The Classical Album 2005

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistLength
1En Aranjuez con tu amor
Andrea Bocelli3:26
2Granada
bass-baritone vocals:
Bryn Terfel
recording of:
Granada (original Spanish version)
lyricist and composer:
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. and Peer International Corporation (from 1932 to present)
Bryn Terfel4:41
3Viva!bond3:16
4Pokarekare Ana
producer:
Giles Martin
cello and solo cello:
François Rive
guitar and guitar [guitars]:
Robbie McIntosh
choir vocals:
Metro Voices and Te Tau Choir
solo vocals:
Hayley Westenra
vocals:
Metro Voices and Hayley Westenra
orchestra:
Royal Philharmonic Orchestra
conductor:
Ian Dean and Jenny O’Grady
chorus master:
Jenny O’Grady
arranger:
Sarah Class
phonographic copyright (℗) by:
Decca Music Group Ltd. (in 2003)
recording of:
Pokarekare Ana
lyricist:
[anonymous]
composer:
[anonymous] and [traditional]
Hayley Westenra3:19
5Mi batte il cor... O paradisoLuciano Pavarotti3:31
6Una MattinaLudovico Einaudi3:23
7Time to Say Goodbye
engineer and mixer:
Pete Schwier and Leon Zervos
producer:
Nick Patrick
acoustic guitar:
Bryan Adams
cello:
Adrian Bradbury
mezzo-soprano vocals:
Katherine Jenkins
orchestra:
The Czech Film Orchestra
orchestrator:
James Banbury
phonographic copyright (℗) by:
Universal Classics & Jazz (in 2004)
recording of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
lyricist:
Lucio Quarantotto
composer:
Francesco Sartori
publisher:
Sugar S.r.l., Sugar Songs UK Limited, Double Marpot Edizione Musicali (in 1995) and Insieme S.r.l. (in 1995)
Katherine Jenkins3:44
8Canon
violin:
Duel
orchestra:
The London Session Orchestra
conductor:
Gavyn Wright
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel
part of:
Canon and Gigue in D major, P. 37, T. 337
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements)
composer:
Johann Pachelbel
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
Duel4:01
9Allegro from "Spring"
recording engineer:
Jürgen Bulgrin (from 2004-05-20 until 2004-05-23)
engineer:
Philip Siney
producer:
Dominic Fyfe
cello:
Maarten Jansen (from 2004-05-20 until 2004-05-23)
double bass:
Stacy Watton (from 2004-05-20 until 2004-05-23)
harpsichord and organ:
Jan Jansen (from 2004-05-20 until 2004-05-23)
solo violin:
Janine Jansen (from 2004-05-20 until 2004-05-23)
theorbo:
Elizabeth Kenny (from 2004-05-20 until 2004-05-23)
viola:
Julian Rachlin (from 2004-05-20 until 2004-05-23)
violin:
Henk Rubingh (from 2004-05-20 until 2004-05-23) and Candida Thompson (from 2004-05-20 until 2004-05-23)
recorded at:
Beurs van Berlage: Yakult Hall in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 2004-05-20 until 2004-05-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (from 2004-05-20 until 2004-05-23)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Janine Jansen3:19
10Ombra mai fù
countertenor vocals and countertenor vocals [Serse]:
Andreas Scholl
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Roger Norrington
phonographic copyright (℗) by:
Decca Music Group Limited (in 1999)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous]
part of:
Serse, HWV 40: Atto I
Andreas Scholl2:59
11The Unknown SoldierNigel Kennedy5:44
12Nuns' Chorus
producer:
Paul Myers
choir vocals:
The Mormon Tabernacle Choir (from 1989-02-24 until 1989-02-25)
soprano vocals:
Kiri Te Kanawa (from 1989-02-24 until 1989-02-25)
orchestra:
Utah Symphony Orchestra (from 1989-02-24 until 1989-02-25)
conductor:
Julius Rudel (from 1989-02-24 until 1989-02-25)
chorus master:
Jerold Ottley (from 1989-02-24 until 1989-02-25)
arranger:
Douglas Gamley
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1989)
recorded at:
Salt Lake Tabernacle in Salt Lake City, Utah, United States (from 1989-02-24 until 1989-02-25)
live recording of:
Casanova: Nuns’ Chorus & Laura’s Song (from 1989-02-24 until 1989-02-25)
additional composer:
Ralph Benatzky
composer:
Johann Strauss
librettist:
Rudolf Schanzer and Ernst Welisch
part of:
Casanova
partial recording of:
Casanova: Nuns’ Chorus & Laura’s Song
additional composer:
Ralph Benatzky
composer:
Johann Strauss
librettist:
Rudolf Schanzer and Ernst Welisch
