The History of Classical Music, Part 1: Medieval to Baroque: From Gregorian Chant to C.P.E. Bach

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media: Gregorian chant / Organum / Machaut: Chansons
#	Title	Artist	Length
1	Magnus liber organi: Feast of St. Stephen: Etenim sederunt principes (à 1) (Introit) vocals: Orlando Consort (in 1996-05) chorus master: James O’Donnell (in 1996-05) recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-05) partial recording of: Magnus liber organi de graduali et antiphonario pro servitio divino (in 1996-05) composer: Léonin and Pérotin	Léonin, Pérotin	4:16
2	Magnus liber organi: Feast of St. Stephen: Sederunt principes - Adiuva me, Domine (à 4) (Gradual) vocals: Orlando Consort (in 1996-05) chorus master: James O’Donnell (in 1996-05) recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-05) partial recording of: Magnus liber organi de graduali et antiphonario pro servitio divino (in 1996-05) composer: Léonin and Pérotin	Léonin, Pérotin	16:22
3	Magnus liber organi: Feast of St. Stephen: Alleluya - Video celos apertos (à 2) (Alleluya) vocals: Orlando Consort (in 1996-05) chorus master: James O’Donnell (in 1996-05) recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-05) partial recording of: Magnus liber organi de graduali et antiphonario pro servitio divino (in 1996-05) composer: Léonin and Pérotin	Léonin, Pérotin	6:43
4	Magnus liber organi: Feast of St. Stephen: Video celos apertos (Communion) vocals: Orlando Consort (in 1996-05) chorus master: James O’Donnell (in 1996-05) recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1996-05) partial recording of: Magnus liber organi de graduali et antiphonario pro servitio divino (in 1996-05) composer: Léonin and Pérotin	Léonin, Pérotin	1:32
5	Dreams in the Pleasure Garden: Chansons: Tant doucement recording engineer and balance engineer: Gregor Zielinsky executive producer: Dr. Peter Czornyj producer: Karl-August Naegler alto vocals: Robert Harre-Jones (in 1997-05) baritone vocals: Donald Greig (in 1997-05) tenor vocals: Charles Daniels (in 1997-05) and Angus Smith (in 1997-05) vocals: Orlando Consort (in 1997-05) phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1998) recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1997-05) recording of: Tant doucement me sens emprisonnes (in 1997-05) writer: Guillaume de Machaut	Guillaume de Machaut	5:02
6	Dreams in the Pleasure Garden: Chansons: Je puis trop bien recording engineer and balance engineer: Gregor Zielinsky executive producer: Dr. Peter Czornyj producer: Karl-August Naegler alto vocals: Robert Harre-Jones (in 1997-05) baritone vocals: Donald Greig (in 1997-05) tenor vocals: Charles Daniels (in 1997-05) and Angus Smith (in 1997-05) vocals: Orlando Consort (in 1997-05) phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1998) recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1997-05) recording of: Je puis trop bien ma dame comparer (ballade) (in 1997-05) composer: Guillaume de Machaut	Guillaume de Machaut	4:19
7	Dreams in the Pleasure Garden: Chansons: En amer a douce vie recording engineer and balance engineer: Gregor Zielinsky executive producer: Dr. Peter Czornyj producer: Karl-August Naegler alto vocals: Robert Harre-Jones (in 1997-05) baritone vocals: Donald Greig (in 1997-05) tenor vocals: Charles Daniels (in 1997-05) and Angus Smith (in 1997-05) vocals: Orlando Consort (in 1997-05) phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1998) recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1997-05) recording of: Le Remède de Fortune : 8 - Balladelle : « En amer a douce vie » (in 1997-05) composer: Guillaume de Machaut	Guillaume de Machaut	5:59
8	Dreams in the Pleasure Garden: Chansons: He! Dame de valour recording engineer and balance engineer: Gregor Zielinsky executive producer: Dr. Peter Czornyj producer: Karl-August Naegler alto vocals: Robert Harre-Jones (in 1997-05) baritone vocals: Donald Greig (in 1997-05) tenor vocals: Charles Daniels (in 1997-05) and Angus Smith (in 1997-05) vocals: Orlando Consort (in 1997-05) phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1998) recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1997-05) recording of: He ! Dame de valour (a1) (in 1997-05) composer: Guillaume de Machaut	Guillaume de Machaut	3:36
9	Dreams in the Pleasure Garden: Chansons: Ma fin est mon commencement recording engineer and balance engineer: Gregor Zielinsky executive producer: Dr. Peter Czornyj producer: Karl-August Naegler alto vocals: Robert Harre-Jones (in 1997-05) baritone vocals: Donald Greig (in 1997-05) tenor vocals: Charles Daniels (in 1997-05) and Angus Smith (in 1997-05) vocals: Orlando Consort (in 1997-05) phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1998) recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1997-05) recording of: Ma fin est mon commencement (in 1997-05) composer: Guillaume de Machaut	Guillaume de Machaut	6:16
10	Dreams in the Pleasure Garden: Chansons: De toutes flours recording engineer and balance engineer: Gregor Zielinsky executive producer: Dr. Peter Czornyj producer: Karl-August Naegler alto vocals: Robert Harre-Jones (in 1997-05) baritone vocals: Donald Greig (in 1997-05) tenor vocals: Charles Daniels (in 1997-05) and Angus Smith (in 1997-05) vocals: Orlando Consort (in 1997-05) phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1998) recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1997-05) recording of: Le Remède de Fortune : 1 - Introduction instrumentale : « De toutes flours » (in 1997-05) composer: Guillaume de Machaut	Guillaume de Machaut	6:45

