Many Moods of.. & Two Much

~ Release by Ann Richards (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleLength
1By Myself
alto saxophone:
Harry Klee
baritone saxophone:
Chuck Gentry
drums (drum set):
Mel Lewis
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Plas Johnson and Bill Perkins
trombone:
Frank Rosolino
trumpet:
Bill Holman, Lee Katzman, Al Porcino, Tak Shindo, Ray Triscari and Stu Williamson
vibraphone:
Victor Feldman
woodwind:
Bud Shank
vocals:
Ann Richards
conductor:
Ralph Carmichael
arranger:
Ralph Carmichael
2:27
2Be Easy, Be Tender
alto saxophone:
Harry Klee
baritone saxophone:
Chuck Gentry
drums (drum set):
Mel Lewis
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Plas Johnson and Bill Perkins
trombone:
Frank Rosolino
trumpet:
Bill Holman, Lee Katzman, Al Porcino, Tak Shindo, Ray Triscari and Stu Williamson
vibraphone:
Victor Feldman
woodwind:
Bud Shank
vocals:
Ann Richards
conductor:
Ralph Carmichael
arranger:
Ralph Carmichael
3:48
3Where Did You Go?
alto saxophone:
Harry Klee
baritone saxophone:
Chuck Gentry
drums (drum set):
Mel Lewis
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Plas Johnson and Bill Perkins
trombone:
Frank Rosolino
trumpet:
Bill Holman, Lee Katzman, Al Porcino, Tak Shindo, Ray Triscari and Stu Williamson
vibraphone:
Victor Feldman
woodwind:
Bud Shank
vocals:
Ann Richards
conductor:
Ralph Carmichael
arranger:
Ralph Carmichael
2:37
4I'm Gonna Laugh
alto saxophone:
Harry Klee
baritone saxophone:
Chuck Gentry
drums (drum set):
Mel Lewis
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Plas Johnson and Bill Perkins
trombone:
Frank Rosolino
trumpet:
Bill Holman, Lee Katzman, Al Porcino, Tak Shindo, Ray Triscari and Stu Williamson
vibraphone:
Victor Feldman
woodwind:
Bud Shank
vocals:
Ann Richards
conductor:
Ralph Carmichael
arranger:
Ralph Carmichael
4:26
5I Gotta Have You
alto saxophone:
Harry Klee
baritone saxophone:
Chuck Gentry
drums (drum set):
Mel Lewis
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Plas Johnson and Bill Perkins
trombone:
Frank Rosolino
trumpet:
Bill Holman, Lee Katzman, Al Porcino, Tak Shindo, Ray Triscari and Stu Williamson
vibraphone:
Victor Feldman
woodwind:
Bud Shank
vocals:
Ann Richards
conductor:
Ralph Carmichael
arranger:
Ralph Carmichael
2:22
6Lazy Afternoon
alto saxophone:
Harry Klee
baritone saxophone:
Chuck Gentry
drums (drum set):
Mel Lewis
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Plas Johnson and Bill Perkins
trombone:
Frank Rosolino
trumpet:
Bill Holman, Lee Katzman, Al Porcino, Tak Shindo, Ray Triscari and Stu Williamson
vibraphone:
Victor Feldman
woodwind:
Bud Shank
vocals:
Ann Richards
conductor:
Ralph Carmichael
arranger:
Ralph Carmichael
4:10
7Something's Coming
alto saxophone:
Harry Klee
baritone saxophone:
Chuck Gentry
drums (drum set):
Mel Lewis
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Plas Johnson and Bill Perkins
trombone:
Frank Rosolino
trumpet:
Bill Holman, Lee Katzman, Al Porcino, Tak Shindo, Ray Triscari and Stu Williamson