part of:
Casanova
Kiri Te Kanawa3:33
13Chopin Etude No.1 op. 25Nelson Freire2:26
14Flight of the Bumblebee
cello:
Julian Lloyd Webber
orchestra:
English Chamber Orchestra
conductor:
Nicholas Cleobury
arranger:
Christopher Palmer
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
composer:
Николай Андреевич Римский‐Корсаков
publisher:
Domaine public
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Julian Lloyd Webber1:10
15For the Love of a Princess
recording engineer and mixer:
Shawn Murphy
assistant engineer:
Jonathan Allen
producer:
James Horner and Shawn Murphy
assistant editor:
Christine Cholvin and Joe E. Rand
editor:
Jim Henrikson
choir vocals:
Choir of Westminster Abbey
orchestra:
London Symphony Orchestra
conductor:
James Horner
chorus master:
Martin Neary
orchestrator:
James Horner
phonographic copyright (℗) by:
Decca Music Group Limited (in 1995)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London, England, United Kingdom
recording of:
For the Love of a Princess (Braveheart)
composer:
James Horner
part of:
Braveheart
James Horner4:08
16Now We Are Free
recording engineer and mixer:
Alan Meyerson
assistant engineer:
Jake Jackson and Nick Wollage
producer:
Klaus Badelt and Hans Zimmer
orchestra:
The Lyndhurst Orchestra
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
Decca Music Group Limited (in 2000), Dreamworks Productions LLC (in 2000) and Universal Classics Group (in 2000)
recorded at:
AIR Studios in Hampstead, Camden, London, England, United Kingdom
recording of:
Now We Are Free (Gladiator)
lyricist:
Lisa Gerrard
composer:
Klaus Badelt, Lisa Gerrard and Hans Zimmer
publisher:
Copyright Control, SKG Songs and Universal‐MCA Music Publishing
part of:
Gladiator
medley including a cover recording of:
Now We Are Free (Gladiator)
lyricist:
Niloofar Rafiei
is based on:
Now We Are Free (Gladiator)
medley of:
Now We Are Free (Gladiator)
Hans Zimmer & Lisa Gerrard4:14
17Měsíčku na nebi hlubokém (O Silver Moon)
soprano vocals [Rusalka]:
Renée Fleming (in 1996-12)
orchestra:
London Symphony Orchestra (in 1996-12)
conductor:
Sir Georg Solti (in 1996-12)
recorded at:
Henry Wood Hall in London, England, United Kingdom (in 1996-12)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) (in 1996-12)
composer:
Antonín Dvořák (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Renée Fleming5:57
18Amore e Musica
programming and producer:
Simon Franglen
assistant engineer:
‘Robo’ Brad Spence and Chris Barrett
engineer:
Jon Bailey and Nick Woollage
mixer:
Mick Guzauski
guitar [guitars]:
Dean Parks
keyboard [keyboards]:
Simon Franglen
tenor vocals:
Russell Watson
orchestra:
Royal Philharmonic Orchestra
conductor:
Simon Hale
orchestrator:
Simon Hale
mixed at:
Barking Doctor Studio in Mount Kisco, New York, United States
recording of:
Amore e musica
lyricist:
Felice di Salvo
composer:
Roberto Pacco
Russell Watson3:58
2CD
#TitleArtistLength
1Il Canto
sound engineer and mixer:
Luciano Torani
assistant producer:
Valerio Calisse and Simone Rocchini
executive producer:
Eric Ghenassia
producer:
Romano Musumarra
percussion:
Alberto Bartoli
tenor vocals:
Luciano Pavarotti
orchestra:
Orchestra di Roma
conductor:
Romano Musumarra
recording of:
Il canto
composer:
Romano Musumarra and Giorgio Flavio Pintus
Luciano Pavarotti3:46
2Questa o quella
tenor vocals [Duca]:
Plácido Domingo (in 1979-09)
orchestra:
Orchester der Wiener Staatsoper (in 1979-09) and Vienna Philharmonic Orchestra (in 1979-09)
conductor:
Carlo Maria Giulini (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1979-09)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Plácido Domingo1:53
3The Pearl Fishers' DuetAndrea Bocelli & Bryn Terfel5:55
4Funiculì, funiculà
recorded in:
London, England, United Kingdom (in 1980-07)
tenor vocals:
José Carreras
orchestra:
English Chamber Orchestra (in 1980-07)
conductor:
Edoardo Müller (in 1980-07)
performer:
José Carreras (in 1980-07)
recording of:
Funiculì, funiculà (in 1980-07)
composed in:
Castellammare di Stabia, Napoli, Campania, Italy (in 1880)
lyricist:
Peppino Turco
composer:
Luigi Denza (in 1880)
publisher:
PolyGram Music Publishing Ltd. and Robbins Music Corp.
