| # | Title | Artist | Length |
|---|
| 1 | I Can’t Explain (live) | The Who | 2:22 |
| 2 | Statesboro Blues (live at Fillmore East, March 13, 1971) | The Allman Brothers Band | 4:21 |
| 3 | Midnight Rambler (live from Madison Square Garden, New York/1969) | The Rolling Stones | 9:15 |
| 4 | Rock and Roll All Nite (live) | KISS | 4:08 |
| 5 | Show Me the Way (live) | Peter Frampton | 4:32 |
| 6 | Bad Reputation (L & D outtake) | Thin Lizzy | 6:04 |
| 7 | No Woman, No Cry (live at the Lyceum, London/1975)- recording engineer:
- Steve Smith (on 1975-07-18)
- producer:
- Chris Blackwell, Bob Marley & The Wailers and Steve Smith
- mixer:
- Phill Brown and Dave Harper (on 1975-07-18)
- bass:
- Aston “Family Man” Barrett (on 1975-07-18)
- drums (drum set):
- Carlton “Carly” Barrett (on 1975-07-18)
- guitar:
- Al Anderson (on 1975-07-18) and Bob Marley (on 1975-07-18)
- keyboard:
- Tyrone Downie (on 1975-07-18)
- percussion:
- Alvin “Seeco” Patterson (on 1975-07-18)
- background vocals:
- I Threes (on 1975-07-18)
- lead vocals:
- Bob Marley (on 1975-07-18)
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1974) and Island Records, Inc. (in 1975)
- recorded at:
- Lyceum Theatre in London, England, United Kingdom (on 1975-07-18)
- live recording of:
- No Woman, No Cry (on 1975-07-18)
- lyricist and composer:
- Vincent Ford
- publisher:
- Almo Music Corp., Bob Marley Music Inc., Copyright Control, Global Musikverlag, PolyGram International Publishing, Inc., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Global (in 1976)
| Bob Marley & The Wailers | 7:10 |
| 8 | Crossroads (live at the Fox Theatre/1976) | Lynyrd Skynyrd | 4:28 |
| 9 | Sitting on Top of the World | Cream | 5:01 |
| 10 | I Don’t Need No Doctor (live at the Fillmore East/1971) | Humble Pie | 9:15 |
| 11 | Nothin’ to Lose (live)- engineer, producer and mixer:
- Eddie Kramer
- drums (drum set):
- Peter Criss
- electric bass guitar:
- Gene Simmons
- electric guitar:
- Ace Frehley and Paul Stanley
- lead vocals:
- Peter Criss and Gene Simmons
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1975) and UMG Recordings, Inc. (in 1975)
- recorded at:
- Cobo Arena in Detroit, Michigan, United States (on 1975-05-16), Music Hall in Cleveland, Ohio, United States (on 1975-06-21), Adler Theatre in Davenport, Iowa, United States (on 1975-07-20) and Wildwoods Convention Center in Wildwood, New Jersey, United States (on 1975-07-23)
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- live recording of:
- Nothin’ to Lose (in 1975)
- lyricist and composer:
- Gene Simmons
- publisher:
- KISS Songs Inc. (ended), Café Americana Inc., Hori Productions America Inc., Casablanca Music, Inc. (from 1973 to ????) and Rock Steady Music (from 1973 to ????)
- sub-publisher:
- 大洋音楽
| KISS | 3:29 |
| 12 | Crossroads (live)- engineer:
- Tom Dowd and Bill Halverson
- producer:
- Felix Pappalardi
- remixer:
- Adrian Barber
- recorded at:
- Winterland Ballroom in San Francisco, California, United States (on 1968-03-10)
- live cover recording of:
- Cross Road Blues (on 1968-03-10)
- lyricist and composer:
- Robert Johnson
- publisher:
- EMI Music Publishing Australia Pty. Limited, Encore Music, King of Spades Music, Lehsem II, LLC, MPCA King of Spades, Noma Music Inc., Paul Rodriguez Music Ltd., Unichappell Music, Inc. and Warner Chappell Music Ltd.
| Cream | 4:24 |
| 13 | Doobie Wah (live) | Peter Frampton | 5:43 |
| 14 | Young Man Blues (live) | The Who | 5:56 |
| 15 | Sweet Home Alabama (live / Fox Theater 2001) | Lynyrd Skynyrd | 7:29 |
| 16 | Honky Tonk Women (live) | The Rolling Stones | 3:34 |
| 17 | I Shot the Sheriff (live at the Lyceum, London/1975) | Bob Marley & The Wailers | 5:24 |
| 18 | Stormy Monday (live at Fillmore East, March 13, 1971)- engineer:
- Aaron Baron and Larry Dahlstrom
- producer:
- Tom Dowd
- drums (drum set):
- Jaimoe (from 1971-03-12 until 1971-03-13) and Butch Trucks (from 1971-03-12 until 1971-03-13)
- electric bass guitar:
- Berry Oakley (from 1971-03-12 until 1971-03-13)
- guest harmonica:
- Thom Doucette (from 1971-03-12 until 1971-03-13)
- guitar:
- Duane Allman (from 1971-03-12 until 1971-03-13) and Dickey Betts (from 1971-03-12 until 1971-03-13)
- phonographic copyright (℗) by:
- The Island Def Jam Music Group (in 2003)
- recorded at:
- Fillmore East in East Village, New York, New York, United States (from 1971-03-12 until 1971-03-13)
- live cover recording of:
- Call It Stormy Monday (but Tuesday Is Just as Bad) (from 1971-03-12 until 1971-03-13)
- lyricist and composer:
- T‐Bone Walker
- publisher:
- Wixen Music Publishing, Inc. (ended), Burlington Music Co., Ltd., Songs Of The Knoll, 日音 Synch事業部, Peermusic III, Ltd. (until 2018-11-01), Gregmark Music Inc (from 1959 to present), Lord and Walker Publishing (from 1959 to present) and Raleigh Music Group (from 2018-11-01 to present)
- sub-publisher:
- EMI Music Scandinavia AB (in 1994)
| The Allman Brothers Band | 8:52 |
| 19 | I Walk on Gilded Splinters (live at the Fillmore East/1971) | Humble Pie | 23:25 |
| 20 | It’s a Man’s Man’s Man’s World (live at the Apollo Theater, 1967) | James Brown | 7:10 |
| 21 | Don’t Do It | The Band | 4:46 |
| 22 | Every Day I Have the Blues (live at the Regal Theater, Chicago, 1964)- recorded at:
- Regal Theater in Chicago, Illinois, United States
- live recording of:
- Everyday I Have the Blues
- writer:
- Aaron ‘Pinetop’ Sparks (in 1935) and Milton Sparks (in 1935)
- revised by:
- Peter Chatman
- publisher:
- Arc Music, Arc Music Corp., BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd., Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
| B.B. King | 3:09 |
| 23 | I’ve Got My Mojo Working (live at Newport Jazz Festival) | Muddy Waters | 4:28 |
| 24 | A Night in Tunisia | Charlie Parker & Dizzy Gillespie | 7:34 |
| 25 | Great Balls of Fire (live at the Star‐Club, Hamburg, Germany/1964) | Jerry Lee Lewis | 1:48 |
| 26 | Spiritual (live at the Village Vanguard, New York/1961) | John Coltrane Quartet | 13:49 |