vibraphone:
Victor Feldman
woodwind:
Bud Shank
vocals:
Ann Richards
conductor:
Ralph Carmichael
arranger:
Ralph Carmichael
2:50
8Everytime
alto saxophone:
Harry Klee
baritone saxophone:
Chuck Gentry
drums (drum set):
Mel Lewis
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Plas Johnson and Bill Perkins
trombone:
Frank Rosolino
trumpet:
Bill Holman, Lee Katzman, Al Porcino, Tak Shindo, Ray Triscari and Stu Williamson
vibraphone:
Victor Feldman
woodwind:
Bud Shank
vocals:
Ann Richards
conductor:
Ralph Carmichael
arranger:
Ralph Carmichael
3:31
9When the Sun Comes Out
alto saxophone:
Harry Klee
baritone saxophone:
Chuck Gentry
drums (drum set):
Mel Lewis
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Plas Johnson and Bill Perkins
trombone:
Frank Rosolino
trumpet:
Bill Holman, Lee Katzman, Al Porcino, Tak Shindo, Ray Triscari and Stu Williamson
vibraphone:
Victor Feldman
woodwind:
Bud Shank
vocals:
Ann Richards
conductor:
Ralph Carmichael
arranger:
Ralph Carmichael
3:20
10Poor Little Extra Girl
alto saxophone:
Harry Klee
baritone saxophone:
Chuck Gentry
drums (drum set):
Mel Lewis
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Plas Johnson and Bill Perkins
trombone:
Frank Rosolino
trumpet:
Bill Holman, Lee Katzman, Al Porcino, Tak Shindo, Ray Triscari and Stu Williamson
vibraphone:
Victor Feldman
woodwind:
Bud Shank
vocals:
Ann Richards
conductor:
Ralph Carmichael
arranger:
Ralph Carmichael
4:00
11Seasons Reasons
alto saxophone:
Harry Klee
baritone saxophone:
Chuck Gentry
drums (drum set):
Mel Lewis
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Plas Johnson and Bill Perkins
trombone:
Frank Rosolino
trumpet:
Bill Holman, Lee Katzman, Al Porcino, Tak Shindo, Ray Triscari and Stu Williamson
vibraphone:
Victor Feldman
woodwind:
Bud Shank
vocals:
Ann Richards
conductor:
Ralph Carmichael
arranger:
Ralph Carmichael
3:07
12I'm Late
alto saxophone:
Harry Klee
baritone saxophone:
Chuck Gentry
drums (drum set):
Mel Lewis
guitar:
Al Hendrickson
piano:
Jimmy Rowles
tenor saxophone:
Plas Johnson and Bill Perkins
trombone:
Frank Rosolino
trumpet:
Bill Holman, Lee Katzman, Al Porcino, Tak Shindo, Ray Triscari and Stu Williamson
vibraphone:
Victor Feldman
woodwind:
Bud Shank
vocals:
Ann Richards
conductor:
Ralph Carmichael
arranger:
Ralph Carmichael
1:28
13It's a Wonderful World
producer:
Ed Yelin
alto saxophone:
Gabe Baltazar (on 1960-07-22)
baritone saxophone:
Wayne Dunstan (on 1960-07-22) and Marvin Holladay (on 1960-07-22)
bass:
Don Bagley (on 1960-07-22)
bass trombone:
Jim Amlotte (on 1960-07-22) and Bob Knight (on 1960-07-22)
drums (drum set):
Art Anton (on 1960-07-22)
percussion:
Mike Pacheco (on 1960-07-22)
piano:
Bob Harrington (on 1960-07-22)
tenor saxophone:
Modesto Briseno (on 1960-07-22) and Paul Renzi (on 1960-07-22)
trombone:
Bob Fitzpatrick (on 1960-07-22), Dick Hyde (on 1960-07-22) and David Sanchez (on 1960-07-22)
trumpet:
John Anderson (on 1960-07-22), Bud Brisbois (on 1960-07-22), Steve Huffsteter (on 1960-07-22), Al Porcino (on 1960-07-22) and Bob Rolfe (on 1960-07-22)