2▼Digital Media: Dufay & Josquin: Motets
#	Title	Artist	Length
1	Motets: Nuper rosarum flores recording engineer: Jobst Eberhardt executive producer: Dr. Peter Czornyj producer: Sid McLauchlan editor: Hansjörg Seiler choir vocals: Pomerium (in 1995-03) conductor: Alexander Blachly (in 1995-03) balance engineer: Gregor Zielinsky phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1997) recorded at: Grotto Church of Notre Dame in New York, New York, United States (in 1995-03)	Guillaume Dufay	6:27
2	Motets: Alma redemptoris mater II recording engineer: Wolf‐Dieter Karwatky executive producer: Dr. Peter Czornyj producer: Sid McLauchlan editor: Mark Buecker choir vocals: Pomerium (in 1996-05) conductor: Alexander Blachly (in 1996-05) balance engineer: Gernot von Schultzendorff phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1997) recorded at: Corpus Christi Church in New York, New York, United States (in 1996-05)	Guillaume Dufay	3:38
3	Motets: Letabundus exsultet fidelis chorus recording engineer: Wolf‐Dieter Karwatky executive producer: Dr. Peter Czornyj producer: Sid McLauchlan editor: Mark Buecker choir vocals: Pomerium (in 1996-05) conductor: Alexander Blachly (in 1996-05) balance engineer: Gernot von Schultzendorff phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1997) recorded at: Corpus Christi Church in New York, New York, United States (in 1996-05)	Guillaume Dufay	6:40
4	Motets: Ecclesie militantis recording engineer: Jobst Eberhardt executive producer: Dr. Peter Czornyj producer: Sid McLauchlan editor: Hansjörg Seiler choir vocals: Pomerium (in 1995-03) conductor: Alexander Blachly (in 1995-03) balance engineer: Gregor Zielinsky phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1996) recorded at: Grotto Church of Notre Dame in New York, New York, United States (in 1995-03)	Guillaume Dufay	6:01
5	Motets: Inviolata, integra, et casta es Maria (à 5) recording engineer: Reinhild Schmidt (in 1999-04) executive producer: David R. Murray editor: Tom Wood alto vocals: Robert Harre-Jones (in 1999-04) bass vocals: Donald Greig (in 1999-04) choir vocals: Orlando Consort guest bass vocals: Robert Macdonald (in 1999-04) tenor vocals: Charles Daniels (in 1999-04) and Angus Smith (in 1999-04) balance engineer: Gregor Zielinsky phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 2000) recorded at: St. Osdag Church in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04) cover recording of: Inviolata, integra et casta es (in 1999-04) composer: Josquin des Prez recording of: Inviolata, integra et casta es composer: Josquin des Prez	Josquin des Prez	5:43
6	Motets: Ut Phoebi radiis (à 4) recording engineer: Reinhild Schmidt (in 1999-04) executive producer: David R. Murray editor: Tom Wood alto vocals: Robert Harre-Jones (in 1999-04) bass vocals: Donald Greig (in 1999-04) choir vocals: Orlando Consort tenor vocals: Charles Daniels (in 1999-04) and Angus Smith (in 1999-04) balance engineer: Gregor Zielinsky phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 2000) recorded at: St. Osdag Church in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04) cover recording of: Ut Phoebi radiis (in 1999-04) composer: Josquin des Prez recording of: Ut Phoebi radiis composer: Josquin des Prez	Josquin des Prez	5:33
