Don Carlo

~ Release by Verdi; Ghiaurov, Bergonzi, Bumbry, Tebaldi, Fischer‐Dieskau, Orchestra & Chorus of the Royal Opera House, Covent Garden, Sir Georg Solti (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistLength
1Don Carlo: Atto I. “Su, cacciator!”
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I. N°1. Introduzione. "Su, cacciator!" (cacciatori) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
version of:
Don Carlos : Acte I. Introduction « Le cerf s’enfuit sous la ramure" (Chasseurs)
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:32
2Don Carlo: Atto I. “Fontainebleau! Foresta immensa e solitaria”
baritone vocals:
Dietrich Fischer‐Dieskau
bass vocals:
Tugomir Franc
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
vocals:
Carlo Bergonzi
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
partial recording of:
Don Carlo: Atto I. N°2. Narrazione e Romanza. “Fontainebleau! Foresta immensa e solitaria!” … “Io la vidi e al suo sorriso” (Carlo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
recording of:
Don Carlo: Atto I. N°2. Narrazione e Romanza. “Fontainebleau! Foresta immensa e solitaria!” … “Io la vidi e al suo sorriso” (Carlo)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi2:10
3Don Carlo: Atto I. “Io la vidi e al suo sorriso”
baritone vocals:
Dietrich Fischer‐Dieskau
bass vocals:
Tugomir Franc
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
vocals:
Carlo Bergonzi
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
partial recording of:
Don Carlo: Atto I. N°2. Narrazione e Romanza. “Fontainebleau! Foresta immensa e solitaria!” … “Io la vidi e al suo sorriso” (Carlo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
recording of:
Don Carlo: Atto I. N°2. Narrazione e Romanza. “Fontainebleau! Foresta immensa e solitaria!” … “Io la vidi e al suo sorriso” (Carlo)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi2:31
4Don Carlo: Atto I. “Il suon del corno alfin nel bosco tace”
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
soprano vocals [Tebaldo]:
Jeannette Sinclair (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I. N°2. Scena e Duetto. “Il suon dei corni alfin nel bosco tace” (Carlo, Tebaldo, Elisabetta) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi2:40
5Don Carlo: Atto I. “Al mio pie’, perché?”
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I. N°3 “Al mio piè, perché?” (Elisabetta, Carlo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi3:51
6Don Carlo: Atto I. “Di qual amor, di quant’ardor”
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I. N°3 “Di qual amor, di quant'ardor” (Elisabetta, Carlo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi4:53
7Don Carlo: Atto I. “Al fedel ch’ora viene, signora”
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
soprano vocals [Tebaldo]:
Jeannette Sinclair (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I. N°3 “Al fedel ch'ora viene, o signora” (Tebaldo, Elisabetta, Carlo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:13
8Don Carlo: Atto I. “L’ora fatale e’ suonata!”
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I. N°3 “L'ora fatale è suonata” (Elisabetta, Carlo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi0:47
9Don Carlo: Atto I. “Inni di festa lieti echeggiate”
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
tenor vocals [Lerma]:
Kenneth MacDonald (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I. N°4 “Inni di festa lieti echeggiate” (Dame di Elisabetta, paggi, valletti, popolo, Elisabetta, Carlo, Lerma) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:22
10Don Carlo: Atto I. “Il glorioso re di Francia, il grande Enrico”
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
tenor vocals [Lerma]:
Kenneth MacDonald (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I. N°4. Coro, scena e finale primo “Il glorioso Re di Francia, il grande Enrico“ (Lerma, Elisabetta, Carlo, dame di Elisabetta, paggi, valletti, popolo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi5:11
11Don Carlo: Atto II. “Carlo il sommo imperatore”
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
tenor vocals [un frate]:
Vincenzo Bello (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi7:01
12Don Carlo: Atto II. “Al chiostro di San Giusto ove finì la vita”
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
tenor vocals [un frate]:
Vincenzo Bello
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Il duolo della terra” (Al chiostro di San Giusto) (Un frate, Carlo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:01
13Don Carlo: Atto II. “È lui! Desso! L’infante”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
tenor vocals [un frate]:
Vincenzo Bello (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:07
14Don Carlo: Atto II. “Dio, che nell’alma infondere”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
bass vocals:
Tugomir Franc
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
tenor vocals [un frate]:
Vincenzo Bello
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:40
15Don Carlo: Atto II. “Sotto ai folti, immensi abeti”
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
soprano vocals [Eboli]:
Grace Bumbry (in 1965)
soprano vocals [Tebaldo]:
Jeannette Sinclair (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Sotto ai folti, immensi abeti” (Le dame, Eboli, Tebaldo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:24
16Don Carlo: Atto II. “Nei giardin del bello“
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
soprano vocals [Eboli]:
Grace Bumbry (in 1965)
soprano vocals [Tebaldo]:
Jeannette Sinclair (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:19
17Don Carlo: Atto II. “La regina“
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
soprano vocals [Eboli]:
Grace Bumbry (in 1965)
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
soprano vocals [Tebaldo]:
Jeannette Sinclair (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 2. N°7 “La Regina! – Un arcana mestizia” (Le dame, Eboli, Elisabetta, Tebaldo, Rodrigo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi8:54
2▼CD
#TitleArtistLength
1Don Carlo: Atto II. “Io vengo a domandar grazia alla mia regina”
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Io vengo a domandar” (Carlo, Elisabetta) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi9:56
2Don Carlo: Atto II. “Il re“
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
soprano vocals [Tebaldo]:
Jeannette Sinclair (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 2. N°10 “Il Re!… Perché sola è la Regina?” (Tebaldo, Filippo, Coro) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:17