vocals:
Ann Richards (on 1960-07-22)
orchestra:
The Stan Kenton Orchestra (on 1960-07-22)
conductor:
Stan Kenton (on 1960-07-22)
arranger:
Wayne Dunstan
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-07-22)
3:57
14The Morning After (Night Before)
producer:
Ed Yelin
alto saxophone:
Gabe Baltazar (on 1960-07-20)
baritone saxophone:
Wayne Dunstan (on 1960-07-20) and Marvin Holladay (on 1960-07-20)
bass:
Don Bagley (on 1960-07-20)
bass trombone:
Jim Amlotte (on 1960-07-20) and Bob Knight (on 1960-07-20)
drums (drum set):
Art Anton (on 1960-07-20)
piano:
Bob Harrington (on 1960-07-20)
tenor saxophone:
Modesto Briseno (on 1960-07-20) and Paul Renzi (on 1960-07-20)
trombone:
Bob Fitzpatrick (on 1960-07-20), Dick Hyde (on 1960-07-20) and David Sanchez (on 1960-07-20)
trumpet:
John Anderson (on 1960-07-20), Bud Brisbois (on 1960-07-20), Steve Huffsteter (on 1960-07-20), Al Porcino (on 1960-07-20) and Bob Rolfe (on 1960-07-20)
vocals:
Ann Richards (on 1960-07-20)
orchestra:
The Stan Kenton Orchestra (on 1960-07-20)
conductor:
Stan Kenton (on 1960-07-20)
arranger:
Bill Holman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-07-20)
4:03
15I Was the Last One to Know
producer:
Ed Yelin
alto saxophone:
Gabe Baltazar (on 1960-07-22)
baritone saxophone:
Wayne Dunstan (on 1960-07-22) and Marvin Holladay (on 1960-07-22)
bass:
Don Bagley (on 1960-07-22)
bass trombone:
Jim Amlotte (on 1960-07-22) and Bob Knight (on 1960-07-22)
drums (drum set):
Art Anton (on 1960-07-22)
piano:
Bob Harrington (on 1960-07-22)
tenor saxophone:
Modesto Briseno (on 1960-07-22) and Paul Renzi (on 1960-07-22)
trombone:
Bob Fitzpatrick (on 1960-07-22), Dick Hyde (on 1960-07-22) and David Sanchez (on 1960-07-22)
trumpet:
John Anderson (on 1960-07-22), Bud Brisbois (on 1960-07-22), Steve Huffsteter (on 1960-07-22) and Al Porcino (on 1960-07-22)
vocals:
Ann Richards (on 1960-07-22)
orchestra:
The Stan Kenton Orchestra (on 1960-07-22)
conductor:
Stan Kenton (on 1960-07-22)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-07-22)
3:56
16My Kinda Love
producer:
Ed Yelin
alto saxophone:
Gabe Baltazar (on 1960-07-21)
baritone saxophone:
Wayne Dunstan (on 1960-07-21) and Marvin Holladay (on 1960-07-21)
bass:
Don Bagley (on 1960-07-21)
bass trombone:
Jim Amlotte (on 1960-07-21) and Bob Knight (on 1960-07-21)
drums (drum set):
Art Anton (on 1960-07-21)
piano:
Bob Harrington (on 1960-07-21)
tenor saxophone:
Modesto Briseno (on 1960-07-21) and Paul Renzi (on 1960-07-21)
trombone:
Bob Fitzpatrick (on 1960-07-21), Dick Hyde (on 1960-07-21) and David Sanchez (on 1960-07-21)
trumpet:
John Anderson (on 1960-07-21), Bud Brisbois (on 1960-07-21), Steve Huffsteter (on 1960-07-21), Al Porcino (on 1960-07-21) and Bob Rolfe (on 1960-07-21)
vocals:
Ann Richards (on 1960-07-21)
orchestra:
The Stan Kenton Orchestra (on 1960-07-21)
conductor:
Stan Kenton (on 1960-07-21)
arranger:
Stan Kenton and Johnny Richards
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-07-21)
4:37
17I Got Rhythm
producer:
Ed Yelin
alto saxophone:
Gabe Baltazar (on 1960-07-20)
baritone saxophone:
Wayne Dunstan (on 1960-07-20) and Marvin Holladay (on 1960-07-20)
bass:
Don Bagley (on 1960-07-20)
bass trombone:
Jim Amlotte (on 1960-07-20) and Bob Knight (on 1960-07-20)
drums (drum set):
Art Anton (on 1960-07-20)
piano:
Bob Harrington (on 1960-07-20)
tenor saxophone:
Modesto Briseno (on 1960-07-20) and Paul Renzi (on 1960-07-20)
trombone:
Bob Fitzpatrick (on 1960-07-20), Dick Hyde (on 1960-07-20) and David Sanchez (on 1960-07-20)
trumpet:
John Anderson (on 1960-07-20), Bud Brisbois (on 1960-07-20), Steve Huffsteter (on 1960-07-20), Al Porcino (on 1960-07-20) and Bob Rolfe (on 1960-07-20)
vocals:
Ann Richards (on 1960-07-20)
orchestra:
The Stan Kenton Orchestra (on 1960-07-20)
conductor:
Stan Kenton (on 1960-07-20)
arranger:
Bill Holman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-07-20)
recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
4:07
18No Moon at All
producer:
Ed Yelin
alto saxophone:
Gabe Baltazar (from 1960-07-20 until 1960-07-22)
baritone saxophone:
Wayne Dunstan (from 1960-07-20 until 1960-07-22) and Marvin Holladay (from 1960-07-20 until 1960-07-22)
bass:
Don Bagley (from 1960-07-20 until 1960-07-22)
bass trombone:
Jim Amlotte (from 1960-07-20 until 1960-07-22) and Bob Knight (from 1960-07-20 until 1960-07-22)
drums (drum set):
Art Anton (from 1960-07-20 until 1960-07-22)
piano:
Bob Harrington (from 1960-07-20 until 1960-07-22)
tenor saxophone:
Modesto Briseno (from 1960-07-20 until 1960-07-22) and Paul Renzi (from 1960-07-20 until 1960-07-22)
trombone:
Bob Fitzpatrick (from 1960-07-20 until 1960-07-22), Dick Hyde (from 1960-07-20 until 1960-07-22) and David Sanchez (from 1960-07-20 until 1960-07-22)
trumpet:
John Anderson (from 1960-07-20 until 1960-07-22), Bud Brisbois (from 1960-07-20 until 1960-07-22), Steve Huffsteter (from 1960-07-20 until 1960-07-22), Al Porcino (from 1960-07-20 until 1960-07-22) and Bob Rolfe (from 1960-07-20 until 1960-07-22)
vocals:
Ann Richards (from 1960-07-20 until 1960-07-22)
orchestra:
The Stan Kenton Orchestra (from 1960-07-20 until 1960-07-22)
conductor:
Stan Kenton (from 1960-07-20 until 1960-07-22)
arranger:
Gene Roland
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (from 1960-07-20 until 1960-07-22)
4:38
19Don't Be That Way
producer:
Ed Yelin
alto saxophone:
Gabe Baltazar (on 1960-07-20)
baritone saxophone:
Wayne Dunstan (on 1960-07-20) and Marvin Holladay (on 1960-07-20)
bass:
Don Bagley (on 1960-07-20)
bass trombone:
Jim Amlotte (on 1960-07-20) and Bob Knight (on 1960-07-20)
drums (drum set):
Art Anton (on 1960-07-20)
piano:
Bob Harrington (on 1960-07-20)
tenor saxophone:
Modesto Briseno (on 1960-07-20) and Paul Renzi (on 1960-07-20)
trombone:
Bob Fitzpatrick (on 1960-07-20), Dick Hyde (on 1960-07-20) and David Sanchez (on 1960-07-20)
trumpet:
John Anderson (on 1960-07-20), Bud Brisbois (on 1960-07-20), Steve Huffsteter (on 1960-07-20), Al Porcino (on 1960-07-20) and Bob Rolfe (on 1960-07-20)
vocals:
