| # | Title | Artist | Length |
|---|
| 1 | We Will Rock You- engineer:
- Mike Stone
- assistant producer and co-producer:
- Mike Stone
- producer:
- Queen
- electric guitar and guitar:
- Brian May (from 1977-08 until 1977-09)
- foot stomps [footstomps] and handclaps:
- John Deacon (from 1977-08 until 1977-09), Brian May (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (from 1977-08 until 1977-09)
- background vocals:
- Brian May (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (from 1977-08 until 1977-09)
- lead vocals:
- Freddie Mercury (from 1977-08 until 1977-09)
- phonographic copyright (℗) by:
- Elektra Records (in 1977), Hollywood Records, Inc. (in 1977) and Queen Productions Ltd. (in 1977, in 2001, in 2011)
- recorded at:
- Wessex Sound Studios in Highbury, Islington, London, England, United Kingdom (from 1977-08 until 1977-09)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 338)
- recording of:
- We Will Rock You (from 1977-08 until 1977-09)
- lyricist and composer:
- Brian May
- publisher:
- Beechwood Music Corporation, EMI Music Publishing Ltd., Queen Music Ltd. and Sony/ATV
- included in:
- We Will Rock You
- part of:
- We Will Rock You
| Queen | 2:00 |
| 2 | The One I Love | R.E.M. | 3:16 |
| 3 | It’s Only Love | Bryan Adams & Tina Turner | 3:33 |
| 4 | New Sensation | INXS | 3:40 |
| 5 | Waterfront | Simple Minds | 4:49 |
| 6 | Dancing in the Sunshine of the Dark | Fury in the Slaughterhouse | 4:13 |
| 7 | Auld Lang Syne | Die Roten Rosen | 2:32 |
| 8 | Bitch- drum machine [drum/loop] programming:
- Geza X
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer:
- Jim Ebert and Geza X
- producer:
- Geza X
- mixer:
- Jim Ebert
- acoustic guitar, electric guitar and background vocals:
- Meredith Brooks
- bass and fretless bass:
- Paul Bushnell
- drums (drum set):
- Josh Freese
- keyboard [keyboards]:
- David Ricketts
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1997)
- recorded at:
- City Lab Sound Design in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- Bitch
- writer:
- Meredith Brooks and Shelly Peiken
- publisher:
- Bug Music, Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music and Warner–Tamerlane Music Corp.
| Meredith Brooks | 4:12 |
| 9 | Breakfast at Tiffany’s | Deep Blue Something | 4:16 |
| 10 | Wonderwall- recording engineer:
- Owen Morris
- producer:
- Noel Gallagher and Owen Morris
- acoustic guitar [rhythm guitar]:
- Paul Arthurs
- bass guitar, ebow, electric guitar [lead guitar], mellotron, piano and background vocals:
- Noel Gallagher
- drums (drum set) and percussion:
- Alan White
- tambourine and lead vocals:
- Liam Gallagher
- phonographic copyright (℗) by:
- Big Brother Recordings, Ltd. (in 1995)
- recorded at:
- Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
- music videos:
- Wonderwall by Oasis
- part of:
- triple j’s Hottest 100 (number: 1995), Indie 88: Top 500 Indie Rock Songs (number: 12), NME: Greatest “Indie” Anthems Ever: 2007 (number: 27), triple j’s Hottest 100 (number: 2013 (Twenty Years)), Billboard: The 500 Best Pop Songs (number: 48) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 95)
- recording of:
- Wonderwall
- lyricist and composer:
- Noel Gallagher
- publisher:
- Copyright Control, Creation Songs Ltd, Dead Leg Music, Sony Music Publishing, Sony/ATV, Sony/ATV Music Publishing and Sony/ATV Music Publishing Ltd.
| Oasis | 4:18 |
| 11 | What’s Up- recording engineer:
- David Tickle (in 1992) and Mark Hensley (in 1992)
- additional engineer:
- Jessie Kanner, Kent Mactke, Laurent Tardy and Paul Dieter
- producer and mixer:
- David Tickle
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass and background vocals:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- piano:
- Laurent Tardy (in 1992)
- lead vocals:
- Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- music videos:
- What’s Up? by 4 Non Blondes
- part of:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation, Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC, Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
| 4 Non Blondes | 4:55 |
| 12 | Summer in the City- phonographic copyright (℗) by:
- Capitol Records (in 1994)
- cover recording of:
- Summer in the City
- writer:
- Steve Boone, John Sebastian and Mark Sebastian
- publisher:
- Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd., Bug Music, Copyright Control, EMI Music Publishing, EMI Music Publishing Ltd., Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., Trio Music and Trio Music Co., Inc.
| Joe Cocker | 3:48 |
| 13 | Two Princes | Spin Doctors | 4:17 |
| 14 | Modern Love | David Bowie | 4:46 |
| 15 | Addicted to Love | Robert Palmer | 4:21 |
| 16 | Real Wild Child (Wild One)- drum machine [Linn drum] programming:
- David Richards (from 1986-04 until 1986-05)
- engineer:
- David Richards
- producer and mixer:
- David Bowie and David Richards
- bass, drums (drum set), organ, sampler [Akai S900], synthesizer [Yamaha DX7] and violin:
- Erdal Kızılçay (from 1986-04 until 1986-05)
- guitar:
- Kevin Armstrong (from 1986-04 until 1986-05) and Steve Jones (from 1986-04 until 1986-05)
- background vocals:
- Kevin Armstrong (from 1986-04 until 1986-05), David Bowie (from 1986-04 until 1986-05) and Erdal Kızılçay (from 1986-04 until 1986-05)
- lead vocals:
- Iggy Pop (from 1986-04 until 1986-05)
- phonographic copyright (℗) by:
- A&M Records (in 1986)
- recorded at:
- Mountain Recording Studios in Montreux, Vaud, Switzerland (from 1986-04 until 1986-05)
- cover recording of:
- Wild One (from 1986-04 until 1986-05)
- writer:
- Johnny Greenan, Johnny O’Keefe and Dave Owens
- publisher:
- Melodie der Welt, MPL Communications Inc., Peermusic (Germany) GmbH, Peermusic (UK) Limited and Southern Music
| Iggy Pop | 3:38 |
| 17 | Boys Will Be Boys- assistant engineer:
- Erik Flettrich (task: digital engineering) and Rob Hyman (task: analog engineering)
- engineer:
- Eric Bazilian (task: analog engineering) and Joe Hardy (task: digital engineering)
- producer:
- Eric Bazilian, Joe Hardy and Rob Hyman
- mixer:
- Joe Hardy (task: digital mixing)
- accordion, synthesizer [synth] and triangle:
- Rob Hyman
- bass guitar, guitar [guitars], melodica [bass melodica], recorder and lead vocals:
- Eric Bazilian
- drums (drum set) [drums] and tambourine:
- David Uosikkinen
- violin:
- Mindy Jostyn
- guest vocals:
- Cyndi Lauper
- vocals:
- Rob Hyman
- strings arranger:
- Mindy Jostyn
- engineered at:
- Ardent Studios in Memphis, Tennessee, United States and The Ranch in Philadelphia, Pennsylvania, United States
- recording of:
- Boys Will Be Boys
- writer:
- Eric Bazilian, Rob Hyman and Cyndi Lauper
- publisher:
- Dub Notes Music, Human Boy Music and Rellla Music Corp.
| The Hooters | 4:42 |
| 18 | Look Away | Big Country | 4:20 |
| 19 | Loch Lomond | Runrig | 6:11 |