3Don Carlo: Atto II. “Non pianger, mia compagna”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:14
4Don Carlo: Atto II. “Restate!”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 2. N°12. “Restate! Presso alla mia persona” (Filippo, Rodrigo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:16
5Don Carlo: Atto II. “Signor, di fiandra arrivo”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 2. N°13 “O signor, di Fiandra arrivo” (Filippo, Rodrigo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi6:22
6Don Carlo: Atto II. “Osò lo sguardo tuo penetrar il mio soglio”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Osò lo sguardo tuo penetrar il mio soglio” (Filippo, Rodrigo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:30
7Don Carlo: Atto III. Preludio”
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto II. Preludio (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi3:02
8Don Carlo: Atto III. “A mezzanotte, al giardin della regina”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau
soprano vocals [Eboli]:
Grace Bumbry (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto II, scena 1. N°1 “A mezzanotte, ai giardin della Regina” … “Sei tu, sei tu, bell'adorata” (Carlo, Eboli) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi5:16
9Don Carlo: Atto III. “Al mio furor sfuggite invano”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
soprano vocals [Eboli]:
Grace Bumbry (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto II, scena 1. N°3 “Che disse mai!” … “Il mio furore sfuggite invano” (Rodrigo, Eboli, Carlo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi6:50
10Don Carlo: Atto III. “Spuntato ecco il dì d'esultanza”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau
bass vocals [Filippo]:
Nicolaï Ghiaurov
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
soprano vocals [Elisabetta]:
Renata Tebaldi
tenor vocals [Carlo]:
Carlo Bergonzi
tenor vocals [un araldo]:
John Wakefield
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) (in 1965)
composer:
Giuseppe Verdi (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi10:41
11Don Carlo: Atto III. “Sire, no, l'ora estrema”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
soprano vocals [Tebaldo]:
Jeannette Sinclair
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto II, scena 2. N°7 “Nel posar sul mio capo la corona” – “Qui Carlo! O ciel” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
partial recording of:
Don Carlo: Atto II, scena 2. N°7 “Nel posar sul mio capo la corona” – “Qui Carlo! O ciel” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi4:37
12Don Carlo: Atto III. “Sire! Egli e' tempo ch'io viva!”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
soprano vocals [Tebaldo]:
Jeannette Sinclair (in 1965)
soprano vocals [una voce dal cielo]:
Joan Carlyle
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto II, scena 2. N°8 “Sire! Egli è tempo ch'io viva!” (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Coro) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi5:10
3▼CD
#TitleArtistLength
1Don Carlo: Atto IV. “Ella giammai m'amò!”
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi10:12
2Don Carlo: Atto IV. “Il grande inquisitor”
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
bass vocals [L'inquisitore]:
Martti Talvela (in 1965)
tenor vocals [Lerma]:
Kenneth MacDonald (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:36
3Don Carlo: Atto IV. “Nell'ispano suol mai l'eresia dominò”
bass vocals [Filippo]:
Nicolaï Ghiaurov
bass vocals [L'inquisitore]:
Martti Talvela (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Allora son io che a voi parlerò, sire. Nell'ispano suol mai l'ere sia dominò” (Il grande inquisitore) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:08
4Don Carlo: Atto IV. “Giustizia!”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
soprano vocals [Eboli]:
Grace Bumbry
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi6:27
5Don Carlo: Atto IV. “Ah sii maledetto, sospetto fatale”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
soprano vocals [Eboli]:
Grace Bumbry (in 1965)
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ah! sii maledetto, sospetto fatale” (Filippo, Elisabetta, Eboli, Rodrigo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:19
6Don Carlo: Atto IV. “Pietà, perdon, per la rea che si pente”
soprano vocals [Eboli]:
Grace Bumbry (in 1965)
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:09
7Don Carlo: Atto IV. “O don fatale“
soprano vocals [Eboli]:
Grace Bumbry (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:03
8Don Carlo: Atto IV. “Son io, mio Carlo”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:40
9Don Carlo: Atto IV. “Per me e' giunto il dì supremo”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:38
10Don Carlo: Atto IV. “O Carlo, ascolta”
baritone vocals [Rodrigo]:
Dietrich Fischer‐Dieskau (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto III, scena 2. N°14 “O Carlo, ascolta, la madre t’aspetta” (Rodrigo) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:32
11Don Carlo: Atto IV. “Mio Carlo, a te la spada io rendo”
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
bass vocals [L'inquisitore]:
Martti Talvela (in 1965)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
soprano vocals [Eboli]:
Grace Bumbry (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
tenor vocals [Lerma]:
Kenneth MacDonald (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:39
12Don Carlo: Atto V. “Tu che le vanità”
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
partial recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi5:28
13Don Carlo: Atto V. “Francia, nobili suoi, sì caro ai miei verd'anni”
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
partial recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi5:20
14Don Carlo: Atto V. “È dessa!”
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi5:48
15Don Carlo: Atto V. “Ma lassù ci vedremo in un mondo migliore”
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi3:35
16Don Carlo: Atto V. “Sì, per sempre”
bass vocals [Filippo]:
Nicolaï Ghiaurov (in 1965)
bass vocals [L'inquisitore]:
Martti Talvela (in 1965)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1965)
soprano vocals [Elisabetta]:
Renata Tebaldi (in 1965)
tenor vocals [Carlo]:
Carlo Bergonzi (in 1965)
tenor vocals [un frate]:
Vincenzo Bello (in 1965)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1965)
conductor:
Sir Georg Solti (in 1965)
recording of:
Don Carlo: Atto IV. N°15 “Sì, per sempre!” (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari) (in 1965)
composer:
Giuseppe Verdi
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi1:40