7	Motets: De profundis clamavi (à 5) recording engineer: Reinhild Schmidt (in 1999-04) executive producer: David R. Murray editor: Tom Wood alto vocals: Robert Harre-Jones (in 1999-04) bass vocals: Donald Greig (in 1999-04) choir vocals: Orlando Consort guest bass vocals: Robert Macdonald (in 1999-04) tenor vocals: Charles Daniels (in 1999-04) and Angus Smith (in 1999-04) balance engineer: Gregor Zielinsky phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 2000) recorded at: St. Osdag Church in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04) recording of: De profundis clamavi à 5 (in 1999-04) composer: Josquin des Prez	Josquin des Prez	5:11
8	Motets: O Virgo virginum (à 6) recording engineer: Reinhild Schmidt (in 1999-04) executive producer: David R. Murray editor: Tom Wood alto vocals: Robert Harre-Jones (in 1999-04) bass vocals: Donald Greig (in 1999-04) choir vocals: Orlando Consort guest bass vocals: Robert Macdonald (in 1999-04) guest tenor vocals: Andrew Carwood (in 1999-04) tenor vocals: Charles Daniels (in 1999-04) and Angus Smith (in 1999-04) balance engineer: Gregor Zielinsky phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 2000) recorded at: St. Osdag Church in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04) cover recording of: O virgo virginum (in 1999-04) composer: Josquin des Prez recording of: O virgo virginum composer: Josquin des Prez	Josquin des Prez	7:45
9	Motets: La déploration de Johannes Ockeghem: Nymphes des bois (à 5) recording engineer: Reinhild Schmidt (in 1999-04) executive producer: David R. Murray editor: Tom Wood alto vocals: Robert Harre-Jones (in 1999-04) bass vocals: Donald Greig (in 1999-04) choir vocals: Orlando Consort guest bass vocals: Robert Macdonald (in 1999-04) tenor vocals: Charles Daniels (in 1999-04) and Angus Smith (in 1999-04) balance engineer: Gregor Zielinsky phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 2000) recorded at: St. Osdag Church in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04) cover recording of: Déploration sur la mort de Johannes Ockeghem (for 5 voices) (in 1999-04) lyricist: Jean Molinet composer: Josquin des Prez	Josquin des Prez	4:33
10	Motets: Huc me sydereo / Plangent eum (à 5) recording engineer: Reinhild Schmidt (in 1999-04) executive producer: David R. Murray editor: Tom Wood alto vocals: Robert Harre-Jones (in 1999-04) bass vocals: Donald Greig (in 1999-04) choir vocals: Orlando Consort guest bass vocals: Robert Macdonald (in 1999-04) tenor vocals: Charles Daniels (in 1999-04) and Angus Smith (in 1999-04) balance engineer: Gregor Zielinsky phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 2000) recorded at: St. Osdag Church in Neustadt am Rübenberge, Niedersachsen, Germany (in 1999-04) cover recording of: Huc me sydereo - Plangent eum (a 5) (in 1999-04) composer: Josquin des Prez	Josquin des Prez	7:04
11	Motetti de la Corona: Praeter rerum seriem choir vocals: Gabrieli Consort orchestra: Gabrieli Players conductor: Paul McCreesh performer: Gabrieli Consort & Players recording of: Praeter rerum seriem (a 6) composer: Josquin des Prez	Josquin des Prez	7:00

