until 1998-10-05)
soprano vocals:
Barbara Bonney (from 1998-10-03 until 1998-10-05)
balance engineer:
Jonathan Stokes
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1998-10-03 until 1998-10-05)
recording of:
The Second Booke of Songs or Ayres, No. 2: "Flow My Tears" (from 1998-10-03 until 1998-10-05)
composer:
John Dowland (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland4:45
5The Lark Ascending
producer:
Thomas Frost
editor:
Stephan Flock
solo violin:
Hilary Hahn (in 2003-12)
orchestra:
London Symphony Orchestra (in 2003-12)
conductor:
Sir Colin Davis (in 2003-12)
balance engineer:
Stephan Flock (in 2003-12)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (in 2003-12)
recording of:
The Lark Ascending (for violin and orchestra) (in 2003-12)
composer:
Ralph Vaughan Williams (in 1914)
premiered at:
[concert]
premiered at:
Queen’s Hall in London, England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams16:13
6Vioolconcert Nr1 in G, Op 26 - Adagio
violin:
Janine Jansen (in 2006-09)
orchestra:
Gewandhausorchester Leipzig (in 2006-09)
conductor:
Riccardo Chailly (in 2006-09)
recorded at:
Gewandhaus in Leipzig, Sachsen, Germany (in 2006-09)
live recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (in 2006-09)
composer:
Max Bruch (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch8:25
7Pianotrio Nr1 - Scherzo Allegro molto
performer:
Beaux Arts Trio
recording of:
Trio for Piano, Violin and Cello no. 1 in D minor, op. 32: II. Scherzo. Allegro molto – Meno mosso – Tempo I
composer:
Антон Степанович Аренский (in 1894)
part of:
Trio for Piano, Violin and Cello no. 1 in D minor, op. 32
Антон Степанович Аренский6:06
8Piano Quintet - Scherzo Molto Vivace
cello:
Bernard Greenhouse (in 1975-06)
piano:
Menahem Pressler (in 1975-06)
viola:
Samuel Rhodes (in 1975-06)
violin:
Dolf Bettelheim (in 1975-06) and Isidore Cohen (in 1975-06)
recorded at:
Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1975-06)
recording of:
Piano Quintet in E-flat major, op. 44: III. Scherzo. Molto vivace (in 1975-06)
composer:
Robert Schumann (in 1842)
part of:
Piano Quintet in E-flat major, op. 44
Robert Schumann4:38
9Quatre Motets pour le temps de Noël - O magnum mysterium
choir vocals:
Nederlands Kamerkoor
recording of:
Quatre motets pour le temps de Noël: No. 1. O magnum mysterium
composer:
Francis Poulenc (in 1952, from 1959 until 1960)
part of:
Quatre motets pour le temps de Noël, FP 152
Francis Poulenc3:03
10Requiem - Sanctus
organ:
Daniele Rossi (in 1998-06)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (in 1998-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (in 1998-06)
conductor:
Myung-Whun Chung (in 1998-06)
chorus master:
Roberto Gabbiani (in 1998-06)
recorded at:
Auditorium Conciliazione in Roma, Roma, Lazio, Italy (in 1998-06)
recording of:
Requiem, op. 9: IV. Sanctus (for choir, organ and full orchestra, 1947) (in 1998-06)
composer:
Maurice Duruflé (in 1947)
part of:
Requiem, op. 9 (for choir, organ and full orchestra, 1947)
Maurice Duruflé2:40
11Requiem - Agnus Dei
recording engineer:
Jean‐Marie Geijsen and Nico de Koning
engineer:
Cees Heijkoop
producer:
Wilhelm Hellweg
choir vocals:
Monteverdi Choir (in 1992-12)
mezzo-soprano vocals:
Anne Sofie von Otter (in 1992-12)
soprano vocals:
Ľuba Orgonášová (in 1992-12)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1992-12)
conductor:
Sir John Eliot Gardiner (in 1992-12)
balance engineer:
Erdo Groot
phonographic copyright (℗) by:
Philips Classics Productions (in 1995)
recorded at:
All Hallows’ Church in Hampstead, Camden, London, England, United Kingdom (in 1992-12)
recording of:
Messa da requiem: V. Agnus Dei (soprano, mezzo-soprano, coro) (in 1992-12)
composer:
Giuseppe Verdi (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi4:59
12Verklärte Nacht - V Sehr ruhig
engineer:
Wolfgang Mitlehner
producer:
Rainer Brock
cello:
Lee Fiser (in 1982-11) and Jonathan Pegis (in 1982-11)
string quartet:
LaSalle Quartet (in 1982-11)
viola:
Peter Kamnitzer (in 1982-11) and Donald McInnes (in 1982-11)
violin:
Walter Levin (in 1982-11) and Henry Meyer (in 1982-11)
recording of:
Verklärte Nacht, op. 4: V. Sehr ruhig (in 1982-11)
composer:
Arnold Schönberg (in 1899)
part of:
Verklärte Nacht, op. 4 (Transfigured Night, op. 4)
Arnold Schönberg3:51
13Wesendonck Lieder - Stehe still!
soprano vocals:
Cheryl Studer (in 1993-06)
vocals:
Cheryl Studer
orchestra:
Staatskapelle Dresden (in 1993-06)
conductor:
Giuseppe Sinopoli (in 1993-06)
recorded at:
Lukaskirche in Dresden, Sachsen, Germany (in 1993-06)
recording of:
Wesendonck-Lieder: II. Stehe still (for voice and large orchestra, Mottl)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner
version of:
Wesendonck-Lieder: II. Stehe still (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:39
14Nun komm’ der Heiden Heiland (arr F Busoni)
performer:
Kun Woo Paik
recording of:
Nun komm' der Heiden Heiland, BWV 659, BV B 27/3 (for piano, Busoni)
composer:
Johann Sebastian Bach (in 1723)
piano arranger:
Ferruccio Busoni (in 1898)
publisher:
Breitkopf & Härtel
arrangement of:
Nun komm, der Heiden Heiland, BWV 659 (Chorale Prelude for organ in G minor, BWV 659 “Nun komm’ der Heiden Heiland”)
part of:
10 Choral Preludes, BV B 27
Johann Sebastian Bach6:00