Ann Richards (on 1960-07-20)
orchestra:
The Stan Kenton Orchestra (on 1960-07-20)
conductor:
Stan Kenton (on 1960-07-20)
arranger:
Bill Holman
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-07-20)
3:49
20Suddenly I'm Sad
producer:
Ed Yelin
alto saxophone:
Gabe Baltazar (on 1960-07-21)
baritone saxophone:
Wayne Dunstan (on 1960-07-21) and Marvin Holladay (on 1960-07-21)
bass:
Don Bagley (on 1960-07-21)
bass trombone:
Jim Amlotte (on 1960-07-21) and Bob Knight (on 1960-07-21)
drums (drum set):
Art Anton (on 1960-07-21)
piano:
Bob Harrington (on 1960-07-21)
tenor saxophone:
Modesto Briseno (on 1960-07-21) and Paul Renzi (on 1960-07-21)
trombone:
Bob Fitzpatrick (on 1960-07-21), Dick Hyde (on 1960-07-21) and David Sanchez (on 1960-07-21)
trumpet:
John Anderson (on 1960-07-21), Bud Brisbois (on 1960-07-21), Steve Huffsteter (on 1960-07-21), Al Porcino (on 1960-07-21) and Bob Rolfe (on 1960-07-21)
vocals:
Ann Richards (on 1960-07-21)
orchestra:
The Stan Kenton Orchestra (on 1960-07-21)
conductor:
Stan Kenton (on 1960-07-21)
arranger:
Johnny Richards
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-07-21)
4:11
21Nobody Like My Baby
producer:
Ed Yelin
alto saxophone:
Gabe Baltazar (on 1960-07-22)
baritone saxophone:
Wayne Dunstan (on 1960-07-22) and Marvin Holladay (on 1960-07-22)
bass:
Don Bagley (on 1960-07-22)
bass trombone:
Jim Amlotte (on 1960-07-22) and Bob Knight (on 1960-07-22)
drums (drum set):
Art Anton (on 1960-07-22)
piano:
Bob Harrington (on 1960-07-22)
tenor saxophone:
Modesto Briseno (on 1960-07-22) and Paul Renzi (on 1960-07-22)
trombone:
Bob Fitzpatrick (on 1960-07-22), Dick Hyde (on 1960-07-22) and David Sanchez (on 1960-07-22)
trumpet:
John Anderson (on 1960-07-22), Bud Brisbois (on 1960-07-22), Steve Huffsteter (on 1960-07-22), Al Porcino (on 1960-07-22) and Bob Rolfe (on 1960-07-22)
vocals:
Ann Richards (on 1960-07-22)
orchestra:
The Stan Kenton Orchestra (on 1960-07-22)
conductor:
Stan Kenton (on 1960-07-22)
arranger:
Stan Kenton
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-07-22)
3:13
22All or Nothing at All
producer:
Ed Yelin
alto saxophone:
Gabe Baltazar (on 1960-07-22)
baritone saxophone:
Wayne Dunstan (on 1960-07-22) and Marvin Holladay (on 1960-07-22)
bass:
Don Bagley (on 1960-07-22)
bass trombone:
Jim Amlotte (on 1960-07-22) and Bob Knight (on 1960-07-22)
drums (drum set):
Art Anton (on 1960-07-22)
percussion:
Mike Pacheco (on 1960-07-22)
piano:
Bob Harrington (on 1960-07-22)
tenor saxophone:
Modesto Briseno (on 1960-07-22) and Paul Renzi (on 1960-07-22)
trombone:
Bob Fitzpatrick (on 1960-07-22), Dick Hyde (on 1960-07-22) and David Sanchez (on 1960-07-22)
trumpet:
John Anderson (on 1960-07-22), Bud Brisbois (on 1960-07-22), Steve Huffsteter (on 1960-07-22), Al Porcino (on 1960-07-22) and Bob Rolfe (on 1960-07-22)
vocals:
Ann Richards (on 1960-07-22)
orchestra:
The Stan Kenton Orchestra (on 1960-07-22)
conductor:
Stan Kenton (on 1960-07-22)
arranger:
Johnny Richards
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1960-07-22)
3:54