3▼Digital Media: Wind Music From Renaissance Italy
#	Title	Artist	Length
1	Piva instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Joan Ambrosio Dalza	1:50
2	Music for Shawms and Sackbuts: Palle, Palle instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Heinrich Isaac	1:53
3	Music for Shawms and Sackbuts: Ne più bella di queste instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Heinrich Isaac	2:30
4	Music for Shawms and Sackbuts: La mi la sol instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Heinrich Isaac	2:21
5	Music for Recorders: Pass’e mezo ditto il Romano instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Francesco Bendusi	1:11
6	Music for Recorders: Moschetta instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Francesco Bendusi	0:56
7	Music for Recorders: Bandera instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Francesco Bendusi	1:11
8	Music for Flutes, Harp, Lute and Bagpipes: La Parma instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	[unknown]	4:22
9	Music for Flutes, Harp, Lute and Bagpipes: Un sonar de piva un fachinesco (Lirum Bililirum) instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	[unknown]	2:30
10	Regem Archangelorum instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Costanzo Festa	2:11
11	Alma, che scarca dal corporeo velo instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	[traditional]	1:35
12	Music for Crumhorns, Cittern and Percussion: Aldì, dolce ben mio instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Filippo Azzaiolo	1:24
13	Music for Crumhorns, Cittern and Percussion: Bona via faccia barca (Venetiana) instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Filippo Azzaiolo	1:18
14	Music for Crumhorns, Cittern and Percussion: Gentil madonna, del mio cor padrona instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Filippo Azzaiolo	1:07
15	Donna, quando pietosa instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Jacques Arcadelt	2:25
16	El travagliato instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07) recording of: El travagliato composer: Vincenzo Ruffo (in 1564)	Vincenzo Ruffo	1:58
17	La gamba in basso e soprano instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Vincenzo Ruffo	1:30
18	Amor è foco e ghiaccio instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07) recording of: Amor è foco e ghiaccio composer: Orazio Vecchi	Orazio Vecchi	2:57
19	Putta nera ballo furlano instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Giorgio Mainerio	3:54
20	All’arm’ all’arm instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Lodovico Agostini	1:41
21	Com’al primo apparir instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Giovanni Lindo Ferretti	3:14
22	Sonata “La facca” instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Cesario Gussago	1:58
23	Canzona “Istrina” instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Aurelio Bonelli	1:54
24	Sonata “La fontana” instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Cesario Gussago	2:06
25	Canzona “Licori” instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	Aurelio Bonelli	1:50
26	Suite of Dances: La morte de la pagione (pavane) – La traditora (gagliarda) instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	[unknown]	3:46
27	Suite of Dances: Bel fiore instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	[unknown]	1:53
28	Suite of Dances: La rocha el fuso (gagliarda) – El desperato (saltarello) – La lavandara (gagliarda) instruments: Piffaro, The Renaissance Band recorded at: Kirche St. Osdag in Neustadt am Rübenberge, Niedersachsen, Germany (in 1994-07)	[unknown]	4:27