José Carreras2:33
5Fragile
Dominic Miller & Kaori Muraji3:46
6Song for AtheneThe Choir of Temple Church, Holst Singers, Stephen Layton, Ian le Grice5:35
7La donna è mobile
tenor vocals:
Joseph Calleja
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (from 2003-06-27 until 2003-06-30)
conductor:
Riccardo Chailly (from 2003-06-27 until 2003-06-30)
recorded at:
Auditorium di Milano in Milano, Milano, Lombardia, Italy (from 2003-06-27 until 2003-06-30)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (from 2003-06-27 until 2003-06-30)
composer:
Giuseppe Verdi (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Joseph Calleja2:13
8Gymnopedie No. 1
producer:
David Mottley
editor:
Mark Buecker and Oliver Curdt
piano:
Jean‐Yves Thibaudet
balance engineer:
Philip Siney
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (number: 4)
part of:
Gymnopédies
Jean‐Yves Thibaudet3:40
9Una furtiva lagrima
producer:
Andrew Cornall
tenor vocals [Nemorino]:
Juan Diego Flórez (from 2002-09 until 2002-11)
orchestra:
Orchestra Sinfonica di Milano Giuseppe Verdi (from 2002-09 until 2002-11)
conductor:
Riccardo Frizza (from 2002-09 until 2002-11)
balance engineer:
Philip Siney (from 2002-09 until 2002-11)
recorded at:
Auditorium di Milano in Milano, Milano, Lombardia, Italy (from 2002-09 until 2002-11)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 2002-09 until 2002-11)
composer:
Gaetano Donizetti (in 1832)
librettist:
Felice Romani
part of:
L’elisir d’amore: Atto II
Juan Diego Flórez4:43
10Blow the Wind Southerly
contralto vocals:
Kathleen Ferrier (from 1949-02-10 until 1949-02-11)
arranger:
William Gillies Whittaker
recorded at:
Decca Studios in West Hampstead, Camden, London, England, United Kingdom (from 1949-02-10 until 1949-02-11)
recording of:
Blow the Wind Southerly (from 1949-02-10 until 1949-02-11)
lyricist and composer:
[traditional]
part of:
Roud Folk Song Index (number: 2619)
Kathleen Ferrier2:26
11Ave Maria
producer:
Andrew Cornall and Paul Myers (task: session recording producer)
mixer:
Philip Siney (from 1998-09-19 until 1998-09-25)
soprano vocals:
Angela Gheorghiu (from 1998-09-19 until 1998-09-25)
vocals:
Angela Gheorghiu
orchestra:
London Philharmonic Orchestra (from 1998-09-19 until 1998-09-25)
conductor:
Ion Marin (from 1998-09-19 until 1998-09-25)
arranger:
Giacomo Zani
balance engineer:
James Lock (from 1998-09-19 until 1998-09-25)
phonographic copyright (℗) by:
Decca Music Group Limited (in 2001)
recorded at:
All Hallows’ Church in Hampstead, Camden, London, England, United Kingdom (from 1998-09-19 until 1998-09-25)
recording of:
Ave Maria (by Pietro Mascagni, adapted from the Intermezzo of his Cavalleria Rusticana)
lyricist:
Pietro Mazzoni
composer:
Pietro Mascagni
is based on:
Cavalleria rusticana: Intermezzo
Angela Gheorghiu3:24
12Zorba's Dance
Theodorakis3:14
13Schindler's List Main Theme
producer:
Dominic Fyfe
violin:
Janine Jansen (in 2003-02)
orchestra:
Royal Philharmonic Orchestra (in 2003-02)
conductor:
Barry Wordsworth (in 2003-02)
balance engineer:
Philip Siney (in 2003-02)
phonographic copyright (℗) by:
Decca Music Group Limited (in 2003)
recorded at:
Watford Colosseum in Watford, Hertfordshire, England, United Kingdom (in 2003-02)
recording of:
Main Theme (Schindler’s List) (in 2003-02)
composer:
John Williams (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth3:48
14Explosivebond3:14
15You Raise Me UpSecret Garden5:05
16Never Say Goodbye
Hayley Westenra3:16
17Nessun Dorma
recording engineer:
James Lock (on 1990-07-07), John Pellowe (on 1990-07-07) and Philip Siney (on 1990-07-07)
producer:
Christopher Raeburn
editor:
Nigel Gayler
tenor vocals:
José Carreras (on 1990-07-07), Plácido Domingo (on 1990-07-07) and Luciano Pavarotti (on 1990-07-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1990-07-07) and Orchestra del Teatro dell’Opera di Roma (on 1990-07-07)
conductor:
Zubin Mehta (on 1990-07-07)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (in 1990)
recorded at:
Terme di Caracalla in Roma, Roma, Lazio, Italy (on 1990-07-07)
live recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (on 1990-07-07)
composer:
Giacomo Puccini (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III (Turandot: Act III)
The Three Tenors3:31

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ASIN:US: B000A8AXWW [info]