4▼Digital Media: Sacred Music by Tallis, Byrd, Victoria, Palestrina and Allegri
#	Title	Artist	Length
1	Spem in alium engineer: Simon Eadon producer: Christopher Hazell choir vocals: Choir of King’s College, Cambridge (from 1988-07-18 until 1988-07-21, in 1989-07) conductor: Stephen Cleobury (from 1988-07-18 until 1988-07-21, in 1989-07) phonographic copyright (℗) by: The Decca Record Company Limited (in 1990) recorded at: King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-07-18 until 1988-07-21) and King’s College Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1989-07) recording of: Spem in alium (from 1988-07-18 until 1988-07-21) composer: Thomas Tallis recording of: Spem in alium (in 1989-07) composer: Thomas Tallis	Thomas Tallis	8:55
2	Mass for Three Voices: Kyrie choir vocals: Pro Cantione Antiqua (in 1974-04) conductor: Bruno Turner (in 1974-04) recorded at: Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen, Germany (in 1974-04)	William Byrd	0:44
3	Mass for Three Voices: Gloria choir vocals: Pro Cantione Antiqua (in 1974-04) conductor: Bruno Turner (in 1974-04) recorded at: Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen, Germany (in 1974-04)	William Byrd	5:05
4	Mass for Three Voices: Credo choir vocals: Pro Cantione Antiqua (in 1974-04) conductor: Bruno Turner (in 1974-04) recorded at: Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen, Germany (in 1974-04)	William Byrd	8:41
5	Mass for Three Voices: Sanctus – Benedictus choir vocals: Pro Cantione Antiqua (in 1974-04) conductor: Bruno Turner (in 1974-04) recorded at: Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen, Germany (in 1974-04)	William Byrd	3:10
6	Mass for Three Voices: Agnus Dei choir vocals: Pro Cantione Antiqua (in 1974-04) conductor: Bruno Turner (in 1974-04) recorded at: Schlosskirche Schleiden in Schleiden, Nordrhein-Westfalen, Germany (in 1974-04)	William Byrd	3:21
7	Gardanum: O magnum mysterium engineered in: Roma, Roma, Lazio, Italy choir vocals: Gabrieli Consort (in 1992-12) conductor: Paul McCreesh (in 1992-12)	Tomás Luis de Victoria	3:53
8	Missa Papae Marcelli: Kyrie choir vocals: Choir of Westminster Abbey (in 1985-02) conductor: Simon Preston (in 1985-02)	Giovanni Pierluigi da Palestrina	4:00
9	Missa Papae Marcelli: Gloria choir vocals: Choir of Westminster Abbey (in 1985-02) conductor: Simon Preston (in 1985-02)	Giovanni Pierluigi da Palestrina	6:19
10	Missa Papae Marcelli: Credo choir vocals: Choir of Westminster Abbey (in 1985-02) conductor: Simon Preston (in 1985-02)	Giovanni Pierluigi da Palestrina	8:50
11	Missa Papae Marcelli: Sanctus choir vocals: Choir of Westminster Abbey (in 1985-02) conductor: Simon Preston (in 1985-02)	Giovanni Pierluigi da Palestrina	3:02
12	Missa Papae Marcelli: Benedictus – Hosanna choir vocals: Choir of Westminster Abbey (in 1985-02) conductor: Simon Preston (in 1985-02)	Giovanni Pierluigi da Palestrina	3:10
13	Missa Papae Marcelli: Agnus Dei I – II choir vocals: Choir of Westminster Abbey (in 1985-02) conductor: Simon Preston (in 1985-02)	Giovanni Pierluigi da Palestrina	6:37
14	Miserere choir vocals: Choir of Westminster Abbey (in 1985-02) conductor: Simon Preston (in 1985-02) recorded at: All Saints Church in London, England, United Kingdom (in 1985-02) recording of: Miserere mei, Deus (in 1985-02) composer: Gregorio Allegri quotes lyrics from: Miserere mei (words from Psalm 51)	Gregorio Allegri	11:52

5▼Digital Media: Monteverdi: Madrigals / Vespers (highlights)
#	Title	Artist	Length
1	Il quarto libro de madrigali (1603): Sfogava con le stelle choir vocals: Monteverdi‐Chor Hamburg chorus master: Jürgen Jürgens recording of: Sfogava con le stelle, SV 78 composer: Claudio Monteverdi part of: Stattkus-Verzeichnis (number: SV 78) part of: Quarto libro de madrigali, SV 75–93	Claudio Monteverdi	3:57
2	Il quarto libro de madrigali (1603): Si ch’io vorrei morire choir vocals: Monteverdi‐Chor Hamburg chorus master: Jürgen Jürgens recording of: Sì, ch' io vorrei morire, SV 89 composer: Claudio Monteverdi part of: Stattkus-Verzeichnis (number: SV 89) part of: Quarto libro de madrigali, SV 75–93	Claudio Monteverdi	3:10
3	Lamento d’Arianna choir vocals: Monteverdi‐Chor Hamburg chorus master: Jürgen Jürgens recording of: Lamento d’Arianna, SV 22 lyricist: Ottavio Rinuccini composer: Claudio Monteverdi part of: Stattkus-Verzeichnis (number: SV 22)	Claudio Monteverdi	15:34
4	Dolcissimo uscignuolo choir vocals: Monteverdi‐Chor Hamburg chorus master: Jürgen Jürgens recording of: Dolcissimo uscignolo, SV 161 composer: Claudio Monteverdi part of: Stattkus-Verzeichnis (number: SV 161) part of: Ottavo Libro de’ Madrigali: Canti Amorosi	Claudio Monteverdi	3:12
5	Ecco mormorar l’onde choir vocals: Monteverdi‐Chor Hamburg chorus master: Jürgen Jürgens recording of: Ecco mormorar l'onde e tremolar le fronde, SV 51 composer: Claudio Monteverdi part of: Stattkus-Verzeichnis (number: SV 51) part of: Madrigals, Book 2, SV 40–59	Claudio Monteverdi	3:04
6	Quinto Libro dei Madrigali (1605): 9. Ch’io t’ami choir vocals: Monteverdi‐Chor Hamburg chorus master: Jürgen Jürgens recording of: Ch’io t’ami, SV 98 lyricist: Giovanni Battista Guarini composer: Claudio Monteverdi part of: Stattkus-Verzeichnis (number: SV 98) part of: Quinto libro de madrigali, SV 94–106	Claudio Monteverdi	9:16
7	Il quarto libro de madrigali (1603): Non piu guerra pietate choir vocals: Monteverdi‐Chor Hamburg chorus master: Jürgen Jürgens recording of: Non più guerra, pietate SV 88 composer: Claudio Monteverdi part of: Stattkus-Verzeichnis (number: SV 88) part of: Quarto libro de madrigali, SV 75–93	Claudio Monteverdi	2:40
8	S’andasse amor a caccia choir vocals: Monteverdi‐Chor Hamburg chorus master: Jürgen Jürgens recording of: S'andasse Amor a caccia SV 49 composer: Claudio Monteverdi part of: Stattkus-Verzeichnis (number: SV 49) part of: Madrigals, Book 2, SV 40–59	Claudio Monteverdi	1:47
9	Vespro della Beata Vergine: Duo seraphim a 3 choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206 (for chorus & instruments)	Claudio Monteverdi	6:07
10	Magnificat: 1. Magnificat anima mea choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: XIIIa. Magnificat (I): "Magnificat" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)	Claudio Monteverdi	1:02
11	Magnificat: 2. Et exultavit choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: XIIIb. Magnificat (I): "Et exsultavit" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)	Claudio Monteverdi	1:33
12	Magnificat: 3. Quia respexit choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: XIIIc. Magnificat (I): "Quia respexit" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)	Claudio Monteverdi	1:33
13	Magnificat: 4. Quia fecit mihi magna choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: XIVd. Magnificat (II): "Quia fecit mihi magna" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)	Claudio Monteverdi	1:13
14	Magnificat: 5. Et misericordia choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: XIIIe. Magnificat (I): "Et misericordia" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)	Claudio Monteverdi	2:01
15	Magnificat: 6. Fecit potentiam choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: XIIIf. Magnificat (I): "Fecit potentiam" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)	Claudio Monteverdi	0:56
16	Magnificat: 7. Deposuit potentes de sede choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: XIIIg. Magnificat (I): "Deposuit potentes de sede" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)	Claudio Monteverdi	2:11
17	Magnificat: 8. Esurientes implevit bonis choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: XIVh. Magnificat (II): "Esurientes implevit bonis" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)	Claudio Monteverdi	1:08
18	Magnificat: 9. Suscepit Israel choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: XIVi. Magnificat (II): "Suscepit Israel" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)	Claudio Monteverdi	1:35
19	Magnificat: 10. Sicut locutus est choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: XIIIj. Magnificat (I): "Sicut locutus est" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)	Claudio Monteverdi	1:10
20	Magnificat: 11. Gloria Patri choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: XIIIk. Magnificat (I): "Gloria Patri" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)	Claudio Monteverdi	2:18
21	Magnificat: 12. Sicut erat in principio choir vocals: Regensburger Domspatzen conductor: Hanns‐Martin Schneidt recording of: Vespro della Beata Vergine, SV 206: XIIIl. Magnificat (I): "Sicut erat in principio" composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)	Claudio Monteverdi	1:56

6▶Digital Media: Schütz: O bone Jesu / Buxtehude / Pachelbel: Instrumental Music

7▶Digital Media: Purcell: Dido and Æneas (highlights) / The Fairy Queen (highlights) / Te Deum and Jubilate

8▶Digital Media: Charpentier: Te Deum / Rameau: Music From the Stage Works

9▶Digital Media: Telemann: Concertos

10▶Digital Media: Vivaldi: The Four Seasons / Gloria

11▶Digital Media: Bach: Brandenburg Concertos nos. 2 & 5 / Orchestral Suite no. 2

12▶Digital Media: Bach: Goldberg Variations / Italian Concerto / Fantasias

13▶Digital Media: Bach: Organ Music

14▶Digital Media: Bach: St. Matthew Passion (highlights)

15▶Digital Media: Bach: Magnificat / Cantatas nos. 63 & 65

16▶Digital Media: Handel: Fireworks Music / Overtures / Concerto grosso “Alexander’s Feast”

17▶Digital Media: Handel: Concertos

18▶Digital Media: Handel: Messiah (arias and choruses)

19▶Digital Media: Scarlatti, D: Harpsichord Sonatas

20▶Digital Media: Bach, C.P.E.: String Symphonies, WQ 182 / Bach, J.C.: Quintet, op. 11 no. 6

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purchase for download:	https://itunes.apple.com/de/album/id719873554 [info]
discography entry:	http://www.deutschegrammophon.com/en/cat/4791048 [info] http://www.deutschegrammophon.com/en/cat/4792300 [info]

Release group

includes:	Brandenburg Concertos nos. 2 & 5 / Suite no. 2 by Bach; Musica Antiqua Köln, Reinhard Goebel Dido and Aeneas / The Fairy Queen / Te Deum & Jubilate (excerpts) by Henry Purcell Goldberg Variations / Italian Concerto by Bach; Ralph Kirkpatrick Great Organ Works by Bach; Ton Koopman Kammerkonzerte by Georg Philipp Telemann; Musica Antiqua Köln, Reinhard Goebel Magnificat - Cantatas BWV 63 & BWV 65 by Bach; Munich Bach Choir, Munich Bach Orchestra, Karl Richter Marien‐Vesper (highlights) / Madrigals by Claudio Monteverdi; Regensburger Domspatzen, Monteverdi‐Chor Hamburg, Hanns‐Martin Schneidt, Jürgen Jürgens Messiah: Arias and Choruses by Handel; The English Concert & Choir, Trevor Pinnock Orgelkonzert “The Cuckoo and the Nightingale” / Harfenkonzert / Oboenkonzert nr. 3 / Concerto a Due Cori nr. 2 by Handel; Simon Preston, The English Concert, Trevor Pinnock Royal Fireworks Music / Concerto Grosso “Alexander’s Feast” / Ouvertures by Handel; The English Concert, Trevor Pinnock The Symphonies for Strings by Carl Philipp Emanuel Bach; The English Concert, Trevor Pinnock

includes:

Brandenburg Concertos nos. 2 & 5 / Suite no. 2 by Bach; Musica Antiqua Köln, Reinhard Goebel
Dido and Aeneas / The Fairy Queen / Te Deum & Jubilate (excerpts) by Henry Purcell
Goldberg Variations / Italian Concerto by Bach; Ralph Kirkpatrick
Great Organ Works by Bach; Ton Koopman
Kammerkonzerte by Georg Philipp Telemann; Musica Antiqua Köln, Reinhard Goebel
Magnificat - Cantatas BWV 63 & BWV 65 by Bach; Munich Bach Choir, Munich Bach Orchestra, Karl Richter
Marien‐Vesper (highlights) / Madrigals by Claudio Monteverdi; Regensburger Domspatzen, Monteverdi‐Chor Hamburg, Hanns‐Martin Schneidt, Jürgen Jürgens
Messiah: Arias and Choruses by Handel; The English Concert & Choir, Trevor Pinnock
Orgelkonzert “The Cuckoo and the Nightingale” / Harfenkonzert / Oboenkonzert nr. 3 / Concerto a Due Cori nr. 2 by Handel; Simon Preston, The English Concert, Trevor Pinnock
Royal Fireworks Music / Concerto Grosso “Alexander’s Feast” / Ouvertures by Handel; The English Concert, Trevor Pinnock
The Symphonies for Strings by Carl Philipp Emanuel Bach; The English Concert, Trevor Pinnock

part of:	The History of Classical Music: From Gregorian Chant to Górecki (order: 1)

The History of Classical Music, Part 1: Medieval to Baroque: From Gregorian Chant to C.P.E. Bach

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